Thirty-four well-loved gospel tunes especially arranged for intermediate and advanced mandolinists. These beautiful, meditative melodies have been played and cherished for generations. The music is written in standard notation, with accompaniment chords, tablature and performance notes on the techniques used in each arrangement. Includes access to online recordings of each piece for playing along and listening. You will enjoy playing these historic and engaging melodies which lend themselves especially well to the mandolin.
Description
Thirty-four well-loved gospel tunes especially arranged for intermediate and advanced mandolinists. These beautiful, meditative melodies have been played and cherished for generations. The music is written in standard notation, with accompaniment chords, tablature and performance notes on the techniques used in each arrangement. Includes access to online recordings of each piece for playing along and listening. You will enjoy playing these historic and engaging melodies which lend themselves especially well to the mandolin.
Spécifications
Compositeur Dix Bruce
Instrumentation Mandolin
Type de produit Recueil + Enregistrement(s) en ligne
Année d'édition 2021
Groupe d'Instruments Banjo ou Mandoline
GenreView Description Études et exercices
Édition musicale Mel Bay Publications
Style Folk
Année d'édition 2021
ISBN 9781513467788
Nombre de pages 80
No. MB30870M
Songlist
1. Praise God From Whom All Blessings Flow
2. Amazing Grace
3. Down in the Valley to Pray
4. Drifting Too Far from the Shore
5. Softly and Tenderly
6. Angel Band
7. Bright Morning Stars are Rising
8. Bring Them In
9. Faith of our Fathers
10. This Little Light of Mine
11. Pass Me Not
12. Give Me Oil
13. Have Thine Own Way, Lord
14. What A Friend We Have in Jesus
15. Higher Ground
16. I Shall Not Be Moved
17. There Shall Be Showers Of Blessing
18. Holy, Holy, Holy
19. O Store Gud
20. Jesus Loves Me
21. Old time Religion
22. I Love to Tell the Story
23. I’m Working on a Building
24. Lord, I’m Coming Home
25. Just a Closer Walk With Thee
26. The Lily of the Valley
27. Come, Ye Thankful People Come
28. Oh, How I Love Jesus
29. Sweet Hour of Prayer
30. The Old Rugged Cross
31. Just as I Am
32. Savior, Like a Shepherd Lead Us
33. The Wayfaring Stranger
34. When I Lay My Burden Down
/ Méthodes et pédagogie / Guitare / Autres cordes pincées / MEL BAY

Par AL PETTEWAY. Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al's award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several pieces in alternate tunings. Al began his professional music career at the age of 11. He played guitar, drums, and string bass with a variety of rock and folk acts in the Washington D.C. area during the 60's, becoming a local legend by the time he went to college to study music composition in 1970. In1977, Al took a job with The National Geographic Society. His work as Supervisor of Picture Editing for the society's Image Collection, gave him the artistic freedom to develop his own acoustic guitar style. While long recognized as one of the country's foremost bluegrass and folk sidemen, Celtic music specialty label Maggie's Music signed Al in 1993 and released Whispering Stones following by The Waters and the Wild-exposing his solo acoustic guitar work to an international audience for the first time. Al left the National Geographic to become a full-time musician in the spring of 1995, just before the release of Midsummer Moon. / Niveau : Intermédiaire / Tablatures / Guitare Fingerpicking

Initial to Grade 2. Trinity?s new Acoustic Guitar syllabus reinvents the popular Plectrum Guitar syllabus, keeping it vital and relevant to today?s guitarist by giving teachers and learners the flexibility to develop fingerstyle and plectrum playing. A selection of the best-loved pieces from the previous syllabus has been retained at every grade for continuity. This book contains all the exam pieces for Initial to Grade 2, covering a wide range of styles at each grade ? folk, acoustic, rock and pop styles, jazz, blues, country ? allowing candidates to follow distinct stylistic pathways as they progress. All pieces are printed in both tablature and standard notation so are accessible for any learner.

Creative Transcriptions for Today's Guitarist. Par . This second volume of The Classical Guitarist?s Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From ?The Water Is Wide? and Christmas and patriotic favorites to opera arias ?Julia Florida? by Agustín Barrios and Cello Suite No. 1 by J. S. Bach all of the music in this book is written in standard notation only. Award-winning composer university professor 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner Mark Cruz has added a few of his own engaging compositions to this exceptional collection?ideal for the performing classic guitarist. / Date parution : 2023-01-24/ Recueil / Guitare

This book contains a selection of 13 pieces for Trinity Classical Guitar Initial exams, carefully chosen, graded and edited for the 2020?2023 syllabus by a panel of experts. Encompassing a wide range of styles and including duets up to Grade 5, our progressive series offers teachers and learners a wealth of engaging repertoire, whether working towards Trinity exams or studying with other guitar methods.

