(u.a. J. Haydn: Marche von dem K. K. Infanterie-Regiment Colloredo Hob. VIII:D1SS Anonym: Marche von dem K.K. Infanterie Regiment Teutschmeister)

Orchestra (Score)

SKU: HL.14000908

Composed by Hans Abrahamsen. Music Sales America. Classical. Score. 126 pages. Music Sales #KP00206. Published by Music Sales (HL.14000908).

ISBN 9788759854648. 12.0x16.0x0.677 inches. English.

The title Marchenbilder, or Fairy-tale Pictures, borrowed from Schumann, awakens notions of music which in itself has a pictorial quality. In all, the score comprises six Fairytale Pictures, the first three of which form the first movement, the next two the second, whilst the sixth forms the last movement which is linked with the second without a break. The first two pictures have the same duration - one minute each - whilst the remainder hesitantly inerease in length until the final picture is almost five minutes long. For 14 instruments.

String Quartet or String Orchestra - easy

SKU: BT.DHP-1135315-070

Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070).

ISBN 9789043146814. 9x12 inches. English-German-French-Dutch.

More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!

More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!

More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.

More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert !

Orchestra

SKU: BR.PB-5432

Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library).

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432).

ISBN 9790004212790. 10 x 12.5 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Piano - Level 1

SKU: LM.25439

Composed by Hans Gunter Heumann. Pop, jazz. Score. Editions Henry Lemoine #25439. Published by Editions Henry Lemoine (LM.25439).

ISBN 9790230954396.

BEETHOVEN : Danse allemande - Hymne a la Joie - Lettre pour Elise - BIZET : Marche (Carmen) - BRAHMS : Berceuse Bonsoir, bonne nuit - Danse hongroise n. 5 - CHOPIN : Tristesse (Etude Op.10 n. 3) - DELIBES : Valse Lente (Coppelia) - DVORAK : Humoresque Op.101 n. 7 - Largo (Symphonie du Nouveau Monde) - HAENDEL : Largo (Xerxes) - HAYDN : Danse allemande - Symphonie La Surprise - JOPLIN : The Entertainer - LISZT : Reve d'amour (Nocturne n. 3) - MARTINI : Plaisir d'amour - MOZART : Air du champagne (Don Juan) - Menuet (Don Juan) - Marche turque (Sonate KV 331) - Menuet KV 2 - Petite musique de nuit (Serenade KV 525) - OFFENBACH : Cancan (Orphee aux Enfers) - RAMEAU : Menuet - SCHUBERT : Ecossaise Op.18 n. 4 - Marche militaire - Valse Le desir - STRAUSS (fils) : Le Beau Danube bleu - Valse de l'Empereur - TCHAIKOVSKI : Capriccio italien Op.45 - TRADITIONNEL : Greensleeves - Hava Nagila - Pop Corn - Rock Around the Clock - When the Saints go Marchin'in - VERDI : Choeur des esclaves (Nabucco) - La Donna e Mobile (Rigoletto) - Marche triomphale (Aida) - WAGNER : Marche nuptiale (Lohengrin).

Concert Band/Harmonie - Grade 2.5

SKU: BT.DHP-1074291-140

Composed by Charles Francois Gounod. Arranged by Wil van der Beek. Your Favorite Classics. Transcription. Score Only. Composed 2007. 12 pages. De Haske Publications #DHP 1074291-140. Published by De Haske Publications (BT.DHP-1074291-140).

9x12 inches. English-German-French-Dutch.

In 1950, Pope Pius XII selected Marche Pontificale from the OrganSymphony No. 1, by French composer Charles Gounod, as the officialhymn of the Vatican. The first rendition of the official hymn took placein the same year, in Saint Peter?s Square in Rome, played by sevenmilitary bands. To celebrate the 80th birthday of Pope Benedict XVI in2007, Wil van der Beek has produced a first-class arrangement of thisfamous work for concert band.

