| Say Something: Harp Solo:
Instrumental Work Harp [Sheet music] Hal Leonard
Arranged for Harp-Say Something is an original song by the American duo A Great ...(+)
Arranged for Harp-Say Something is an original song by the American duo A Great Big World. The lyrics are about letting go when a relationship ends. It became an international hit when Christina Aguilera joined A Great Big World on a re-recorded version in 2013. Sylvia Woods has made a 4-page advanced beginner to intermediate arrangement playable on either lever or pedal harp. This music features a pedal point (also called a pedal note or pedal tone) which is a sustained or continually repeated note that is held constant while harmonies change in other parts. A pedal point is usually found in the bass but here it is in the middle register. Virtually every measure includes a middle Cnote on the downbeat. Sometimes it is played with the right hand and at other times with the left. But it is almost always there. This pedal point harmony is what originally drew me into this beautiful piece of music the first time I heard it on the radio. The music is in the key of C and no sharping levers are required as there are no lever changes. Fingerings lyrics and chord symbols are included. The harp range required is 24 strings from a low C up to an E. It can be played on 24-string to 26-string harps with a C as the lowest string if you play both hands an octave higher than written.
8.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Patrick Hawes: Eventide:
Soprano & SATB: Score SOP/SATB/UNIS/TPT/HARP/ORGA/STR
ENS::Soprano, SATB, Unison Voice,
Trumpet, Harp, Organ Accompaniment,
String Ensemble [Sheet music] Novello & Co Ltd.
Reduced Version-The Full Score of Eventide the epic composition inspired by the...(+)
Reduced Version-The Full Score of Eventide the epic composition inspired by the story of Edith Cavell compiled from texts relating to her imprisonment composed by the great Patrick Hawes. This is the reduced version scored for Soprano SATB Chorus Unison Semi-Chorus Trumpet Harp Organ and Strings. This work is dedicated to Sheringham and Cromer Choral Society and Gresham's Holt who first performed this work in Norwich Cathedral on the 12th of July 2014 to commemorate the centenary of the outbreak of the First World War. Lasting around 45 minutes this large-scale work has the subtitle 'In Memoriam Edith Cavell' who is commemorated here as a nurse to German and British wounded who went on to provide refuge to escaped and lost British soldiers who were enabled by her to return to England. As a result of this she was arrested for 'treason' and condemned to death. While in prison her only possessions were her Bible her Book of Common Prayer and a copy of the Imitation of Christ. The libretto as compiled by Andrew Hawes is made up of extracts from these books as well as other materials relating to her final days. This tribute to a brave and courageous life is fitting for a composition commemorating the First World War. The tragedy and pathos surrounding Cavell's life is hard for us to understand but by placing words so personal to her in the context of a piece of beautiful music it forces us to think and remember while also condemning the actions of so many figures of authority on an innocent and pious nurse during that horrific period.
21.99 GBP - Sold by Musicroom UK | |
| The Birds Belong to All
of Us Chant, Flûte, Harpe, Alto et
Violoncelle [Score and Parts] Chester
Par REID ELLEN. This piece for wordless voice and small ensemble was composed as...(+)
Par REID ELLEN. This piece for wordless voice and small ensemble was composed as part of Ellen Reid’s Soundwalk, a site-specific work created for urban parks around the world. The title comes from Christian Cooper, a black birdwatcher whose confrontation with a white dogwalker in Central Park, New York, in 2020 made headlines around the world and on social media. In the piece, Reid’s music imitates the birdsong of the various species that Cooper listed in an interview with her, the final words of the interview giving the work its title. / Date parution : 2023-10-31/ Répertoire / Chant, Flûte, Harpe, Alto et Violoncelle
27.09 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Phil Duncan: Gospel Harp:
Harp: Instrumental Album Harmonica - Intermediate Mel Bay
A collection for diatonic crossharp and chromatic harmonica. The gospel songs...(+)
A collection for diatonic crossharp and chromatic harmonica. The gospel songs presented here are written as the song has been presented throughout the years. Key changes have been made to accommodate the harmonica. The firstsection is standard harmonica key of C. The second section is in cross-harp (second) position. The third section uses a changed or retuned harmonica such as Lee Oskar's Melody Maker in G or the Country Tuned Hohner Harmonicain C. Written in standard notation and tablature for diatonic and chromatic harmonicas with lyrics and chord symbols. Includes 91 tunes such as The Old Rugged Cross; The Love of God; In the Garden; He's Got the Whole World inHis Hands; Oh When the Saints Go Marching In; This Train Is Bound For Glory; His Eye is on the Sparrow; and much more.
18.99 GBP - Sold by Musicroom UK | |
| The Mouth Organ Songbook
/ Harmonica [Sheet music + CD] Schott
70 well-known Songs Volkslieder, Traditionals, Oldies, Blues, Rock und Pop. Par ...(+)
70 well-known Songs Volkslieder, Traditionals, Oldies, Blues, Rock und Pop. Par . Finding songs for the diatonic Richter harmonica (blues harp) is not easy. Many songs can only be played in the upper octave; otherwise advanced techniques like bending have to be applied.
Perry Letsch has looked through hundreds of German songs and examined them for their suitability. The results are songs suitable both for the beginner and the advanced player. Some songs have been provided with their own solos. Apart from popular folk songs the edition includes standards such as 'Abilene', 'Blue Bossa' or 'Dona, Dona'.
