SKU: PR.510018010

UPC: 680160132980.

SKU: FJ.H1021

ISBN 9781619282483. UPC: 241444396872. English.

In this beautifully engraved edition of Opus 36 by Clementi, McLean creates a pedagogical publication that preserves the intent of the original edition while adding a judicious amount of detail to guide the developing pianist. A must have for every student and teacher.

SKU: PR.416415760

UPC: 680160636532. 9 x 12 inches.

The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams.

SKU: HL.14023409

ISBN 9788759879689.

10 Danish Songs 1955-1987, for Voice and Piano (or keyboard) is a collection printed in 1989, consisting of earlier songs in new versions. Two songs are from 9 Danske Sange. Opus 14 (Overstaet angst,Mit lov, mit lille trae - Vedi's Vuggevise), the rest from different vocal works. The composer arranged the songs in three section: Nature: 1. Du skal plante et trae. Text: Piet Hein 2. aret. Text: Ole Sarvig 3. Stjernespejl. Text: Ib Michael Man: 4. Mit lov, mit lille trae (Vedi's Vuggevise). Text: Johannes V. Jensen 5. Overstaet angst. Text: Halfdan Rasmussen 6. Landskabsbillede. Text: Thorkild Bjornvig 7. Sangleg.Text: Ole Sarvig.

SKU: PR.510042630

UPC: 680160148738.

SKU: PR.701073570

UPC: 888680073848.

Written in 1998, Pacific Serenade is a “peaceful serenade:” serenade as in: romantic, quasi improvised music which should be sung at night under the stars. The main “singer” here is the clarinet. In general the music is extremely quiet, delicate, sensuous and sentimental. The sensuousness is created by Latin song elements especially the nostalgic Brazilian folk song, which is at times combined with Blues style melody and harmony. The string quartet has a technically expressively challenging part which is not merely the accompaniment to the clarinet, but rather it is responsible for setting the mood in which the clarinet sings. This is Aguila’s opus 59 and it was commissioned by Pacific Serenades Ensemble of California who premiered the work in 1998. Of course the ensemble's name inspired the name of this work as well as its mood. In an age of boom boxes, media bombardment of information and pop culture becoming increasingly aggressive, boisterous and violent, I felt the need to write just the opposite… to show once more that less is more. -- Miguel del Aguila.

SKU: CF.WF223

ISBN 9781491153963. UPC: 680160911462.

For the first time, Weissenborn's Method and both volumes of his Opus 8 Studies are presented in one spiral-bound book, revised and expanded by noted bassoonist and teacher Frank Morelli. This edition includes Ludwig Milde's Scale and Chord Studies, a new and innovative Study Key, and additional lessons that introduce all notes beyond high Bb to high E. The book offers comprehensive, basic, and advanced pedagogical instruction from Julius Weissenborn as well as Frank Morelli through various studies, methods, and techniques. With thirty-six newly added duets based upon popular themes and many important orchestral bassoon solos, fingering charts, and a revised and expanded glossary, this is a truly complete landmark volume.

SKU: PR.510020590

UPC: 680160134540.

SKU: HL.48180122

UPC: 888680794903. 9.0x12.0x0.075 inches.

Opus 16.

SKU: HL.44012592

ISBN 9789043144315. UPC: 888680087524.

A romantic quintet showing the composers mastery in counterpoint. Opus 58.

SKU: PR.46600001L

UPC: 680160637171. 11x17 inches.

If the 2nd flute has no low B-natural, C-natural be played instead. (3rd movement measure 235 page 91) The part for the bass clarinet is written entirely in the treble clef a major ninth above the actual pitch. Horn parts written in the bass clef sound a fourth higher, never a fifth lower. If the special percussion instruments are not availalbe, the following substitutions may be made: The E-natural for the antique cymbals may be played on a glockenspiel (not the celesta); and The Bb for the small timpano on a side drum with snares silenced, struck with a soft felt stick. Several contrabasses must be provided with means for producing the extra low tones.

SKU: PR.UE001470

ISBN 9783702445508. UPC: 680160503957. Key: E major.

SKU: PR.510016970

UPC: 680160132683.