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Piano, Flute, Cor
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
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ZITHER
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Ian Wilson: Red Over Black (Unterwelt Part III): Piano Trio: Score & Parts
Flûte Traversière, Hautbois et Piano
[Score and Parts]
Ricordi London
For Flute/Alto flute Oboe/Cor anglais and Piano (2005/2011)
37.50 GBP - Sold by Musicroom UK
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Richard Rodney Bennett: Suite Francaise For Flute And Piano: Flute: Score and
Flute and Piano
[Sheet music]
Novello & Co Ltd.
The four songs arranged here manifest composer Richard Rodney Bennett?s omnivoro...
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The four songs arranged here manifest composer Richard Rodney Bennett?s omnivorous musical sourcework. La belle Au Pied De La Tour was set by Poulenc in his Chansons Francaises. L?amour De Moi is an old Gallic tune that entered the French popular song canon with recordings in the 1970?s by several French singers. La Chaine was frequently sung by chanteuse Damia over the decades of her career from the early 1900?s onward. La Pauvre Mariée tells of the hardships of marriage but is set to a jolly gigue. Movements may be played separately.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores(Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist and arranger.
15.99 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
15.50 GBP - Sold by Musicroom UK
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Ian Wilson: Red Over Black (Unterwelt Part III): Piano Trio: Score & Parts
Flûte Traversière, Clarinette en Sib et Piano
[Score and Parts]
Ricordi London
For Flute/Alto flute Bb Clarinet and Piano (2005/2011)
28.99 GBP - Sold by Musicroom UK
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Romania! Fantasy for Flute and Piano: Flute and Accomp.: Instrumental Work
Flute and Piano
[Sheet music]
Ricordi
In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's...
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In preparation for Carol Wincenc's landmark Naumburg Award Recital at New York's Lincoln Center she asked composer Daniel Paget to create a work drawn from the world of wonderful Romanian folk music for nai or panpipes. The result was Romania! Fantasy for Flute and Piano a duet suggestive of both the nai and the cimbalom (hammered dulcimer). The work is a brilliant tip-of-the-hat to Wincenc's Austro-Hungarian heritage and her inner tzigane-style temperament. Great care has been taken to select dynamics and articulations that allow the phrases to make the best use of the flute's capabilities given the rich harmonic language typical of this part of the world. Filled withmeltingly beautiful lyricism and dazzling technical gestures this new edition is bound to bring years of enjoyment to all those who have it.
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Stephen Covello: Arioso for Flute and Piano: Flute: Score and Parts
Flute and Piano
[Sheet music]
Schirmer
Stephen Covello's Arioso for Flute and Piano. Score and part.An excellent repert...
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Stephen Covello's Arioso for Flute and Piano. Score and part.An excellent repertoire piece for intermediate players. The range is playable by most 4th year students and the piano accompanimentincludes minor editing.
4.99 GBP - Sold by Musicroom UK
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Aulis Sallinen: Mistral Music (Flute And Piano): Flute: Score and Parts
Flute and Piano
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Written for flute and piano. Opus 90.
10.99 GBP - Sold by Musicroom UK
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Robert Clerisse: Fantaisie pour flute ou hautbois et piano: Flute: Score
Français
Flûte Ou Hautbois Et Piano
[Sheet music]
Leduc, Alphonse
Fantaisie pour flute ou hautbois et piano
10.99 GBP - Sold by Musicroom UK
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Claude Debussy: Le Petit Berger Pour Flûte Et Piano: Flute: Score
Flute and Piano
Durand
Claude Debussy's Le Petit Berger for Flute and Piano.
6.80 GBP - Sold by Musicroom UK
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Jazzin' The Blues (COROZINE VINCE)
Piano solo
Mel Bay
Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
26.13 EUR - Sold by LMI-partitions
(Seller in french langage)
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Music Of Paul Hindemith
Flûte Traversière (2 Flûtes Traversières Ou Flûte Traversière Et Piano)
Schott
/ Flûte Traversière (2 Flûtes Traversières Ou Flûte Traversière Et Piano)
40.51 EUR - Sold by LMI-partitions
(Seller in french langage)
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Edward Gregson: Aztec Dances (Flute/Piano): Flute: Instrumental Work
Flute and Piano
[Sheet music]
Novello & Co Ltd.
Aztec Dances was commissioned by Christopher Orton with the assistance of the B...
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Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of thiswork and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma ?Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Hermán Cortés ? an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work. Edward Gregson
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Edward Gregson: Aztec Dances (Treble Recorder/Piano): Treble Recorder:
Treble (Alto) Recorder, Piano
[Sheet music]
Novello & Co Ltd.
Aztec Dances was commissioned by Christopher Orton with the assistance of the B...
