Easy Piano - The Phillip Keveren Series-Twenty favorites beautifully arranged into ten easy piano medleys. Includes: Awesome Is the Lord Most High / Awesome God * Beautiful One / Oh Lord You're Beautiful * Days of Elijah / Ancient of Days * Lord Most High / He IsExalted * Once Again / There Is a Redeemer * more!

per canto e pianoforte - for voice and piano - voce acuta - high voice. The 15 Composizioni vocali da camera by Vincenzo Bellini are presented here, in versions for high voice, in a new edition based on the most authoritative musical sources available.

This songbook can be used on its own or as a fantastic companion to the Play Piano Today! method books features 10 great songs: Awesome Is the Lord Most High Bind Us Together He Is Exalted Here I Am to Worship I Could Sing of Your Love Forever Spirit of the Living God There Is a Redeemer We Bow Down We Fall Down You Are My King (Amazing Love).

of the 17th & 18th Centuries-28 Italian Songs and Arias of the Seventeenth and Eighteenth centuries for Medium High Voice and Piano accompaniment.Most Voice teachers and singers still prefer the pianistic wonderfully gratifying arrangements of thisearly Italian material made by Alessandro Parisotti in the 1880s. This new edition newly researched and engraved includes the original Schirmer 24 plus four additional songs: Sento nel core (A. Scarlatti) Oleggiadri occhi belli (Anonymous) Intorno all'idol mio (Cesti) Delizie contente che l'alma beate (Cavalli). With IPA word for word translations and historical information on each song andcomposer. A version with accompaniment CD is also available: HL50485630.

It would be difficult to overestimate the influence of Copland's music on American music of the 20th and 21st centuries. His songs and arias provide a concise tour of his stylistic journey and most of the songs are available in this remarkable volume.Includes: 9 songs (including 4 early songs); the complete 12 settings of Emily Dickinson's poems; 4 arias. The original key is retained in all the songs and arias.

Par TER-HOVHANISIAN ARTHUR. Réunies et annotées par Arthur Ter-Hovhanisian Ce livre contient des études et des exercices qui ont été composés par d'éminents interprètes et pédagogues tels que Iampolski, Mostras, Pitkuss, Rabinovitch, Sapojnikov... Le but de ce travail est de réunir en une suite logique et en un seul livre une partie de ces exercices et de ces études, que j' ai révisés et annotés, et présentés en cinq parties : 1 - Développement de la technique du coup d'archet 2 - Démanchés ou Changement de positions 3 - Etudes pour une intonation complexe (justesse) 4 - Trémolos, trilles, harmoniques 5 - Exécution de mélodies avec accompagnement, polyrythmie Traduit du russe par Christine Szersnovicz English translation: Jacqueline Rose Arthur Ter-Hovhanisian est né en 1964 à Erevan en Arménie, où il a fait ses études auprès de E. Dayan, lui-même élève de David Oïstrakh. Membre de l'Orchestre National Symphonique sous la direction de Ruben Aharonian, il enseigne au Conservatoire National d'Arménie, à Erevan, avant d'entrer, en 1994, dans l'Orchestre Symphonique de Russie à Moscou. En tant que membre de l'orchestre de chambre Serenade (Premier Prix au concours international 'Valentino Bucchi' en 1995), il a participé à plus de 400 concerts en Allemagne, Grèce, Pays-Bas, France, Suisse, Italie et Autriche. Actuellement membre de l'Orchestre National Symphonique du Liban et passionné de pédagogie, il est professeur de violon au CNSM de Beyrouth / Niveau : 3ème Cycle / méthode - études / Etude / Violon

33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.

Christina Rossetti’s poem The Birthday or My Heart is Like a Singing Bird was published in 1857 and was the subject of at least a dozen musical settings before Hubert Parry. Parry had developed the habit by this point of memorizing a text and ‘cogitating’ on it before beginning composition.In this song Parry employs rippling semiquaver movement in both hands to establish the ecstatic nature of the piece which he only pauses at the climactic ‘Because my love is come to me’ most effectively. It remains one of his best-loved songs.

Cesar Franck’s Panis Angelicus is presented here in its original piano/vocal form newly edited with both Latin and English lyrics. The fluid piano score often uses four-part choral voicing to support the angelic melody. This arrangement is written here for high voice well within a mezzo-soprano’s range.