Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2005-07-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-12-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Historia Des Leidens Und Sterbens Unsers Herrn Und Heilandes Jesus Christi Nach Dem Evangelisten St. Johannem. Par SCHUTZ HEINRICH. With his three purely a cappella Passions, Schütz closes his series of historical settings: text-oriented compositions that are both technically demanding and intensely expressive. These are works of maturity, which bring an entire musical period to a close. With the Stuttgarter Schütz Edition, Carus-Verlag offers the trilogy of Schütz’s Passions in critical editions with detailed information about their composition, transmission, and performance practice./ Répertoire / Petit Choeur SATB et Choeur SATB

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach’s direction in 1749. At the same time, with the aid of the appendix it is possibleto perform the work in the traditional “mixed version. ” / Oratorio / Date parution : 2004-10-01/ Répertoire / Solistes SATBB, Choeur SATB, 2 Flûtes Traversières

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Tonalité : B-Dur -. Par SALIERI ANTONIO. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Latin/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Par DIVERS AUTEURS / BACH JOHANN SEBASTIAN. Gattungen: Passionen - Verwendung / Kirchenjahr: Fastenzeit und Passion, Karwoche - Langue : Allemand/ Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,