Kerry Andrew's Luna-cy for three voices (SSA). Duration: 5 minutes Composed: 2001 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. A cuckoo called: I looked towards the sound but only the moon of the dawn was there. Fujiwara Sanesada. Translation by Geoffrey Bownas and Anthony Thwaite from ‘The Penguin Book of Japanese Verse’ (Penguin Books 1964 Revised edition 1998 2009). Reproduced by permission of Penguin Books Ltd. I had an animalistic expression of madness in mind for this piece. The Japanese tanka above seemed to encapsulate the idea of madness associated with themoon ('lunar'= 'lunacy') and with cuckoos.

Par LUNA PAOLA ANDREA. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Atardecer de Luna Paola Andrea qui a été composé pour Flûte Traversière / Niveau : 1er Cycle / Répertoire / Flûte Traversière et Piano

Our piano solo matching folio includes all 11 songs from the 2002 release by popular new age artist David Lanz: America · Dorado · Lost in Paradise · Love Lost ... Love Found · Luna · Theme from The Other Side · Romantica · The Sound of Wings · Tears for Alice · That Smile · Walk on Water.

Concerto grosso for trumpet, tenor trombone and chamber ensemble. Par SCHNEIDER ENJOTT. The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su Tirgoviste” is a memoriam for the thousands of impaled victims who came to a violent end in today’s Târgoviste. 3: “Il ballo transilvano” confronts a naive waltz rhythm with aggressive polyrhythmic reinterpretations – in the manner of the stick and the carrot. 4: “Bacio di sangue” is Neo-Baroque horror music which has got out of hand, demanding extreme virtuosity from both soloists and ensemble. Enjott Schneider/ Répertoire / Trompette et Réduction pour Piano avec des Parties

Thomas Simaku's La Leggiadra Luna arranged for choir a capella. The music begins with a song-like expression introduced at a slow pace as if emerging from the remoteness of time itself. It is clearly based on the musical utterance of the 'white modality' but these modal segments are constantly surrounded by chromatic inflections throughout the work. Each section of the choir pursues its own path but during a compositional process of ‘zooming in and out’ as it were their individual qualities are highlighted. It is as if the initial sound object - which to begin with was far away- is brought nearer to us in time andspace. A variety of short segments predominantly modal but stemming from different chromatic ‘locations’ are often superimposed. The task of filtering out this 'amourphous' texture and giving its constituent elements - be they melodic or harmonic or a combination of both - a renewed identity becomes an essential compositional aim through which the process of crystallization occurs. The main strategy of the piece is thus exploring the interrelationship between these two sound-worlds (modal and chromatic) and their temporal qualities (ancient and modern) musical or otherwise.

La référence FP 039 de l'éditeur Fertile Plaine dont l'auteur célèbre est Maldonado Raul, qui a pour titre Cancion de Luna y Cielo ( 4 guitares ), a été écrite et composée pour Guitare et plus particulièrement pour 4 Guitares. Cette partition musicale appartient à la catégorie Classique. / 4 Guitares / Partition

Luna by Per Nørgård is a fantastic composition for Orchestra dating from 1967. Full score.