Par . A beginning fake book for players new to faking! This great collection contains over 100 favorite gospel songs all in the key of C. Each song features lyrics and simplified chords that remain true to each original tune, withlarge, easy-to-read music notation. Includes: Amazing Grace · At Calvary · Because He Lives · Blessed Assurance · Church in the Wildwood · Do Lord · Give Me That Old Time Religion · He Touched Me · Higher Ground · His Eye Is onthe Sparrow · His Name Is Wonderful · How Great Thou Art · I Bowed on My Knees and Cried Holy · I Saw the Light · I'll Fly Away · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · More Than Wonderful · TheOld Rugged Cross · Precious Lord, Take My Hand · Precious Memories · Put Your Hand in the Hand · Rock of Ages · Shall We Gather at the River? · Sweet By and By · Turn Your Radio On · Upon This Rock · When the Roll Is Called UpYonder · Whispering Hope · Will the Circle Be Unbroken · Wings of a Dove · and dozens more! / Date parution : 2022-02-15/ Recueil / Mélodie, Paroles et Accords

Bon Jovi have remained a huge global phenomenon since their leap to stardom in the mid-1980s, combining the feel-good entertainment of rock'n'roll with the dynamics and pyrotechnics of hard rock to create unstoppable stadium anthems. From the early days of Livin' On A Prayer , right up to Have A Nice Day , the masterful guitar work and gigantic smiles have seen the band outlast countless contemporaries and defy the fickle turns of fashion. This collection of accurate tablature transcriptions features Bon Jovi at their very best, packed with hits including Wanted Dead Or Alive and You Give Love A Bad Name . / Guitare Tablatures

Description 80 songs including complete lyrics, chord symbols and Guitar chord diagrams. When The Saints Go Marching In, Rock Of Ages, Down By The Riverside, Send The Light and many more! Songlist A New Name In Glory Amazing Grace Are You Washed In The Blood? At Calvary At The Cross Blessed Assurance Blessed Be The Name Brighten The Corner Where You Are Church In The Wildwood Count Your Blessings Does Jesus Care? Down At The Cross (Glory To His Name) Down By The Riverside Dwelling In Beulah Land Footsteps Of Jesus Give Me That Old Time Religion God Will Take Care Of You Hallelujah, We Shall Rise He Hideth My Soul He Keeps Me Singing Heavenly Sunlight He's Got The Whole World In His Hand Higher Ground His Eye Is On The Sparrow I Feel Like Traveling On I Have Decided To Follow Jesus I Love To Tell The Story I Must Tell Jesus I Stand Amazed In The Presence (My Savior's Love) In The Garden I've Got Peace Like A River Jesus Is the Sweetest Name I Know Jesus Paid It All Just A Closer Walk With Thee Just As I Am Just Over In The Gloryland Leaning On The Everlasting Arms Life's Railway To Heaven Little Is Much When God Is In It Love Lifted Me My Savior First Of All Near the cross No, Not One! Nothing But The Blood Oh, How I Love Jesus (O How I Love Jesus) On Jordan's Stormy Banks Pass Me Not, O Gentle Savior Precious Memories Revive Us Again Rock Of Ages Send The Light Shall We Gather At The River? Since Jesus Came Into My Heart Standing On The Promises Sweet By And By Sweet Hour Of Prayer Tell It To Jesus The Eastern Gate The Lily Of The Valley The Love Of God The Old Rugged Cross The Unclouded Day There Is A Balm In Gilead There Is A Fountain There Is Power In The Blood 'tis So Sweet To Trust In Jesus Turn Your Eyes Upon Jesus Wayfaring Stranger We'll Understand It Better By And By What A Friend We Have In Jesus When I Can Read My Title Clear When The Roll Is Called Up Yonder When The Saints Go Marching In When We All Get To Heaven Whispering Hope Whiter Than Snow Will The Circle Be Unbroken Will The Circle Be Unbroken? Wonderful Grace Of Jesus Wonderful Peace Wondrous Love

