SKU: LO.10-5804L
ISBN 9780787779887.
This robust anthem from composer Joseph Martin is an ideal addition to general worship services, music appreciation Sundays, and church anniversary celebrations. The majestic melody is easily learned, and the piano accompaniment imbues the music with a regal, festival-like quality. An optional B-flat trumpet part is also available. â??Lord, we are the children of Your song. We are people made for music. Fit us, Lord, for worship. Tune our hearts for praise!â?.
SKU: HL.275651
ISBN 9781540026385. UPC: 888680744694. 9.0x12.0x0.13 inches. Book with Online Media.
Today's best way to practice jazz! Accurate, easy-to-read lead sheets and professional, customizable audio tracks accessed online for 10 songs. The interactive, online audio interface includes: tempo control; looping; buttons to turn each instrument on or off; lead sheet with follow-along marker; and melody performed by a saxophone or trumpet on the head in and head out. The full stereo tracks can also be downloaded and played off-line. Separate lead sheets are included for C, B-flat, E-flat and Bass Clef instruments. This volume includes 10 songs: Ceora * Dat Dere * Dolphin Dance * Equinox * Jeannine * Recorda Me * Stolen Moments * Tom Thumb * Up Jumped Spring * Windows.
SKU: BT.AMP-137-130
9x12 inches. English-German-French-Dutch.
The Latin American mood of the piece is a salute to the population of California, a state which many feel still clearly displays its Mexican roots. The melody and intoxicating rhythm of the music oozes excitement, thus ensuring every single member of your audience will go home in a joyous mood! In seine Komposition Fiesta de la Vida - einem Fest des Lebens“ - legte Philip Sparke das Temperament und die Lebensfreude Lateinamerikas hinein. Von den originalen Melodien im lateinamerikanischen Stil werden alle auf der Bühne und im Zuschauerraum zum Tanzen verführt. Absolut ansteckend! Le caractère latino-américain de la pièce témoigne également du métissage de la population californienne qui puise son identité et ses racines dans les traditions culturelles mexicaines. Néanmoins, aucune mélodie traditionnelle n’apparaît dans le développement. Fiesta de la Vida (“Célébration de la vieâ€) rend hommage la vitalité et l’enthousiasme des habitants par une musique dont les caractéristiques constituent par excellence les festivités de la joie, du bonheur et de la gaieté.The Latin American mood of this piece is truly infectious and will make all players, and audience members, get up and dance.Why not add a little Latin spice to any concert with this lively new work.
SKU: HP.C5672C
UPC: 763628956721. Joseph M. Martin & J. Paul Williams. I Corinthians 1:4-9, Psalms 89:20-37, Hebrews 10:11-14,19-25, 1 John 5:9-13.
Original anthem J. Paul Williams and Joseph Martin have collaborated in this powerhouse anthem featuring an engaging melody that boldly proclaims God's faithfulness through all time to every generation and nation. Additional instruments may be added to complement Joe Martin's exquisite piano accompaniment. Useful for services of praise, thanksgiving, and commitment with the text proclaiming, Rejoice with music. Rejoice with singing. With every alleluia, let the song go forth to every nation - faithful is God! The Orchestration includes a Conductor's Score and parts for: Flute, Oboe, B-flat Trumpet, Horn, Violin I, Violin II/Viola & Cello, Elec. Bass, and String Reduction.
SKU: LO.10-5703L
ISBN 9780787777241.
This new anthem from Brian and Stephanielynn Büda is a compelling invitation to love, and to serve, the church body. Featuring an exciting piano accompaniment, as well as a part for optional cajon, your ensemble will be immediately captivated by the buoyant 6/8 nature of this piece. The lilting melody perfectly matches the inspired text, and exhorts your listeners to a life of service.
SKU: AP.30651S
UPC: 038081343433. English.
This up-tempo samba on this wonderful Cole Porter standard is a great vehicle for your band---not difficult yet very effective. The melody and solo space (written-out solos) feature alto and trumpet and a nice interlude band shout chorus. Lead trumpet range is to written B, above the staff. (3:11) This title is available in MakeMusic Cloud.
SKU: CA.240303
ISBN 9790007134648. Illustrator: Frank Walka.
* Simple arrangements for voice and piano, plus instrumental upper part ad lib. * With new, varied arrangements by over 20 composers. * The instrumental difficulty level of the ad lib part is easy to medium. * The upper part (in C) and a bass part are included with the volume. The melody and upper parts, transposed for B flat instruments, are available separately (as a playing score, Carus 2.403/21). * Up-to-date collection of materials for small or larger music groups in schools, music schools, parishes and families, who want to accompany Christmas carols instrumentally. * The performer's volume can be used flexibly for different ensembles with piano accompaniment. Score available separately - see item CA.240300.