Ter gelegenheid van het heilig jaar 1950 bepaalde de toenmalige paus Pius XII dat de Marche Pontificale van de Franse componist Charles Gounod (1818-1893) de officiële hymne van Vaticaanstad zou worden, als opvolger van eenhymne uit 1857 van Vittorino Hallmayr. De nieuwe naam van de mars werd ‘Paushymne’. De godvruchtige Gounod had het werk in 1869 geschreven voor een jubileum van paus Pius IX. In dat jaar vond de première plaats op het Sint-Pieterpleinin Rome, gespeeld door zeven militaire orkesten. Het was een enorm succes - en ook nu nog is deze muziek zeer geliefd. Wil van der Beek stond garant voor het uitstekende arrangement van dit bekende werk.

Marche Pontificale stammt aus der Orgelsymphonie Nr. 1, die Charles François Gounod 1835 zur Ernennung von Papst Pius IX schrieb und die seit 1950 als offizielle Vatikanhymne gilt. Nun liegt sie, pünktlich zum Jubiläumsjahr 2007, in dem unser“ Papst Benedikt XVI seinen 80. Geburtstag feierte, in einer neuen Bearbeitung für Blasorchester aus der Feder des erfahrenen Arrangeurs Wil van der Beek vor.

En 1950, l'occasion de l'Année Sainte, le Pape Pie XII décida que la Marche pontificale du compositeur français Charles Gounod (1818-1893) deviendrait l'hymne officiel de l'État de la Cité du Vatican. La Marche pontificale, comme l'avait appelée son auteur prit alors le nom d’Hymne pontifical remplaçant ainsi l’ancien hymne (Musica Festiva) composé par Vittorino Hallmayr en 1857.Animé d’une foi profonde, Charles Gounod avait composé cette marche en 1869 pour le jubilé sacerdotal du Pape Pie IX. La création eut lieu la même année, sur le parvis de la Basilique Saint-Pierre, par sept fanfares militaires. L’œuvre connut un succès immédiat.Elle est toujours appréciée de nos jours.Wil van der Beek en a réalisé un excellent arrangement.

SKU: HL.48185417

Composed by Jehan Alain. Leduc. Classical. 22 pages. Alphonse Leduc #AL28965. Published by Alphonse Leduc (HL.48185417).

UPC: 888680838614. 9.0x12.0x0.095 inches.

1.Marche des Horaces et des Curiaces; 2.Marche de Saint Nicolas (for organ, 2 bugles (or trumpets) and drum).

String Quartet (violin 1, violin 2, viola, cello)

SKU: GS.BSG4PROMAR-P

Arranged by Deborah Greenblatt. Spiral-bound. Set of parts. Greenblatt & Seay #BSG4PROMAR-P. Published by Greenblatt & Seay (GS.BSG4PROMAR-P).

8.5 x 11 inches.

30 energetic pieces to get your audience motivated, and their toes tapping. All four parts share the interesting melodic bits, and the relentless rhythms that provide the energy to forge ahead. You will enjoy sharing some old favorites, like Mendelssohn's Wedding March, Wagner's Bridal March, and for you Alfred Hitchcock fans, Gounod's Funeral March of a Marionette. This collection also includes works by Sousa, Frederick II, Joplin, Mozart, Schubert, etc.

Solo flute - Level 3

SKU: LM.26465

Composed by Atarah Ben Tovim. Classical. Score. Editions Henry Lemoine #26465. Published by Editions Henry Lemoine (LM.26465).

ISBN 9790230964654.

