From the deep and sometimes mysterious mind of composer Michael Philip Mossman heres a captivating cha-cha with attitude. Michael skillfully mixes full band scoring with section features and quick trade-off riffs. Also included are solos for tenorand trumpet and some unexpected band vocals.

Always the experimenter looking for new ideas and sounds Michael Mossman has combined 2 Latin styles in this unique composition. Displaying a nice melodic sense and skill in orchestration Michael writes interesting parts for allsections and also includes a trumpet solo and trombone soli in this great-sounding chart.

With an aura of mystery and a sneaky medium swing style this original from the pen of Michael Mossman features skilled and effective writing for the entire ensemble. The trumpet section is featured at the top and there areflexible options in thesolo section.

Featuring a modal ?Celtic? flavor, this original from Michael Mossman uses and energetic drive throughout along with a unique harmonic approach. Also included is solo space for tenor sax, and a section where the saxes and brass do ?trade offs? on short riffs. A creative and distinctive piece for mature ensembles.

Using a combination of the Brazilian styles Choro Partido Alto and Samba Michael Mossman has crafted this substantial work for mature bands. Solos for alto tenor and trumpet are intertwined with sizzling ensemble lines andpunches. The drum and percussion parts are carefully notated to insure the proper interpretation.

Arr. Michael Philip Mossman. Par GILLESPIE DIZZY. / Niveau : 4 / Répertoire / Jazz Combo

Here is an excitingly different take on this Ellington swing classic done in a mambo style! Including a slightly twisted melody to fit the style Latin master Michael Philip Mossman cleverly adds counterlines a montuno section solos for alto and trumpet and a vamp that starts soft then gains momentum. We think even the Duke would have liked this distinctive chart!

Jazz Ensemble Library – Grade 4Jazz giant Ray Bryant penned this classic mambo and Michael Philip Mossman provides a dynamic setting for jazz ensemble! Fully notated rhythm section parts guarantee an authentic andconvincing groove while the band focuses on the spicy hot ensemble passages. With solos for trumpet and alto and an ensemble chorus that grows with intensity layer by layer this is one of those charts you'll never get tired ofplaying.

Here is one of Tito Puente's best known Latin production numbers and in the hands of Latin master Michael Philip Mossman this chart sets up an infectious and authentic groove that just does not let up. Includes solos for alto tenor trumpet and trombone as well as tight characteristic full ensemble punches. Skillfully done!

Here is a collection of beautiful concert pieces for trumpet and orchestra that demonstrate the instrument's capabilities admirably. Of easy to intermediate difficulty these selections with full orchestral background provide the early-level trumpeter a thrilling theatre in which to practice and perform. Not to be missed these sensitive arrangements are something to be treasured by beginner and professional alike. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo with the soloist on the right channel and a second performance in full stereo minus the soloist. Performed by Michael Philip Mossman trumpetAccompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn

In 1987 Miles Davis took home the Grammy® award for best jazz instrumental soloist for his performance on this composition by Marcus Miller. From the album of the same name Tutu is creatively arranged here by MichaelPhilip Mossman in asultry hip-hop fusion style similar to the original. Featuring distinctive modal style harmonies a few twists and turns and solos for trumpet (naturally) and alto sax this is sure to be a standout selectionfor any ensemble.

Composed as a tribute to jazz great Horace Silver this chart is set in a moderate cha-cha groove and includes marvelous melodic lines and outstanding ensemble writing. Also included is a brief double time section and solo for tenor sax.