'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera

Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father?s footsteps and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship called the Santa Maria the Pinta and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas whichhe sighted on October 12th 1492. Without being aware of it Columbus discovered the ?New World? ? he thought he had landed in the eastern part of Asia. The motif from Dvoøák?s 9th Symphony ?Aus der neuen Welt? forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503 he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid.

Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father?s footsteps and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship called the Santa Maria the Pinta and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas whichhe sighted on October 12th 1492. Without being aware of it Columbus discovered the ?New World? ? he thought he had landed in the eastern part of Asia. The motif from Dvoøák?s 9th Symphony ?Aus der neuen Welt? forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503 he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid.

Christopher Columbus was born in Genoa in 1451. His father was a wool merchant. Originally he seemed destined to follow in his father?s footsteps and thus sailed the oceans to countries as far apart as Iceland and Guinea. In 1476 his ship was sunk during a battle off the coast of Portugal. Columbus saved his own life by swimming to shore. In 1484 he conceived the idea of sailing to the Indies via a westward sea route but it was only in 1492 that he was able to realize this plan. On this first voyage he was in command of three ships: the flag-ship called the Santa Maria the Pinta and the Ni?a. From Spain Columbus sailed via the Canary Islands to the Bahamas whichhe sighted on October 12th 1492. Without being aware of it Columbus discovered the ?New World? ? he thought he had landed in the eastern part of Asia. The motif from Dvoøák?s 9th Symphony ?Aus der neuen Welt? forms a little counterfeit history at this point in the composition. After this first voyage Columbus was to undertake another three long voyages to America. These voyages were certainly not entirely devoid of misfortune. More than once he was faced with shipwreck mutiny and the destruction of settlements he had founded. After Columbus had left for Spain from Rio Belen in 1503 he beached his ships on the coast of Jamaica. The crew were marooned there and it was only after a year that Columbus succeeded in saving his men and sailing back to Spain with them. In the music the misunderstanding about which continent Columbus discovered in his lifetime resounds for does this part in the composition not contain Asiatic motifs? Poor Columbus! In 1506 the famous explorer died in Valladolid.

Together We Sing Series-Paralleling the voyages we make through life with those of a river to the sea this poignant original work by Amy Bernon creates a thoughtful and meaningful atmosphere suitable for any general concert and a superb choice for B1001graduation.

Embark on a voyage of discovery with this captivating collection of 14 new Pacific Preludes from the creator of Microjazz inspired by traditional music from the shores of the world’s largest ocean. Explore the rich and varied musical landscape of the Pacific Rim as each Prelude weaves together native themes from countries including Australia Canada China Costa Rica Japan Peru New Zealand and the United States of America with Christopher Norton’s characteristically innovative popular music styles. Ideal for intermediate to advanced-level keyboard players these pieces are perfect for the concert platform as well asproviding excellent teaching material. An accompanying CD puts each Prelude on the map with stylish demonstration performances by Iain Farrington.

As the title suggests, this through-played medley contains short excerpts from eight well-known sea and river songs. Included are 'Blow the Man Down,? 'Spanish Ladies,? 'My Bonnie Lies Over the Ocean,? 'Song of the Volga Boatmen,? 'Sloop John B,? 'Blow Ye Winds,? 'Haul Away Joe,? and closing with 'Anchors Aweigh.? All aboard this charming nautical and musical voyage! (2:45) / Concert Band

Study Score No. 127-Charles Fussel's Three Processionals for Orchestra.Three Processionals is drawn from ideas contained in an earlier work by the composer Voyages based on the poetry of HartCrane.'In this work I was interested in connecting Hart Crane's use of sea images as a basic vocabulary for his cycle of love poems with Debussy's orchestral sea poem La Mer. The third processional concludes with adirect quote from Debussy. Hart Crane's poems in their profound concentrated language first warn the child that his beautiful and joyous seashore games touch a vast ocean whose depths are cruel And in the following poem loveitself is the great force which sweeps over and moves every aspect of life. To survive this 'tidal wedge' is a fearful and exhilarating struggle and we are frequently 'over-taken' by its power plus the knowledge of ourlimits'. - Charles Fussel

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /