Chant, surtout chantant en petits groupes, est une activité musicale précieuse et les plus naturelle - qu'est ce que croit fermement Paul Hindemith (1895-1963): ' tout le monde a une voix... Une chorale est la moins exigeant et en même temps meilleur outil éducatif. ' Et c'est pourquoi chant avait toujours fait partie de ses activités d'enseignement, que ce soit lors de la tentative et pratiquant des tâches de comédie musicale-théoriques, que ce soit lors de la répétition vieux et paramètres chorals modernes. Pas étonnant que le compositeur avait traité avec la musique chorale toute sa vie, adressage lui-même à toutes sortes d'ensembles vocaux : choeurs mixtes, mâle-voix et chorales d'enfants, chorales professionnels et chanteurs formés. Il a développé son style a cappella au cours de sa formation avec Arnold Mendelssohn et Bernhard Sekles au Conservatoire Hoch à Francfort. En conséquence, les carnets de croquis de ses journées étudiantes contiennent aussi des trois volets de paramètres vocales sur cantus firmi. Les oeuvres chorales sacrées présentées ici (1. Christus, der ist mein Le... / Choeur Mixte (SABar)

With a piano introduction that is both virtuosic and emotional, this Hebrew text, chosen by series editor Judith Clurman in memory of her parents, was the perfect vehicle for Michigan composer Paul Schoenfield to honor those who have lived a life of faith. With frequently changing and uneven meter, shifting tonal centers and an extended range for all voice parts, this is a concert work worthy of the finest choirs. Those choirs who choose it will experience the impact that such a work can impart. / Choeur Mixte (SATB) Et Piano

Par SIMON PAUL. Chord songbook regroupant 80 chansons de Paul Simon (paroles et accords). / Rép International / Recueil / Chant et Guitare

Un nombre important de chorales est confronté au problème que peu de voix masculines sont disponibles. Ainsi, l'équilibre musical de voix manquantes. Cette collection vous aidera. La chorale utiliser l'espace sonore du choeur mixte, mais se limitent à une voix masculine. / Choeur Mixte

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the “inextinguishable color of the instrumentation” and the “brilliant play with all the forms of composition. ” He described it as a “jewel of the present. ” / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,