Featuring 15 popular Chart Hits of today, the Easiest 5-Finger Piano Collection puts some brilliant hits right at your (five) finger tips. Perfect for beginners or as sight-reading practice, this songbook will get you playing some of the biggest chart tunes straight away, and with ease.Featuring some of the latest and greatest pop songs of today, by the most talented young songwriters out there, you'll be sitting down and playing these catchy choruses in no time at all. With songs like Blame It On Me by the unstoppable George Ezra, the inspirational Shake It Off by Taylor Swift, the heartfelt Night Changes by One Direction and the soundtrack to Christmas 2014, Tom Odell's Real Love, you'll impress your friends and family with how quickly and easily you can pick up these popular tunes. Not only this, but you can download a set of Piano accompaniments for each song, free of charge. This means that a parent or teacher can accompany you, making these songs sound simply stunning.Featuring fifteen great pop tunes in standard notation, all in easy five-finger arrangements, so that your fingers need only stay in one place and you can play the entire song! Each one is presented simply with a finger position diagram, showing you where to put your fingers on the keys to play the whole thing. With full lyrics, too, this pop sheet music song book gives you everything you need to play tunes like Ghost, I'm Not The Only One, Jealous and Thinking Out Loud. This book is perfect for beginning pianists, who are learning in the five-finger position, but want some great pop tunes to play as well, or they work equally well as sight-reading practice for graded examinations.Whether you're a pop fanatic or just a beginner with a love for catchy melodies, Easiest 5-Finger Piano Collection features the best Chart Hits in an easy-to-learn format, letting you play every song exactly as you've heard it on the radio or television. / Piano

This book contains dazzling new Choral versions of five chart-topping pop songs. The arrangements are by Vocal coach and Choral director Mark De-Lisser and are recorded by ACM Gospel Choir. These crowd-pleasing songs have been selected for their positive lyrics and overall heart-warming feel, making them a joy to sing and listen to. Arranged for SAT Choir with the occasional solo part, this pack includes two CDs with performance backing tracks, full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur SAT Et Piano

Le Big Acoustic Guitar Chord Songbook - Gold edition 2 est une deuxième collection de hits or avec plus de soixante dix chansons acoustiques depuis les années 60 et 70. Ce recueil de chansons doré est pleine de vos hits préférés et chansons tous présentés dans les accords de guitare et de boîtes de corde avec des paroles complètes pour chaque piste. Un must pour les amuseurs de rue, bien des années 60 et 70 et toute personne qui souhaite étendre la gamme de leur répertoire avec des exemples de brillants et scintillantes d'écriture de la guitare acoustique ! / Chant Et Guitare / 192 pages / Partition

The best in contemporary jazz from Europe. 430 pages of new, intriguing sounds from virtually every country in Europe. Available in C, Bb and Eb versions. Accurate, composer-approved charts plus sample bass lines, sample chord voicings, horn harmony lines, drum appendix, lyrics, and more! Over 100 of Europe's best jazz writers, including Claus Ogerman, Enrico Pieranunzi, Didier Lockwood, Amina Figarova, Victor Feldman, Nguyen Le, George Robert, Rene Thomas, Michel Petrucciani, Tim Garland, John Taylor, Philip Catherine, Richard Galliano, David Linx, Jesse van Ruller, Lars Jansson, Kenny Wheeler, Hendrik Meurkens, Enrico Rava, NHOP, Rosario Giuliani, Florian Ross, Antonio Farao, Ulf Wakenius, Joe Zawinul, Django Reinhardt, Barbara Dennerlein, Allan Holdsworth, Christian Jacob, Valery Ponomarev, Stefan Karlsson, Jacob Karlzon, Toots Thielmans, Bill Bruford, Niels Lan Doky, George Shearing, Bobo Stenson, Michiel Borstlap, Larry Vuckovich. / Ensemble Music, Instrumental Music / Recueil / Instruments en Sib

The best and most popular Hits Of The Year are included here in Ukulele chord songbook format, specially arranged from the actual recordings and all in the original keys. Featuring 24 huge hit songs fresh from the charts of the past year, now ready to be played by Ukulele players of all ages well into the coming year.The biggest, catchiest and best-loved of the 2015's chart-toppers are included here, like the massive hit Lava from Pixar's 'Inside Out', as well as songs by massive pop stars like Taylor Swift (Blank Space), Ed Sheeran (Photograph) and Sam Smith, with his song for the 2015 James Bond film Writing's On The Wall. Other chart hits from 2015 include LunchMoney Lewis' fantastically catchy Bills, Mark Ronson and Bruno Mars' throwback hit Uptown Funk! , and the bizarrely brilliant FourFiveSeconds by Rihanna, Kanye West and Paul McCartney. Every song features lyrics, chords and a useful chord chart, allowing you to learn to play the best Hits Of The Year as quickly as possible. Many of the songs in this book have been number one in the charts both in the UK and internationally, making them well-loved by practically everyone. You'll enjoy playing the best songs of 2015 and everyone else will enjoy hearing them. With 24 great songs for Ukulele from the year's biggest and best artists, Hits Of The Year 2015 is the best way to learn to sing and strum all the chart-toppers from the past year. / Ukulélé

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for children's and female voices. The lyrics in this Urtext edition are in the original languages, but literal English translations are provided in the appendix, which also includes English versions of those of the 27 Two- and Three-Part Choruses that were authorized by the composer.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for male voices and for mixed voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available./ Recueil / Choeur de Femmes ou d'Enfants

Retrouvez ici 83 chansons de groupes et artistes actuels tels que 'Vampire Week-end', 'MGMT', 'The Editors', 'Phoenix', 'The XX' ou encore 'Kings Of Leon'.Partitions pour guitare (symboles et grilles d'accords) avec les paroles complètes. Inclus des photos en noir & blanc de certains artistes. / Mélodie/Vocal/Guitare (MVG) / 224 pages / Partition

Par SUZUKI SHINICHI. Teach voice with the popular Suzuki Voice School! The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Voice School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki voice teacher to develop their potential as a musician and as a person.This Suzuki voice method, Volume 1 CD is a great tool for Suzuki Method lessons, encouraging at-home practice. This CD features accompanist Marjaana Merikanto. / Date parution : 2022-11-29/ Méthode / Chant

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.