|
| J.J. Johnson In Concert DVD [DVD]
Jamey Aebersold Jazz
By Jamey Aebersold. Published by Jamey Aebersold Jazz. (JJD) Timeless standa...(+)
By Jamey Aebersold. Published by Jamey Aebersold Jazz. (JJD)
Timeless standards, first-class sidemen, and a legendary superstar guarantee an unforgettable night of great music. This is J.J. at his best, featuring Jamey Aebersold on tenor sax, Phil DeGreg on piano, Tyrone Wheeler on bass, and Art Gore on drums. Almost 2 hours!
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1
Violin [Sheet music]
Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Philip Smith: Advanced Concert Studies for Trumpet
Trumpet [Sheet music + CD] - Intermediate
Curnow Music
19 New Studies from Grade 4 Through 6. Performed by Philip Smith. Curnow Play-Al...(+)
19 New Studies from Grade 4 Through 6. Performed by Philip Smith. Curnow Play-Along Book. Play Along. Softcover with CD. Size 9x12 inches. 40 pages. Published by Curnow Music.
(1)$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Children, Go Where I Send Thee
Carl Fischer
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, te...(+)
Choral Percussion, Piano, alto voice, bass Guitar, bass voice, soprano voice, tenor voice SKU: CF.CM9743IN Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743IN. Published by Carl Fischer Music (CF.CM9743IN). ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Children, Go Where I Send Thee
Carl Fischer
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed...(+)
Choral SATB Choir, Bass Guitar, Percussion, Piano SKU: CF.CM9743 Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. 20 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9743. Published by Carl Fischer Music (CF.CM9743). ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Children, Go Where I Send Thee
Carl Fischer
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: ...(+)
Choral Bass Guitar, Percussion, Piano, alto voice, soprano 1, soprano 2 SKU: CF.CM9742 Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742. Published by Carl Fischer Music (CF.CM9742). ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis. This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun! $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Lift Every Voice and Sing
Orchestra [Score and Parts] - Easy
Alfred Publishing
Often Referred to as the African-American National Anthem . Composed by ...(+)
Often Referred to as the African-American National Anthem . Composed by J. Rosamond Johnson, words by James Weldon Johnson. Arranged by Bob Phillips. This edition: with Chorus. Part(s); Score; String Orchestra. Sound Innovations for String Orchestra. Folk; Multicultural. 80 pages. Published by Alfred Music (AP.44827).
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Joyful Praise Solos
Piano solo - Intermediate
Alfred Publishing
11 Piano Arrangements of Contemporary Christian Favorites. Arranged by Bernad...(+)
11 Piano Arrangements of
Contemporary Christian
Favorites. Arranged by
Bernadine Johnson. Book;
Piano Collection; Piano
Supplemental; Worship
Resources. Sacred Performer
Collections. Contemporary
Christian; Sacred. 48 pages.
Published by Alfred Music
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Ili Ili Tulog Anay (SSA with opt. Violin)
Choral 3-part
SSA [Octavo]
Choristers Guild
Arranged by Victor C Johnson. For SSA choir with optional violin. Sing!. Octavo....(+)
Arranged by Victor C Johnson. For SSA choir with optional violin. Sing!. Octavo. Published by Chorister's Guild
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Children, Go Where I Send Thee
Carl Fischer
Choral Bass Guitar, Djembe 1, Djembe 2, Djembe 3, Percussion, Piano, Shaker, alt...(+)
Choral Bass Guitar, Djembe 1, Djembe 2, Djembe 3, Percussion, Piano, Shaker, alto voice, soprano 1, soprano 2 SKU: CF.CM9742IN Composed by Traditional African American Spiritual. Arranged by Kevin Phillip Johnson. Set of Score and Parts. 44+32+2 pages. Duration 4 minutes, 5 seconds. Carl Fischer Music #CM9742IN. Published by Carl Fischer Music (CF.CM9742IN). ISBN 9781491162224. UPC: 680160920983. Key: E minor. English. Iyana Davis. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| A Choice to Change the World
