Here is a fine collection of elegant classical masterpieces by Glück, Rachmaninov and Schubert, paired with compositions by their living counterparts David Morgan, Subaram Raman and Brian Scott Taylor. These timeless works highlight the tonal beauty, sonority, color and expressive qualities inherent in the saxophone. Listen and study the complete versions, then take center stage and play the solo parts. Includes free downloads of the piano accompaniment score for your performance needs. / Saxophone Alto

Three of the most beloved Romantic piano concertos are now available in one volume: Schumann's Concerto in A minor, Op. 54, Grieg's Concerto in A minor, Op. 16, and Rachmaninoff's Concerto #2 in C minor, Op. 18. The orchestra parts for transcribed for a second piano, making these ideal for private study or preparation for competitions. Two copies are necessary for performance. / 2 Pianos

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Edition no.: BA 11202 ISMN: 9790006526444 Volume / Series: organ plus brass, Volume II Editor: Klomp, Carsten / Petersen, Heiko Language(s) of work: German Language(s) of text: German, English Product format: Performance score(s), Wind instruments score, Anthology Includes the following individual parts: Organ, Wind instruments Binding: Stapled Pages / Format: 17/10 S. - 30,0 x 23,0 cm The series “organ plus brass” presents original works and arrangements for organ and brass ensemble. The wind parts are written to meet the needs of amateur ensembles and the organ parts are ideal for non-professional church musicians playing on smaller organs. The full score comes with an inserted wind score in C, which is also available separately. Wind parts in C and B-flat can also be purchased, enabling the performance by brass ensembles of varying instrumentation. Volume II comprises five chorale preludes from the 19th century. The chorales on which they are based are well known internationally and can be used throughout the church year. - Literature for brass ensemble and organ - Suitable for amateur brass ensembles and non-professional organists - Transposed parts allow for flexible instrumentation Contents Christian Fink (1831–1911): “Wie schön leuchtet der Morgenstern” Emil Dercks (1849–1911): “Jesus lebt, mit ihm auch ich” Theophil Forchhammer (1847–1923): “Sollt ich meinem Gott nicht singen” Max Gulbins (1862–1932): “Nun danket alle Gott” Otto Scherzer (1821–1886): “Christus, der ist mein Leben”

Continuing in the tradition of previous publications in the Classics series: Classic Solos and Classic Duets, Mary Karen Clardy has selected 24 of the most significant standard études from Carl Joachim Andersen's op. 21, 30, 33, 37 and 41, Antoine Benoit Tranquille Berbiguier's Studies and Ernesto Köhler's Romantic Études op. 66. Performance notes, composers' biographies and a glossary of terms are included providing helpful historical background to the pieces. An optional second flute part has been composed for each étude providing opportunities for the teacher or another player to support and reinforce phrasing, rhythm, tone quality, intonation and style. These parts may be downloaded for free from our website. The second flute parts have been recorded on the CD to provide supportive accompaniments for playing along - an invaluable aid in daily practice. Andersen, Carl Joachim: C Major: Op. 37/1 Andersen, Carl Joachim: A Minor: Op. 37/2 Köhler, Ernesto: G Major: Romantic Etudes/2 Köhler, Ernesto: E Minor: Octaves (Romantic Etudes/9) Andersen, Carl Joachim: D Major: Op. 37/5 Andersen, Carl Joachim: B Minor: Op. 37/6 Köhler, Ernesto: A Major: Cantabile Moderne (Romantic Etudes/16) Köhler, Ernesto: F# Minor: Dance of the Insects (Romantic Etudes/19) Köhler, Ernesto: E Major: Russian Dance (Romantic Etudes/25) Andersen, Carl Joachim: C# Minor: Op. 30/10 Berbiguier, Antoine Benoit Tranquille: B Major: No. 15 Andersen, Carl Joachim: G# Minor: Op. 33/12 Andersen, Carl Joachim: Gb Major: Op. 21/13 Andersen, Carl Joachim: Eb Minor: Op. 37/26 Andersen, Carl Joachim: Db Major: Op. 33/15 Berbiguier Antoine Benoit : Bb Minor: No. 12 Andersen, Carl Joachim: Ab Major: Op. 33/17 Andersen, Carl Joachim: F Minor: Op. 41/18 Andersen, Carl Joachim: Eb Major: Op. 30/19 Berbiguier, Antoine Benoit: C Minor: No. 8 Andersen, Carl Joachim: Bb Major: Op. 41/13 Köhler, Ernesto: G Minor: At the Well (Romantic Etudes/6) Köhler, Ernesto: F Major: Consolation (Romantic Etudes/4) Berbiguier, Antoine Benoit: D Minor: No. 4

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted viola parts to his two sonatas. In any case the viola and clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms' authorship of the viola parts. They include important differences from the clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas' origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.- A pioneering Urtext edition- With an unmarked Urtext part- With a second part including fingering and bowing based on the practices of contemporaries of Brahms- With an extensive Performance Practice Commentary- For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Johannes Brahms' Chamber Music?, BA 9600 / Alto Et Piano

6 Easy To Intermediate Arrangements. The present booklet contains a collection of pieces from the chorale literature of the Renaissance and the Romantic period and is intended for group instruction. The arrangements are created for flute ensembles with three voices. In each case the lowest voice can also be performed with an alto flute as an alternative. An according part is attached to the edition. Ideal for group teaching Choral music from the Renaissance and Romantic eras arranged for three flutes All parts are melodic and are musically equal Practice at home using the Play-Along CD which includes all parts / Niveau : Facile / Recueil / 3 Flûtes Traversières

5 Fingers / 5 Doigts. Par WILLIAMS JOHN. The entire Star Wars saga is encompassed in this piano sheet music collection! Set amid stunning imagery from the films, these piano arrangements bring the magic of Star Wars to life as they masterfully invoke the grand romanticism of John Williams's epic, award-winning scores. Included are the most definitive and memorable pieces from each of the six Star Wars episodes arranged by Tom Gerou. These arrangements are set in traditional five-finger style, with the melody split between the hands. For performance ease, student parts have no key signatures, dotted quarter notes, triplets, or 16th notes. Optional duet accompaniments are also provided for a fuller, richer musical experience. Titles: 20th Century Fox Fanfare * Across the Stars * Anakin's Theme * Battle of the Heroes * Binary Sunset * Cantina Band * Duel of the Fates * The Imperial March * Jawa Sandcrawler * Luke and Leia * May the Force Be with You * Princess Leia's Theme * Star Wars (Main Title) * The Throne Room * Yoda's Theme. / Instrumental Music, Miscellaneous, Piano Music, Sc / Recueil / Piano