150 des plus célébres standards de jazz, speciallement arrangés pour piano, chant et guitare (accords) / Variétés Internationale / Partition /

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Four Pieces may be performed complete as a four-movement work. Each piece may also be performed separately or a selection together in any combination.1. Leap Commissioned by NJO: Dutch Orchestra and Ensemble Academy.. First performed on 13 August 2010 at Radio Kootwijk, Apeldoorn, Netherlands, by Anna voor de Wind, young artist in residence.2. Cradle SongWritten for Mark Simpson. First performed by Mark Simpson (clarinet) and Vikingur Olafsson (piano) at Holywell Music Room, Oxford on 2 December 2009.3. Carnac Written for Jon Carnac. First performed on 7 January 2014 in the Purcell Room, London, by Max Welford (clarinet) and Katherine Tinker (piano).4. Falling ApartWritten for Jon Carnac. First performed on 15 February 2013 at Regent Hall, London, by Max Welford (clarinet) and Katherine Tinker (piano). / Clarinette Et Piano

Score-'Down the moving line suddenly came the surging chant:Chi Rho Omega Lambda Chi!We meet tonight to celebrateThe Omega Lambda Chi!'''Omega Lambda Chi' was a fictitious fraternity created by some Yale sophomores in the 1870's. Freshmen were pledged to a non-existent society so they would buy the sophomores cigars and drinks. By the 1880's the name 'Omega Lambda Chi' had become applied to a wild May night of campus festivities. Classes paraded (sometimes with a band) singing shooting firecrackers and cheering the buildings of the Old Campus. Climaxing the rough and tumble evening was the 'Pass of Thermopolae.' In this brutal affair theFreshman class ran the gauntlet through the large stone Phelps Gateway while receiving the blows of the three upper classes. March: Omega Lambda Chi was probably written during Ives' Christmas vacation in 1895 and completed upon his return to school. It bears the title 'March on the air: Omega Lambda Chi 76 South Middle Campus January 4 1896.' The Yale Daily News reports that the ceremony took place that spring (May 18 1896) and that one of Ives' best friends D. C. Twitchell (later his brother-in-law) was one of the Omega Lambda Chi marshals. By 1900 the Omega Lambda Chi had become too dangerous and was outlawed by the faculty. Another Ives composition which was inspired by a Yale festive evening is Calcium Light Night.Charles Ives was a Yale student from 1894-1898. He was a popular figure on campus and was very active in social athletic and musical life. In 1928 Ives made a list of his band music on the back of one of his insurance company calendars. At least ten original band works are thought to have existed; there are numerous others that were band inspired. Only March: Omega Lambda Chi and March: Intercollegiate have been found complete in their band form. The tune 'Omega Lambda Chi' is derived from 'Sailing sailing' found in the first strain. The second strain and trio

Janácek's 2nd String Quartet Intimate Letters is regarded as a highlight of the modern string quartet literature. It was written during the composer?s last year of life between 29 January and 19 February 1928 inspired by the ageing Janáèek's exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of three of their rehearsals in May and June 1928. This had several consequences including his abandoning his original idea of using a viola d'amore. After Janácek's unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the IntimateLetters : the surviving copies were not definitively authorised. The editors of this new edition have reverted to Janácek's autograph sketches as the main most reliable source and using these as a basis have reconstructed the work as it stood at the point of Janácek's death. The musical text taken from the Critical Complete Edition of the Works of Leo? Janácek (Vol. E/4) therefore contains clear differences in comparison with older editions.

Night Dance was written between September 1986 and January 1987 to a commission from David Starobin who gave the first performance on 5 April 1987 at the Wigmore Hall London. It is a miniature tone-poem depicting ascene of an old man sitting in a doorway at dusk. He is playing a guitar and begins by plucking the lowest string as though searching for what he wishes to play. As the music gains momentum it gradually moves upwards by meansof the guitar’s open strings and breaks into a dance. Now it is dark and a nightmarish band of dancers passes by the old guitarist. The dance jerky and uneven develops melodically and harmonically the initial material of thepiece. After a climax the dancers move on - the dance music subsides and a nocturne is heard interrupted periodically by the music of the dance in the distance. Maybe this is not geographical distance but the distance oftime perhaps the whole episode has been mere memories. The piece ends musingly with the motive from which it began.