SKU: PR.164002120
UPC: 680160037582.
Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings. When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements. The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence. The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep. The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes. Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.
SKU: FL.FX071176
The title of this Piece is a pun on Cubans rhythms. The opposition between the tone and used homonymous tone, as well as the rhythmic formula chosen on theme B are a typical feature of South America music. Concerning the melody, it is a stylistics composition on quarter note triplets!
SKU: HL.49013264
ISBN 9790001103930. German.
SKU: AP.47504S
UPC: 038081546728. English.
This wonderful jazz standard swings at 160 BPM with the opening melody line played by alto, tenor, trumpet, and trombone. Sample jazz solos are provided for tenor 1, trumpet 2, drums, and the lead trumpet range is up to written B-flat above the staff. Sax solis, a shout chorus, and superb writing throughout create a top-shelf chart.
SKU: BT.DHP-1043679-030
This flexible piece in 4 parts was written by Jacob de Haan as a ‘theme tune’ for the Yamaha teaching method seminars in Germany. The solemn and dignified hymn-like melody will add a touch ofgrandeur to any performance. Its simplicity and rich harmonies suggest overtones of Land of Hope and Glory and this would be a good item to bring a deep and uplifting sense of occasion to your concert. Vanuit zijn didactische ervaring met het componeren van eenvoudige muziek voor variabele bezettingen gaf de Nederlandse componist Jacob de Haan in 2004 een workshop tijdens het Yamaha Bläserklassen Kongress in Oberursel (bij het DuitseFrankfurt). Op verzoek van Wolfgang Feuerborn, leider en initiator van het project, schreef Jacob de Haan speciaal voor deze seminars een hymne. Hij noemde het stuk - heel toepasselijk - The Seminar Hymn. Dit werk isleerzaam en motiverend voor jonge muzikanten - en een plezier om naar te luisteren.Aufgrund seiner didaktischen Erfahrungen im Komponieren von leichter Musik für variable Besetzungen hielt der holländische Komponist Jacob de Haan im Rahmen des Yamaha BläserKlassen-Kongresses in Oberursel 2004 einen Lehrgang ab. Auf Wunsch von Wolfgang Feuerborn, dem Leiter und Initiator des Projekts, schrieb Jacob de Haan speziell für dieses Seminar eine Hymne. Er nannte das Stück - passenderweise - The Seminar Hymn. Dieses Werk vermittelt geschickt wertvolles Lehrmaterial für junge Musiker mit viel Motivation und Spielfreude, die sich auch aufs Publikum übertragen wird.La Yamaha BläserKlasse est un projet développé par Yamaha en partenariat avec le système éducatif allemand. Ce concept permet d’enseigner la musique d’ensemble l’école primaire (et premier cycle secondaire). Bénéficiant d’une riche expérience dans la composition d’œuvres pédagogiques instrumentation variable, Jacob de Haan compose un hymne, spécialement pour les séminaires d’application durant lesquels les enseignants sont formés cette nouvelle manière d’apprendre la musique.
SKU: HL.49000635
ISBN 9790001103688. 8.25x11.75x0.08 inches. German.
SKU: HP.1577
UPC: 763628115777.
An original composition A mood of joy is set with melody, harmony, keys and techniques used. Arranged for 2-3 octaves and 4-5 octaves.
SKU: FT.FM418
ISBN 9790570483174.
A suite for trumpet and piano in 3/4 time, recommended for the intermediate player. Minuet and Variations for Trumpet and Piano This minuet starts off with restrained elegance and then veers off into something with attitude, no longer quite baroque. There are few places to rest in this piece so good breath control is very important. Strive for precise articulation especially in the staccato passages, and a full, rich tone in the Tempo Primo section at Bar 30. Sarabande This piece was inspired by various classical works but it still has something of the Twentieth Century about it. You'll notice the B section suggests a minuet. If you can find moments to use a true, fully supported pianissimo it will help make this melody truly haunting. August Serenade This piece has a spritely main theme that introduces two quieter, more introspective melodies. The first theme again echoes a minuet while the second is more of a slow waltz. The main theme should be precise and fiery, the second played with a sweet elegance and the waltz filled with warmth and autumnal colours.
SKU: AP.1-ADV17052
UPC: 805095170528. English.
In these new arrangements, South African music merges with modern jazz sounds. The compositions have been written for flexible wind ensembles, containing C, E-flat, and B-flat parts. The rhythm section can be composed of bass, percussion, and wind instrument. For musicians with basic knowledge of jazz harmony.