Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

# 100 chansons du grand Zim dans un format de 'livre de poche'. Toutes les paroles et les diagrammes d'accords guitare. Titres : Titres : All Along The Watchtower - All I Really Want To Do - Ballad Of A Thin Man - Beyond Here Lies Nothin' - Blind Willie Mctell - Brownsville Girl - Blowin' In The Wind - Changing Of The Guards - Chimes Of Freedom - Dark Eyes - Desolation Row - Dignity - Don't Think Twice, It's All Right - Duquesne Whistle - Every Grain Of Sand - Everything Is Broken - Forever Young - Girl From The North Country - Gotta Serve Somebody - A Hard Rain's A-gonna Fall - High Water (For Charley Patton) - I Believe In You - Hurricane - I And I - I Don't Believe You (She Acts Like We Never Have Met) - I Want You - I Pity The Poor Immigrant - I Shall Be Released - I Threw It All Away - Idiot Wind - If Not For You - If You See Her, Say Hello - I'll Be Your Baby Tonight - I'll Keep It With Mine - Is Your Love In Vain? - Isis - It Ain't Me, Babe - It's All Over Now, Baby Blue - It's Alright, Ma (I'm Only Bleeding) - John Wesley Harding - Jokerman - Just Like A Woman - Just Like Tom Thumb's Blues - Knockin' On Heaven's Door - Lay Down Your Weary Tune - Lay, Lady, Lay - Life Is Hard - Like A Rolling Stone - Love Minus Zero, No Limit - Love Sick - Maggie's Farm - Make You Feel My Love - Mama, You Been On My Mind - The Man In Me - Man In The Long Black Coat - Masters Of War - Million Dollar Bash - Mississippi - Most Likely You Go Your Way And I'll Go Mine - Most Of The Time - Mr. Tambourine Man - My Back Pages - Not Dark Yet - Oh, Sister - On A Night Like This - One More Cup Of Coffee (Valley Below) - One Of Us Must Know (Sooner Or Later) - Positively 4th Street - One Too Many Mornings - Quinn The Eskimo (The Mighty Quinn) - Rainy Day Women #12 and 35 - Roll On, John - Senor (Tales Of Yankee Power) - Sad-eyed Lady Of The Lowlands - Sara - Series Of Dreams - Simple Twist Of Fate - She Belongs To Me - Shelter From The Storm - Shooting Star - Spanish Harlem Incident - Stuck Inside Of Mobile With The Memphis Blues Again - Subterranean Homesick Blues - The Times They Are A-changin' - Talkin' Bear Mountain Picnic Massacre Blues - Tangled Up In Blue - Tears Of Rage - Things Have Changed - Trying To Get To Heaven - This Wheel's On Fire - Thunder On The Mountain - Tomorrow Is A Long Time - Visions Of Johanna - Watching The River Flow - When The Deal Goes Down - What Good Am I? - When I Paint My Masterpiece - Workingman's Blues #2 - You Ain't Goin' Nowhere - You're A Big Girl Now / Paroles Et Accords

This is a new edition of a collection of standards of Italian music, with transcriptions for Piano, Voice and Guitar. This volume contains 30 tracks (6 more than the previous edition), including I'll go with you, O 'Sole Mio, Volare (Volare), Caruso, Libiam It 'Pleased Goblets, Va' pensiero, the Woman is mobile, Una furtiva lagrima, Arrivederci Roma, Casta diva, Core 'ngrato, And the stars were shining, Funiculi Funicula, Glory, Mother, Navy, morning, O' land of the sun or OR 'surdato nammurato, talk about love Mariu', Quando Quando Quando, Rome nun is stupid tonight, One fine day, Vissi d'arte, Ciribiribin, first, Brothers of Italy, Saint Lucia, Come back toSorrento and A love so great./ Recueil / Chant et Piano