Play-along CD with all titles included. / Niveau : facile - moyen / Date parution : 2022-03-03/ Recueil / Harmonica
21.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| Judy Garland: End of the
Rainbow: Vocal and Piano:
Mixed Songbook Piano, Voice Hal Leonard
Set in December 1968 this acclaimed Broadway show centers around Judy Garland ...(+)
Set in December 1968 this acclaimed Broadway show centers around Judy Garland poised to make a triumphant comeback ... again. This savagely funny drama shows Garland facing the challenge with her signature cocktail of talent tenacity and razor-sharp wit revealing the most brilliant star in her most demanding role: her life. Our matching folio features 16 signature Judy tunes: By Myself · Come Rain or Come Shine · For Me and My Gal · Get Happy · I Can't Give You Anything but Love · I Could Go on Singin' (Till the Cows Come Home) · Just in Time · The Man That Got Away · Over the Rainbow · San Francisco · Smile · The Trolley Song · When the Sun Comes Out · When You're Smiling· You Made Me Love You · Zing! Went the Strings of My Heart.
16.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Piano Inspiration, Book 1 Piano solo - Intermediate ABRSM Publishing
ABRSM Grades 4-6. This special collection of intermediate piano repertoire has b...(+)
ABRSM Grades 4-6. This special collection of intermediate piano repertoire has been lovingly curated by internationally renowned pianist, Isata Kanneh-Mason. Inspired by her musical journey from childhood prodigy to accomplished performer, and drawing on her championship of female composers and composers of colour, Isata has handpicked a wonderfully diverse melange of music for players to explore. Alongside well-known classical masterpieces, Isata presents stunning pieces by Florence Price, Amy Beach and Eleanor Alberga, as well as a beautifully evocative new work by Natalie Klouda and her very own Waltz. Carefully edited and fingered, Piano Inspiration 1 is ideal both for recreational playing and those seeking own-choice repertoire for ABRSM Performance Grades (Grades 4?6).
? 16 pieces for intermediate players, each holding special significance to Isata
? A wonderful array of styles, composers and traditions that span four centuries of piano music
? Original works by Isata Kanneh-Mason and Natalie Klouda, specially composed for this collection
? Ideal for own-choice repertoire selection in ABRSM Performance Grades (Grades 4?6)
Pianist Isata Kanneh-Mason is in great demand in the UK and internationally as a soloist and chamber musician. She offers eclectic and interesting repertoire and has performed at many of the world?s finest concert venues, including the Royal Albert Hall for her BBC Proms solo debut in 2023. As a Decca recording artist, she entered the UK classical charts at No. 1 with her 2019 album Romance, and has since released Summertime, featuring twentieth-century American repertoire; Muse, a duo album with her brother Sheku; and Childhood Tales, which showcases music inspired by a nostalgia for youth. Isata is recipient of the coveted Leonard Bernstein Award and the Opus Klassik Award for best young artist.
12.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Roxanna Panufnik Kathleen
Coates: Since We Parted:
Mixed Choir: Score Peters
When Jeffrey Skidmore of Ex Cathedra approached me to write this piece he speci...(+)
When Jeffrey Skidmore of Ex Cathedra approached me to write this piece he specified that it should be remembering the first World War and if at all possible the words should be by or about a woman.A friend steered me towards Vera Brittain's Testament of Youth and spookily the book fell open on page 163 where appeared Kathleen Coates' s poem 'A Year and a Day'. This was written between 1910 and 1913 but is I think prophetic of the impending war in its depiction of a woman and man in love reluctantly separated and missing each other. Around the same time my mother sent me the poem 'Since we parted yestereve' by Victorian statesman and poet Robert Bulwer-Lytton(1831-1891) — it seemed to fit beautifully as a refrain to 'A Year and a Day'.We start with the refrain in which I try to create a sense of yearning — with harmonies that lean into each other and suspensions that only partly resolve. I have given the ladies the first verse of 'A Year and a Day' — I have used mellow flat keys as this is marked 'languorously' as I picture a calm but pining Edwardian lady reclining in a warm English Summer's garden. When the men take over in the second verse this comes from a darker place — maybe a noisy fetid trench where dreams of love and happiness are sometimes hard to conjure. The music shifts in harmonic uncertainty — the harp oscillates and rumbles creating instability. This part is written in sharp keys which I think have a more stringent feel about them. The whole piece is made up of my typical major-minor harmonic language which sets a bittersweet atmosphere and the trumpets remind us from time to time of the backdrop of war. The piece ends meditatively with 'Eleven Armistice Chimes' and lasts approximately 10 minutes. It's dedicated to Jeffrey Skidmore and Ex Cathedra and my deepest thanks go to them for commissioning the work and Jane Arthur for sponsoring the commission.
9.95 GBP - Sold by Musicroom UK | |
| Patrick Hawes: Eventide:
Soprano & SATB: Score Novello & Co Ltd.
Reduced Version-The Full Score of Eventide the epic composition inspired by the...(+)
Reduced Version-The Full Score of Eventide the epic composition inspired by the story of Edith Cavell compiled from texts relating to her imprisonment composed by the great Patrick Hawes. This is the reduced version scored for Soprano SATB Chorus Unison Semi-Chorus Trumpet Harp Organ and Strings. This work is dedicated to Sheringham and Cromer Choral Society and Gresham's Holt who first performed this work in Norwich Cathedral on the 12th of July 2014 to commemorate the centenary of the outbreak of the First World War. Lasting around 45 minutes this large-scale work has the subtitle 'In Memoriam Edith Cavell' who is commemorated here as a nurse to German and British wounded who went on to provide refuge to escaped and lost British soldiers who were enabled by her to return to England. As a result of this she was arrested for 'treason' and condemned to death. While in prison her only possessions were her Bible her Book of Common Prayer and a copy of the Imitation of Christ. The libretto as compiled by Andrew Hawes is made up of extracts from these books as well as other materials relating to her final days. This tribute to a brave and courageous life is fitting for a composition commemorating the First World War. The tragedy and pathos surrounding Cavell's life is hard for us to understand but by placing words so personal to her in the context of a piece of beautiful music it forces us to think and remember while also condemning the actions of so many figures of authority on an innocent and pious nurse during that horrific period.
