| Overtures (SCHUBERT
FRANZ) Orchestra [Sheet music] Barenreiter
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his sy...(+)
New Edition of the Complete Works V/5. Par SCHUBERT FRANZ. In addition to his symphonies, Franz Schubert also wrote and handed down to posterity a total of eight finished concert overtures (two of them in two versions) between ca. 1811 and 1819. With the exception of the “Overture in D” (D 4) to the comedy “Der Teufel als Hydraulicus” (“The Devil as Engineer”) and the “Overture in D” (D 26), whose original title was cut out of the manuscript, they are all compositions which are associated neither with a drama nor a programme. They thus embody the type of the pure concert overture at an astonishingly early point in the history of music and are also in keeping with this terminologically by virtue of explicitly not having any other appellations whatsoever in the title: the epithet common for two works “in the Italian style” was only added posthumously.
Our volume sees publication for the first time of the “Italian Overture in C” (D 591) in its two authentic versions, this being in contrast to the performance tradition based on a potpourri of the sources. The widely handed-down but corrupted musical course of the “Overture in D” (D 590) has likewise been rectified for the first time.
Overshadowed by his symphonies, Schubert’s overtures have hitherto been largely undervalued both in their reception and in musical practice – including the “Overture in E minor” (D 648), which sees Schubert venturing into radically new spheres of expression to a greater extent than in virtually any other of his works./ Recueil / Orchestre
822.81 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Andrew R. Mackereth:
Hymnus: Fanfare Band:
Score & Parts Marching band [Score and Parts] Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
144.99 GBP - Sold by Musicroom UK |
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| Andrew R. Mackereth:
Hymnus: Fanfare Band:
Score Gobelin Music Publications
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Au...(+)
Hymnus was commissioned by the Wilhelmina Easterein Fanfare Orchestra in the Autumn of 1999 for their performance at the World Music Contest Kerkrade. The commission was the result of a collaboration between the composer and the thenmusical director Marten van der Wal. The exact meaning of the word Hymnus is not known but it is taken in this presentation to mean hymn or hymn-like. The melodic material is organic and grows from an initial unison tone. Thisinterval is gradually expanded to form the cell F E C F a semitone third fifth. The only other melodic motif is the ascending three-note pattern spanning a major third. This is the second of his compositions to use this ascending motif theother being Fanfare for a Bright New Age for Brass Band and Organ also of 2000. These characteristic intervals appear in many contrasting moods and guises throughout the piece. The opening unison notes are intended to convey as sense ofpower and magnificence like the first sounds at the dawning of the universe. After the immense power a period of stunned silence and reverence. The evolution of the hymn melody incorporates a variety of moods and atmospheres sometimes expressing much joy and celebration whilst also suggesting periods of intense savagery or prayerful contemplation. The hymn builds as the piece progresses and is finally stated in its complete form at letter W. The official worldpremiere of the work was given by Wilhelmina Easterein at the World Music Contest 2001. Whilst the composer was unable to attend in person he was able to enjoy the premier simultaneously transmitted via a mobile phone from the audience! Conductors Note The tempo indications are to be viewed as a guide rather than a literal instruction. Within the music there is an innate sense of pulse and metre lending itself to considerable rubato. Melody is king and all else is mere support and decoration careful attention must therefore be given to balance.
