Easiest 5-Finger Piano is an exciting new repertoire book for young pianists featuring twelve pop, film and traditional songs that children will want to play, as well as tips and warm-ups designed to help new beginners.In Book 1, this songbook will introduce players to seating/hand positions and note values, before moving on to the first tunes. As the player progresses, new hand positions will be used, before the hands are brought together. The songs include pop tunes like Carly Rae Jepsen's I Really Like You and Taylor Swift's Shake It Off, songs from popular films like Let It Go and Everything Is Awesome!, as well as traditional, familiar tunes like Jingle Bells and When The Saints Go Marching In. Each song is in an easy arrangement, with a hand position diagram, valuable tips, fingering guidance and an accompaniment so teachers or parents can play along. With 12 songs in all, the wide range of pieces in Easiest 5-Finger Piano will appeal to all young beginners, and can easily be used together with any Piano or Keyboard tutors. / Piano

Classic Hits, arranged for keyboard. Hits include, Eternal Flame', From A Distance, Get Here, I'd Do Anything For You, Moving On U, You're The One That I Want and more. / Niveau : Facile / Recueil / Clavier Electronique et Ligne Mélodique

Par MAGIC NUMBERS THE. The unusual arrangement of two brother-and-sister pairs is the basis of The Magic Numbers, the Mercury Music Award-nominated quartet that took 2005 by storm. This is the matching folio to their remarkable debut album. Born in Trinidad, before moving to New York and later settling in London, singer Romeo is a prolific songwriter in a classic, folk-inspired style. The band's sound mirrors The Beach Boys in their use of harmonies and addictive fifties-style pure-pop songwriting. This songbook features every track from their debut album, transcribed in accurate guitar tab, and including the singles Love Me Like You and Love's A Game . / Niveau : Assez Facile / Tablatures / Guitare Tablatures

Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers

Composed for the video game, Civilization IV, the song quickly garnered attention outside of its originally intended audience, and in February of 2011 it won a GRAMMY® Award for the Best Instrumental Arrangement Accompanying Vocalists category. This is a dramatic and moving setting that will enjoy acclaim as serious music for generations of gamers and non-gamers alike. (3:30) / Concert Band

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation. / Pédagogie / Recueil / Flûte à Bec Alto et Piano

Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes

The Sonny Rollins Omnibook celebrates the bebop legend that worked with Miles, Monk, MJQ, and many others. His solo work has earned him many accolades, including Grammy Awards, election into the American Academy of Arts and Sciences, an Edward MacDowell Medal, and the Medal of Arts from President Barack Obama. This collection features 50 of his best, including: Airegin ? All the Things You Are ? Almost like Being in Love ? Bouncing with Bud ? Doxy ? Ev'ry Time We Say Goodbye ? I'll Remember April ? Just in Time ? Namely You ? Oleo ? On a Slow Boat to China ? St. Thomas ? Solid ? Sonnymoon for Two ? Vierd Blues ? Woodyn' You ? and more.
Airegin
All The Things You Are
Almost Like Being In Love
Blue Seven
Bouncing With Bud
But Not For Me
Compulsion
Dance Of The Infidels
Dig
Down
Doxy
Ev'ry Time We Say Goodbye
52nd Street Theme
I Know That You Know
I Remember You
I Want To Be Happy
I'll Remember April
I'll Take Romance
In Your Own Sweet Way
Just In Time
The Last Time I Saw Paris
Mambo Bounce
Moving Out
Namely You
No Moe
Old Devil Moon
Oleo
On A Slow Boat To China
Out Of The Blue
Pent Up House
Raincheck
St. Thomas
The Scene Is Clean
Scoops
The Serpent's Tooth
Solid
Sonnymoon For Two
Strode Rode
Tenor Madness
There Will Never Be Another You
Toot, Toot, Tootsie! (Good-bye!)
Tune Up
Valse Hot
Vierd Blues
Wail
What Is This Thing Called Love?
When Your Lover Has Gone
Whispering
Woodyn' You
You Stepped Out Of A Dream
/ Partitions jazz

Par HIGGINS ANDREW. Tracing the steps taken by the author on his musical journey, So You Want To Learn To Improvise? Offers teachers and students a step-by-step guide to acquiring the skills needed to improvise at the piano. The book is deliberately stylistically non-specific, working from the premise that once the basics are secured, choices about style can be personal issues. The content from So You Want To Learn To Improvise? is drawn from the material assembled over 25 years teaching experience in the classroom and at the piano, and 15 years of workshops, seminars and lectures across the world. The accumulation of teachers requesting that the ideas heard in the workshops be set in a usable step-by-step format with extensive musical examples to practise and teach from, made writing the book almost compulsory. The ideas are clear and specific, but demand a creative approach from the start, inculcating a mind-set that is both inquisitive and musical from the outset. The practise schedule is extensixe and progressive, demanding the student fully understand each process before moving on. The objective is to free the student from the 'tyranny' of notation, setting them free to explore music on their own terms. Most lapsed pianists who return to the piano in later life cite' just playing whatever I feel like' as being the one quality they aspire to - So You Want To Learn To Improvise? offers them that oppourtunity, and more.  / Instrumental Music, Methods