'Sonntagsorgel' est une collection de pièces stylistiquement varié pour l'organiste amateur comprenant trois volumes. L'édition est idéale pour une utilisation dans les services de l'église ou à des fins pédagogiques.Le premier volume comprend festif préludes, toccatas et fugues, trios et pastorales par des compositeurs allemands et français du 17ème jusqu'au 20ème siècle. Dans le second volume, des pièces méditatives de compositeurs allant de Christian Heinrich Rinck à Théodore Salomé sont présentés. Le troisième volume contiendra préludes de chorals et cantiques accompagnements à des fins liturgiques.Cette collection de musique d'orgue couvre un large éventail de styles de composition. Les pièces sont faciles à déchiffrer, ne sont pas techniquement exigeant et sonore efficace, l'édition sera apprécié par les musiciens d'église amateurs et professionnels.- Collection de musique d'orgue, qui ne nécessite pas beaucoup pratiquer- Idéal pour les organistes amateurs- Convient à des fins pédagogiques- Collection de musique d'orgue, qui ne nécessite pas beaucoup pratiquer- Idéal pour les organistes amateurs- Convient à des fins pédagogiques / Orgue

600 Years Of Carols, Chorales, Preludes And Pastorales On 2 Guitars. Par NEWMAN MICHAEL. Celebration of the Christmas holiday includes a rich musical tradition. For this score and accompanying CD, the internationally-renowned Newman and Oltman Guitar Duo presents a ravishing collection of sacred music written for Advent, Christmas, and Epiphany. The duo has chosen music from six centuries in a wide variety of musical styles, including familiar Christmas tunes, little-known gems, and interesting variations on familiar themes written by such composers as Bach, Handel, Pachelbel, Mendelssohn, and Brahms. Selections range from beautiful Renaissance tunes suitable for beginning guitarists to concert repertoire for advanced players. / Niveau : Intermédiaire / Christmas - Duets / Recueil / Guitare Classique

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christmas. As in the “Missa Pastoralis in B flat”, in this Mass Ryba makes use of concertante instruments: clarino and a bassoon, an instrument seldom employed solistically in a Mass, but which gives this work a unique character. / Messe / Répertoire / Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio

Böhmische Hirtenmesse. Par RYBA JAN JAKUB. Freely rhymed Mass settings; available either in German or Czech. The Bohemian Christmas masses are a typical product from the end of the 18th century. Jan Jakub Ryba’s Pastoral Mass from 1796 is a prototype of this genre. It was set in Czechoslovakian and filled with a conscious simple, folk-like musicality, which every villager in Ryba’s time could understand. Correspondingly, Ryba’s work became so popular that in the course of time – according to Milan Kuna, the editor of the Mass – “it was felt to be a symbol of Czechoslovakian Christmas. ” In addition to the original text the music also includes a German singing text. / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Böhmische Hirtenmesse. Par RYBA JAN JAKUB. Freely rhymed Mass settings; available either in German or Czech. The Bohemian Christmas masses are a typical product from the end of the 18th century. Jan Jakub Ryba’s Pastoral Mass from 1796 is a prototype of this genre. It was set in Czechoslovakian and filled with a conscious simple, folk-like musicality, which every villager in Ryba’s time could understand. Correspondingly, Ryba’s work became so popular that in the course of time – according to Milan Kuna, the editor of the Mass – “it was felt to be a symbol of Czechoslovakian Christmas. ” In addition to the original text the music also includes a German singing text. / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Böhmische Hirtenmesse. Par RYBA JAN JAKUB. Freely rhymed Mass settings; available either in German or Czech. The Bohemian Christmas masses are a typical product from the end of the 18th century. Jan Jakub Ryba’s Pastoral Mass from 1796 is a prototype of this genre. It was set in Czechoslovakian and filled with a conscious simple, folk-like musicality, which every villager in Ryba’s time could understand. Correspondingly, Ryba’s work became so popular that in the course of time – according to Milan Kuna, the editor of the Mass – “it was felt to be a symbol of Czechoslovakian Christmas. ” In addition to the original text the music also includes a German singing text. / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Böhmische Hirtenmesse. Par RYBA JAN JAKUB. Freely rhymed Mass settings; available either in German or Czech. The Bohemian Christmas masses are a typical product from the end of the 18th century. Jan Jakub Ryba’s Pastoral Mass from 1796 is a prototype of this genre. It was set in Czechoslovakian and filled with a conscious simple, folk-like musicality, which every villager in Ryba’s time could understand. Correspondingly, Ryba’s work became so popular that in the course of time – according to Milan Kuna, the editor of the Mass – “it was felt to be a symbol of Czechoslovakian Christmas. ” In addition to the original text the music also includes a German singing text. / Messe / Répertoire / Solistes SATB, Choeur SATB, Flûte Traversière, 2 C

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Trois Pastorales for Flute Trio in 1964. As with his other wind compositions, Trois Pastorales was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Trois Pastorales are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire./ Répertoire / 3 Flûtes Traversières

It was in 1990 - more than 250 years after the publication of 'Il Pastor Fido' - that the masterful forgery was exposed: not Antonio Vivaldi but in fact the French composer Nicolas Chédeville (1705-1782) turned out to be the true author of this sonata collection, which was subtly foisted upon the unsuspecting Parisian public in the middle of the 18th Century, at the height of Vivaldi's popularity in France. Vivaldi himself never came to know anything of the misuse of his name and musical intellectual property.'Il Pastor Fido' offers a 'Mélange' of very simple, movements and gallantries in the French style, as well as some throughout original movements of exceptionally fine music and powerful compositional ideas. Approximately ninety percent of 'Il Pastor Fido? is Chédeville's own work - for the remainder, he adopted and built upon themes (or those which he thought to be) by Vivaldi, all the while demonstrating a thorough understanding of the style that he was striving to imitate.As with all of Chédeville's other works and numerous other collections from the time, the original title mentions a series of instruments, all of which are suitable for performing these sonatas: the musette, hurdy-gurdy, flute, oboe and violin. Whilst the first two, which were popular instruments at the time and corresponded to the Arcadian sensibilities of the Age of Enlightenment, have long since been out of fashion, the flute is particularly well suited today to reflect the pastoral character - noted in the title of the collection ('Il Pastor Fido?: the Faithful Shepherd) - of the music.The Bärenreiter Urtext edition was edited by the reputable Vivaldi scholar and conductor Federico Maria Sardelli. In addition to the musical text of the six sonatas, it contains a detailed preface (German / English), which not only tells the enthralling story of the forgery and reveals the 'ingredients? required for such a composition. It also contains inspiring information on performance practice, whilst presenting a critical report with references to readings and editorial decisions. / Flûte (ou Hautbois, Violon) Et Basse Continue

Par KERNEN ROLAND. Pastoral Pictures paints three contrasting ‘sound pictures’. The first movement is solemn and majestic, the second dreamy and serene and he final movement joyous and cheerful. A fantastic concert work for all Grade 2-3 bands. / Niveau : 2.5 / Pièce de concert / Répertoire / Fanfare

Par KERNEN ROLAND. Pastoral Pictures paints three contrasting ‘sound pictures’. The first movement is solemn and majestic, the second dreamy and serene and he final movement joyous and cheerful. A fantastic concert work for all Grade 2-3 bands. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie