Au début des années 1980 un groupe anglais fait fureur sur les scènes des clubs londoniens en misant sur la singularité du look. La créativité musicale du guitariste Gary Kemp et la voix de Tony Hadley font merveille. En 1983 les Spandau Ballet connaissent un immense succès avec les titres True et Gold. Le groupe vendra des millions de disques à travers le monde et deviendra l?emblème des années 1980. Thijs Oud a réalisé un arrangement motivant et très original du titre Gold en associant de pétillants tempi dance et disco avec des accords jazzy.

The ability to sing in foreign languages is a much-needed skill for singers but few vocal training resources tackle this aspect comprehensively in one book. With this in mind ABRSM examiners and professional singers Heidi Pegler and Nicola-Jane Kemp have written The language of song a graded series of songbooks that provide classic song repertoire carefully selected to develop the vital skills required to sing in a foreign language. An invaluable resource for all singing students and teachers each song gives both a literal and poetic translation of each text a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide andbackground information on the songs as well as technical and musical teaching points. The accompanying CD provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist Iain Harrington. Not just ideal for those taking graded singing exams these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song!

The ability to sing in foreign languages is a much-needed skill for singers but few vocal training resources tackle this aspect comprehensively in one book. With this in mind ABRSM examiners and professional singers Heidi Pegler and Nicola-Jane Kemp have written The language of song a graded series of songbooks that provide classic song repertoire carefully selected to develop the vital skills required to sing in a foreign language. An invaluable resource for all singing students and teachers each song gives both a literal and poetic translation of each text a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide andbackground information on the songs as well as technical and musical teaching points. The accompanying CD provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist Iain Harrington. Not just ideal for those taking graded singing exams these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song!

Skempton's simple and reflective setting of John Clare's poem was commissioned by the Aldeburgh Festival and composed for The Abbey Chapel Choir Woodbridge. With its fluid changes of time signature and unusual harmonic inflections Song's Eternity evokes a sound-world unique to Skempton. The modest scoring and simple movement within the parts make the work accessible to all upper-voice or treble choirs looking to try something new.

Description Guitar And Flute Duets Compiled and arranged by Peter Draper. Forty-seven duets for intermediate players with study hints for each piece. Songlist A Happy And Harmonious Blacksmith (Air - Suite No.5 In E Hwv 430) [Handel, George Frideric] Allegro In D (Mozart) Alman [Johnson, Robert] Berceuse [Faure, Gabriel] Come Again [Dowland, John] El Majo Discreto [Granados, Enrique] Gavotte [Turk, Daniel Gottlob] Invention No.10 (Js Bach) Kemp's Jig (Downland) Largo (Xerxes) [Handel, George Frideric] Le Marc-antoine (Blavet) Le Tambourin [Rameau, Jean-philippe] Le Tambourin (Leclair) Lento (Telemann) March [Bach, Johann Sebastian] Minuet (Blavet) Minuet (Don Giovanni) [Mozart, Wolfgang Amadeus] Minuet (Eine Kleine Nachtmusik) [Mozart, Wolfgang Amadeus] Minuet (Schubert) Minuet From Orpheus (Gluck) Minuet I (Purcell) Minuet Ii (Purcell) Minuet In G Minor [Bach, Johann Sebastian] Minuetto (Paganini) Minuetto Giocoso [Haydn, Franz Joseph] Moment Musicale Op.94 No.3 [Schubert, Franz] Musette [Bach, Johann Sebastian] Pastorale (Vivaldi) Playera (Granados) Prelude In E Minor Op.28 No.4 [Chopin, Frederic] Preludio [Corelli, Arcangelo] Rage Over A Lost Penny [Beethoven, Ludwig Van] Recuerdos De La Alhambra (Tarrega) Recuerdos de la Alhambra [Tarrega, Francisco] Rondo [Bach, Carl Philipp Emanuel] Serenade [Haydn, Franz Joseph] Siciliano [Bach, Johann Sebastian] Sicilienne [Paradies, Pietro] Sonata In A No.483 (Scarlatti) Sonatine In D Minor (Beethoven) Tango [Albeniz, Isaac] The Organ Grinder From Die Winterreise Op.89 (Schubert) Theme And Variation On A Theme By Rossini (Chopin) Tre Giorni (Pergolesi) Valse (Tchaikovsky) Waltz [Brahms, Johannes] Waltz (Lyric Pieces) [Grieg, Edvard] Waltz In A Minor (Chopin) What If I Never Speede (Downland)

Par ELIAS BRIAN. Capriccio for Bassoon and Strings was commissioned by Music at Malling. The first performance was given on 24 September 2021 in St. Mary’s Church, West Malling, Kent, by Adam MacKenzie (bassoon) and Chamber Domaine, conducted by Thomas Kemp. / Date parution : 2022-02-03/ Répertoire / Basson et Piano

Par JACKSON JAKE. The ability to sing in foreign languages is a much-needed skill for singers, but few vocal training resources tackle this aspect comprehensively in one book. With this in mind, ABRSM examiners and professional singers Heidi Pegler and Nicola-Jane Kemp have written The language of song, a graded series of songbooks that provide classic song repertoire, carefully selected to develop the vital skills required to sing in a foreign language. An invaluable resource for all singing students and teachers, each song gives both a literal and poetic translation of each text, a detailed pronunciation guide using the International Phonetic Alphabet (IPA) guide andbackground information on the songs as well as technical and musical teaching points. The accompanying CD provides the text for each song spoken by a native speaker - expert language consultants who specialise in coaching singers - as well as a recording of each song accompaniment by international pianist Iain Harrington. Not just ideal for those taking graded singing exams, these are invaluable for singers of any age exploring international song repertoire up to university and college level. Learn to sing this wonderful foreign language repertoire confidently and effectively and celebrate the Language of Song!/ Etude / Guitare

Le terme ?Renaissance? (rinascimiento) est utilisé pour la première fois en 1550 par le peintre architecte et historien florentin Giorgio Vasari. Mais ce n?est qu?à partir de 1860 qu?il sert à définir l?art italien des XVe et XVIe siècles. La Renaissance est une période où s?est manifesté un intérêt renouvelé pour l?art classique fusionnant avec un point de vue plus moderne. Cette composition en quatre tableaux réunit quatre œuvres anonymes de la Renaissance. En exploitant les couleurs actuelles de l?Orchestre d?Harmonie Franco Cesarini recrée l?atmosphère fascinante des fastes de la Renaissance. Le premier mouvement est une pavane intitulée Vive Henri IV(vers 1590). Le second mouvement plus rapide est basé sur la pièce Kemp?s Jig datée vers 1600. Le troisième tableau Canario (vers 1500) débute sereinement puis évolue vers un 6/8 pétillant. Le Bransle de chevaux (vers 1590) quatrième et dernier tableau offre une conclusion résolument spectaculaire.

Robert Saxton's Passacaglia On The Name John McCabe for Organ.Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE.First performed in Faversham Church Kent on 28th June 2015 by Edward Kemp-Luck.Duration: 6 mins ca.A review in the June 2016 edition of Organist's Review calls this piece a 'beautifully produced work' that features 'the pleasing disorientation of false relations' and is 'as inventive as it is impressive.'A similarly glowing review in the August-October edtion of The Organ magazine calls thispiece 'a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge this music on all recital organists - it is a splendid piece and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita especially.'