I. Rêverie / II. Capriccio. Par CASABLANCAS BENET. Work commissioned by the pianists Iván Martín and Alba Ventura, on the occasion of the commemoration of the Centenary of Enric Granados (2016), and lasts approximately 10 minutes. It comprises two pieces of very contrasting character. The first, Rêverie, is a nocturne with broad resonances that unfolds in a recollected and expectant atmosphere, presided over by a lyrical expression and contemplative sign, scarcely disturbed by more passionate outbursts. Its cantabile course and precious writing conceal veiled references to the poetic and pianistic universe of Granados, including a hidden allusion to the musical acrostic of his name (made up of the notes Do-Mi [EnriC] and Sol-La-Re-Mib [GrAnaDoS]), which confers a special luminosity to its harmonic material. The Capriccio that follows lives up to its name with a more virtuosic and vigorous writing, with playful and colourful rhythmic accents, which drifts in its central part towards the dreamlike and ecstatic register that presided over some sections of the Rêverie, to conclude with a brilliant stretta. The premieres of the two pieces that make up the present work took place on 20 January 2016 at the Palau de la Música Catalana in Barcelona (Capriccio) and on 14 April 2016 at the Auditori de Barcelona (Rêverie), starring Iván Martín and Alba Ventura, respectively. Both pieces are contemporaries of the 'Romanza sin palabras', for chamber ensemble, commissioned by The City University of New York on the occasion of the celebration of the Granados Year in New York, and premiered on 10 March 2016 at the Elebash Recital Hall of the CUNY by the Perspectives Ensemble (art. dir. Sato Moughalian), conducted by Ángel Gil-Ordóñez. The work is dedicated to Maneleta Domingo, María Lourdes Antràs and Virginia Casablancas. / Date parution : 2022-04-01/ Répertoire / Piano

La renommée de Carl Maria von Weber repose principalement sur, Der Freischütz '. Le succès sans précédent de cet opéra éclipsé tous ses autres ouvrages et a contribué à augmenter leur chute dans l'oubli. Certaines oeuvres comme, Preciosa ',, Oberon ', et, Euryanthe', les ouvertures, concertos solistes et sonates pour piano, le lied et de la chambre de travaille connu une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la seconde moitié de la 19e siècle. Cependant, toute chance d'un renouveau de l'influence de Weber et deimportance de son oeuvre a été gaspillé dans les années 1920, quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, y compris Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber, mais comme ce genre de projet, il aurait fallu la coopération des chercheurs des deux côtés de la frontière inter-allemande, la situation politique après 1945 n'était pas propice à une telle entreprise. Négociations minutieuses conduit à des premières étapes tangibles dans les années 1980. L'intention, dès le début, était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail d'influence en tant qu'écrivain, critique et organisateur dans le domaine musical, mais de publier ses compositions avec ses lettres, journaux intimes et l'autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales, littéraires et pratique.Depuis la réunification allemande les deux parties de travailler les concernés - à la Staatsbibliothek zu Berlin, et au Séminaire Musikwissenschaftliches, Detmold / Paderborn - ont coopéré sur l'édition complète des oeuvres musicales (C. 45 volumes en 10 séries: sacrés la musique- cantates, des odes et d'autres oeuvres de circonstance- oeuvres