22.99 GBP - Sold by Musicroom UK |
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| Sadie Harrison:
Ha?llristningsomra?det:
Double Bass: Instrumental
Work University Of York Music Press
Sadie Harrison's Ha llristningsomra det for solo Double Bass.Composed and publi...(+)
Sadie Harrison's Ha llristningsomra det for solo Double Bass.Composed and published 2016.Duration c. 10 minutesThe area of Tanumshede is situated on the south western coast of Sweden. Archaeologically it is renowned for its unique series of Bronze Age rock carvings dating from between c. 1800 to 500 BCE. Incised into over 600 panels the petroglyphs were originally situated along a 25 mile stretch of fjord coastline and as such there are many depictions of Hjortspring boats and seafaring activities. There are also scenes of hunting agricultural and livestock farming and warring with many armoured figurescarrying swords axes and shields. Whilst it is possible to interpret most carvings as images of quotidian life the meaning of some panels is less clear. It is likely that several scenes depict ritual acts overseen by gods often surrounded by abstract symbols - crosses dots and ‘cups’ the significance of which is now unknown. As well as being a source of information about Scandinavian Bronze Age weapons vehicles tools ships even hairstyles the carvings have also been the subject of debates about gender. The society depicted on the rocks seems overwhelmingly patriarchal making the rare carvings of probable female figures particularly important. The most famous of these is known as The Grieving Woman apparently weeping over a dead warrior from a ship. Her grief ‘heavy as rocks’ is heard in the opening movement of the piece echoing through the remaining movements and giving the work its dark melancholy character. The Woman returns in the final movement as a ghost her footsteps coming closer and closer as her ‘lover’s’ ship is rebuilt over and over again. Movement III is gentler in tone a song for the Woman and her lover - depicted as a couple rolling a giant sun surrounded by farm animals. Movement II represents the enigmatic Juggler or Calendar Man who holds 29 spheres in his hand - perhaps
7.95 GBP - Sold by Musicroom UK |
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| A Treatise Describing and
Explaining the
Construction and Use of
New Celestial and
Terrestrial Globes:
Designed to Illustrate
in the Most Easy and ...
Shew the Correspondence
of the Two Spheres; Brass ensemble Beriato Music
A Fanfare of Bells (Une fanfare de cloches) est une musique festive composée po...(+)
A Fanfare of Bells (Une fanfare de cloches) est une musique festive composée pour une occasion bien particulière : en 2012 pour la première fois les jeunes Allemands du 3BA Brass Band participèrent au Championnat du Brass Band flamand à Malines en Belgique dans la division la plus haute la section A. Ce championnat soutient vivement la composition et l?exécution de nouvelles pièces. Mêlant de brillantes fanfares et des mélodies exaltantes A Fanfare of Bells traduit bien l?ambiance d?un festival. La pièce contient des passages lyriques et mélodiques qui mettent en valeur les compétences et la maîtrise du 3BA Brass Band ainsi que divers passages techniques quiattestent de la virtuosité de certains musiciens. Des carillons de cloches au début et à la fin de l?oeuvre annoncent un renouveau dans la musique pour brass band en Allemagne et en Autriche.A Fanfare of Bells est également un hommage aux splendides sonorités des cuivres qui se panachent pour créer les sons les plus subtils mais aussi à leur éclatante beauté visuelle. Que les cloches sonnent !
19.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Carl Davis: Maestro
(THOMPSON WENDY) Piano, Voice [Book] Faber Music Limited
Par THOMPSON WENDY. How do you bring a forgotten silent film back to life? What ...(+)
Par THOMPSON WENDY. How do you bring a forgotten silent film back to life? What are the techniques behind writing a successful film score? How do you work with and inspire choreographers? Carl Davis's fascinating story gives an insight into the prolific composing and conducting career of one of the world's most celebrated film and television composers. Born in New York, Carl Davis spent his early years of his career in American before going on to study in Copenhagen. From there he moved to Britain and entered the worlds of classical music, theatre, film and television. He has since composed almost 400 film and TV scores, winning several BAFTAs and Ivor Novello awards, as well as establishing himself as the number one choice to score silent films.Some of his most recognisable work includes the soundtracks for The French Lieutenant's Woman (BAFTA/Ivor Novello Winner), Pride and Prejudice (1995 TV Series), Scandal (1989) and Cranford. Written by Wendy Thompson, Carl Davis: Maestro is a glimpse into the life of a consummate all-round musician and his impact on many spheres of music-making.
/ Livre / Livre
43.40 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Ola Gjeilo: The Spheres
(from SUNRISE MASS):
SATB: Vocal Score Choral SATB SATB [Vocal Score] Walton Music
SSAATTBB Chorus a cappella-This movement is the beginning of a Mass called Sunri...(+)
SSAATTBB Chorus a cappella-This movement is the beginning of a Mass called Sunrise and according to its composer it is to ?be performed with the sense of floating in space.? A fine challenge for accomplished high school choirs and beyond! The setting uses the Latin Kyrie Eleison text.
2.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Die Harmonie der Welt
Teil C (HINDEMITH PAUL) Opera Schott
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years...(+)
Par HINDEMITH PAUL. The opera is set in a variety of locations between the years 1608 and 1630 and throws a spotlight on individual scenes, sometimes presented simultaneously, from the life of the astronomer Johannes Kepler (1571-1630); the opera takes its name from Kepler’s theoretical work ‘Harmonices mundi’. Hindemith utilises substantial historical studies as the basis for his sketches of individuals within Kepler’s circle who each accompany the astronomer’s scientific endeavours with a variety of personal ambitions.
The military commander Wallenstein attempts to utilise Kepler’s astrological abilities to realise his own pretensions to power while Kepler’s assistant Ulrich aspires to scientific fame and recognition. Kepler’s mother urges her son to apply his scientific abilities to the services of her black magic and the Lutheran minister Hizler forbids the astronomer to receive communion because Kepler questions the doctrine of Holy Communion in the Lutheran church and expresses sympathy for Calvinist doctrine. The few figures shed in a positive light include Kepler’s wife Susanna who supports her husband’s pursuit of truth and knowledge and the child Susanna who listens to the voices of nature and the moon in her childish naivety, thereby gaining revelatory knowledge.
At the end of his life, Kepler takes stock of his situation, succumbs to a state of resignation and considers death as the greatest harmony of all. In his state of agony, music of the spheres can be heard; the constellations appear as allegorical figures in the opera and contradict Kepler’s negative concepts: lying beyond all that can be researched by mankind is a final majestic realm with the powers to ‘permit us to be amalgamated into a gigantic harmony of the spheres.’ / Date parution : 2022-07-20/ Répertoire / Opéra
268.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Pepin Camille -
Nighthawks - Harpe Jobert
Creation 04/11/2018 - Cologne (Germany), Philharmonie - Anaïs Gaudemard (har...(+)
Creation 04/11/2018 - Cologne (Germany), Philharmonie - Anaïs Gaudemard (harp) Sponsor Calouste Gulbenkian Foundation and Philharmonie de Paris Dedication to Anaïs Gaudemard Notice Nighthawks is a work for solo harp. When Anaïs Gaudemard [1] asked me to write this work, she wanted to integrate it into a program on the theme of birds. I immediately thought of the work Nighthawks (1942) - or Night Birds - by the American realist painter Edward Hopper (1882-1967). Inspired by this work, I designed the piece in one piece as a trip to the heart of this painting. Hopper projects there a snapshot of American daily life. The scene takes place at a late hour of the night and several atmospheres emerge from it. Indeed, the eye is at the same time attracted by this dark, deserted, and immaculate street of an American downtown; intrigued by the frozen situation of the four characters inside a brightly colored diner; and hypnotized by the glare of the huge bar window. Contrasting with the darkness of the street, the light from this neon-lit window is striking. It thus separates the two atmospheres of the painting. The view of the spectator through it is from outside to inside the bar. The absence of an exit door gives the impression that the characters are isolated and their solitude is further reinforced by this glass which surrounds the illuminated stage - as if they were under a bell . Inside the diner, a man seen from behind is eating; a couple stand side by side (the man smokes; the woman is dressed in red); a server is busy. We don't know anything about them. What are they doing at such a late hour? Where is the exit? What are they discussing? Do they know each other? I wanted to musically conceive this scene from the viewer's point of view, as if we were caught up, sucked into the very interior