24 anthems for Sopranos and Altos in both Unison and Two-Part settings edited by Philip Ledger.

Fifty Christmas Carols-Carols For Choirs: Book Five includes 50 superb carols to celebrate 50 years of the famous Carols for Choirs series. A complete resource for choirs from Advent through to Epiphany.Fresh arrangements from Bob Chilcott and David Blackwell as well as original compositions including many specially written for this collection.A wide range of composers are featured including Alan Bullard Bob Chilcott Gabriel Jackson Philip Ledger Jaakko Mantyjarvi Mathew Martin Cecilia McDowall Francis Pott John Rutter Carl Rutti and David Willcocks.A balanced mix of accompanied and unaccompanied items including the order of service for a Festival ofNine Lessons and Carols.The volumes of Carols for Choirs have established themselves as the quintessential carol books for carol singers around the world. Like its predecessors Carols for Choirs 5 presents a wide range of carols to suit every occasion from classic tunes superbly arranged to the best original compositions. The collection showcases the very best established and new names in choral composition today both in the UK and world-wide.

aus 'Der getreue Musikmeister' für Altblockflöte und Basso continuo-Score lightly realised with figured Bass: 2 playing scores (Recorder and Basso Continuo).'Der getreue Musikmeister' (The faithful Music Master) occupies a special place in the history of musical publications since as far as we know it was the first regularly appearing musical periodical. A 'Lection' or lesson was published every two weeks in the form of a four-page leaflet presenting Vocal and Instrumental music in various scorings. Twenty-five of these leaflets are still extant today bound as a volume with a preface and index.The Recorder part of the Sonata in F major is notated throughout in the French Violin clef (g' on the first line). Thismethod of notation had become customary towards the end of the 17th century. It reduced the number of ledger lines necessary for the upper octave of the recorder which was frequently used at that time. The present edition omits arbitrary alterations of the musical text; the notation of this edition has only been altered to conform to modern conventions.