théâtrales, des oeuvres de lieder et vocale- oeuvres pour orchestre- musique de chambre, musique pour piano- réductions pour piano- Miscellanea, arrangements et orchestrations, les oeuvres d'attribution douteuse). Le journal (6-8 vol.) Sont édités à Berlin et les lettres (8-10 vol.) Et d'autres écrits (2 vol.) À Detmold.Cette édition complète vise à constituer une base fiable de débat scientifique ainsi que pour la pratique de la performance authentique de la musique de Carl Maria von Weber. Conforme aux normes de ces dernières éditions historico-critiques, le matériau textuel sera basée sur toutes les sources disponibles authentiques, accompagnés par une documentation détaillée de la genèse et une liste de variantes pour chaque travail. L'importance des travaux musicologiques seront évaluées en les plaçant dans leur contexte historique, la présentation de leurs commentaires genèse, l'histoire et la critique. Les lettres, les écrits et les journaux seront traités comme liés entre eux et pertinentes les unes aux autres dans les commentaires, donc les lecteurs devraient bénéficier d'une mine d'informations concises et des références croisées. / Soliste, Choeur Et Orchestre

(Out Here) On My Own (Nikka Costa) - 1973 (James Blunt) - 7 Seconds (Youssou ‘N Dour) - ‘74 ‘75 (The Connells) - A Groovy Kind Of Love (Phil Collins) - A Horse With No Name (America) - A Kind Of Magic (Queen) - A New Flame (Simply Red) - A Woman's Worth (Alicia Keys) - About A Girl (Nirvana) - Again (Lenny Kravitz) - Against All Odds (Take A Look At Me Now) (Phil Collins) - Ain't Misbehavin' (Louis Armstrong) - All Apologies (Nirvana) - All Night Long (Lionel Richie) - All That You Have Is Your Soul (Tracy Chapman) - Always On My Mind (Michael Buble ) - Amazing (George Michael) - Angels (Robbie Williams) - Apache (The Shadows) - Aquarius (The 5th Dimension) - Arthur's Theme (Best That You Can Do) (Christopher Cross) - As Time Goes By (Herman Hupfeld) - Babooshka (Kate Bush) - Baby Can I Hold You (Tracy Chapman) - Back For Good (Take That) - Back To Black (Amy Winehouse) - Barbara Ann (Beach Boys) - Basin Street Blues (Ella Fitzgerald ) - Be Free With Your Love (Spandau Ballet) - Because You Loved Me (Céline Dion) - Been A Son (Nirvana) - Blue Moon - Blue Suede Shoes (Elvis Presley) - Bohemian Rhapsody (Queen) - Breakthru (Queen) - Can't Take My Eyes Off You (Gloria Gaynor ) - Caravan (From Sophisticated Ladies) - Careless Whisper ( (Wham ! / George Michael) - Celebration (Kool & The Gang) - Chattanooga Choo Choo (Glenn Miller) - Cheek To Cheek - Come As You Are (Nirvana) - Come Away With Me (Norah Jones) - Come To My Head (Simply Red) - Communication (Spandau Ballet) - Corazón Espinado (Santana) - Cosmic Girl (Jamiroquai) - Crazy For You (Madonna) - Crazy Little Thing Called Love (Queen) - Crossroads (Tracy Chapman) - Dancing In The Dark (Bruce Springsteen) - Dancing In The Street (Van Halen) - Deep Purple (Bing Crosby) - Delilah (Tom Jones / Paul Anka) - Do You Know Where You Are Going To? (Diana Ross) - Don't Leave Me This Way (Thelma Houston) - Don't Let Me Be Misunderstood (Santa Esmeralda) - Down Under (Men At Work) - Dream A Little Dream Of Me (Louis Armstrong / The Mamas And The Papas) - Easy (Lionel Richie) - Ebb Tide (Frank Sinatra) - Ebony And Ivory (Paul Mccartney Feat. Stevie Wonder) - Endless Love (Lionel Richie ) - Enola Gay (Orchestral Manouvres In The Dark) - Enough (Simply Red) - Everybody Loves Somebody - Everybody Wants To Rule The World (Tears For Fears) - Everytime You Go Away (Paul Young) - Fallin' (Alicia Keys) - Fame (Irene Cara) - Fast Car (Tracy Chapman) - Feel (Robbie Williams) - Fight For Ourselves (Spandau Ballet) - Flash (Queen) - Flashdance... What A Feeling (Irene Cara) - For Once In My Life (Michael Bublé) - Friends Will Be Friends (Queen) - Genie In A Bottle (Cristina Aguilera) - Get Down On It (Kool & The Gang) - Ghostbusters (Ray Parker Jr.) - Give Me One Reason (Tracy Chapman) - Gold (Spandau Ballet) - Goldfinger (Shirley Bassey) - Goodbye My Lover (James Blunt) - Goodbye Philadelphia (Peter Cincotti) - Goodnight Moon (Shivaree) - Goodnight Tonight (Paul McCartney ) - Grease (from Grease) - Happy Together (The Turtles) - Harden My Heart (Quarterflash) - Hello (Lionel Richie) - High (James Blunt) - Hips Don't Lie (Shakira) - Holding Back The Years (Simply Red) - Hot Stuff (Donna Summer) - Hotel California (Eagles) - How Deep Is The Ocean? (Irving Berlin) - How Many Lies? (Spandau Ballet) - How Sweet It Is (To Be Loved By You) (Michael Bublé) - I Don't Want To Miss A Thing (Aerosmith) - I Heard It Through The Grapevine (Creedence Clearwater Revival / Wilson Pickett / Marvin Gaye) - I Just Called To Say I Love You (Stevie Wonder) - I Wan't Feel Bad (Simply Red) - I Want It All (Queen) - I Want To Break Free (Queen) - I Want You To Need Me (Celine Dion) - I Will Always Love You (Whitney Houston / Dolly Parton) - If I Could Turn Back Time (Cher) - I'll Be There For You (The Rembrandts) - I'll Fly For You (Spandau Ballet) - I'll Stand By You (The Pretenders) - I'm In The Mood For Love - In The Midnight Hour (The Midnight Hour) (Wilson Pickett) - Infidelity (Simply Red) - Innuendo (Queen) - Is This Love (Whitesnake) - Isn't She Lovely (Stevie Wonder) - It Must Have Been Love (Roxette) - It's A Hard Life (Queen) - Jericho (Simply Red) - Karma Chameleon (Culture Club) - Killer Queen (Queen) - La Bamba (Ritchie Valens) - Lady Marmalade (Patty Labelle / Christina Aguilera) - Lambada (Llorando Se Fue) (Kaoma) - Lara's Theme (from Doctor Zhivago) Somewhere I Love - Laura - Let The Sunshine In - Lifeline (Spandau Ballet) - Lift Me Up (Moby) - Lithium (Nirvana) - Living On My Own (Freddie Mercury) - Look At You Now (Simply Red) - Love Don't Cost A Thing (Jennifer Lopez) - Love Is A Many Splendored Thing) - Love Is In The Air (John Paul Young) - Lucky Man (The Verve) - Luka (Suzanne Vega) - Lullaby Of Birdland - Macarena (Los Del Rio) - Mad About You (Hooverphonic) - Made In Heaven (Queen) - Master Blaster (Jammin') (Stevie Wonder) - Mercy (Duffy) - Minnie The Moocher (Cab Calloway) - Money's Too Tight To Mention (Simply Red) - Moonlight Shadow (Mike Oldfield) - More Than This (Roxy Music) - Move On Out (Simply Red) - My Baby Just Cares For Me (Nina Simone) - My Love (Paul McCartney) - My Perfect Love (Simply Red) - My Sweet Lord (George Harrison) - Need Your Loving Tonight (Queen) - Never Can Say Goodbye (Gloria Gaynor) - Never Forget (Take That) - Night And Day (Cole Porter) - No Tengo Dinero (Los Umbrellos) - Notorious (Duran Duran) - Obsesion (Aventura) - On The Sunny Side Of The Street) - One Vision (Queen) - Only When You Leave (Spandau Ballet) - Out Of Time (Blur) - Over The Rainbow (from The Wizard Of Oz) (Judy Garland) - Oye Como Va (Santana ) - Part-Time Lover (Stevie Wonder) - Patience (Take That) - Please Don't Go (Double You) - Precious (Depeche Mode) - Put Your Head On My Shoulder (Paul Anka) - Puttin' On The Ritz - Radio Ga Ga (Queen) - Rain And Tears (The Aphrodite's Child) - Rehab (Amy Winehouse) - Relight My Fire (Dan Hurtman) - Round And Round (Spandau Ballet) - Runaway Train (Soul Asylum) - Running Up That Hill (Kate Bush) - Same Mistake (James Blunt) - Say It Once (Ultra) - Say You Say Me (Lionel Richie) - Say You'll Be There (Spice Girls) - September (Earth Wind & Fire) - She Caught The Katy And Left Me A Mule To Ride (The Blues