Aidant à former des musiciens depuis 1950, Music Minus One fournit des artistes de tous les niveaux d?habiletés, une façon facile d?étudier, de pratiquer et de performer avec des musiciens professionnels dans le confort de leur domicile. Offrant des disques compacts comprenant les partitions de musiques d?accompagnements solos de solistes de renommées mondiales, les albums de Music Minus One offrent une superbe expérience de pratique. Nous avons assemblés quelques uns des orchestres et duos les plus recherchés dans un répertoire des plus facile, et ce, avec l?accompagnement orchestral et l?accompagnement au piano. Oui, les enregistrements du niveau de l?élève existent aussi dans notre catalogue, pour les débutants sur tous les instruments. Parfait pour les auditions, les concours solos et même pour les prestations scolaires. Imaginez la joie de jouer avec un orchestre symphonique complet chez soi? Voici une opportunité seulement imaginée jusqu?à maintenant pour les musiciens et vocalistes de partout. Oui, nous offrons aussi un répertoire d?opéra en plus des plus célèbres musiques de chambre dans cet unique et extraordinaire catalogue que nous appelons Music Minus One. Fondé en 1950, il fonctionne toujours aussi bien! Presque mille albums! / Classique / Partitions CD /

Couverture, somiglianze, plagi e cloni ' La musica orecchiabile, proprio perché tale, assomiglia un qualche cosa già scritta già proposta alla gente. Se non fosse stata udita non avrebbe successo', dés Ennio Morricone. Nations Unies fenomeno di étroite attualità quello del plagio : le attualmente pendenti negli uffici giudiziari italiani sono infatti non meno di 3mila, la couper en dés Bovi. In Italia I casi più famosi di plagio sono quelli di Al Bano e Michael Jackson (oggetto del contendere, il familles ' je cygnes di Bakala'), Ricky Gianco e e de Claudio Baglioni, ultimo in ordine di tempo Sergio Endrigo e il maestro Luis Bacalov. Proprio ONU anno fa la corte di appello civile di Roma ha stabilito che Bacalov copiò alcune note del tema musicale de ' Le mie notti ' par la colonna sonora del film ' Il Postino '. / Livre Musical

'The Alchymist's Journal' gets its title from the book of the same name by American author Evan S. Connell. The book fictionalises a number of famous Alchemist’s writings each one developing another's thoughts thus continuing one idea but changing it subtly to provide a new view point or way of thinking. This process is in fact alchemical as one idea transmutes into another. This idea is parallel to the processes at work within these variants. The whole work is constructed from 6 notes (C A B flat E flat F sharp E) and is presented in nine different sections each individual in mood but still based upon the original pitches. This is not a thematic set ofvariations as the themes are developed one at a time from small segments of the six notes. For example the opening theme is the complete number of pitches the second theme uses three notes transposed then repeated at the original level and so on. Harmonically the six notes can be divided into two triads A minor and E flat minor – each key beginning and ending the piece respectively. Whilst this is essentially abstract music with no programme there is an introduction menacing scherzo slow reflective section followed by a recap of the scherzo and final coda. 'The Alchymist’s Journal' was commissioned by the Brass Band Heritage Trust at the suggestion of Paul Hindmarsh to whom the work is dedicated.

An evocation of ÿantique musical instruments and machines and the spirits who are still making music through them.

The inspiring story of schoolchildren who went on strike for their teachers in 1914. It takes place in a small village in Norfolk and is set against a background of outbreak of war the Suffragette movement Unions and birth of the Labour Party. The scenes are linked by two modern day children investigating an old trunk at their Grandmother’s. There is a real connection with history here as the events are based upon what actually happened in the village of Burston in Norfolk at the time. The real story of Burston can be be investigated using the links listed in the bibliography at the back of the script.Ideal for 9-15 year olds7 main characters plus smallparts and chorusLinks with History curriculum Key Stage 313 songs some with two parts recorder and tuned percussion parts

The composer writes My third string quartet was commissioned by the Smith Quartet (London) and first performed by them in 1994 at the Brighton Festival. The intention of the work was to transform four stringed instruments into a single super instrument while capitalising on their natural singing qualities. A kind of aural alchemy. Carl Vine

Band 7: Streichinstrumente-. Par OTT EUGEN. Mehr noch als bei anderen Instrumenten prägen große Virtuosen die Geschichte der Musik für Streichinstrumente, besonders die der Violinmusik. Beileibe nicht nur im Barock stand im Zentrum ihrer Kunst die Verzierung: das Auszieren langsamer Sätze, die Improvisation von Übergängen, die Gestaltung großer Kadenzen. Karin und Eugen Ott haben einen unvergleichlichen Fundus an originalen Quellen solcher Verzierungen von der Renaissance bis ins 19. Jahrhundert zusammengetragen. Eine Fundgrube für den Spezialisten, eine Entdeckungsreise für den interessierten Laien, Inspiration und Anleitung für den avancierten Streicher. Veröffentlichung auf CD-Rom. Folgende Bände sind in der Reiheerschienen:SY 9010Band 1: GrundlagenSY 9011 Band 2: die Vokalmusik von den Anfängen bis um 1750 SY 9012 Band 3: Die Vokalmusik in der Zeit MozartsSY 9013Band 4: Die Vokalmusik im 19. Jahrhundert SY 9014Band 5: Das Lied - Die KastratenSY 9015Band 6: Tasteninstrumente SY 9016Band 7: Streichinstrumente (CD-Rom) / Date parution : 1905-07-02/ Accessoire / Education musicale