SKU: TM.05353SET
Transposed: tpts, tbns (others in modern). Piccolo I, II part are labeled Flute III and Flute IV.
SKU: CL.013-0173-00
Note: This is a reprint from a vintage publication of 1898. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Due to the era of this work, saxophone and double-reed parts are not published. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: CF.CB132F
ISBN 9780825864988. UPC: 798408064983. 9 X 12 inches.
Originally written for a film (The Big Brass Band) that was never made, this terrific but little-known march turned out to be the last march that Fillmore would write. Unusually rich in harmony, it was not published in Fillmore’s lifetime. He had asked that it be named after his friend and fellow march composer, Karl L. King, if the movie was not produced.
SKU: SU.25300250
Flute, Violoncello & Piano Duration: 8' Composed: 1998 Published by: Anthony Cornicello.
SKU: CF.R68S
ISBN 9780825852183. UPC: 798408052188. 6.75 X 10.5 inches.
SKU: TM.05255SC
Piccolo in Overture only. Vocal Score II in Italian/English. 3 Act version.
SKU: SU.33000420
Solo fl; Picc 222; 2200; perc; stgs Composed: 2000 Published by: Beteca Music Performance materials available on rental only:.
SKU: CL.013-0324-00
Note: This is a reprint from a vintage publication of 1905. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: SU.50008250
Published by: Seesaw Music.
SKU: SU.50032460
Copyright 1967. Published by: Seesaw Music.
SKU: CA.3118012
ISBN 9790007050108. Key: F major. Language: German/English. Text: Franck, Johann. Text: Johann Franck.
Score available separately - see item CA.3118000.
SKU: CL.014-0151-00
Note: This is a reprint from a vintage publication of 1951. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: MH.0-931329-08-6
ISBN 9780931329081.
What if Troubadours abandoned their lutes and took up the slide trombone? and marched, in ragtime, playing smears? what then? On- and off-kilter fun, high spirits, glorious melody. Go, trombadours, go! Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe 1-2, 2 Bassoon 1-2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 2 Bb Bass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn in F 1-2, 2 Horn in F 3-4, 4 Trombone 1-2, 2 Tr ombone 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 3 Mallet Percussion, 4 Drums.
SKU: CL.014-0127-00
Note: This is a reprint from a vintage publication of 1938. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
SKU: SU.50600700
Published by Seesaw Music.
SKU: TM.02196SET
Written so Vc can play Vc piccolo. Score: Barenreiter; Set: Barenreiter Reprint. English horn can substitute the Oboe da caccia.
SKU: PR.416415110
UPC: 680160621286.
Commissioned by Kennesaw State University Symphony Orchestra in 2012, Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as the soloist and the KSUSO led by Prof. Michael Alexander at Bailey Center in KSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical story telling, Quyi, in a form of mixed reciting and singing style, with interludes played by percussion and plucking instruments in accompaniment. The folk musical story telling is sung in dialects from different geographic regions. I mixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.Commissioned by Kennesaw State University Symphony Orchestra in 2012,Chinese Rap for violin and orchestra is premiered by Prof. Helen Kim as thesoloist and the KSUSO led by Prof. Michael Alexander at Bailey Center inKSU, GA on Feb. 17, 2014. The work is inspired by Chinese folk musical storytelling, Quyi, in a form of mixed reciting and singing style, with interludesplayed by percussion and plucking instruments in accompaniment. The folkmusical story telling is sung in dialects from different geographic regions. Imixed all these elements in a complex three-part form, with an introduction, a cadenza in the middle, and a coda as the frame in the structure. The melodies are delicate and leisurely, and the rhythmic parts are energetic, vivid and lively. There are big contrasts between sections, which are juxtaposed and connected smoothly and congenially.
SKU: CL.013-0285-00
Note: This is a reprint from a vintage publication of 1903. No conductor score is published for this work. The Solo Cornet part serves as a conductor guide. Parts for Eb Horns are included; no F Horn parts are published for this work. If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.
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