of the painting. The introduction - Mysterious, dark - sounds the twelve strokes of midnight and plunges us into the darkness of this typically American street. From this nocturnal atmosphere is born a strange song - almost padded with xylophonic sounds - as if we could not hear it distinctly through the luminous glass which separates the street and the bar. Caught up in this bright light, we pass through the window and gradually return inside the diner by means of a hypnotic loop repeated tirelessly, as if we were entering a state of trance - Hypnotic. It is the underlying tension of this frozen situation of the characters that I wanted to represent in the central passage - Rhythmic and pulsed. Then, we come out of this feeling of hypnosis by passing through the bar window again and rediscover the nocturnal atmosphere of this deserted and immaculate street - Hypnotic - Mysterious. Camille Pepin [1] Creator and dedicatee of the piece Hurry What a simply beautiful work here! Camille Pépin, born in 1990, had a career marked by dance and composition. But we discover here quite simply an artist, who invites us to the contemplation of a work of the painter Edward Hopper. Having worked on composition and orchestration with Thierry Perrine as well as with Thierry Escaich, Guillaume Connesson and Marc-André Dalbavie, she has forged an original language which allows her here to bewitch us both by her music and by contemplation of the painting. We can judge by the interpretation of this piece on YouTube that we will listen to while looking at the painting. Of course, you can also listen to the work as it is: it is sufficient. But with the painting ... Daniel blackstone Music Education n ° 128 (Jan-Feb 2020)
17.90 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock |
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| Robert Saxton: Songs
Dances And Ellipses:
String Quartet: Score String Quartet: 2 violins, viola,
cello [Sheet music] Chester
Songs Dances and Ellipses was commissioned by the Barbican Centre for the Chili...(+)
Songs Dances and Ellipses was commissioned by the Barbican Centre for the Chilingirian String Quartet on the occasion of their 25th anniversary.Quoting Saxton: 'The title Songs Dances and Ellipses refers both to the characterand the architecture of my quartet. The fundamental nature of the relationship between the extra-human music of the spheres and human musical expression manifest in song and dance lies behind much of my music; in the case ofSongs Dances and Ellipses I was absorbed by the idea of the most humanly intimate medium - the string quartet - set in the context of the all-embracing and very real elliptical orbits of the planets. The music consists of fivelinked movements which form three larger sections. Movements one and two form the first part the central slow movement is the second part and movements four and five form the third and final section.
24.99 GBP - Sold by Musicroom UK |
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| Patrick Hawes: The Land:
SATB: Vocal Score Choral SATB [Vocal Score] Hawes Music
Vocal Score-With each of the four movements depicting a particular season the l...(+)
Vocal Score-With each of the four movements depicting a particular season the listener is escorted through the changing landscapes and atmospheres of rural Lincolnshire U.K. - the composer’s native county. The work interweavesoriginal text and melodies with traditional folk song sung by the semi-chorus.
6.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Patrick Hawes: The Land:
SATB: Score Choral SATB [Sheet music] Hawes Music
Full Score-With each of the four movements depicting a particular season the li...(+)
Full Score-With each of the four movements depicting a particular season the listener is escorted through the changing landscapes and atmospheres of rural Lincolnshire U.K. - the composer’s native county. The work interweaves original textand melodies with traditional folk song sung by the semi-chorus.
9.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Patrick Hawes: The Land:
SATB: Vocal Score Choral SATB [Vocal Score] Hawes Music
Vocal Score Semi-Chorus-With each of the four movements depicting a particular s...(+)
Vocal Score Semi-Chorus-With each of the four movements depicting a particular season the listener is escorted through the changing landscapes and atmospheres of rural Lincolnshire U.K. - the composer’s native county. The work interweavesoriginal text and melodies with traditional folk song sung by the semi-chorus.