21.99 GBP - Sold by Musicroom UK | |
| Giles Swayne: Epitaph And
Refrain Op.89 (Parts):
Ensemble: Score [Sheet music] Novello & Co Ltd.
Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii...(+)
Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died.In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's:'Rock of ages cleft for me Let me hide myself in thee...'
29.99 GBP - Sold by Musicroom UK | |
| Giles Swayne: Epitaph And
Refrain Op.89: Ensemble:
Score [Sheet music] Novello & Co Ltd.
Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii...(+)
Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died.In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's:'Rock of ages cleft for me Let me hide myself in thee...'
23.99 GBP - Sold by Musicroom UK | |
| Arnold Evans Schnitzer:
Note Reading Studies For
Bass: Bass Guitar: Study Bass guitar [Sheet music] - Easy Mel Bay
This book was written for bassists who wish to learn to read music as well as fo...(+)
This book was written for bassists who wish to learn to read music as well as for those who wish to sharpen their music reading skills. The studies in the book progress from beginning to professional levels and represent anvariety of styles that modern bassists are likely to encounter in real-world musical situations. For those conversant in music's universal language a whole world of musical styles ideas and sounds is always available. Thisbook aims to sharpen the skills of serious student bass players so that they may partake of this endless stream of ideas information and inspiration. Standard notation only. None of the exercises in this book contain fingeringindications. This omission was made in order to make these exercises useful to players of all types of bass instruments both electric and acoustic. The author strongly recommends that students work through this book with thesupervision of a qualified teacher. If you are a professional musician the author hopes this book will help you stay in top sight-reading form giving you an edge in a highly competitive market. If you are a novice bassist thisbook will help you hone your skills in becoming a skilled professional.
18.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Toirdhealbhach Ó
Cearbhalláin: Carolan's
Concerto: Chamber
Ensemble: Flute and Piano [Sheet music + CD] - Intermediate Schott
15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to ...(+)
15 Easy to Intermediate pieces from 18th-century Ireland-The latest addition to the fast-growing 'Baroque Around the World' series is an Irish album consisting of fifteen haunting melodies by the legendary 18th-century Irish harpist Turlough O'Carolan. The selection of easy to intermediate standard has been made by Patrick Steinbach; the pieces range in style from the Corelli-influenced 'Carolan's Concerto' through the rumbustious 'Carolan's quarrel with the landlady' to the composer's moving final air 'Carolan's dream'. Arrangements for flute (violin oboe) and keyboard with optional cello or bassoon are by Jeremy Barlow who has edited three other volumes in 'Baroque Around the World' of English French and Swedishmusic.
14.99 GBP - Sold by Musicroom UK | |
| Das
Mundharmonika-Liederbuch
/ The Mouth Organ
Songbook (LETSCH PERRY) Harmonica [Sheet music + Audio access] Schott 21.65 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: On order | |
| The Real Book Play Along
Vol.1 6th Edition C
Instruments (livre + Cle
Usb) C Instruments [Fake Book] Hal Leonard
The Real Book you know and love has now been updated to include backing tracks f...(+)
The Real Book you know and love has now been updated to include backing tracks for 240 songs on one convenient USB flash drive stick! The play-along CDs alone are worth $100 so this is an amazing package price! The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any reqard to copyright law or royalties paide to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed! (I Love You) For Sentimental Reasons [Best, William] [Watson, Deek] (The Old Man From) The Old Country [Adderley, Nat] [Lewis, Curtis, R.] 500 Miles High [Corea, Chick] [Potter, Neville] 502 Blues [Rowles, James] A Child Is Born [Jones, Thad] A Fine Romance [Kern, Jerome] [Fields, Dorothy] A Man And A Woman (Un Homme Et Une Femme) [Lai, Francis] [Barouh, Pierre] [Keller, Jerry] A Night In Tunisia [Gillespie, John ?Dizzy?] [Paparelli, Frank] A