Finest single-volume edition includes authoritative scores of The Seasons, Op. 37; Album for the Young, Op. 39; 10 Characteristic Pieces, Op. 72; Dumka, Op. 59; Valse sentimentale, Op. 51, No. 6; 4 Pieces, Op. 40; Theme and Variations, Op. 19, No. 6; plus 5 early pieces. Content : Five early pieces Romance (Op. 5) Valse-scherzo ? Waltz-scherzo (Op. 7) Capriccio (Op. 8) Polka de salon (Op. 9, No. 2) Nocturne (Op. 10, No. 1) Thème original et variations ? Original theme and variations (Op. 19, No. 6) From Twelve Pieces (Op. 40) No. 2 Chanson triste ? Sad song 6. Chant sans paroles ? Song without words 9. Valse ? Waltz 10. Danse russe ? Russian dance Valse sentimentale ? Sentimental waltz (Op. 51, No. 6) Doumka (Scène rustique russe) ? Dumka (Russian village scene) (Op. 59) From Eighteen Characteristic Pieces (Op. 72) No. 1 Impromptu 2. Berceuse ? Lullaby 3. Tendres reproches ? Gentle reproaches 4. Danse caractéristique ? Characteristic dance 8. Dialogue 9. Un poco di Schumann ? A bit of Schumann 12. L'espiègle ? The rascal 13. Echo rustique ? Countryside echo 15. Un poco di Chopin ? A bit of Chopin 16. Valse à cinq temps ? Waltz in five-beat time Album for the Young (after Schumann) (Op. 39) [Restored to Tchaikovsky's original sequence] Note No. 1. Prière de matin ? Morning prayer 2. Le matin en hiver ? Winter morning 3. Maman ? Mama 4. Le petit cavalier ? The little horseman 5. Marches des soldats de bois ? Marches of the wooden soldiers 6. La nouvelle poupée ? The new doll 7. La poupée malade ? The sick doll 8. Enterrement de la poupée ? The doll's burial 9. Valse ? Waltz 10. Polka 11. Mazurka 12. Chanson russe ? Russian song 13. Le paysan prélude ? The peasant plays an introduction 14. Chanson populaire (Kamarinskaya) ? Folk Song 15. Chanson intalienne ? Italian song 16. Mélodie antique française ? Old French melody 17. Chanson allemande ? German song 18. Chanson napolitaine ? Neapolitan song 19. Conte de la vieille bonne ? The old maid-servant's tale 20. La sorciére (Baba-Yaga) ? The witch 21. Douce rêverie ? Sweet reverie 22. Chant de l'alouette ?Song of the lark 23. A l'église ? In church 24. L'orgue de barbarie ? The hurdy-gurdy The Seasons (Op. 37bis) Note and epigraphs 1. Janvier: Au coin du feu ? January By the fireside 2. Février: Carnaval ? February: Carnival 3. Mars: Chant de l'alouette ? March Song of the lark 4. Avril: Perce-neige ? April: Snowdrop 5. Mai: Les nuits de mai ? May: May nights [White nights] 6. Juin: Barcarolle ? June: Barcar 7. Juillet: Chant du faucheur ? July: The reaper's song 8. Août: La moisson ? August: The harvest 9. Septembre: La chasse ? September: The hunt 10. Octobre: Chant d'automne ? October: Autumn song 11. Novembre: En troïka ? November: In the troika 12. Decembre: Noël ? December: Christmas

Four American Choruses was commissioned by Simon Halsey and the City Of Birmingham Symphony Chorus who gave the premiere of I'm A Pilgrim the first of the four choruses on 31st January 2004 in Symphony Hall Birmingham. The complete set was premiered by the Netherlands Radio Choir conducted by Simon Halsey in the Concertgebouw Amsterdam on the 24th April 2004. The UK premiere of he entire set was again given by Simon Halsey and the City Of Birmingham Symphony Chorus on the 26th May 2005.

Score and Parts-Aria for Oboe and Strings may be performed in either two versions: with string orchestra or with string quintet. The materials provided here include footnotes indicating how the piece should be performed dependning onwhich version is selected. The first performance of Aria was given by the Connecticut String Orchestra on January 6th 1977 with Bert Lucarelli oboe and Renato Bonacini conductor. Aria was adapted fromthe composer's Concerto for Oboe and Orchestra which is available on rental from the publisher. Duration: ca. 6 minutes.

bearbeitet für 3 Schlagzeuger von Yu Fujiwara (2016)-Ursula Mamlock who emigrated from Germany in 1939 composed 2000 Notes her most important work for piano solo in New York. Here she studied and taught composition until she returned to her native city of Berlin in 2006.In 2015 Yu Fujiwara arranged 2000 Notes for three percussionists (xylophone glockenspiel vibraphone and marimbaphone). Ursula Mamlok was unable to attend the world premiere in Basel in January 2016 but heard a performance in Villingen-Schwenningen on 12 April and delighted with the new tone colours authorized this arrangement.This is the last composition prior to her death in May 2016 which could be newly entered in hercatalogue of works as an arrangement. Rich in contrast this short concise piece is typical of her style and a valuable addition to the canon of percussion works.

Gareth Malone: Music for Healing. Gareth returns to his first instrument, the piano, to create this special album featuring solo piano, choir and strings. Each piece is named after a month of the year, reflecting the essential role that the natural rhythms of time play in the process of healing and restoration. Gareth hopes his compositions bring peace and tranquillity into the homes of those who have endured hardships, uniting people with the transcendental power of music, and sharing his own experiences with the wider world. This exclusive folio presents all 14 solo piano pieces from Music for Healing and includes a specially written preface from Gareth Malone.

The 'Seasons' and '12 Pieces' are among the most frequently played piano works by Tchaikovsky since they are also suited for advanced piano pupils and piano lovers. Our new edition was carefully edited by renowned Tchaikovsky researchers and editors of the Complete Edition. / Partition /