SKU: IG.OMW228-S
8.5 x 11 inches.
America, the Land of Liberty celebrates immigration, freedom, and liberty in America. Verses from the poem on the pedestal of the Statue of Liberty, “Give me your tired, your poor… are set to music and then combined with My Country ‘Tis of Thee and Home on the Range. This piece of music weaves in a fresh new setting of the timeless poetry of Emma Lazarus along with patriotic music and a classic folk song, giving a sense of the contemporary and traditional importance of American immigration.“Give me your tired, your poor,Your huddled masses yearning to breathe free,The wretched refuse of your teeming shore.Send these, the homeless, tempest-tost to me,I lift my lamp beside the golden door!- From “The New Colossus by Emma Lazarus.
SKU: LO.99-3344L
UPC: 000308140767.
The Easter Story retells Jesus' suffering, death, resurrection, and exaltation to the right hand of the Father in a simple yet profound story that engages the heart, mind, and imagination. The musical score draws upon folk sources, including The Sacred Harp and The Columbian Harmony, spirituals, carols, and songs from English, Irish, and Hebrew traditions. The choral score is carefully crafted for choirs of all sizes and is enhanced by three solos. Two speakers share Ken Bible's compelling narrative which is beautifully underscored by piano accompaniment or Michael Lawrence's brilliant orchestration.
SKU: KN.09967S
UPC: 822795099676.
This enchanting folk tune has a mysterious quality that is captivating to listen to, learn about, and play. With rich harmonies, interesting textures, and engaging parts for all, it will instantly become a favorite. Pairing the music with the historical context of the tune and text will deepen the students' experience even more. Each set includes three copies of the optional 3rd Violin/Viola T.C. and piano parts. Duration 4:15.
SKU: BR.EB-9448
ISBN 9790004189252. 9 x 12 inches.
Five multi-movement trios for piano and two string instruments by Sibelius are known from the years 1883-1888. The large trios, such as the Havtrask and Korpo Trio (JS 207, JS 209), were written for the classical piano trio scoring of violin, violoncello and piano. Apparently, Sibelius kept composing trios to play among his family and friends, having in mind to be one of the musicians himself. Chamber music was an essential part of social life. When listening to Sibelius' trios, one cannot help but notice that the repertoire included many works of Viennese Classicism.Although Sibelius's feelings towards his youthful works were not exactly uncomplicated, Sibelius biographer Otto Andersson later reported that the master, in later years, missed [the Korpo Trio] very much and would have been very pleased to see [it] preserved.First edition of this early work.
SKU: BR.EB-9449
ISBN 9790004189269. 9 x 12 inches.
SKU: OU.9780193525634
ISBN 9780193525634. 10 x 7 inches.
The Oxford Book of Flexible Choral Songs is the perfect resource for secular choirs and singing groups who like the flexibility to perform songs in a range of combinations from unison to SATB. Each piece may be performed by a mixed choir, but is also presented with flexible scoring options, clearly explained throughout, enabling performance by various combinations of singers, including upper voices or men's voices alone. As well as new arrangements of existing repertoire, the collection also features newly commissioned original works, specially written for flexible forces.
SKU: FT.FM466
ISBN 9790570483655.
What is olde in this piece is the middle section that has an obvious folksy character. Overall the composer has tried to make both the oboe part and the piano part interesting enough for music students to actually want to play the piece. There are also places where the individual instrumentalists can try their hand at improvising some details. Three hundred years ago this was a common practice and all performers were to an extent at least familiar with the art of improvising within a given framework. The composer believes that many performers today often neglect this important aspect of their craft and could greatly benefit by learning how to do this.
SKU: YM.GPW01096341
ISBN 9784636963410.
