Stephen Albert's Into Eclipse for Tenor and Chamber Orchestra. Full score.'Into Eclipse is based on Ted Hughes' adaptation of Seneca's Oedipus. The five episodes chosen astexts for this musical setting form an abbreviated version in song of this Roman dramatisation of the Oedipus myth.Seneca's play has no external action. As Peter Brook informs us in his introduction to the play '...it takes place nowhere...possibly it was read aloud in the bathhouse to friends.' It therefore seemed possible to take the essential elements of the tale and transform them into a rather complete musical statement that wasnon-theatrical yet dramatic in its own terms. Into Eclipse is thus not a monodrama nor even a solo oratorio but rather a 'Herosong.' It is somewhat in the tradition but not of course in the manner of earlyballadeers and minstrels who often set ancient stories and myths to music and performed these musical narratives for both court and country village.The story is sung from different viewpoints (that of Creon thechorus of citizens and of course Oedipus the king) all encompassed within the bounds of one man's voice and his complement of instruments. There is no concious attempt to 'paint' or emphasise particular words or phrases withinthe text nor was there an effort to musically heighten Seneca's already nightmarish vision with its withering onslaught of bloodthirsty images. To do so seemed to risk weighing down the cycle in a morbid atmosphere one filledwith caricature and the grotesque.' - Stephen AlbertThe full-Orchestra version of Into Eclipse was premiered on September 8 1986 by the Seattle Symphony with Gary Lakes Tenor andGerard Schwarz conductor. It is also available in a version for Tenor and Chamber Ensemble [Flute/Piccolo Clarinet/Piccolo Clarinet Horn Trumpet Percussion (2 players) Harp Piano and Strings]. This version was premiered on

Percussion optional. / Niveau : Assez Facile / RĂ©pertoire / Trompette et Piano

Percussion optional. Par ARMITAGE DENNIS. / Niveau : Assez Facile / RĂ©pertoire / Trompette et Piano

Percussion optional. / Niveau : Assez Facile / RĂ©pertoire / Trompette et Piano

Percussion optional. / Niveau : Assez Facile / RĂ©pertoire / 2 Trompettes et Piano

Percussion optional. Par STRAUSS JOHANN. / Niveau : Assez Facile / RĂ©pertoire / 2 Trompettes et Piano

Par TICCIATI NISO. 3.Picc.3.3.2 - 4.4.3.0 - Timbales - 4Perc:SD/BD/Tgl/Cym - Piano ad lib - Durée: 1/ Répertoire / Parties Orchestrales

The 1st Recital Series presents high quality solo/recital literature appropriate for performers from beginner to early intermediate standard. A professionally recorded CD is included with each book providing a demonstration of each piece followed by an accompaniment track which can be used for performance or rehearsal. A separate piano accompaniment book is also available. / Percussions A Claviers / 16 pages / niveau : Facile - Elémentaire / Partition + Cd

(New DVD plein Ă©cran)Retrait de leur rĂŽle habituel que la section rythmique de Santana, Karl Perazzo et Raul Rekow sortir de l'ombre Ă  jouer en live dans 'Juste un autre jour dans le parc.' Track Listing: / Batterie Et Percussions

Classic hymns have been arranged for the flexible “Sounds of” series. For solos and ensembles this collection brings together great hymns of the faith. Whether it's a soloist using a book (accompanied by piano orfully-orchestrated accompaniment track) or two three four players...or a full orchestra Sounds of Worship is a uniquely flexible idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mixand match lines with different instruments and combinations of players. Available: Conductor's Score (with Acc. CD) Flute Oboe Trumpet Clarinet Trombone Horn Alto Saxophone Tenor Saxophone Violin Cello Bass/Tuba Percussion Piano/Rhythm Accompaniment CD.

Arrangeur: Richard Duckett. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. The 'Team' series is suitable for use with both individuals or as a group tutor encouraging students to try ensemble playing from the very early stages. All of the books in the series are fully integrated allowing students using 'Team Recorder' to play in ensembles with students using 'Team Woodwind', 'Team brass', 'Team Percussion' and 'Team Strings'. Team Recorder is a flexible and adaptable course ideal for beginner recorder players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book.Imaginative piano accompaniments have been provided as well as some untuned percussion accompaniments to add variety in performance. Introduces simple-part playing through the use of rounds, ensemble parts for treble recorder and there are a number of duets that can be expanded into classroom, orchestra or wind band performances with the use of supplementary parts. This volume includes audio downloads of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Facile / Recueil / Flûte à Bec

Britta Byström's Trumpet Concerto No.2 Screen Memories for Trumpet solo and Orchestra (2012). Trumpet solo part: WH31514B Dedicated to Tine Thing Helseth. Premiered February 28 2013 by the Nordic Chamber Orchestra  and Tine Thing Helseth conducted by Johannes Gustavsson at Stadshuset in Sundsvall Sweden. Programme note Screen Memories is the English translation of a Freudian term (Deckerinnerung is the original German term). In Swedish it is called 'tĂ€ckminnen'. The term means strong but seemingly meaningless childhoodmemories as 'cover' for substantial memory.  The title is something of a pun as the work is based on the composition Voyage Into the Golden Screen  (1968-69) by Danish composer Per NĂžrgĂ„rd – a modern classic in which NĂžrgĂ„rd presents his compositional technique known as the infinity series. The technique which I freely apply in the “Trumpet Concerto” enables the development of an endless melody! In that sense “Screen Memories” adapts a second understanding: memories of the composition of NĂžrgĂ„rd.  NĂžrgĂ„rd in turn adopted the title from a song by British songwriter Donovan – the first phrase of this song is in my trumpet concerto. And then there's a third musical reference: the second movement of Beethoven's Piano Sonata No. 8 'Pathetique'. I once heard it in concert while a massive rainstorm appeared and nearly drowned the music. A musical memory incorporated in the composition (the percussionist uses a “rain stick”).  Screen Memories thus becomes a concert full of musical memories dressed in new clothes. It is written for and dedicated to the soloist Tine Thing Helseth whose soft and virtuoso