Carl Fischer
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9744 Composed by Kevin Ph...(+)
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9744 Composed by Kevin Phillip Johnson. 16 pages. Duration 4 minutes, 57 seconds. Carl Fischer Music #CM9744. Published by Carl Fischer Music (CF.CM9744). ISBN 9781491162019. UPC: 680160920693. Key: D major. English. Sarah Benibo. Original. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Favorite American Polkas and Jigs for Fiddle
Violin [Sheet music] - Easy
Mel Bay
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book. 64 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Mark O'Connor - The Championship Years
Violin [Sheet music] - Intermediate/advanced
Mel Bay
by Mark O'Connor; transcribed and edited by Stacy Phillips. For fiddle. Bluegras...(+)
by Mark O'Connor; transcribed and edited by Stacy Phillips. For fiddle. Bluegrass and country, fiddle tunes. Level: Intermediate-Advanced. Book. Solos. Size 8.75x11.75. 200 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Wade in the Water
Carl Fischer
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9749 Composed by Traditio...(+)
Choral Solo Voices, SSA chorus, piano SKU: CF.CM9749 Composed by Traditional African-American Spiritual. Arranged by Kevin Phillip Johnson. Duration 3 minutes, 25 seconds. Carl Fischer Music #CM9749. Published by Carl Fischer Music (CF.CM9749). ISBN 9781491162378. UPC: 680160921126. Key: E minor. English. Spiritual. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Favorite American Hornpipes for Fiddle
Violin [Sheet music] - Easy
Mel Bay
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediat...(+)
By Stacy Phillips. For Fiddle. Solos. Fiddle Tunes. Level: Beginning-Intermediate. Book. Size 8.75x11.75. 64 pages. Published by Mel Bay Publications, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Living Hope
Choral SATB
PraiseSong
By Phil Wickham. By Brian Johnson and Phil Wickham. Arranged by Joseph M. Mart...(+)
By Phil Wickham. By Brian
Johnson and Phil Wickham.
Arranged by Joseph M. Martin.
PraiseSong Choral. Easter,
General Worship, Sacred.
Octavo. 16 pages. Published
by PraiseSong
$2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Ryan's Mammoth Collection of Fiddle Tunes
Violin [Sheet music]
Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| The Renaissance Guitar
Guitar
Classical guitar [Sheet music + Audio access]
Music Sales
Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical...(+)
Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales
(3)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| Lift Every Voice and Sing
Orchestra [Score] - Easy
Alfred Publishing
Orchestra - Grade 2.5 SKU: AP.44827S Often Referred to as the African-...(+)
Orchestra - Grade 2.5 SKU: AP.44827S Often Referred to as the African-American National Anthem. Composed by J. Rosamond Johnson. Arranged by Bob Phillips. This edition: with Chorus. Performance Music Ensemble; Single Titles; String Orchestra. Sound Innovations for String Orchestra. Folk; Multicultural. Score. 8 pages. Duration 2:40. Alfred Music #00-44827S. Published by Alfred Music (AP.44827S). UPC: 038081518176. English. James Weldon Johnson. The poem and original hymn-like music of Lift Every Voice and Sing, by James and J. Rosamond Johnson, reverberate through the decades of the civil rights movement. Originally performed for Booker T. Washington in 1900, it is sometimes called the African-American National Anthem. This setting, by Bob Phillips, teaches 6/8 and uses chromatic alterations in first position. A vocal lead sheet is included in the reproducible educational packets. The cross-curricular programming possibilities are vast. (2:40). $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Quincy Jones - Live in '60 [DVD]
Jazz Icons
| | | |
| Choral Stanzas for Hymns, Vol. 1
Choral
Augsburg Fortress
By Various. For Choir. Evangelical Lutheran Worship. Published by Augsburg Fortr...(+)
By Various. For Choir. Evangelical Lutheran Worship. Published by Augsburg Fortress
$59.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| What Praise Can I Play for Easter?
