A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth?s themes for any instrument but the piano is to separatethe melodic line from its accompaniment: both are so closely together (that is one of the strongest characteristics of his pianistic style of composition) that it becomes almost impossible to treat one of the features disregardingthe other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from thetransposition of a piece originally written for the piano a very rich instrument regarding the expressive recourses to the more 'modest' guitar we always kept in mind our principal intention: to preserve at the most all themelodic dialogues of the scores in special the ones between the melody and the bass line both the elements that form the soul of Nazareth?s compositions. We obviously had to do some changes. Thus for instance in somearrangements it was necessary to transpose the original key to a more appropriate one (at the guitar view-point of course). Some phrases or fragments had also to be written an octave higher or lower (that can be perfectlyunderstandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it). Needless to say that all those recourses were used only when it has been strictly necessary. Despite thefact that those 28 pieces are only a little portion of Nazareth?s work this group of arrangements represents a good and representative panel. Among them there are some of Nazareth?s greatest hits ('Apanhei-te Cavaquinho' 'Odeon' 'Brejeiro' 'Ameno Resedá' etc.) as well as other not so known compositions but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible

In this outstanding video recital Brazilian concert guitarist Carlos Barbosa-Lima takes the listener on a musical journey through Brazil The Caribbean North America and the Hawaiian Islands including works byEuropean masters from France and Spain.Maestro Barbosa-Lima displays the stunning musicality arranging skills and refined technique that have drawn applause from sold-out concert halls the worldover.Program: Sons de Carrihoes (Joao Pernambuco); Odeon (Ernesto Nazareth); Sambolero (Luiz Bonfa); Cochichanda (Alfredo Vianna); Aquarela do Brasil (Ary Barroso);Adios (Enric Madriquera); La Comparsa (Ernesto Lecuona); Fantasy of a Hawaiian Lullaby 'Pupu Hinu Hinu' (N. Beamer arr. by Dr. Byron Yasui); St. Louis Blues (W. C. Handy arr. J.Griggs/Barbosa-Lima); Two Ladies: One Old One New (Bobby Scott); La Alborada (Francisco Tarrega); La Mariposa (Francisco Tarrega); Golliwogg's Cakewalk (Claude Debussy); I Got Rhythm(George Gershwin); Las Abejas (Augustin Barrios); Ja-Da (trad. arr. J. Griggs/Barbosa-Lima); and Seis Milongas from Suite Antillana (Ernesto Cordero).Many of these selections were arranged byCarlos Barbosa-Lima and include unusual techniques such as double harmonics and Hawaiian slack-key effects.

Piccolodeon is a duet for piccolo and piano that expresses the mood and sonority of the ?nickelodeon,? an early 20th-century arcade instrument used for silent movies, carousels, and vaudeville theater. The piece begins as a playful ragtime with the instruments in sync. Gradually, the ensemble unravels to the point where it?s a toss-up as to which player is off. This musical gem is full of surprise and delight!

Final Two Pragraphs From Thomas Wolfe'S God'S Lonely Man. Par PARTCH HARRY. Dark Brother, eine Vertonung der letzten beiden Absätze aus Thomas Wolfes God’s Lonely Man, war das erste Stück, das Partch speziell für sein selbst entwickeltes Chromelodeon schrieb. Die Stimme für Chromelodeon betont den Tonality flux – Partchs Begriff für sein Stimmführungsverfahren mittels Auflösung kleiner Intervalle sowie schneller Passagen mit sehr kleinen Intervallen, die das harmonische Geschehen verschleiern. Diese beiden Techniken wurden zu Merkmalen von Partchs Musik für Chromelodeon überhaupt./ Répertoire / Voix et Ensemble

Ces airs populaires de l'irlandais ont été produites comme une bande de son compagnon du livre du même titre. Avec Dave Mallinson à Castagnari melodeons, Paul Flannery au piano, Sara Mallinson au piano, Allistair Russell à la guitare et Mark Mawby à la guitare. Certains titres comprennent : The Old copperplate, Maud Miller, président du comte, The Green Gates, de Tom Billy et beaucoup d'autres. / Instruments Acoustiques

Those madcap characters from TV's past have made a whole new audience thanks to the Nickelodeon cable channel. Four of their biggest hits are combined in a fun-loving medley for developing bands. Includes: Daydream Believer LastTrain To Clarksville I'm A Believer and Hey Hey We're The Monkees.

Ces airs populaires de l'irlandais ont été produites comme une bande de son compagnon du livre du même titre. Avec Dave Mallinson sur Castagnari melodeons, Paul Flannery au piano, Sara Mallinson au piano et Allistair Russell à la guitare Mark Mawby à la guitare et Gerry Brownridge à la guitare. / Instruments Acoustiques

A lively and wide-ranging collection of great tunes from all around England, suitable for playing on piano accordion, melodeon and other squeezeboxes!

Included are many well-established favourites for dance bands and informal sessions, plus some lesser-known gems and recent compositions. Reels, jigs, hornpipes and slow airs drawn from the 17th Century to the present day, with chord suggestions, background information on the tunes and detailed guidance on how to get the best out of this vibrant music. / Musiques du monde / Partition CD / Agrafé /

Par WADE CAROLYN. Cet enregistrement a été produit comme une bande de son compagnon du livre du même titre. Chaque exemple musical est enregistré, fournissant un guide précieux pour les étudiants de l'instrument. Mally est et UK produit # AM101C. / Niveau : Débutant / Folk - Methods / Accessoire / Accordéon à Boutons

L'objectif de ce livre est de descendre les étudiants pour le meilleur départ possible sur l'accordéon diatonique de D/G (accordéon), par la présentation de l'information qui pourrait par ailleurs prendre des années à s'accumuler. Ce livre est écrit pour l'accordéon à deux rangs D/G avec huit boutons bass. Il contient beaucoup d'informations utiles sur les différents types d'accordéons de bouton, bases de lecture de musique et de nombreuses mélodies pour la pratique. Il y a une concentration sur la joue de la basse dans le temps. Tout en ne se concentrant sur n'importe quel style en particulier, cet ouvrage a pour but de donner aux élèves une bonne mise à la terre, en les aidant à déplacer facilement à tout genre de musique, ils choisissent. Les leçons sont fondées sur les styles de jeu traditionnels et des airs de Grande-Bretagne et d'Irlande. Mally est et UK produit # AM101. / Accordéon (Boutons)

Robert Noble. This series of books provides a guide to simple accompaniment for beginners of all ages using only a few chords. The chords are intended to serve as a first introduction to harmony. Each collection is suitable for voices recorders and violins accompanied by chime bar chords guitar accordion auto-harp melodeon and rhythm instruments. Any combination of these instruments can be used.