| Piano White Pages - Vol. 2 Piano, Vocal and Guitar Hal Leonard
(The Largest Collection of Piano/Vocal/Guitar Arrangements). By Various. For Pia...(+)
(The Largest Collection of Piano/Vocal/Guitar Arrangements). By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 896 pages. Published by Hal Leonard
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| The Real Vocal Book - Volume 1 High voice [Fake Book] Hal Leonard
C Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 in...(+)
C Edition. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 352 pages. Published by Hal Leonard.
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| The Real Vocal Book - Volume I (Low Voice Edition) Melody line, Lyrics and Chords [Fake Book] Hal Leonard
(Low Voice Edition). By Various. Fake Book. 352 pages. Published by Hal Leonard...(+)
(Low Voice Edition). By Various. Fake Book. 352 pages. Published by Hal Leonard
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| E-Z Play Today #278. 150 More of the Most Beautiful Songs Ever Piano, Voice [Sheet music] - Easy Hal Leonard
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Softcover. 392 pages. Published by Hal Leonard.
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| Jazz Guitar Fake Book - Volume 1 Guitar [Fake Book] Hal Leonard
Lead Sheets for 200 Jazz Standards. Composed by Various. Guitar Book. Softcov...(+)
Lead Sheets for 200 Jazz
Standards. Composed by
Various. Guitar Book.
Softcover. 382 pages.
Published by Hal Leonard
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| The Real Christmas Book Bb Instruments [Fake Book] Hal Leonard | | |
| The Real Christmas Book Bass Clef Instruments [Fake Book] Hal Leonard | | |
| The Real Christmas Book (Eb Edition) Eb Instruments [Fake Book] Hal Leonard | | |
| The Real Christmas Book Play-Along ? Second Edition C Instruments [Sheet music + Audio access] Hal Leonard
C Instruments. Composed by Various. Fake Book. Christmas, Christmas Secular. S...(+)
C Instruments. Composed by
Various. Fake Book. Christmas,
Christmas Secular. Softcover.
Published by Hal Leonard
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| Let's Go Solo! Book 2 Piano solo [Sheet music] FJH
By David Karp. For Piano. Composers In Focus. Book 2 contains plenty of rhythmic...(+)
By David Karp. For Piano. Composers In Focus. Book 2 contains plenty of rhythmic bounce; Winter Rag; Autumn Rag; Peasant Dance; and Cool Beat Blues; set against some more lyrical selections: January Song; May Afternoon; Swan on a Lake; and several others, some with unusual time signatures, all written in Karp's unique style. Also includes: Lullaby; Blue Tune. Level: Early Intermediate/Intermediate. Book. Published by The FJH Music Company Inc.
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| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How To Play Fiddle by Larry McCabe Violin [Sheet music + CD] Santorella Publications
How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback....(+)
How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback. Instructional. Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Violin in D Major, Op. 77 Concert band LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set SKU: AP.36-A134702 Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A134702. Published by LudwigMasters Publications (AP.36-A134702). UPC: 659359985690. English. Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $155.00 - See more - Buy online | | |
| May. Decay Choral SATB - Intermediate/advanced Wilhelm Hansen
Choral (SATB) - Grade 4 SKU: HL.234466 SATB chorus. Composed by Pe...(+)
Choral (SATB) - Grade 4 SKU: HL.234466 SATB chorus. Composed by Pelle Gudmundsen-holmgreen. Choral. Classical. Softcover. Composed 2017. 48 pages. Edition Wilhelm Hansen #WH32870. Published by Edition Wilhelm Hansen (HL.234466). ISBN 9788759838471. 8.25x11.75x0.173 inches. English. May.Decay was composed in 2016 by Pelle Gudmunsen-Holmgreen (1932-2016). Commissioned by Danish Radio Vocal Ensemble and premiered on January 15, 2017 in Copenhagen, Denmark. May. Decay is related to SORRIG. GLAEDE (WH32913). If performed together, the sequence must be: May.Decay and Sorrig. Glaede. $17.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Singing Fun for Little Ones [Sheet music + CD] Hal Leonard
Seasonal Activities and Sight-Reading for the Music Class. By Cheryl Lavender. ...(+)
Seasonal Activities and Sight-Reading for the Music Class. By Cheryl Lavender. (Book and CD pak). Music Express Books. 40 pages. Published by Hal Leonard.
$24.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Throughout the Year 1 Piano, 4 hands [Sheet music] Hal Leonard
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsar...(+)
Late-Elementary Level Piano Duet Composer Showcase. Arranged by Christos Tsitsaros. Educational Piano Library. Softcover. 48 pages. Published by Hal Leonard.
$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Concerto for Violin in D Major, Op. 77 Concert band LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set SKU: AP.36-A134748 Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Solo Violin Part. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A134748. Published by LudwigMasters Publications (AP.36-A134748). ISBN 9798888529850. UPC: 659359935244. English. Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $10.00 - See more - Buy online | | |
| Concerto for Violin in D Major, Op. 77 Concert band LudwigMasters Publications
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set SKU: AP.36-A134701 Composed by Johannes Brahms. Full Orchestra, Solo Strings with Ensemble, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A134701. Published by LudwigMasters Publications (AP.36-A134701). ISBN 9798888529843. UPC: 659359537080. English. Johannes Brahms (1833-1897) wrote his Violin Concerto in D major, Op. 77, in 1878. He composed the work for his longtime friend, famed violinist Joseph Joachim, who premiered it in Leipzig with the Gewandhaussaal on January 1, 1879, Brahms himself conducting. The program also included, at Joachim's insistence, Beethoven's Violin Concerto in D major, Op. 61, on which Brahms modeled his own concerto. While the critical reception of the time was mixed, the audiences at the various early performances received the work well. Most complaints directed at the concerto addressed the role of the solo violin, noting that the soloist does not offer much of the melodic material or include much in the way virtuosic passages, a consequence of looking more towards Beethoven's serious aesthetic rather than Paganini's flashy one. Joachim himself, before a falling out with the composer over personal reasons, included Brahms' concerto among the best German offered, saying: The Germans have four violin concertos. The greatest, most uncompromising is Beethoven's. The one by Brahms vies with it in seriousness. The richest, the most seductive, was written by Max Bruch. But the most inward, the heart's jewel, is Mendelssohn's. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Violin in set. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $35.00 - See more - Buy online | | |
| Brass Calendar Brass Quintet: 2 trumpets, horn, trombone, tuba [Score and Parts] Theodore Presser Co.
For Brass Quintet. By Peter Schickele. Brass quintet. For Trumpet I, Trumpet II,...(+)
For Brass Quintet. By Peter Schickele. Brass quintet. For Trumpet I, Trumpet II, French Horn, Trombone, Tuba. Premiered January 16, 1994 at the Chamber Music America conference in New York City. Score and parts. 24 pages. Duration 18:00. Published by Theodore Presser Company.
$52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tschaikowsky, Peter Iljitsch: The Seasons op. 37bis
Piano solo [Sheet music] - Advanced G. Henle
(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman....(+)
(Piano Solo). By Peter Ilyich Tchaikovsky (1840-1893). Edited by Polina Vajdman. For piano solo. This edition: HN616. Piano (Harpsichord), 2-hands. Henle Music Folios. Pages: VII and 66. SMP Level 10 (Advanced). Urtext edition-paper bound. 74 pages. Published by G. Henle Verlag
(4)$28.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Smyccovy kvartet c. 2 "Listy duverne" - String Quartet Nr. 2 "Intime Briefe" String Quartet: 2 violins, viola, cello Barenreiter
2 violins, viola, cello (Violins (2), Viola, Violoncello) SKU: BA.BA06857 ...(+)
2 violins, viola, cello (Violins (2), Viola, Violoncello) SKU: BA.BA06857 Composed by Leos Janacek. Edited by LeoÅ¡ Faltus and MiloÅ¡ Å tedron. This edition: complete edition, urtext edition. Linen. Complete Critical Edition of the Works of Leos Janacek E/4. Complete edition, Score, Set of parts. Composed 1928. No. 2. Duration 26 minutes. Baerenreiter Verlag #BA06857_00. Published by Baerenreiter Verlag (BA.BA06857). ISBN 9790260100503. 34.3 x 27 cm inches. Janácek’s 2nd String Quartet, “Intimate Lettersâ€, is regarded as a highlight of the modern string quartet literature. It was written during the composer’s last year of life, between 29 January and 19 February 1928, inspired by the ageing Janácek’s exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of three of their rehearsals in May and June 1928. This had several consequences, including his abandoning his original idea of using a viola d’amore.
After Janácek’s unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the “Intimate Lettersâ€: the surviving copies were not definitively authorised.
The editors of this new edition have reverted to Janácek’s autograph sketches as the main, most reliable source and using these as a basis, have reconstructed the work as it stood at the point of Janácek’s death.
The musical text therefore contains clear differences in comparison with older editions.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$235.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hear My Prayer (Hor' mein Bitten) in G Major, WoO 15 Concert band LudwigMasters Publications
Concert Band; Orchestra 0.2.2.2: 2.0.0.0: Timp: Str (4-4-3-3-3): Solo Soprano: M...(+)
Concert Band; Orchestra 0.2.2.2: 2.0.0.0: Timp: Str (4-4-3-3-3): Solo Soprano: Mix Chorus SKU: AP.36-A464991 Composed by Felix Mendelssohn/ Libretto by William Bartholomew after Psalm 55. Cantata/ Oratorio, Orchestra Accompaniment, VS. Kalmus Choral Library. Score. LudwigMasters Publications #36-A464991. Published by LudwigMasters Publications (AP.36-A464991). ISBN 9798892700023. UPC: 659359968167. English. While Felix Mendelssohn (1809-1847) modestly refers to Hear My Prayer (Hör' mein Bitten) in G Major, WoO 15, as a trifle, it is among his most popular works for chorus. On the autograph score, he inscribed the following: A sacred Solo, for a Soprano and Chorus, with Organ accompaniment, composed for W. Bartholomew, Esq., by Felix Mendelssohn Bartholdy. William Bartholomew wrote the text, which is derived on Psalm 55, and requested that Mendelssohn set it to music. This version premiered on January 8, 1845, at Crosby Hall in London. In 1847, Mendelssohn orchestrated the work, but he passed before he could hear this version, which premiered on December 21, 1848, in Dublin. Score and parts for orchestral accompaniment available separately. This edition adds reheasal numbers that match between the score, parts, and choral score. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $8.95 - See more - Buy online | | |
| Jazz Saxophone Duets 2 Saxophones (duet) [Book + CD] Greg Fishman Jazz Studios
By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published...(+)
By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.
(1)$24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 2000 Notes Bote and Bock
Percussion (Performance Score) SKU: HL.48024355 Edited for 3 Percussio...(+)
Percussion (Performance Score) SKU: HL.48024355 Edited for 3 Percussionists by Yu Fujiwara (2016) Performance Sco. Composed by Ursula Mamlok. Boosey & Hawkes Chamber Music. Classical. Softcover. 48 pages. Duration 500 seconds. Bote & Bock #M202534816. Published by Bote & Bock (HL.48024355). ISBN 9783793141785. Ursula Mamlock, who emigrated from Germany in 1939, composed 2000 Notes, her most important work for piano solo, in New York. Here she studied and taught composition until she returned to her native city of Berlin in 2006. In 2015 Yu Fujiwara arranged 2000 Notes for three percussionists (xylophone, glockenspiel, vibraphone, and marimbaphone). Ursula Mamlok was unable to attend the world premiere in Basel in January 2016 but heard a performance in Villingen-Schwenningen on 12 April and, delighted with the new tone colours, authorized this arrangement. This is the last composition prior to her death in May 2016 which could be newly entered in her catalogue of works as an arrangement. Rich in contrast, this short, concise piece is typical of her style and a valuable addition to the canon of percussion works. $63.00 - See more - Buy online | | |
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