This essential guide to GarageBand on iPad and iOS devices is your foundation for learning music production in the classroom. Written by Dr. Floyd Richmond, noted iPad music expert and the president of TI:ME (Technology Institute for Music Educators), Learning Music with GarageBand on the iPad provides instant insight and wisdom through Dr. Richmond's many years of experience. With this book, students will be able to create music on a higher level than ever before regardless of the depth of their previous musical training. Includes over 40 GarageBand song files. Recording * Record digital audio * Record MIDI and virtual instruments * Record wherever your iOS device goes Performing with Smart Instruments * Perform in numerous styles for each instrument (keys, guitar, bass, percussion) * Perform with authentic musical gestures (keyboard arpeggiator, string articulations) * Perform chords of your choosing Teaching and Learning * Create iPad ensembles * Perform solos with included accompaniments * Create loop-based compositions / Divers

The World's Loudest Songbook featuring 45 Headbanging Songs-Shred your axe and thrash your big hair through the air with this jam-packed collection of 45 metal faves in note-for-note guitar trancriptions with tab. Songs include: Ace of Spades • Bark at the Moon • Breaking the Law • Crazy Train • Dying in Your Arms • Enter Sandman • Hail to the King • Iron Man • Master of Puppets • No More Tears • Painkiller • Redneck • Symphony of Destruction • Toxicity • War Pigs (Interpolating Luke's Wall) • Your Betrayal • and more. 430 pages of awesomeness!

Par GROSSMAN STEFAN. A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970\'s and 1980\'s. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg\'s good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier\'s Joy, with a flair that pushes the limits ofthe hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book. / Niveau : 3 / Tablatures / Guitare Fingerpicking

21 Original Guitar Solos By The Legendary Croatian Composer. Par UROS DOJCINOVIC. Guitare classique, notation standard uniquement (aucune tablature, non d'un accompagnement, paroles ni chords diagrammes) guitare normale de réglage et ce titre est notamment pas un enregistrement de CD. Le contenu publié de la plus grande croate XIX siècle guitare compositeur et interprète, Ivan Padovec, biographie complète, collection de tous connu des photos et pièces solos non publiées sans numéro d'opus. Ils vont de ses compositions didactiques plues faciles, courtes, faites pour ses nombreux élèves de guitare, un certain nombre de miniatures, de danses et de thèmes, avec des variations d'une difficulté technique moyenne et enfin quelques morceaux pour les joueurs plus avancés. L'ensemble de la collection est basé sur la musique, qui, depuis plus de 120 ans, était totalement inconnue à l'extérieur du pays de Padovec, Croatie (ancienne République yougoslave), et surtout perdu ou oublié et jamais publié. Présente des notes biographiques, ainsi que des portraits de Padovec et des autres illustrations, avec toutes les pièces dans sa propre manuscrit ou l'écriture de ses clo... / Niveau : Intermédiaire à Avancé / Classic - Solos / Tablatures / Guitare Tablatures Classique

Ces mélodies américains sonore grandes sur un enregistreur de soprano. Ils offrent également une excellent matériel pour développer les compétences en tonguing rapide, souffle-contrôle étendu et jouer à des notes élevées. Cette collection couvre plusieurs types de musique. Des millions d'Américains ont grandi chantant ' Attisket Atasket ', ' Put Your Little Foot ' et ' Paddywhack '. Immigrants apporté délices comme 'Première nuit en Amérique' et ' My Love est en Amérique '. John Philip Sousa a capté l'Americana de son temps dans les marches pour tous les temps, tels que ' Le bel du salon ', ' Roi coton ' et ' Boy Scouts of America '. Partout au pays, les Américains chante et sifflé ' Neuf cents milles ', ' Gypsy Dave ' et 'Pie in the Sky'. Bien que principalement effectuée pour enregistreur soprano, la plupart de ces solos peut être lus sur ténor ou enregistreur alto. (Sur l'alto, utilisez ' C ' doigtés.) Une édition les flûte distinct est disponible. / Flûte A Bec / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5

