Score. The title of the work relates to its form, which consists of two structurally independent strands. Sections within each strand begin and end at different times. Chain 2 is in 4 movements: AD LIBITUM - A BATTUTA - AD LIBITUM - A BATTUTA - AD LIBITUM - A BATTUTA In the AD LIBITUM movements the element of chance plays a part within fixed parameters. / Violon

Piccolo, 3 Flûtes En Ut, Flûte Alto, Flûte Basse et Violoncelle Ad Lib.. Par GLAZOUNOV ALEXANDER. Arr. : J. B. Plays / Niveau : Fin 2ème Cycle / Répertoire / Ensemble de Flûtes Traversières et Violoncelle Ad

A 'back-look? at impressionistic sonorities plays together with a de-structured, 'noisy? moments, in a Rondeau form. Suspended music (the Refrains), dialectically balancing the dance-like episodes of the Couplès. / Flûte Et Guitare

Violon, Alto, Violoncelle. Par STRAUSS. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / Violon, Alto et Violoncelle

Violon I, Violon Ii, Violoncelle et Piano. Par VERACINI FRANCESCO MARIA. Arr. : C. Plays / Niveau : Fin 2ème Cycle / Répertoire / 2 Violons, Violoncelle et Piano

The starting point was the collected letters of Vincent van Gogh. In spite of the tragedies for which van Gogh is best known, his letters are filled with joyous exuberance for the practical considerations of his work: what he will paint next and, most importantly, what colours he will use. For Julian Anderson, it seems the painter relishes 'the sheer stuff of which his art is made'. In Van Gogh Blue, Anderson relishes the sheer stuff of which his own art is made. It's a very physical, highly contrasted work about the joy of sound. Instrumental colour plays a large role, and Anderson's use of two mobile clarinetists allows extra colour as their sound moves through the acoustic space of the hall. / Ensemble

Par ADAMS SALLY. Voici enfin disponible la version française des célèbres méthodes instrumentales parues chez Faber Music. Elles s'adressent à des élèves débutants et peuvent être utilisées sur une ou deux années. Elles proposent : - Un large éventail de musique, du répertoire classique aux thèmes traditionnels, mais aussi des morceaux de Sally Adams, Paul Harris, Pam Wedgwood et d'autres, - Des échauffements, des exercices amusants pour améliorer votre technique de son, - De précieuses infos, des activités et des conseils techniques sur la notation, l'entretien de l'instrument, - Les tablatures et des explications techniques, - Des duos et trios, parfaits pour apprendre à jouer en groupe, - Un CD comprenant les accompagnements piano et flûte (ou clarinette, ou saxophone) et les plays-backs orchestre. Un livre du professeur est disponible séparément pour chaque instrument, avec les accompagnements (à l'instrument ou au piano)./ Méthode / Flûte Traversière

Flute et Guitare. Par GAUDE THEODOR. Arr. : J. B. Plays / Niveau : 3ème Cycle / Répertoire / Flûte Traversière et Guitare

Violon, Alto, Violoncelle. Par CAMPOS CARLOS. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / Violon, Alto et Violoncelle

Flute et Guitare. Par BLUM CH.. Arr. : J. B. Plays / Niveau : 3ème Cycle / Répertoire / Flûte Traversière et Guitare

Violon, Alto, Violoncelle. Par SCOTT. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / Violon, Alto et Violoncelle

Par MIRANDA LIN-MANUEL / LONGFIELD ROBERT (Arr.). This gentle ballad plays a crucial musical role in the movie Encanto, ushering in the reconciliation of Mirabel and her Abuela. Robert Longfield\'s arrangement for string quartet is accessible for young musicians but maintains the Colombian folksong spirit of the original. This piece will touch the hearts of anyone who has experienced love and loss. / Date parution : 2022-09-20/ Répertoire / Quatuor à Cordes

Jazz Soloing Strategies for Guitar is a study of essential and innovative approaches to jazz improvisation. Designed for blues and rock guitarists with a desire to broaden their musical vocabulary, this book shows you important concepts for playing great jazz solos. Eight full-length solos in a variety of jazz styles, ranging from classic standards and Gypsy jazz to Latin, modal, and smooth jazz, are covered in great detail. The chord progressions are analyzed, as well as the techniques, structural characteristics, and material used to improvise over them. This book takes an intelligent and thorough approach to shed new light on jazz guitar soloing and provides you with fresh strategies to apply to your own playing. A CD demonstrating all the examples in the book and for playing along is included.

Excerpts from Movement 4. Par MOZART WOLFGANG AMADEUS. Developing an intimate understanding of the world’s greatest musical accomplishments is an important part of a music education. Every musician should have the joy of playing the music of Mozart, and the G-minor Symphony (Number 40) is one of Mozart’s signature works, and one of the greatest musical achievements of all time. Stephen Bulla has carefully and effectively brought the themes of the G-minor Symphony finale to the concert band stage with this delightful transcription/arrangement. Your band won’t be playing a “band arrangement”- they’ll be playing MOZART! Don’t forget the opportunity for a music history lesson built into this piece. Masterful! / Niveau : 4 / Classique / Répertoire / Concert Band