String Of Pearls [Grey, Jerry] A Sunday Kind Of Love [Belle, Barbara] [Prima, Louis] [Leonard, Anita] [Rhodes, Stan] African Flower (Petite Fleur Africaine) [Ellington, Duke] Afro Blue [Santamaria, Mongo] Afternoon In Paris [Lewis, John] Água De Beber (Water To Drink) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] Airegin [Rollins, Sonny] Alfie [Bacarach, Burt] [David, Hal] Alice In Wonderland [Fain, Sammy] [Hilliard, Bob] All Blues [Davis, Miles] All By Myself [Berlin, Irving] All Of Me [Simons, Seymour] [Marks, Gerald] All Of You [Porter, Cole] All The Things You Are [Kern, Jerome] [Hammerstein II, Oscar] Alright, Okay, You Win [Watts, Mayme] Always [Berlin, Irving] Ana Maria [Shorter, Wayne] Angel Eyes [Dennis, Matt] [Brent, Earl] Anthropology [Parker, Charlie] [Gillespie, Dizzy] Apple Honey [Herman, Woody] April In Paris [Duke, Vernon] [Harburg, E. Y.] April Joy [Metheny, Pat] Arise, Her Eyes [Swallow, Steve] Armageddon [Shorter, Wayne] Au Privave [Parker, Charlie] Autumn In New York [Duke, Vernon] Autumn Leaves [Kosma, Joseph] [Mercer, Johnny] [Prevert, Jacques] Beautiful Love [Young, Victor] [King, Wayne] [Van Alstyne, Egbert] [Gillespie, Haven] Beauty And The Beast [Shorter, Wayne] Bessie's Blues [Coltrane, John] Bewitched [Rodgers, Richard] [Hart, Lorenz] Big Nick [Coltrane, Nick] Black Coffee [Webster, Paul Francis] [Burke, Sonny] Black Diamond [Sealey, Milton] Black Narcissus [Henderson, Joe] Black Nile [Shorter, Wayne] Black Orpheus [Bonfa, Luiz] Blue Bossa [Dorham, Kenny] Blue In Green [Davis, Miles] Blue Monk [Monk, Thelonious] Blue Train (Blue Trane) [Coltrane, John] Blues For Alice [Parker, Charlie] Bluesette [Thielemans, Jean] [Gimbel, Norman] Body And Soul [Green, John] [Heyman, Edward] [Sour, Robert] [Eyton, Frank] Boplicity (Be Bop Lives) [Davis, Miles] [Evans, Gil] Bright Size Life [Metheny, Pat] Broad Way Blues [Coleman, Ornette] Broadway [Byrd, Bill] [McRae, Teddy] [Woode, Henri] But Beautiful [Van Heusen, Jimmy] [Burke, Johnny] Butterfly [Hancock, Herbie] [Maupin, Bennie] Byrd Like [Hubbard, Freddie] Call Me [Hatch, Tony] Call Me Irresponsible [Van Heusen, James] [Cahn, Sammy] Can't Help Lovin' Dat Man [Kern, Jerome] [Hammerstein II, Oscar] Captain Marvel [Corea, Chick] Central Park West [Coltrane, John] Ceora [Morgan, Lee] C'est Si Bon [Betti, Henri] [Seelen, Jerry] [Hornez, Andre] Chega De Saudade (No More Blues) [Jobim, Antonio Carlos] [De Moraes, Vinicius] Chelsea Bells [Swallow, Steve] Chelsea Bridge [Strayhorn, Billy] Cherokee (Indian Love Song) [Noble, Ray] Cherry Pink And Apple Blossom White [Louiguy] [Larue, Jacques] [David, Mack] Chippie [Coleman, Ornette] Chitlins Con Carne [Burrell, Kenny] Come Sunday [Ellington, Duke] Como En Vietnam [Swallow, Steve] Con Alma [Gillespie, John ?Dizzy?] Conception [Shearing, George] Confirmation [Parker, Charlie] Contemplation [Tyner, McCoy] Coral [Jarrett, Keith] Cotton Tail [Ellington, Duke] Could It Be You [Porter, Cole] Countdown [Coltrane, John] Crescent [Coltrane, John] Crystal Silence [Corea, Chick] D Natural Blues [Montgomery, John L. (Wes)] Daahoud [Brown, Clifford] Dancing On The Ceiling [Rodgers, Richard] [Hart, Lorenz] Darn That Dream [Van Heusen, Jimmy] [DeLange, Eddie] Day Waves [Corea, Chick] [Potter, Neville] Days And Nights Waiting [Jarrett, Keith] Dear Old Stockholm [Varmeland] Dearly Beloved [Kern, Jerome] [Mercer, Johnny] Dedicated To You [Cahn, Sammy] [Chaplin, Saul] [Hyzaret] Deluge [Shorter, Wayne] Desafinado [Jobim, Antonio, Carlos] [Mendonca, Newton] Desert Air [Corea, Chick] Detour Ahead [Ellis, Herb] [Frigo, John] [Carter, Lou] Dexterity [Parker, Charlie] Dizzy Atmosphere [Gillespie, John ?Dizzy?] Django [Lewis, John] Doin' The Pig [Swallow, Steve] Dolores [Shorter, Wayne] Dolphin Dance [Hancock, Herbie] Domino Biscuit [Swallow, Steve] Donna Lee [Parker, Charlie] Don't Blame Me [McHugh, Jimmy] [Fields, Dorothy] Don't Get Around Much Anymore [Ellington, Duke] [Russell, Bob] Dream A Little Dream Of Me [Schwandt, Wilbur] [Andree, Fabian] [Kahn, Gus] Dreamsville [Mancini, Henry] [Livingston, Jay] [Evans, Ray] E.S.P. [Shorter, Wayne] Easter Parade [Berlin, Irving] Easy Living [Robin, Leo] [Rainger, Ralph] Easy To Love (You'd Be So Easy To Love) [Porter, Cole] Ecclusiastics [Mingus, Charles] Eighty One [Davis, Miles] [Carter, Ronald] El Gaucho [Shorter, Wayne] Epistrophy [Monk, Thelonious] [Clarke, Kenny] Equinox [Coltrane, John] Equipoise [Cowell, Stanley] Fall [Shorter, Wayne] Falling Grace [Swallow, Steve] Falling In Love With Love [Rodgers, Richard] [Hart, Lorenz] Fee-Fi-Fo-Fum [Shorter, Wayne] Follow Your Heart [McLaughlin, John] Footprints [Shorter, Wayne] For All We Know [Coots, Fred, J.] [Lewis, Sam M.] For Heaven's Sake [Meyer, Don] [Bretton, Elise] [Edwards, Sherman] Forest Flower [Lloyd, Charles] Four [Davis, Miles] Four On Six [Montgomery, John L. (Wes)] Freddie Freeloader [Davis, Miles] Freedom Jazz Dance [Harris, Eddie] Full House [Montgomery, John L. (Wes)] Gee Baby, Ain't I Good To You [Redman, John] [Razaf, Andy] Gemini [Heath, Jimmy] Giant Steps [Coltrane, John] Gloria's Step [Le Faro, Scott] God Bless' The Child [Herzog Jnr, Arthur] [Holiday, Billie] Golden Lady [Wonder, Stevie] Good Evening Mr. And Mrs. America [Guerin, John] Grand Central [Coltrane, John] Groovin' High [Gillespie, John ?Dizzy?] Grow Your Own [Jarrett, Keith] Guilty [Kahn, Gus] [Whiting, Richard] [Akst, Harry] Gypsy In My Soul [Boland, Clay] [Jaffe, Moe] Half Nelson [Davis, Miles] Have You Met Miss Jones? [Rodgers, Richard] [Hart, Lorenz] Heaven [Ellington, Duke] Heebie Jeebies [Atkins, Boyd] Hello, Young Lovers [Rodgers, Richard] [Hammerstein II, Oscar] Here's That Rainy Day [Van Heusen, Jimmy] [Burke, Johnny] Hot Toddy [Hendler, Herb] [Flanagan, Ralph] House Of Jade [Shorter, Wayne] How High The Moon [Lewis, Morgan] [Hamilton, Nancy] How Insensitive (Insensatez) [Jobim, Antonio, Carlos] [De Moraes, Vinicius] [Gimbel, Norman] How My Heart Sings [Zindars, Earl] [Zindars, Anne] Hullo Bolinas [Swallow, Steve] I Can't Get Started With You [Duke, Vernon] [Gershwin, Ira] I Can't Give You Anything But Love [McHugh, Jimmy] [Fields, Dorothy] I Could Write A Book [Rodgers, Richard] [Hart, Lorenz] I Got It Bad And That Ain't Good [Ellington, Duke] [Webster, Paul Francis] I Let A Song Go Out Of My Heart [Ellington, Duke] [Nemo, Henry] [Redmond, John] [Mills, Irving] I Love Paris [Porter, Cole] I Love You [Porter, Cole] I Mean You [Monk, Thelonious] [Hawkins, Coleman] I Remember Clifford [Golson, Benny] I Should Care [Cahn, Sammy] [Stordahl, Axel] [Weston, Paul] I Wish I Knew How It Would Feel To Be Free [Taylor, Billy] Icarus [Twoner, Ralph N.] If You Never Come To Me (Inutil Paisagem) [Jobim, Antonio Carlos] [De Oliveira, Aloysio] [Gilbert, Ray] I'll Never Smile Again [Lowe, Ruth] I'll Remember April [Johnston, Pat] [Raye, Don] [De Paul, Gene] I'm All Smiles [Leonard, Michael] [Martin, Herbert] I'm Beginning To See The Light [George, Dan] [Hodges, Johnny] [Ellington, Duke] [James, Harry] I'm Your Pal [Swallow, Steve] Impressions [Coltrane, John] In A Mellow Tone [Ellington, Duke] In A Sentimental Mood [Ellington, Duke] In The Mood [Garland, Joe] In The Wee Small Hours Of The Morning [Mann, David] [Hilliard, Bob] In Your Quiet Place [Jarrett, Keith] Indian Lady [Ellis, Don] Inner Urge [Henderson, Joe] Interplay [Evans, Bill] Invitation [Kaper, Bronislam] [Webster, Paul Francis] Iris [Shorter, Wayne] Is You Is, Or Is You Ain't (Ma' Baby) Isn't It Romantic? [Rodgers, Richard] [Hart, Lorenz] Isotope [Henderson, Joe] Israel [Carisi, John] It Don't Mean A Thing (If It Ain't Got That Swing) [Ellington, Duke] [Mills, Irving] It's Easy To Remember [Rodgers, Richard] [Hart, Lorenz] Jelly Roll [Mingus, Charles] Jordu [Jordan, Duke] Journey To Recife [Evans, Richard] [Gimbel, Norman] Joy Spring [Brown, Clifford] Juju [Shorter, Wayne] Jump Monk [Mingus, Charles] June In January [Robin, Leo] [Rainger, Ralph] Just One More Chance [Johnston, Arthur] [Coslow, Sam] Kelo [Johnson, J. J.] Lady Bird [Dameron, Tadd] Lady Sings The Blues [Nichols, Herbert] [Holiday, Billie] Lament [Johnson, J.J] Las Vegas Tango [Evans, Gil] Lazy Bird [Coltrane, John] Lazy River [Carmichael, Hoagy] Like Someone In Love [Van Heusen, Jimmy] [Burke, Johnny] Limehouse Blues [Braham, Philip] [Furber, Douglas] Lines And Spaces [Lovano, Joe] Litha [Corea, Chick] Little Boat (O Barquinho) [Menescal, Roberto] [Boscoli, Ronaldo] [Kaye, Buddy] Little Waltz [Carter, Ron] Long Ago (And Far Away) [Kern, Jerome] [Gershwin, Ira] Lonnie's Lament [Coltrane, John] Look To The Sky [Jobim, Antonio Carlos] Love Is The Sweetest Thing [Noble, Ray] Lucky Southern [Jarrett, Keith] Lullaby Of Birdland [Shearing, George] [Weiss, George David] Lush Life [Strayhorn, Billy] Mahjong [Shorter, Wayne] Maiden Voyage [Hancock, Herbie] Man In The Green Shirt [Zawinul, Joe] Meditation (Meditacao) [Jobim, Antonio Carlos] [Mendonca, Newton] [Gimbel, Norman] Memories Of Tomorrow [Jarrett, Keith] Michelle [Lennon, John] [McCartney, Paul] Midnight Mood [Zawinul, Josef] Midwestern Nights Dream [Metheny, Pat] Milano [Lewis, John] Minority [Gryce, Gigi] Miss Ann [Dolphy, Eric] Missouri Uncompromised [Metheny, Pat] Misty [Garner, Erroll] Miyako [Shorter, Wayne] Moment's Notice [Coltrane, John] Mood Indigo [Ellington, Duke] [Mills, Irving] [Bigard, Albany] Moonchild [Jarrett, Keith] Mr. P.C. [Coltrane, John] My Buddy [Donaldson, Walter] [Kahn, Gus] My Favorite Things [Rodgers, Richard] [Hammerstein II, Oscar] My Foolish Heart [Young, Victor] [Washington, Ned] My Funny Valentine [Rodgers, Richard] [Hart, Lorenz] My One And Only Love [Wood, Guy] [Mellin, Robert] My Romance [Rodgers, Richard] [Hart, Lorenz] My Shining Hour [Arlen, Harold] [Mercer, Johnny] My Ship [Weill, Kurt] [Gershwin, Ira] My Way [Revaux, Jacques] [Francois, Claude] [Anka, Paul] [Thibaud, Gilles] Mysterious Traveller [Shorter, Wayne] Naima (Niema) [Coltrane, John] Nardis [Davis, Miles] Nefertiti [Shorter, Wayne] Never Will I Marry [Loesser, Frank] Nica's Dream [Silver, Horace] Night Dreamer [Shorter, Wayne] Night Train [Forrest, Jimmy] [Washington, Oscar] [Simpkins, Lewis C.] Nobody Knows You When You're Down And Out [Cox, Jimmie] Nostalgia In Times Square [Mingus, Charles] Nuages [Reinhardt, Django] [Larue, Jacques] Oleo [Rollins, Sonny] Oliloqui Valley [Hancock, Herbie] Once I Loved (Amor Em Paz) (Love In Peace) [Jobim, Antonio Carlos] [De Morales, Vinicius] [Gilbert, Ray] Once In Love With Amy [Loesser, Frank] One Finger Snap [Hancock, Herbie] One Note Samba (Samba De Uma Nota So) [Jobim, Antonio Carlos] [Mendonca, Newton] Only Trust Your Heart [Carter, Benny] [Cahn, Sammy] Orbits [Shorter, Wayne] Ornithology [Parker, Charlie] [Harris, Bennie] Out Of Nowhere [Green, Johnny] [Heyman, Edward] P.S. I Love You [Jenkins, Gordon] [Mercer, Johnny] Paper Doll [Black, Johnny S.] Passion Dance [Tyner, Mccoy] Passion Flower [Strayhorn, Billy] [Raskin, Milton] Peace [Silver, Horace] Peggy's Blue Skylight [Mingus, Charles] Pent Up House [Rollins, Sonny] Penthouse Serenade [Jason, Will] [Burton, Val] Peri's Scope [Evans, Bill] Pfrancing (No Blues) [Davis, Miles] Pinocchio [Shorter, Wayne] Pithecanthropus Erectus [Mingus, Charles] Poem For #15 (The Saga Of Harrison Crabfeathers) [Kuhn, Steve] Portsmouth Figurations [Swallow, Steve] Prelude To A Kiss [Ellington, Duke] [Gordon, Irving] [Mills, Irving] Prince Of Darkness [Shorter, Wayne] Pussy Cat Dues [Mingus, Charles] Quiet Nights Of Quiet Stars (Corcovado) [Jobim, Antonio Carlos] [Lees, Gene] Quiet Now [Zeitlin, Denny] Recorda Me [Henderson, Joe] Red Clay [Hubbard, Freddie] Reflections [Monk, Thelonious] Reincarnation Of A Lovebird [Mingus, Charles] Ring Dem Bells [Ellington, Duke] [Mills, Irving] Road Song [Montgomery, John L. (Wes)] 'Round Midnight [Monk, Thelonious] [Williams, Cootie] [Hanighen, Bernie] Ruby, My Dear [Monk, Thelonious] Satin Doll [Ellington, Duke] Scotch And Soda [Guard, Dave] Scrapple From The Apple [Parker, Charlie] Sea Journey [Corea, Chick] [Potter, Neville] Seven Come Eleven [Goodman, Benny] [Christian, Charlie] Seven Steps To Heaven [Davis, Miles] [Feldman, Victor] Sidewinder [Morgan, Lee] Silver Hollow [DeJohnette, Jack] Sirabhorn [Metheny, Pat] Skating In Central Park [Lewis, John] So Nice (Summer Samba) [Valle, Marcos] [Valle, Paulo Sergio] [Gimbel, Norman] So What [Davis, Miles] Solar [Davis, Miles] Solitude [Ellington, Duke] [De Lange, Eddie] [Mills, Irving] Some Day My Prince Will Come [Churchill, Frank] [Morel, Larry] Some Other Spring [Herzog Jnr, Arthur] [Kitchings, Irene] Some Skunk Funk [Brecker, Randy] Somebody Loves Me [Gershwin, George] [DeSylva, B. G.][MacDonald, Ballard] [Ranaud, Emelia] Sometime Ago [Mihanovich, Sergio] Song For My Father [Silver, Horace] Sophisticated Lady [Ellington, Duke] [Mills, Irving] [Parish, Micthell] Speak No Evil [Shorter, Wayne] Standing On The Corner [Loesser, Frank] Stella By Starlight [Young, Victor] [Washington, Ned] Steps [Corea, Chick] Stolen Moments [Nelson, Oliver] Stompin' At The Savoy [Goodman, Benny] [Sampson, Edgar] [Webb, Chick] Straight No Chaser [Monk, Thelonious] Stuff [Davis, Miles] Sugar [Turrentine, Stanley] Swedish Pastry [Kessel, Barney] Sweet