Piano solo - Intermediate/advanced
Alfred Publishing
(10 Easily Prepared Piano Arrangements). Arranged by Carol Tornquist. For Piano....(+)
(10 Easily Prepared Piano Arrangements). Arranged by Carol Tornquist. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Contemporary Christian; Easter; Sacred; Spring. Early Advanced; Late Intermediate. 40 pages. Published by Alfred Music
$13.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Brenda Stubbert's Collection of Fiddle Tunes
Violin [Book]
Cranford Publication
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert....(+)
Edited by Paul Stewart Cranford. Arranged by Melissa Emmons and Brenda Stubbert. For Fiddle. Perfect binding, Solos. Cranford Publications. Canadian-Maritime. Intermediate. Book. 72 pages. Published by Cranford Publication
$19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | | |
| Music Smarts [Sheet music]
Berklee
The Inside Truth and Road-Tested Wisdom from the Brightest Minds in the Music Bu...(+)
The Inside Truth and Road-Tested Wisdom from the Brightest Minds in the Music Business. By Mr. Bonzai. Arranged by David Schwartz. This edition: 0876390521. Berklee Press. Softcover. 200 pages. Published by Berklee Press.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | | |
| 14 Concert Duets
Basset Hound Music
2 tubas SKU: P2.PZA90187 Composed by Various. Edited by Zach Collins. Arr...(+)
2 tubas SKU: P2.PZA90187 Composed by Various. Edited by Zach Collins. Arranged by Jim Self. 2 tubas (or 2 bass trombones) or tuba/bass trombone with downloadable backing track. Score and downloadable audio. Published by Basset Hound Music (P2.PZA90187). Concert Duets is a collection of 14 arrangements of works by prominent 18th-century composers, mostly taken from Trio Sonatas. Duet 11 is a Jim Self original work in the Rococo style; and Duets 12, 13 and 14 are arrangements of the three-movements of the Bach Concerto for Two Violins. Included with this edition are play-along recorded tracks by tubist Zach Collins, who also served as editor of the current edition.
I created these duets as Christmas gifts for my tuba playing friends, with the first duet being arranged in 1976. All 14 of the duets are challenging and fun to play and are especially effective as concert pieces.
As a young musician I had the privilege of playing duets with many of the world’s finest tubists including Harvey Phillips, John Fletcher, Bob Pallansch, Chester, Schmitz, Dan Perantoni, Toby Hanks, Ron Bishop, Winston Morris and Tommy Johnson. I learned more about playing music in these duo sessions than from any other musical activity I have ever experienced. Duets are powerful teaching tools for learning and mastering rhythm, phrasing and intonation and for developing overall musicianship.
Jim Self:
Self (b. 1943) is a Los Angeles free-lance musician, a veteran of thousands of Hollywood motion pictures, television shows and records, and tuba soloist on many prominent movies. His tuba was the “Voice of the Mothership†in Close Encounters of the Third Kind. He is Principal Tuba/Cimbasso with the Pacific and Pasadena Symphonies and the Los Angeles Opera and Hollywood Bowl Orchestras. Formerly he was in The U.S. Army Band and tuba / euphonium professor at the University of Tennessee. He holds a DMA from the USC Thornton School of Music where he is Adjunct Professor of Tuba and Chamber Music. His compositions and arrangements include works for solo tuba, brass quintet, other brass, string and woodwind chamber music, wind band and orchestra. Jim has produced many solo jazz and classical recordings. His music and recordings are available from Potenza Music and www.jimself.com. Jim Self is a Yamaha Performing Artist.
Zach Collins, editor:
Zach Collins is professor of Tuba and Euphonium at Indiana University of Pennsylvania. In 2019, he released his first solo album, Chronicle. It was recognized with the 2021 ITEA Roger Bobo Award for Excellence in Recording for the best Solo Tuba Album.
His interpretation of William Kraft’s Encounters II for Solo Tuba was released on Cambria Master Recordings. Zach performs with Eastern Standard, a horn, tuba, piano trio he formed with Heidi Lucas and Jacob Ertl. The ensemble has released two commercial albums, Eastern Standard and Wanderlust.
Zach regularly performs with the Keystone Chamber Winds, Altoona Symphony Orchestra, and West Virginia Symphony Orchestras. His compositions and arrangements for brass and for tuba and euphonium can be purchased from Cimarron Music and Eighth Note Publications. Zach earned degrees from Texas Christian University and the University of Southern California. His primary teachers have been Richard Murrow, Jim Self, Tommy Johnson, and Norm Pearson. Zach Collins is a Miraphone artist. $40.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
|
