Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Par BERG CHRISTOPHER. Along with some of the right-hand exercises from Mauro Guiliani's, Studio per la chittarra, Op.1, this book contains numerous original exercises by Berg based on pieces composed since Guiliani's time and other exercises considered helpful for developing a well-rounded technique and for meeting the challenges of the guitar repertoire. There is an abundant practice material here for guitarists of all levels. Standard notation only. / Niveau : Débutant à Intermédiaire / Classic - Technic / Recueil / Guitare Classique

Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.Mauro Giuliani - a leading guitar virtuoso of the first half of the 19th century was performer in the concert halls and salons of that era. Giuliani performed with such great virtuosi as Hummel Mayseder and others. K. M. von Weber reffering to his concert in Prague in the autumn of 1816 expressed the opinion that Giuliani had raised the status of the guitar to that of a concert instrument.

An exceptional collection which brings together twenty-eight beloved and favourite works from the classical repertiore all in faithful and complete arrangements for solo guitar. With pieces by the likes of renowned composers Mauro Giuliani Fernando Sor and Chopin; these are all well known and popular melodies that remain fresh and expressive today. Presented in guitar tablature format this is a must have for classical guitarists who want to extend their repertoire with popular recognisable but beautiful pieces.

Par GIULIANI MAURO. Rossiniana no 1 de Mauro Giuliani tirée de l?édition critique complète de Frédéric Zigante / Date parution : 2022-07-20/ Répertoire / Guitare Classique

Mauro Giuliani (1781-1828) is considered one of the greatest composers and Guitar virtuosos from the Romantic period.His work contains compositions for one and two Guitars including studies and concertpieces.Mauro Giuliani Arranged For Ukulele Duet By Ondrej Sarek presents a Ukulele duet arrangement of '12 Neue Landler' a salon-style Guitar duet written in the form of a contemporary dance. The firstUkulele performs both the melody and bass parts while the second Ukulele provides fingerpicking accompaniment.

Publiées entre 1821 et 1828, Le Rossiniane de Mauro Giuliani sont une série de six pots-pourris entièrement basés sur des musiques de Gioachino Rossini. Le genre du pot-pourri était parmi les plus répandus dans la musique instrumentale du début du XIXe siècle?: il s?agissait d?un assemblage de thèmes musicaux d?origines diverses s?enchaînant dans une même composition. À défaut des moyens modernes de reproduction de la musique, le pot-pourri avait une fonction très importante?: celle de porter dans les demeures un répertoire en majorité créé pour le théâtre. La correspondance de Giuliani nous révèle quelques éléments significatifs concernant les Rossiniane : le premier est que le compositeur les jouait lui-même en concert?: le deuxième, que non seulement Rossini était au courant du projet, mais qu?il y contribua pour ainsi dire en offrant à Giuliani certains thèmes originaux?: le troisième enfin, que le compositeur avait conscience que ces pièces représentaient dans sa production et dans le panorama musical de son temps une nouveauté, « d?un style inconnu à ce jour ». Cette édition des Rossiniane se fonde sur des témoins musicaux de l?époque parvenus jusqu?à nous?: elle est enrichie de notes pour l?interprétation, qui favorisent une lecture correcte et cohérente d?une partition aussi notable qu?originale.
/ Partitions classique / Guitare - luth / Guitare / DURAND

Mauro Giuliani est probablement inspirée de composer ces variations pour guitare après avoir assisté à la première viennoise de l'opéra de Boieldieu en 1818. Opéra thèmes étaient populaires dans le temps du Giuliani et ces pièces représentent sa propre contribution à ce genre. / Guitare

Classical Guitar Solos - Favorite Sonatinas. In this book, guitarist and music historian David Grimes presents 20 ?small sonatas? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a rest? exposing and overcoming yet another shortcoming in the education of many guitarists. Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirate? plus three more composers in a similar vein? promoting confident, enjoyable sight-reading by guitarists of all levels.

The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor Matteo Carcassi Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the 'first generation' of classical guitarists. Giuliani was one of the most celebrated guitarists of his age a brilliant performer and prolific composer. He left a legacy of compositions and many of his works are heard regularly in recitals and concerts today. His studentpieces are considered indispensable by generations of guitarists. The studies and exercises contained in the six opus numbers here provide some of the most effective material in the entire guitar literature for building andrefining a superior technical command of the guitar. In this edition David Grimes has modernized some of the notation and corrected a number of misprints from Giuliani's original publications.

Mauro Giuliani was born in Bisceglie Italy in 1781. He was one of the most famous guitarists and composers in the early 19th century. In 1806 he settled in Vienna where he was celebrated as a virtuoso composer and teacher and stayed there until 1819. Via Venice and Rome he came to Naples where he spent the last five years of his life until he died on the 8th May 1829. From his vast oeuvre comprising about 220 works the two Duets for Flute or Violin and Guitar Op.25 and Op.85 are his key works from the genre that have been most played and recorded.This edition of the Grand Duo Concertant Op.85 for Flute or Violin and Guitar has been editedby Henner Eppel and Volker Höh.The solo flute (or violin) part is also included on a separate insert.