Georgia Bright [Lloyd, Charles] Sweet Henry [Swallow, Steve] [Gregg, Jack] Take Five [Desmond, Paul] Take The 'A' Train [Strayhorn, Billy] Tame Thy Pen [Niles, Richard] Tell Me A Bedtime Story [Hancock, Herbie] Thanks For The Memory [Robin, Leo] [Rainger, Ralph] That's Amoré (That's Love) [Warren, Harry] [Brooks, Jack] The Blue Room [Rodgers, Richard] [Hart, Lorenz] The Girl From Ipanema (Garôta De Ipanema) [Jobim, Antonio Carlos] [Gimbel, Norman] [De Moraes, Vinicius] The Green Mountains [Swallow, Steve] The Inch Worm [Loesser, Frank] The Intrepid Fox [Hubbard, Freddie] The Magician In You [Jarrett, Keith] The Most Beautiful Girl In The World [Rodgers, Richard] [Hart, Lorenz] The Night Has A Thousand Eyes [Brainin, Jerry] [Bernier, Buddy] The Song Is You [Kern, Jerome] [Hammerstein II, Oscar] The Sorcerer [Hancock, Herbie] The Sphinx [Coleman, Ornette] The Star-Crossed Lovers [Ellington, Duke] [Strayhorn, Billy] The Surrey With The Fringe On Top [Rodgers, Richard] [Hammerstein II, Oscar] The World Is Waiting For The Sunrise [Seitz, Ernest] [Lockhart, Eugene] There Is No Greater Love [Jones, Isham] [Symes, Marty] There Will Never Be Another You [Warren, Harry] [Gordon, Mack] There'll Be Some Changes Made [Overstreet, Benton] [Higgins, Billy] They Didn't Believe Me [Kern, Jerome] [Reynolds, Herbert] Think On Me [Cables, George] Thou Swell [Rodgers, Richard] [Hart, Lorenz] Three Flowers [Tyner, McCoy] Time Remembered [Evans, Bill] Tones For Joan's Bones [Corea, Chick] Topsy [Battle, Edgar] [[Durham, Eddie] Tour De Force [Gillespie, John ?Dizzy?] Triste [Jobim, Antonio Carlos] Tune Up [Davis, Miles] Turn Out The Stars [Evans, Bill] [Lees, Gene] Twisted Blues [Montgomery, John, L. (Wes)] Unchain My Heart [Sharp, Bobby] [Powell, Teddy] Uniquity Road [Metheny, Pat] Unity Village [Metheny, Pat] Up Jumped Spring [Hubbard, Freddie] Upper Manhattan Medical Group (UMMG) [Strayhorn, Billy] Valse Hot [Rollins, Sonny] Very Early [Evans, Bill] Virgo [Shorter, Wayne] Wait Till You See Her [Rodgers, Richard] [Hart, Lorenz] Waltz For Debby [Evans, Bill] [Lees, Gene] Wave [Jobim, Antonio Carlos] We'll Be Together Again [Fischer, Carl] [Lane, Frankie] Well You Needn't (It's Over Now) [Monk, Thelonious] [Perro, Mike] West Coast Blues [Montgomery, John L. (Wes)] What Am I Here For? [Ellington, Duke] What Was [Corea, Chick] When I Fall In Love [Young, Victor] [Heyman, Edward] When Sunny Gets Blue [Fischer, Marvin] [Segal, Jack] When You Wish Upon A Star [Harline, Leigh] [Washington, Ned] Whispering [Coburn, Richard] [Schonberger, John] [Rose, Vincent] Wild Flower [Shorter, Wayne] Windows [Corea, Chick] Witch Hunt [Shorter, Wayne] Wives And Lovers (Hey, Little Girl) [Bacharach, Burt] [David, Hal] Woodchopper's Ball [Bishop, Joe] [Herman, Woody] Woodyn' You [Gillespie, Dizzy] Yes And No [Shorter, Wayne] Yesterday [Lennon, John] [McCartney, Paul] Yesterdays [Kern, Jerome] [Harbach, Otto] You Are The Sunshine Of My Life [Wonder, Stevie] You Are Too Beautiful [Rodgers, Richard] [Hart, Lorenz] You Brought A New Kind Of Love To Me [Fain, Sammy] [Kahal, Irving] [Norman, Pierre] You Don't Know What Love Is [Raye, Don] [DePaul, Gene] You Took Advantage Of Me [Rodgers, Richard] [Hart, Lorenz] Young At Heart [Richards, Johnny] [Leigh, Carolyn] You're Nobody 'Til Somebody Loves You [Morgan, Russ] [Stock, Larry] [Cavanaugh, James]
104.99 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Max Bruch: Concert g-moll
Opus 26: Violin:
Instrumental Work Violin and Piano G. Henle
It made its creator world-famous and added a towering masterpiece to the standar...(+)
It made its creator world-famous and added a towering masterpiece to the standard repertoire: Max Bruch’s First Violin Concerto In G Minor. Now it’s appearing at last in an urtext edition from Henle.Bruch himself was not always overjoyed at his work’s popularity: 'I can’t listen to this concerto anymore ' he once complained to his publisher Simrock 'do you suppose I’ve only written one concerto?' By now theBruch Concerto has found a permanent place in the world’s concert halls. Henle’s edition provides not only a razor-sharp urtext for the solo part but a preface that alone is worth the price of the volume: who could haveguessed that the concerto went through a convoluted genesis with multi-layered revisions and that some of the changes go back to the famous violinist Joseph Joachim?