24 arrangements for two violins. 24Shou Xiao Ti Qin Er Zhong Zou Le Qu . 1. Beauty and the Beast; 2. A Whole New World; 3. Chim Chim Cher-ee; 4. Shall We Dance?; 5. Edelweiss; 6. Climb Ev'ry Mountain; 7. Over the Rainbow; 8. Day of the River; 9. Piano Quintet Die Forelle/Schubert; 10. Je te veux/Satie; 11. Merry Widow Waltz/Lehar; 12. Waltz from The Sleeping Beauty/Tchaikovsky; 13. Home Sweet Home/Bishof; 14. Heidenroslein/Werner; 15. Largo from The New World Symphony/Dvorak; 16. Humoresque/Dvorak; 17. Ave Maria/J. S. Bach-Gounod; 18. Summertime/Gershwin; 19. Requiem KV 626/Mozart; 20. Aura Lee; 21. Greensleeves; 22. Deck the Halls; 23. Old Folks at Home/Foster; 24. We Wish You a Merry Christmas 1. Mei Nu Yu Ye Shou ; 2. Xin De Shi Jie ; 3. Yan Cong Zhi Ge ; 4. Shall We Dance?; 5. Xue Rong Hua ; 6. Pan Yue Qun Shan ; 7. Cai Hong Zhi Shang ; 8. Na Yi Tian De He Chuan ; 9. Gang Qin Wu Zhong Zou Zun Yu /Shu Bo Te ; 10. Wo Xu Yao Ni /Sa Di ; 11. Feng Liu Gua Fu Yuan Wu Qu /Lai Ha Er ; 12. Yuan Wu Qu Xuan Zi Shui Mei Ren /Chai Ke Fu Si Ji ; 13. Jia ,Tian Mi De Jia /Bishof; 14. Ye Mei Gui /Werner; 15. Yan Ban Xuan Zi Xin Da Lu Jiao Xiang Qu /De Wo Xia Ke ; 16. You Mo Qu /De Wo Xia Ke ; 17. Sheng Mu Song /Ba He ; 18. Xia Tian /Ge Shi Wen ; 19. An Hun Qu KV 626/Mo Zha Te ; 20. Ao Le Li ; 21. Lu Xiu Zi ; 22. Huan Le Sheng Dan ; 23. Gu Xiang De Qin Ren /Foster; 24. Zhu Ni Sheng Dan Kuai Le.
SKU: CF.YAS167
ISBN 9781491146477. UPC: 680160903979. 9 x 12 inches. Key: D major.
Barn Dance Saturday Night depicts the gathering of hometown country folks for a square dance. Different from a rousing fiddle tune, in that the tempo is a bit more reserved, it is happy music that will be fun to play and will delight your audiences.I wrote this piece several years ago for one of my groups which met during the last period of the day. They loved to play what they called “Happy Music,†because it perked them up and they left school in a good mood. The arrangement I wrote then was quite group specific; this version should fit most orchestras very well, and itspreads the melody around more.This work is not intended to be intimidating or profound in the least but, instead, should evoke smiles. However, that does not mean that it should be played in a sloppy manner or without a diligent attitude. The staccatos are very important. Players should take special care not to clamp down on the bow with their bow holds in order to make the notes short; they can be executed by using relaxed wrist andfingers alone, if that is what the teacher wants their players to be learning while preparing this piece. There should be only good tone on those notes, and accents should not be added where not indicated unless instructed to do so by the teacher.There are notes in this piece with a tenuto mark (full value, but clearly defined) AND a staccato mark (separated). I want these notes to be clearly enunciated; not short, but not sustained into the next note, either. The key to doing this well may come in m. 48, where the basses and cellos must make a retake going into m. 49. The length of the quarter notes in m. 44 should match the length of the quarter notes in m. 48.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: HL.14021601
ISBN 9780853603092. Lyrics by Susan Gregson.
A combination of settings from the Latin mass, with new English text by Susan Gregson. Written for boys' voices, baritone solo and large symphonic wind ensemble. This volume contains all voice parts and a piano accompaniment. Commissioned by the National School Band Association, the first performance of this work took place at the Snape Maltings Concert Hall in Suffolk, 1988, conducted by the composer.
SKU: BT.EMBZ14721
László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I admired him as an innovator, who enriched the technique of playing the instrument in a manner unparalleled in piano literature. Later his creative genius captivated me, as he opened up new paths for the future. His works paved the way for impressionism, expressionism, 20th-century folklorism and dodecaphonic thinking. His innovations were always material realisations of spiritual renewal. My Rapsodia ungherese follows the Slow Fast single-movement formal concept of Liszt srhapsodies. Piano Score: 14633, score and orchestral material on hire. Klavierauszug: 14633, die Partitur und das Orchestermaterial können ausgeleihen werden.
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