BACH : Concerto Brandebourgeois n. 2 (1er mvt) - BBEETHOVEN : Concerto pour piano n. 1 (3e mvt) - Marche turque des Ruines d'Athenes - Symphonie n. 6 (1er mvt) - Symphonie n. 7 (3e mvt) - BERLIOZ : Les Francs-Juges (ouverture) - Symphonie fantastique (La Marche a l'echafaud) - BIZET : Carmen (Prelude) - L'Arlesienne (Carillon et Suite) - BRAHMS : Ouverture pour une fete academique - Variations sur un theme de Haydn (Final) - CHABRIER : Espana (Rapsodie) - DEBUSSY : Nocturne (Nuages) - DVORAK : Danses slaves Op.46 n. 1 - Symphonie n. 8 (2e, 4e mvt) - Symphonie n. 9 (2e, 3e mvt) - Variation symphonique n. 3 - ELGAR : Enigma variations (n. 1 et final) - FRANCK : Symphonie en re mineur (3e mvt) - GRIEG : Concerto pour piano Op.16 (1er, 3e mvt) - HAYDN : Symphonie n. 94 (3e, 4e mvt) - Symphonie n. 101 (2e mvt) - HOLST : Les Planetes (Jupiter) - LISZT : Rapsodie hongroise - MENDELSSOHN : Les Hebrides (ouverture) - Songe d'une nuit d'ete (Marche nuptiale) - MOZARTt : Concerto pour piano n. 21 (2e mvt) - Symphonie n. 40 (3e mvt) - NICOLAI : Les Joyeuses Commeres de Windsor (ouverture) - RIMSKY-KORSAKOV : Cappriccio espagnol (2e mvt) - Sheherazade (3e mvt, Le Prince) - ROSSINI : Le Barbier de Seville (ouverture) - Guillaume Tell (ouverture) - L'Italienne a Alger - SCHUBERT : Symphonie n. 5 (2e, 4e mvt) - Symphonie n. 8 (1er, 2e mvt) - SCHUMANN : Concerto pour piano Op.54 (3e mvt) - SMETANA : La Fiancee vendue (ouverture) - SUPPE : Cavalerie legere (ouverture) - TCHAIKOVSKY : Casse-Noisette (Danse russe, Valse des fleurs) - Ouverture 1812 Op.49 - Symphonie n. 2 (2e mvt) - Symphonie n. 5 (1er mvt) - Symphonie n. 6 (2e, 3e mvt) - WAGNER : Le Vaisseau fantome (ouverture) - WEBER : Oberon (ouverture).

Concert band (Piccolo, Flute 1, Flute 2, Oboe 1/2, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon 1/2, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, Bb Trumpet 1/2,) - grade 4.5

SKU: CN.R10240

Composed by Geoffrey Brand. Arranged by Geoffrey Brand. Band Music. Score and parts. Duration 3:30. Published by G & M Brand Music Publishers (CN.R10240).

Joyeuse Marche (originally called Marche Francaise) was written in 1888. It exudes Chabrier's rhythmical exuberance, spontaneity and wit, bringing pleasure and joy to performers and listeners alike. Truly a march which lives up to its title.

In spite of displaying remarkable musical gifts Chabrier (1841-1894) was sent by his father to study law and in due course, having taken a law degree, went to work in his native French Ministry of the Interior, stay there for eighteen years. During the whole of this time he was developing his real interests in music and painting, including composing operettas and music for the piano. Following a holiday in Spain in 1883, Chabrier wrote a rhapsody for orchestra based on Spanish tunes he had heard. This became Espana; it achieved immediate acclaim and is still his most performed work. Joyeuse Marche (originally called Marche Francaise) was written in 1888. It exudes Chabrier's rhythmical exuberance, spontaneity and wit, bringing pleasure and joy to performers and listeners alike. Truly a march which lives up to its title.

March / Marche Religieuse / Air / Ouverture aus der Wassermusik / Pifa aus der Messias / Sonfonia e Gavotte / Hochzeitsmarsch / Intrada / Marche. Arranged by Jean-Francois Michel. For horn in F, trombone (or euphonium) & piano (organ). Swiss import. Score and parts. Published by Editions Marc Reift. (EMR 696H)
Level: 3.

For Tuba. Performed by Patrick Sheridan. De Haske Play-Along Book. Book and CD Package. Size 9x12 inches. 32 pages. Published by De Haske Publications. This book explores the sound of two tubas playing in close harmony. Careful study of the intervals presented will enhance the ability to provide consistent pitch and develop an understanding of pitch tendencies necessary to make intervals ring. Vieille Danse Populaire (Waignein) Premier Rock (Waignein) Blues Dans La Nuit (Waignein) Ragtime A La Carte (Waignein) Valse Villageoise (Waignein) Habanera Pour Tubas (Waignein) Marche Du Matin (Waignein) Ambiance Jazz (Waignein) Cha Cha 007 (Waignein) Le Temps Du Rock (Waignein) Tango Argentin (Waignein) Santa Fee (Waignein) Escapade Pour 2 (Waignein) Formule 2 (Waignein) Marche Dans Le Soleil (Waignein) Blues Connection (Waignein)