21.75 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| Beruhmte Klaviermusik I:
Piano: Instrumental Album Piano solo Barenreiter
World Piano Music Book 1: 14 pieces of medium difficulty for Piano solo.The albu...(+)
World Piano Music Book 1: 14 pieces of medium difficulty for Piano solo.The album World Piano Music I includes representative samples of Piano literature from various style periods. The selection of recital compositions by important world composers (Bach Mozart Beethoven Schubert Schumann Brahms Mendelssohn-Bartholdy Chopin Liszt Cajkovskij Rachmaninov Grieg and Debussy) chronologically dated by year of origin offers a wide spectrum of forms and genres.Contents:Prelude in C major [Bach Johann Sebastian]Fantasia in D minor [Mozart Wolfgang Amadeus]For Elise [Beethoven Ludwig van]Moment musical[Schubert Franz]Draming [Schumann Robert]Waltz No.2 [Brahms Johannes]Waltz No.15 [Brahms Johannes]Spring Song [Mendelssohn-Bartholdy Felix]Waltz op. 34 No.2 [Chopin Fryderyk]Consolation No.2. [Liszt Ferenc]Romance [Cajkovskij Petr Iljic]Prelude in C sharp minor [Rachmaninov Sergej Vasiljevic]To the Spring [Grieg Edvard]Clair de lune [Debussy Claude]
12.50 GBP - Sold by Musicroom UK | |
| Renaissance Anthology A
Vol.4: Piano or Keyboard:
Instrumental Album Piano solo [Sheet music] Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - Sold by Musicroom UK | |
| M. Tanner: Renaissance
Anthology A Vol.3: Piano:
Instrumental Album Piano solo [Sheet music] - Intermediate/advanced Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...(+)
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - Sold by Musicroom UK | |
| M. Tanner: Renaissance
Keyboard Anthology 1:
Harpsichord or Piano:
Instrumental Piano solo Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - Sold by Musicroom UK | |
| M. Tanner: Renaissance
Keyboard Anthology 2:
Harpsichord or Piano:
Instrumental Piano solo - Intermediate Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.99 GBP - Sold by Musicroom UK | |
| Sergei Rachmaninov:
Rachmaninov - Piano
Concerto No. 1: Piano:
Instrumental Work Piano solo [Sheet music] Spartan Press
2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Con...(+)
2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Concerto op 1. Programme note by Murray McLachlan: Rachmaninov's first concerto in F sharp minor op 1 was composed in 1891 and dedicated to Alexander Siloti. The work was substantially revised in 1917 with textures made much lighter. The revised version is also more concentrated and disciplined with the material eliminating some of the earlier episodic sections entirely from the score. The second movement is an exquisite 74 bar miniature a nostalgic nocturne that is contrapuntally rich. In this soloversion the use of all three pedals and the middle pedal in particular make it possible to project the multifaceted textures the 'colour counter-point' that along with Rachmaninov's chromaticism enhances his considerable melodic gifts. Was Rachmaninov the 'Russian Bach?' Certainly his genius for 'inner voices' 'inner melodies' and counter-melodies make his music an inexhaustible treasure house of possibility for the creatively charged solo pianist. In Rachmaninov's piano writing there is simply no such thing as 'padding' or anonymous accompaniments- every line can be vocally or orchestrally charged making the music glow with richness and inspiration. This transcription was given its world premiere on April 1- Rachmaninov's birthday- in 2017 in New York as part of a recital for the Lezetizky society. Further performances were given on what was an intense US Easter tour in Washington Texas Boston and Vermont. I've also performed the transcription in Canada and the UK.
4.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock | |
| She Loves You - Jazz
Ensemble: Ensemble: Score
and Parts Jazz Ensemble [Sheet music] - Beginner FJH
One of the hottest Beatles' tunes of all time for beginning jazz ensemble? You b...(+)
One of the hottest Beatles' tunes of all time for beginning jazz ensemble? You bet! Chris Sharp has done an excellent job of retaining the flare that made this one of the world's most beloved songs. No solos - just straight ahead ensemble writing with an easy shout chorus.
45.95 GBP - Sold by Musicroom UK | |
| The Library of Piano
Favorites - Volume 2 Piano solo [Sheet music] - Intermediate Amsco Wise Publications 45.50 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Easiest Book of Piano
Classics Piano solo [Sheet music] - Easy Amsco Wise Publications 32.50 EUR - Sold by Note4Piano Pre-shipment lead time: 24 hours - In Stock Only 1 left in stock, order soon ! | |
| Hit Session Country 102
Titles Chords Lyrics and Chords [Sheet music] Bosworth
Compilation. Ce carnet à spirale contient 102 chansons country Anglaise et Alle...(+)
Compilation. Ce carnet à spirale contient 102 chansons country Anglaise et Allemande. Ligne mélodique, paroles et accords guitare. / Rép International / Recueil / Chant et Guitare
23.10 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
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