Davey Graham is a perfectionist. Since 1961 when he recorded the quite remarkable - and largely unnoticed - 3/4 AD with Alexis Koerner he has restricted his record output and almost everything he has recorded has been of a high standard. So when he agrees that this is one of the finest records he has made it really has to be one of the finest Guitar records of recent years.Throughout his career he has mixed these high personal standards with an inventive daring approach to music. Because he plays acoustic Guitar he may have been labelled as a 'folkie' but nothing could be further from the truth. He knows a great deal about folk music - and the folk music ofNorth Africa and India as well as Britain and America - but he also has a strong interest in medieval music later classical music jazz and the blues.The sixteen tunes on this album were all chosen because they were instrumentals Davey likes and enjoys playing rather than to demonstrate particular Guitar styles but of course the results work on both levels.This album is both an intriguing musical selection and a tribute to his remarkable technique. He has included hymn tunes a selection of Irish melodies that are a great personal favourite of his. 'They are mostly pipe and fiddle tunes and I've been working on them for some time. I take a great interest in the Irish scene and I'm learning the language'. Alongside these there are the classical and medieval pieces ranging from Vaughan Williams' Down Ampney to the Prelude From The Suite In D Minor by Robert De Visee ('a Frenchman who matched Dowland').Also included is a PDF TAB/music booklet featuring these songs from the recording: Medley: Lord Mayo/Lord Inchiquin; Lashtal's Room; Renaissance Piece; Hardiman The Fiddler; Fairies' Hornpipe; Forty-Ton Parachute. You will need Adobe Acrobat (a free download) to open and print this file from your computer.

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files

As with most of Schumann's duos for solo instrument and piano the 'Pieces in Folk Style' originally for violoncello and piano were also published for an alternative instrument. The publisher expected greater circulation and ahigher turnover with an additional edition for violin. Apart from a few changes necessitated by the instrument there was a series of substantial ones in nos. 1 and 5 which partly also concern the piano part. Thus we can beconfident that the version for violin was undertaken by Schumann. Now it is available in an Urtext edition for the very first time! Ernst Schliephake has provided practice-orientated fingerings and it is thus excellently suitedfor the teaching of pupils of medium ability upwards.

This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schönen blauen Donau' by Johann Strauß, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!/ Recueil / Violoncelle et Piano

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in manymusical styles including; Blues Country American folk Latin-American World music including South American Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short the books are an encyclopedia of virtually every musical style excluding jazz.

Federico Ruiz finds constant inspiration in the rich popular and folkloric music of his country.No. 10 The little Peruvian girl is featured by the Associated Board of the Royal Schools of Music in their Grade 4 piano exam pieces 2013 & 2014.Clara has recorded these pieces on CD: The Music of Federico Ruiz - on Nimbus Alliance Records (Catalogue No. NI6179).They first met in 1993 and she became acquainted not only with his music but through it discovered the precision and the soft expressiveness of each of the numerous rhythms of Latin America and the Caribbean. His music is a sophisticated synthesis of Latin American styles that amongst manyother traits expresses the subtle interface between 'classical' and 'popular' music of the continent.Clara Rodriguez is often described as an Ambassador of Latin-American piano music recognising the great number of concerts she has given and CDs where this music features prominently. Born in Caracas Clara studied there with Giomar Narváez and with Phyllis Sellick after winning a scholarship from the Venezuelan Arts Council to train in London at the Royal College of Music. At the age of sixteen she made her debut playing Mozart's last piano concerto with the Simón Bol var Orchestra under the baton of José Antonio Abreu which was the starting point of her international career as a concert pianist.Her discography includes CDs of the piano music of Venezuelan composers Moises Moleiro (Nimbus NI6104) Teresa Carreño (Nimbus NI6103) VENEZUELA (Nimbus NI 6122) receiving glowing reviews from international publications such as Gramophone Magazine: 'Clara Rodriguez makes the most of her innate feel for the exuberant and languorous dispatching the toe-tapping cross-rhythms with panache and a light touch. This is a treasure chest from which to cherry-pick.' She regularly plays in London's Wigmore Hall Southbank Centre St. John's Smith Square St. Martin in-the-Fields and at Barbican Centre. Clara Rodriguez teaches the