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Aztec Dances was commissioned by Christopher Orton with the assistance of the BBC Performing Arts Fund. The first performance was given by Christopher Orton (recorder) and Magdalena Nasidlak (piano) at a concert in the Manchester Midday Concerts series at the Bridgewater Hall Manchester in March 2010.The version for flute and piano was premiered by Wissam Boustany (Flute) and Aleksander Szram (Piano) at St James?s Church Piccadilly on Thursday 19 May 2011.1. Ritual/Pastorale2. Fertility Dance3. Ghost Dance/Song4. Sacrificial Dance Composer's Note The idea for the genesis of this work and indeed its title and individual movements came after visiting an exhibition at the British Museum entitled Moctezuma Aztec Ruler. The exhibition traced the events following the election in 1502 of Moctezuma as Supreme Ruler of the Aztecs and the subsequent invasion of 1519 by a Spanish expedition led by Herm?n Cort?s an event that was to eventually lead to the demise of the Aztec civilisation.Part of the exhibition explored the role that music and dance played in Aztec life. The primitive recorder together with trumpets and drums were used as an important part of the formal ritual ceremonies (including rather gruesomely human sacrifice) that took place to appease the many Gods which the Aztecs worshipped as well as for other more informal occasions in their social and cultural life.I have tried to reflect some of these highly contrasting and dramatic ideas in this four movement work.????????Edward Gregson
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Taffanel P. - Allegreto Grazioso and Allegreto Scherzando - Flute Et Piano
Flute and Piano
Pan Educational Music
Editor : Edward Blakeman The French Flute Encores series A series of short re...
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Editor : Edward Blakeman The French Flute Encores series A series of short recital pieces for flute and piano associated with the flautist Paul Taffanel, founder of the modern school of flute playing. The series is compiled and edited by Edward Blakeman. French Flute Encores series - Book 1. Two charming fin-de siecle pieces. Contents Taffanel (This book is French Flute Encores Book 1) Allegretto Grazioso Allegretto Scherzando
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Wolfgang Amadeus Mozart: Piano Concerto No.17 In G K.453: Piano: Study Score
Piano solo
[Study Score / Miniature]
Barenreiter
for Piano and Orchestra-Concerto For Piano And Orchestra No.17 G major K. 453.Pi...
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for Piano and Orchestra-Concerto For Piano And Orchestra No.17 G major K. 453.Piano Solo Flute Oboe (2) Bassoon (2) Horn (2) Strings.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format.The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout.In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!
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Giacomo Puccini: Play Puccini: Flute & Piano: Instrumental Album
Flute
[Sheet music + CD]
Ricordi
Instrumental Play-Along-Who needs a singer? With Play Puccini flutists can bathe...
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Instrumental Play-Along-Who needs a singer? With Play Puccini flutists can bathe themselves in luxurious Italian melody! These ten opera arias are among the composer's most famous and distinctive achievements here transcribed for intermediatelevel solo flute and piano. The book includes a biography of Puccini notes about the plot of each opera and the dramatic context of the selected aria. The companion CD features excellent performances as well as pianoaccompaniments for practice. Includes arias from: La Bohème La Fanciulla Del West Gianni Schicchi Madama Butterfly Manon Lescaut Suor Angelica Tosca andTurandot.
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Suite Dansante D'Autrefois (Flûte, Cor Et Piano)
Français
French Horn and Piano
[Sheet music]
Fertile Plaine Editions
La partition Suite dansante d'autrefois ( Flute,cor et piano ) de Hulin Eric a ...
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La partition Suite dansante d'autrefois ( Flute,cor et piano ) de Hulin Eric a été composée pour Cor et plus particulièrement pour Cor Et Autres Instruments. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Cor Et Autres Instruments / Partition
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Trevor Wye: Flute Encores: Flute: Instrumental Album
Flute and Piano
Chester
A collection of Flute Encores for the advanced performer by Kohler Briccialdi ...
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A collection of Flute Encores for the advanced performer by Kohler Briccialdi Tershak Reichert and Bach. Edited by Trevor Wye. Includes piano accompaniment.
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Paul Harris: Christmas Flute Basics: Flute: Instrumental Album
Flute and Piano
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Easy
Faber Music Limited
A fun collection of Christmas solos and duets-Christmas Flute Basics is a colle...
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A fun collection of Christmas solos and duets-Christmas Flute Basics is a collection of fun and festive flute repertoire. Leap through the twelve days of Christmas in twelve stages including Christmas-themed improvisations warm-ups and studies and your favourite Christmas tunes with piano accompaniment or as duets for 2 flutes or flute and clarinet. Each stage wraps together musical and technical elements to help focus your festive playing.
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Arthur Honegger: Concerto Da Camera Flute-Cor-Ang-Piano Reduction: Flute
Flute and Piano
Salabert
Concerto Da Camera Flute-Cor-Ang-Piano Reduction
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Wilhelm Popp: Wilhelm Popp Sonatine Op. 388 No 2: Flute: Score
Flute and Piano
[Sheet music]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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Wilhelm Popp: Sonatine Op. 388 No. 5: Flute: Score
Flute and Piano
[Sheet music]
Spartan Press
Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19t...
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Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850's and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'
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