Par BOGUNIA ADAM. As a tuba teacher in primary and secondary schools of music and a lecturer on the Instrumental Department of Cracow Academy of Music for many years, I have encountered considerable difficulty in acquiring sheet music for this instrument. Hence I have prepared my own exercises, studies and arrangements suitable for teaching the tuba to pupils and students. Some of that material is contained in this collection. The studies presented here are not virtuosic works, as I was anxious to ensure that they would be first and foremost accessible to the player, especially during the early years of tuition in schools and brass bands. Some of them have proved useful also for students. I hope that this edition will go some way to filling the gap in the teaching literature for tuba and helicon. Adam Bogunia translated by John Comber / Date parution : 2022-11-08/ Etude / Tuba et Hélicon

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette collection contient une sélection variée d'airs connus largement joués et moindre, divisé en rythmes de danse différents : double turluttes, diapositives, glissement turluttes, polkas, bobines, hornpipes, de définir des danses et des airs. La gamme des airs conviennent particulièrement pour le violon, mais peut être utilisé sur d'autres instruments. / Violon

Score And Parts/Download-John Luther Adams: Dark Waves for two Pianos and Electronics (included as a download). Duration: 12 minutes. 'As I composed this music I pondered the ominousevents of our times: terrorism and war intensifying storms and wildfires the melting of the polar ice and the rising of the seas. Yet even in the presence of our deepening fears we find ourselves immersed in the mysteriousbeauty of this world. Amid the turbulent waves we may still find the light the wisdom and the courage we need to pass through this darkness of our own making.' - John LutherAdams    

15 morceaux de musique des plus grands compositeurs au monde, réunis dans un seul livre ! Ces chefs-d'oeuvres musicaux pour solo de piano feront danser vos doigts sur les touches de votre piano. Inclus les chansons Dance Of The Sugar Plum Fairy (The Nutcracker), Habanera (Carmen), Chopin's Military Polonaise, et bien plus encore! / Piano / 48 pages / Partition

Chant de l'escarpoletteDance ScherzoGavotteMenuet CapricieuxPreludeRigaudonTeacher and editor Mary Cohen has compiled a two-volume selection of violin music by Adam Carse covering the elementary and intermediate grades. Carse wrote exquisite miniatures in the tradition of Kreisler and Elgar. Mary Cohen has updated technical details while leaving intact the imperishable musical value of Carse's work. Classic Carse Book 2 is set for the Trinity College examinations Grade 5/6 . Book 1 can be found in the Elementary section Ref. H354.

Rhythm Cycles and Polymetric Patterns. Par RUDOLPH ADAM. Aussi ouvert et généreux comme l'auteur lui-même, Rhythm pur est une introduction excellente et essentielle au monde de rythme. Etape par étape a présenté dans un format clair, intelligent et systématique, c'est un classique depuis longtemps dans le domaine. -John Zorn / Niveau : Débutant à Intermédiaire / Méthode en anglais / Théorie / Théorie Solfège

Partitions batterie + CD de play-along de 10 célèbres rocks. Coldplay, Bryan Adams, Beatles, Police… Supersonic (Oasis) Let It Be (Beatles) The Dock Of The Bay (Otis Redding) Every Breath You Take (Police) Summer Of'69 (Bryan Adams) Supergirl (Reamonn) Friday I'm In Love (Cure) Clocks (Coldplay) Lonely Day (System Of A Down) Tom Petty & The Heartbreakers (Free Fallin')

Three Polish War Songs arranged by Derek Myler for TTBB choir with Piano 4-hands. Songs include:My Pierwsza BrygadaModlitwa ObozowaRozszumialy Sie Wierzby Placzace

This is the only book you'll ever need on scales and modes! An encyclopedia with over 6,000 diagrams, charts and graphs. Harmony and Theory is as easy as 1, 2, 3. Best of all, scales are graphed out for you in all twelve keys so you can start using them immediately while you learn. Complete explanation of all five-, six-, seven- and eight-tone scales and modes. The essential volume for every guitarist' library. Contents: Scale patterns mapped out in sweeping format (three notes per string) , Conventional patterns , Every scale diagramed in all 12 keys , Quick mode generator charts: easy conversion from relative scales to modes , In-depth numerical analysis of modes , Each scale has chord compatibility charts , Chord and polychord formulas , An interval map for each key , Easier than tabulature , College level made easy , 211 jam-packed pages !! Langue : en anglais

Par KATSKI ANTONI. Souvenir de Cracovie, published circa 1870 with the subtitle Improvisation sur les krakowiak nationaux (an improvisation on the themes of national Krakowiaks), dedicated to Countess Franciszka Komorowska (Madame la Comtesse Françoise de Komorowska) is a very pretty composition which upgrades the folklore to the level of salon music. After several bars of mysterious introduction with little clues of further themes on which the composer would ?improvise? in the piece, there is a direct citation of the melody from a popular song Krakowiaczek jeden (?A Cracovienne had seven horses, he went to war and returned with one?). However, it is not the end of ?playing with Krakowiak? by Katski. In the work we can also find references to another popular song from Kraków Albosmy to jacy tacy (?We are nothing but boys from Kraków, a red hat, a little horseshoe, a red sukmana?). Both Krakowiaks are arranged in an interesting and challenging way. Souvenir de Cracovie, despite its cheerful character, keeps the listener interested until the culmination, in which both melodies are played simultaneously. The entire work ends with a comparatively calm epilogue, which presents the most important motifs of the composition once again. Katski?s composition is an extremely interesting work in Kraków piano literature. Anna Miernik translated by Jolanta Bujas-Poniatowska / Date parution : 2022-11-08/ Répertoire / Piano