Edited by John Harley. This volume contains keyboard music of Peter Philips not included in the Fitzwilliam Virginal Book. With a single exception all the pieces in this collection are probably arrangements of music originally written for voice or strings.CONTENTSAlmande; Benedicam Dominum; Chi fara fed'al ciel; Deggio dunque partire; Ecco l'aurora con l'aurate fronte; Fantasia; Pavana Anglica; Veni Sancte Spiritus

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

for Baritone and Piano. Par PHILIPS JULIAN. Swift Partitions by Julian Philips is a 13-minute set of songs for baritone and piano. This setting of eight short poems by American poet Emily Dickinson, each exploring her relationship to the sea, is not narrative, but instead alternates philosophical meditations on the sea (Songs 1, 3, 5 8) with more immediate \'encounters\': a surreal walk with the sea (Song 2), two near drownings (Songs 4 5) and a river\'s almost erotic desire to join the ocean (Song 8). 1. An Everywhere of Silver 2. I started Early ? took my Dog 3. Though the great Waters sleep 4. The waters chased him as he fled 5. Water makes many Beds 6. Three times ? we parted ? Breath ? and I 7. Fortitude incarnate 8. My River runs to thee Completed in June 1998, Swift Partitions was commissioned by the Welsh baritone Jeremy Huw Williams, with funds from the Arts Council of Wales, and premiered with pianist Nigel Foster, at St Mary\'s Church Warwick, on 9 July 1998. The score (EP 73505) is available for sale. / Date parution : 2022-09-07/ Répertoire / Baryton et Piano

Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content : I. Walsingham. John Bull (see No. LXVIII) II. Fantasia [IX]. John Munday III. Fantasia, Faire Wether, etc. John Munday IV. Pavana [I]. Ferdinando Richardson V. Variatio [I]. Ferdinando Richardson VI. Galiarda [I]. Ferdinando Richardson VII. Variation [I]. Ferdinando Richardson VIII. Fantasia [VII]. William Byrd IX. Goe from my Window. Thomas Morley (see No. XLII) X. Jhon come kisse me now. William Byrd XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull XII. Nancie. Thomas Morley XIII. Pavana [VII]. John Bull XIV. Alman [IX]. Anon XV. Robin [see No. CXXVIII). John Munday XVI. Pavana [II]. M. S. XVII. Galiarda [X]. John Bull XVIII. Barafostus' Dreame. Anon (see No. CXXXI) XIX. Muscadin (see No. CCXCIII). Anon XX. Alman [VII]. Anon XXI. Galiarda [I]. Anon XXII. Praeludium [VII]. Anon XXIII. Praeludium, El. Kiderminster. Anon XXIV. Praeludium [XIII]. William Byrd XXV. Praeludium [XIII]. Anon XXVI. The Irish Ho-Hoane. Anon XXVII. Pavane [VII]. Ferdinando Richardson XXVIII. Variatio [VII]. Ferdinando Richardson XXIX. Galiarda [I*]. Ferdinando Richardson XXX. Variatio [I*]. Ferdinando Richardson XXXI. The Quadran Pavan. John Bull (see No. CXXXIII) XXXII. Variation of the Quadran Pavan. John Bull XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV) XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII) XXXV. Galiard to the Pavan [IX]. John Bull XXXVI. Saint Thomas Wake. John Bull XXXVII. In Nomine [X*]. John Bull XXXVIII. [Fantasia. IX*]. John Bull XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby XL. The Woods so wilde. Orlando Gibbons (see No. LXVII) XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull XLII. Goe from my Window (see No. IX). John Munday XLIII. Praeludium [I]. John Bull XLIV. Gloria tibi Trinitas. John Bull XLV. Salvator Mundi. John Bull XLVI. Galliarda [VII]. John Bull XLVII. Variatio [VII]. John Bull XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull XLIX. Praeludium. Thomas Oldfield L. In Nomine. William Blitheman LI. Ut, Re, Mi, Fa, Sol, La. John Bull LII. Fantasia [IX]. William Byrd (see No. C) LIII. The K[ing's] Hunt. Giles Farnaby LIV. Spagnioletta. Giles Farnaby LV. For two Virginals. Giles Farnaby LVI. Passamezzo Pavana. William Byrd LVII. Galiardas Passamezzo. William Byrd LVIII. The Carman's Whistle. William Byrd LIX. The Hunt's up. William Byrd (see No. CCLXXVI) LXI. Treg[ian's] Ground. William LXI. Monsieur's Alman. William Byrd LXII. Variatio. William Byrd LXIII. Alman [XIII]. William Byrd LXIV. Sellenger's Round. William Byrd LXV. Fortune. William Byrd LXVI. O Mistris myne. William Byrd LXVII. The Woods so wilde. William Byrd (see No. XL) LXVIII. Walsingham. (See No. I.) William Byrd LXIX. The Bells. William Byrd LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips LXXI. Freno. 2a. Parte. Peter Philips LXXII. Così morirò. 3a. Parte. Peter Philips LXXIII. Fece da voi. à 6. Peter Philips LXXIV. Pavana Pagget. Peter Philips LXXV. Galiarda [I**]. Peter Philips LXXVI. Passamezzo Pavana. Peter Philips LXXVII. Galiarda Passamezzo. Peter Philips LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips LXXXI. Galiarda Dolorosa. Peter Philips LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips LXXXIII. Margott laborez. [Lasso, set by] Peter Philips LXXXIV. Fantasia [VII]. Peter Philips LXXXV. Pavana [VII]. Peter Philips LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips LXXXVII. Galliardo [VII]. Peter Philips LXXXVIII. Fantasia [XIII*]. Peter Philips LXXXIX. Fantasia. Nicholas Strogers XC. Alman [IX]. Martin Peerson XCI. Pavana, Bray. William Byrd XCII. Galiarda. William Byrd XCIII. Pavana. Ph. Tr. William Byrd XCIV. Galiarda [XIII*]. William Byrd XCV. Toccata. Giovanni Pichi XCVI*. Praeludium Toccata. J. P. Sweelinck XCVII. Pavana. Thomas Warrock XCVIII. Galiarda. Thomas Warrock XCIX. Praeludium. Galeazzo C. Praeludium to the Fancie, No. LII. William Byrd CI. Ut, re, mi, fa, sol, la. William Byrd CII. Ut, mi, re. William Byrd CIII. Fantasia [XIII]. William Byrd CIV. All in a Garden green. William Byrd CV. Heaven and Earth. Fre CVI. Praeludium [VII]. John Bull CVII. Veni. Anon CVIII. Fantasia [IX*]. John Bull CIX. Felix namque. Thomas Tallis

Par PHILIPS JULIAN. S - Trompette - Orgue - Durée: 3 min / Contemporain / Répertoire / Voix et Instruments Divers

Contents: 54 compositions by William Brown (Wilhelmo Brouno), Christian Erbach(?), Andrea Gabrieli, Claudio Merulo, Vincenzo Pellegrini, Peter Philips, Gerardus Scroncx, Paul Siefert, Jan Pieterszoon Sweelinck and Anonymouses
Editor: Jean Ferrard
Publication Date: 2008
Description
Among the sources of seventeenth century keyboard music, the Book of the Crosiers of Liège occupies an exceptional position since it contains some unica of composers as important as Jan Pieterszoon Sweelinck and Peter Philips. It is also a remarkable manuscript in that this is one of the earliest appearances in organ music of accurate indications regarding registrations. Since its first edition in 1910, as the last volume of Alexandre Guilmant’s Archives des Maîtres de l’Orgue, musicological research has established new concordances, made some new attributions and proposed a few hypotheses which must still be confirmed.
In this way, the principal document concerning the organ in Liège and its music will again be accessible as a whole, with editorial remarks and commentaries, that seek to provide the reader with the most recent findings of musicological research as well as a rigorous and practical musical text.
[Introductory texts in English and French]
/ Partitions classique / Piano - instruments à clavier / Orgue / Ut Orpheus