3.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Peter Kleine Schaars:
Three Aspects of Kurt
Weill: Woodwind Ensemble:
Score and Wind ensemble [Score and Parts] De Haske Publications
For the project The Music of Kurt Weill, Peter Kleine Schaars rewrote a number o...(+)
For the project The Music of Kurt Weill, Peter Kleine Schaars rewrote a number of works by the German composer Kurt Weill (1900?1950) for the ?Dreigroschen-Orchester? (an occasional ensemble with the line-up that Weill had prescribed for his Kleine Dreigroschenmusik). Kleine Schaars became inspired by the three periods that characterize the life of Weill: he successively lived in Berlin, Paris and New York. Three Aspects of Kurt Weill (with the subtitle Drei Kurzweilige Impressionen) has one theme that comes forward in three totally different atmospheres, corresponding with the three mentioned periods. Movement one is a ?Berlin-tinted? protest march and parodies the fascist use of music. Movement two is a French musette (valse de Paris). Finally, the theme is featured in big band style in movement three: here, your ensemble transforms into a swinging Broadway band.
47.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Dark Love (GRECO JOSE
LUIS) Violin and Piano [Sheet music] Unión Musical Ediciones
Par GRECO JOSE LUIS. Composed in 2000 and premiered by Mariana Todorova, concert...(+)
Par GRECO JOSE LUIS. Composed in 2000 and premiered by Mariana Todorova, concertmaster of the Spanish Radio and Television Orchestra, and pianist Irini Gaitani at the Monumental Theater of Madrid on 1 December 2001. Recorded on Albany Records by Yulia Iglinova Milstein, violin, and Ilona Timchenko, piano. The work distills six different moods and atmospheres in a sometimes virtuosic, sometimes lyrical setting. / Date parution : 2022-04-01/ Répertoire / Violon et Piano
30.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Benet Casablancas:
Darkness Visible
(Orchestra): Orchestra:
Score Español Orchestra Unión Musical Ediciones
Benet Casablancas was inspired by a passage of John Milton?s ?Paradise Lost? and...(+)
Benet Casablancas was inspired by a passage of John Milton?s ?Paradise Lost? and its further interpretation by the Portuguese writer Fernando Pessoa in order to name one of his key works Darkness Visible.The versatile use of the Orchestra as well as the great timbral and textural differentiation may prevail as structure to this work. Moreover the way Benet Casablancas formulates the harmonic thought and its involvement in the development of his discourse seem to be a more crucial characteristic of Darkness Visible.This work deepens into the exploration of the unfathomable mystery of the night.It is conceived as a nocturne of big proportions that goes near quiet and rarefied atmospheres but is punctually disturbed by more agitated passages suddenly illuminated by gleams of light.
26.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| John Higgins: Habitat
(Visions of a Fragile
Planet): Concert Band:
Score Concert band Hal Leonard
Here is a captivating piece for young band that explores the intrinsic beauty of...(+)
Here is a captivating piece for young band that explores the intrinsic beauty of the earth and mans quest to preserve it. John Higgins imaginative composition uses contemporary sounds and techniques to create stunningly vividmusical portraits. Thefive sections are: Atmospheres Rain Forest Oceana Metropolis and Mountain Vistas.
7.50 GBP - Sold by Musicroom UK |
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| Ola Gjeilo: Serenity:
Concert Band: Score Concert band [Sheet music] Boosey and Hawkes
Norwegian composer Ola Gjeilo is an emerging star in the realm of choral works ...(+)
Norwegian composer Ola Gjeilo is an emerging star in the realm of choral works and also with music for Wind Band. Similar to his earlier band works Meridian and The Spheres Serenity is based on a successful choral work. Beautifully arranged by J. Eric Wilson along with the composer this version for wind band maintains all the wonder and magic of the original work.The opening is ethereal and somber with sustained chords in Clarinets and bowed Percussion supporting a delicate Oboe solo. The middle section shifts the principal modality from minor to major and the layering orchestration and rising tessitura creates a tremendousrush of energy that leads to a triumphant climax. The closing section returns to the timbre of the opening but now painted with hopefulness and healing.