Ces mélodies américains sonore grands sur la flûte. Ils offrent également une excellent matériel pour développer les compétences en tonguing rapide, souffle-contrôle étendu et jouer à des notes élevées. Cette collection couvre plusieurs types de musique. Des millions d'Américains ont grandi chantant ' Attisket Atasket, ' 'Put Your Little Foot' et ' Paddywhack '. Immigrants apporté délices comme ' première nuit en Amérique 'et ' My Love Is en Amérique. ' John Philip Sousa a capturé l'Americana de son temps dans les marches pour tous les temps, tels que ' Le bel de la foire, ' ' Roi coton ' et ' Boy Scouts of America. ' Partout au pays, les Américains chante et sifflé ' Neuf cents milles, ' 'Gypsy Dave' et 'Pie in the Sky'. Une édition séparée enregistreur est disponible. / Flûte Traversière / 52 pages / niveau : Débutant/Intermédiaire / Partition - Format: 11 X 8,5

Par SERRANO JUAN. The legendary flamenco guitarist and best-selling Mel Bay Publications author, Juan Serrano, is well-known for his sound recordings, transcriptions of his music, and technical methods for flamenco guitar. Now the music that formed his technical repertory and was the musical foundation given to his by his father, Antonio el del Lunar, (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in this book that contains completely unreleased flamenco puro that is the foundation of one of the world's leading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners, intermediate, advanced, and professional flamenco guitarists--or for classical guitarists that want to learn flamenco. This book is a repertoire book that is a valuable supplement to other Juan Serrano books on Mel Bay, such as Flamenco Guitar: Basic Techniques, or The Flamenco/Classical Tradition: A Technical Guitar Method and Introduction to music. This new book includes standard notation and guitar tablature. This repertoire allows students to solidify right-hand arpeggios, rasgueados, and picados - and left-hand techniques such as ligados and apagados, while learning valuable repertoire that can be used by the concert artist. / Niveau : Tous Niveaux / Flamenco - Solos / Recueil / Guitare Classique

A Linear Approach to Improvising-Create more expressive solos with this book/CD pack which presents a unique improvisation strategy based on ear-training and a linear interpretation of note relationships. Paul Del Nero presents comprehensive step-by-stepinstructions which will guide you as you:Develop an expectation of sound;Master the movement of notes over modes and harmonies;Become comfortable improvising over jazz standards; andCreate your ownchord pads to use as you practice recognizing the tendencies of pitches within chord progressions.Playing The Changes: Bass - A Linear Approach To Improvising is a fantastic book with accompanying CD and isan invaluable resource to bass players wishing to develop and secure their technique in improvisation.

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Metal Bass Tabs features 18 classic bass-heavy favourites transcribed note for note including Ace of Spades Bat Country Hammer Smashed Face The Number of the Beast Raining Blood Tears Don't Fall and more.

Ce thème jazzy lisse au film populaire sur escapades folles de l'inspecteur Clouseau a été simplifiée pour le pianiste élémentaire tard pour en profiter. Big édition de note. Clé d'un mineur. / Piano

'DRUMS EASY 2' ist die Folgeschule der erfolgreichen Erstveröffentlichung DRUMS EASY. In dieser Weiterführung werden Sie wiedder mit dem bekannten motivierenden System arbeiten wie auch schon im ersten Band. Themen wie z.B.: FILL IN RHYTHM CRASH IN RHYTHM VIERTEL-TRIOLEN-FEEL UNABHÄNGIGKEIT 9 STROKE ROLL 5 STROKE ROLL JAZZ- FEEL DOUBLES ZUSATZ-SOLOS am Pad und am Set FLAM 1-4 usw. werden mit der direkten Umsetzung von der Theorie in die Praxis angewandt und mit einem Schlagzeug-Solo abgeschlossen. Diese Schule bietet Lehrern wie Schülern den absoluten Freiraum mit den jeweiligen Figuren umzugehen und all dies in einem sehr sauberen Notenbild. 'DRUMS EASY 2' ist einsehr durchdachtes pädagogisches Konzept das dem Anwender hunderte von Rhythmen und Fill's bietet und die Unabhängigkeit die Vielseitigkeit und letztendlich das Bandspiel enorm fördert. Motivation pur!

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score