| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo (A), Orchester und Basso
continuo [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
11.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
2.39 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
2.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
5.30 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
2.39 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
2.39 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi Nate, Dormi Deus
(ZELENKA JAN DISMAS) Solo A, 2 Flûtes
Traversières (2 Flûtes
à Bec), 2 [Sheet music] Carus Verlag
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, ...(+)
Motetto Pro Nativitate I. Par ZELENKA JAN DISMAS. Tonalité : E-Dur - Kohlhase, Thomas / Horn, Paul (Arr.) - ZWV 171 / Mottet / Répertoire / Solo A, 2 Flûtes Traversières (2 Flûtes à Bec), 2
2.39 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| BREVAL JEAN-BAPTISTE -
SONATE OP.40 N°1 -
VIOLONCELLE & BASSE Cello G. Henle
Jean-Baptiste Bréval Sonate en Ut majeur op. 40 n° 1 pour violoncelle et ...(+)
Jean-Baptiste Bréval Sonate en Ut majeur op. 40 n° 1 pour violoncelle et basse (piano) Tabea Umbreit (Editeur) Thomas Klein (Doigtés violoncelle) Wolfgang Kostujak (Réalisation de la basse continue) Edition Urtext, reliure paperback édition comportant une partition de piano, une partition sans indications (vc/basse) et une partie avec indications (vc) À la fin du XVIIIe siècle , le violoncelliste et compositeur Jean-Baptiste Bréval n’a pas seulement créé des concertos virtuoses pour son instrument, mais aussi des sonates plus faciles ainsi que des duos qui, de nos jours, font toujours partie du noyau dur du répertoire pédagogique du violoncelle. La Sonate en Ut majeur op. 40 n° 1, qui s’ouvre sur des accords très prenants, offre déjà aux violoncellistes débutants la possibilité de se laisser emporter dans de superbes mélodies, et de maîtriser de petits changements de position. La première édition parue à Paris en 1799 n’est pas très précise concernant le choix de l’instrument d’accompagnement. C’est pourquoi plusieurs alternatives sont proposées dans cette édition Urtext: une partition à deux parties, permettant à un second violoncelle, pendant le cours, d’accompagner commodément, de même qu’un discret soutien pour piano, pouvant être utilisé lors d’auditions. Ce ticket d’entrée dans le répertoire de violoncelle est en outre parachevé par une partie de soliste discrètement annotée. / Partitions classique / Cordes / Violoncelle / HENLE VERLAG
13.80 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| Sonata (LARCHER THOMAS) Cello Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...(+)
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people.
It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly.
No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician.
Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together.
The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation.
It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece.
I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music.
Thomas Larcher/ Répertoire / Violoncelle
17.76 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruck...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
141.31 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 5 Tantum Ergo (BRUCKNER
ANTON / DOSS THOMAS (Arr) Concert band [Score] Oktavian Music
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a sympho...(+)
Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). As a symphonic composer, Bruckner wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Hymns for four-part mixed choir a cappella (1846, St. Florian) No. 1 in E flat major (WAB 41/3): Quite Slow No. 2 in C major (WAB 41/4): Andante No. 3 in B flat major (WAB 41/1): Slow No. 4 in A flat major (WAB 41/2): Slow Hymn for five-part (2 S, A, T, B) mixed choir and organ No. 5 in D major: Solemnly They are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie
29.43 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Thomas Morley: Laboravi
In Gemitu Meo: SATB:
Vocal Score Choral SATB [Vocal Score] Novello & Co Ltd.
Laboravi In Gemitu Meo by the Renaissance English composer and one of the princi...(+)
Laboravi In Gemitu Meo by the Renaissance English composer and one of the principle members of the Madrigal School. This work expertly edited by Lionel Pike is arranged for unaccompanied SSAATB Chorus and lasts around 5 minutes. The text for Laboravi In Gemitu Meo comes from Psalm vi 6: 'I am weary of my groaning every night wash I my bed: and water my couch with my tears.' Composer Thomas Morley was the most famous composer of Secular music in Elizabethan England and was a contemporary of William Shakespeare. His use of the tritone interval in this work results in a sense ofunease something that resonates with the context of the piece: it was composed in retribution for informing on his fellow Catholics.