10.50 GBP - Sold by Musicroom UK |
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| Ola Gjeilo: Serenity:
Concert Band: Score and
Parts Concert band [Sheet music] Boosey and Hawkes
Norwegian composer Ola Gjeilo is an emerging star in the realm of choral works ...(+)
Norwegian composer Ola Gjeilo is an emerging star in the realm of choral works and also with music for Wind Band. Similar to his earlier band works Meridian and The Spheres Serenity is based on a successful choral work. Beautifully arranged by J. Eric Wilson along with the composer this version for wind band maintains all the wonder and magic of the original work.The opening is ethereal and somber with sustained chords in Clarinets and bowed Percussion supporting a delicate Oboe solo. The middle section shifts the principal modality from minor to major and the layering orchestration and rising tessitura creates a tremendousrush of energy that leads to a triumphant climax. The closing section returns to the timbre of the opening but now painted with hopefulness and healing.
83.00 GBP - Sold by Musicroom UK |
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| John Purifoy: Solstice:
Upper Voices a Cappella:
Vocal Score Choral 3-part SSA [Vocal Score] Hal Leonard
A sense of awe and mystery is depicted in the text and music of this original wo...(+)
A sense of awe and mystery is depicted in the text and music of this original work as well as our unique connection to nature the earth the sun and the movement of the spheres. Although not specifically limited to the Winter Solstice the mood of this piece gives it special appeal for winter and holiday programming. Available separately: SATB SSA. Duration: ca. 2:55.
11.25 GBP - Sold by Musicroom UK |
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| John Purifoy: Solstice:
Mixed Choir a Cappella:
Vocal Score Choral SATB [Vocal Score] Hal Leonard
A sense of awe and mystery is depicted in the text and music of this original wo...(+)
A sense of awe and mystery is depicted in the text and music of this original work as well as our unique connection to nature the earth the sun and the movement of the spheres. Although not specifically limited to the Winter Solstice the mood of this piece gives it special appeal for winter and holiday programming. Available separately: SATB SSA. Duration: ca. 2:55.
11.25 GBP - Sold by Musicroom UK |
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| George Benjamin: At First
Light: Orchestra: Score Orchestra - Advanced Faber Music Limited
. . .Benjamin revealed an incredible sense of timbre and a precise technique of ...(+)
. . .Benjamin revealed an incredible sense of timbre and a precise technique of instrumentation which is unrivalled among his fellow composers. His precedence in both spheres was highlighted most vividly in At First Light. . .a masterpiece which literally throws the whole concept of new music into complete confusion. . .Salzberger Nachrichten (Reinhurst Kannonier) 30 March 1991
17.99 GBP - Sold by Musicroom UK |
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| John Higgins: Habitat
(Visions of a Fragile
Planet): Concert Band:
Score & Parts Concert band [Score and Parts] Hal Leonard
Here is a captivating piece for young band that explores the intrinsic beauty of...(+)
Here is a captivating piece for young band that explores the intrinsic beauty of the earth and man's quest to preserve it. John Higgins' imaginative composition uses contemporary sounds and techniques to create stunningly vividmusical portraits. The five sections are: Atmospheres Rain Forest Oceana Metropolis and Mountain Vistas.
59.99 GBP - Sold by Musicroom UK |
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| André Waignein: Celtic
Gathering: Concert Band:
Score & Parts Concert band De Haske Publications
Roland Kernen has developed a true fascination for the traditional music scene a...(+)
Roland Kernen has developed a true fascination for the traditional music scene and for Celtic folk music in particular. The Celts fed on a rich blend of legend and myth which is skillfully portrayed in Celtic Gathering. This lyrical piece embraces two musical atmospheres. The first melodic line written in a minor key expresses the cheerful character of a group dance whilst the second line written in a major key portrays perfectly the joyful mood of a Celt village.Why not add a touch of Celtic magic to your band repertoire.
96.99 GBP - Sold by Musicroom UK |
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| Five Romances (KILLMAYER
WILHELM) Cello, Piano Schott
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt...(+)
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’.
In the concluding “Capriccio”, shifting time signatures and dynamic ?uctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players./ Répertoire / Violoncelle et Piano
33.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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