Gather around the piano for an old-fashioned sing-along - or download the online sing-along backing tracks to your mobile device for caroling in the neighborhood. All that's missing are your vocals! The music in this book includes the lyrics, vocal lines, piano accompaniments, and guitar chords for 40 seasonal favorites. Reproducible lyrics sheets make it fun and easy for everyone to join in the singing. Songs include: Away in a Manger · Christmas Time Is Here · Feliz Navidad · Happy Holiday · Jingle Bells · Mary, Did You Know? · O Come, All Ye Faithful · Rudolph the Red-Nosed Reindeer · Silent Night · White Christmas · and more. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard./ Recueil / Piano, Chant et Guitare

The Legendary Series: Flute is a luxuriously presented, limited edition book featuring 100 fantastic pieces specially arranged for Flute. Reflecting the instrument's versatility, the music within The Legendary Series: Flute reflects contrasting performers such as Marcel Moyse, Herbie Mann and Ian Anderson and brings together legendary classical themes, jazz standards, show-tunes and timeless pop songs, all carefully arranged to suit the instrument. Alongside the beautifully presented repertoire is a selection of illustrations and commentaries on the lives of many celebrated flautists and composers. It should be noted that the chord symbols above the stave are written for an accompanying concert pitch instrument, i.e. Piano or Guitar. This is to allow the accompanist to read from the same score as the soloist. / Flûte

Die Trois Pièces de concert verströmen rundum französisches Flair. Simon Laks komponierte sie in seinen frühen Pariser Jahren für den ehemaligen Solocellisten des Königlichen Concertgebouw Orchesters, Gérard Hekking, der seit 1927 am Conservatoire lehrte. Der erste Satz variiert ein raffiniert-schlichtes eigenes Thema und bleibt dabei, trotz aller virtuosen Capricen, immer nonchalant. Der langsame zweite Satz ist eine melancholische Romanze über Blues-Harmonien, und der dritte ein Perpetuum mobile - ein Satztypus, den zur selben Epoche etwa auch Maurice Ravel in seiner Kammermusik ähnlich verwandte.Laks schuf von seiner für Violoncello und Klavier vorgesehen Komposition auch eine Fassung für Violine und Klavier - lange verschollen, wurde sie vor wenigen Jahren für die CD-Einspielung bei eda records rekonstruiert / Violon Et Piano

Version for piano and string quintet. Par HAKIM NAJI. This concerto follows the structure of the Italian overture – fast, slow, fast. The first movement is a sonata form without development, based on three themes, rhythmical, oriental, waltz respectively. The second movement is characterized by an initial theme with Chopinesque-contours, followed by a more agitated theme and a choral-theme accompanied by a carillon in the treble register of the piano. The recapitulation includes a cadenza, Variation on the choral-theme. The finale is a rondo with a cheerful refrain twirling as a tarentella. Ist festive and dance-like episodes are combined with the perpetuum mobile of the refrain and its variations and the work is rounded off with a brillant, luminous coda. Naji Hakim/ Répertoire / Piano, 2 Violons, Alto, Violoncelle et Contrebasse

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la Collection classique de plomb ' dispose d'arrangements idiomatiques des pièces classiques bien connus. Ces pièces encouragent la progression de la technique et instrumentistes de débutants apprécieront vraiment d'apprentissage et de leur exécution. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Air sur un G String (JS Bach) - Ave Maria (Schubert) - La Donna E Mobile de... / Saxophone Et Piano

Par SCULTHORPE PETER. Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la Collection classique de plomb ' dispose d'arrangements idiomatiques des pièces classiques bien connus. Ces pièces encouragent la progression de la technique et instrumentistes de débutants apprécieront vraiment d'apprentissage et de leur exécution. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Air sur un G String (JS Bach) - Ave Maria (Schubert) - La Donna E Mobile de.../ Recueil / Violon et Piano

Par SCULTHORPE PETER. Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre la Collection classique de plomb ' dispose d'arrangements idiomatiques des pièces classiques bien connus. Ces pièces encouragent la progression de la technique et instrumentistes de débutants apprécieront vraiment d'apprentissage et de leur exécution. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Air sur un G String (JS Bach) - Ave Maria (Schubert) - La Donna E Mobile de.../ Recueil / Saxophone Alto et Piano