3.25 GBP - Sold by Musicroom UK | |
| Konate F./ Ott T. -
Rythmes Et Chansons De La
Guinee + Cd - Percussion Percussion [Sheet music + CD] Van de Velde
Cet ouvrage est conçu pour les élèves ou les enseignants qui veulent travaill...(+)
Cet ouvrage est conçu pour les élèves ou les enseignants qui veulent travailler la théorie et la pratique de la musique africaine. Il propose un matériel pédagogique varié, le plus authentique possible. Il y a deux possibilités d'utilisation du livre et de son CD: -travailler sur la musique, ses structures et son image acoustique par l'écoute et l'analyse-les utiliser pour chanter et jouer soi-même, et ce à tous les niveaux scolaires. Cette musique peut être interprétée de façon très variée: chant simple avec battements de mains, arrangements, travail en ateliers de percussions africaines. Compositeur/Auteur : KONATE Famoudou / OTT Thomas Discipline/Instrument : percussion Support : Livre CD Style/Genre : méthode - études Date de parution : févr.-04 Nombre de pages : 104
25.00 EUR - Sold by Woodbrass Pre-shipment lead time: On order | |
| 3 Sonates Op. 1 (BYSTROM
THOMAS) Clavecin ou Piano et Violon [Sheet music] Fennica Gehrman
Sonata II (g). Par BYSTROM THOMAS. Sonata Ii (G)/ Répertoire / Clavecin ou Pian...(+)
Sonata II (g). Par BYSTROM THOMAS. Sonata Ii (G)/ Répertoire / Clavecin ou Piano et Violon
32.09 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 3 Sonates Op. 1 (BYSTROM
THOMAS) Clavecin ou Piano et Violon [Sheet music] Fennica Gehrman
Sonata I (B). Par BYSTROM THOMAS. Sonata I (B)/ Répertoire / Clavecin ou Piano ...(+)
Sonata I (B). Par BYSTROM THOMAS. Sonata I (B)/ Répertoire / Clavecin ou Piano et Violon
25.36 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| 3 Sonates Op. 1 (BYSTROM
THOMAS) Clavecin ou Piano et Violon [Sheet music] Fennica Gehrman
Sonata III (Es). Par BYSTROM THOMAS. Sonata Iii (Es)/ Répertoire / Clavecin ou ...(+)
Sonata III (Es). Par BYSTROM THOMAS. Sonata Iii (Es)/ Répertoire / Clavecin ou Piano et Violon
25.36 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Sonatina G Major Piano solo Schott
Thomas Attwood (1765-1838) a été l'élève de Wolfgang Amadeus Mozart de 1784 ...(+)
Thomas Attwood (1765-1838) a été l'élève de Wolfgang Amadeus Mozart de 1784 jusqu'en 1787. Depuis 1795, il travailla comme organiste à la la cathédrale Saint-Paul de Londres, depuis 1821 comme organiste de la chapelle privée du roi George IV à Brighton et devint organiste de la chapelle royale Vocal en 1836. Sa Sonate de trois mouvements en sol majeur (Allegro - Minuetto Andante - Rondo Allegro) se démarque par son thème vocal ludique. L'accompagnement à la main gauche est joué, presque exclusivement, dans les accords brisées afin que l'élève ou un joueur peut se concentrer entièrement sur l'interprétation de la ligne mélodique. / Piano
6.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Grande Sonate D-Dur Op.
1. (MATIEGKA WENZESLAUS
THOMAS) Guitar [Sheet music] Barenreiter
Par MATIEGKA WENZESLAUS THOMAS. / Répertoire / Guitare
24.70 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Die Sonate (SCHMIDT-BESTE
THOMAS) Piano, Voice [Sheet music] Barenreiter
Geschichte - Formen - Ästhetik. Par SCHMIDT-BESTE THOMAS. / Livre / Livre
31.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
2.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
2.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
5.80 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
2.20 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
16.41 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| Invitation To The
Partsong Vol.4 - Glees
And Madrigals Stainer And Bell
Edited by Geoffrey Bush and Michael Hurd Seven glees and madrigals by Horsley, M...(+)
Edited by Geoffrey Bush and Michael Hurd Seven glees and madrigals by Horsley, Mornington, Pearsall, Spofforth, Sullivan and T. F. Walmisley. SATB CONTENTS HORSLEY, William When in the silent midnight grove MORNINGTON, Lord Here in cool grot PEARSALL, R. L. Shoot false love, I care not Sweet as a flower in May SPOFFORTH, Reginald Come bounteous May SULLIVAN, Arthur Joy and sorrow alternate WALMISLEY, Thomas Music, all powerful
8.60 EUR - Sold by Woodbrass Pre-shipment lead time: In Stock | |
| Dormi, Deus Incarnate
(ZELENKA JAN DISMAS) Solo T, 2 Flûtes à Bec, 2
Flûtes Traversières, 2 V [Sheet music] Carus Verlag
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase,...(+)
Motetto Pro Nativitate Ii. Par ZELENKA JAN DISMAS. Tonalité : C-Dur - Kohlhase, Thomas (Arr. ) - ZWV 172 / Mottet / Répertoire / Solo T, 2 Flûtes à Bec, 2 Flûtes Traversières, 2 V
8.90 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| The Best Of Mauro
Giuliani
Français Guitar - Intermediate Durand
Mauro Giuliani is considered today to have been the most important guitarist-com...(+)
Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)
18.73 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: In Stock | |
| Bach, Johann Sebastian :
?uvres diverses pour
piano - Volume 3 /
Miscellaneous Works for
Piano - Volume 3 Piano solo [Sheet music] Barenreiter
[Einzeln überlieferte Klavierwerke - Band 3] / Classique / Editeurs : Hartwig E...(+)
[Einzeln überlieferte Klavierwerke - Band 3] / Classique / Editeurs : Hartwig Eichberg ; Thomas Kohlhase / Partition / Agrafé / Edition Urtext
23.50 EUR - Sold by Note4Piano Pre-shipment lead time: 3-10 days - In Stock Supplier | |
| St. Thomas: Jazz
Ensemble: Score & Parts Jazz Ensemble [Score and Parts] Hal Leonard
One of the best-known Latin/Jazz compositions ever written! Mark has done a grea...(+)
One of the best-known Latin/Jazz compositions ever written! Mark has done a great job of making this Sonny Rollins classic playable by younger groups while maintaining the style of the original. Small group playing is alternatedwith the full band and a flexible solo section allows any number of soloists. This sizzling chart is a must!
49.99 GBP - Sold by Musicroom UK | |
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