Brothers) - Shout (Tears For Fears) - Singin' In The Rain (Gene Kelly) - Sitting Down Here (Lene Marlin) - Sleeping Satellite (Tasmin Archer) - Smells Like Teen Spirit (Nirvana) - Smoke Gets In Your Eyes (The Platters) - Smoke On The Water (Deep Purple) - Smooth (Santana) - Somebody To Love (Queen) - Someone To Watch Over Me (Nikka Costa) - Something Got Me Started (Simply Red) - Sonnet (The Verve) - Stardust (Hoagy Carmichael) - Stormy Weather (Frank Sinatra) - Summer Nights (from Grease) (Olivia Newton John & John Travolta) - Summertime (from Porgy and Bess) (George Gershwin) - Superstition (Stevie Wonder) - Sure (Take That) - Talkin' About A Revolution (Tracy Chapman) - That's The Way (I Like It) (KC & The Sunshine Band) - That's What Friends Are For (Dionne Warwick) - The Drugs Don't Work (The Verve) - The Final Countdown (Europe) - The Game Of Love (Santana Feat. Michelle Branch) - The Greatest Love Of All (Whitney Houston) - The House Of The Rising Sun (The Animals) - The Invisible Man (Queen) - The Miracle (Queen) - The Power Of Love (Céline Dion) - The Promise (Tracy Chapman) - The Right Thing (Simply Red) - The Shadow Of Your Smile (Shirley Bassey) - The Show Must Go On (Queen) - The Taste Of Your Tears (King) - The Way We Were (Barbra Streisand) - Theme From New York, New York (Liza Minelli / Frank Sinatra) - Think (Aretha Franklin) - Thinking About You (Norah Jones) - Through The Barricades (Spandau Ballet) - Tonight's The Night (Rod Stewart) - True (Spandau Ballet) - Turn It Up (Simply Red) - Un-Break My Heart (Tony Braxton) - Unchained Melody (Righthouse Brothers) - Under Pressure (Queen) - Unforgivable Sinner (Lene Marlin) - Viva Forever (Spice Girls) - Wake Me Up When September Ends (Green Day) - Walking On Sunshine (Katrina And The Waves) - We Are The Champions (Queen) - We Are The World (USA For Africa) - We Have All The Time In The World (Louis Armstrong) - We Will Rock You (Queen) - Whatever You Want (Status Quo) - When A Man Loves A Woman (Percy Sledge / Michael Bolton) - When You Say Nothing At All (Ronan Keating) - When You Walk In The Room (Rokes) - Who Wants To Live Forever (Queen) - Woman In Chains (Tears For Fears) - Wuthering Heights (Kate Bush) - You And I (Michael Bublé / Stevie Wonder) - You Are The Sunshine Of My Life (Stevie Wonder) - You're Beautiful (James Blunt) - You're Mirror (Simply Red)

Ed. Critica F. M. Sardelli - Per Violino Solo, Archi E Basso Continuo. Par VIVALDI ANTONIO. Among the many new works by Vivaldi discovered in recent years are not merely works completely unknown previously, but also ones that had already been noticed but for a variety of reasons were set aside. This is the case with the violin concerto RV 817, which has come down to us via a copy lacking the name of its composer. A reexamination of it in the light of the system of “musical concordances” - the great schema of Vivaldi’s reuse of thematicmaterial - has permitted its attribution to him without any further doubts and its recognition as one of the virtuosic concertos of his full maturity. Intended for his pupil and advocate Georg Pisendel, the concerto reflects a predilection for doublestopping and the exploration of the ultra-high register common to the works written for him. With this twenty-second violin concerto in A major, another precious piece is added to the mosaic of the Vivaldi catalogue. / Date parution : 1905-07-06/ Répertoire / Violon, Cordes et Basse Continue

Par KIDD BRYAN. Like a fine crystal ornament, the delicate opening expresses the precious meaning of the song. Gradually, the music grows in strength to a full and rich proclamation of joy. Thrilling chimes lift the spirit even higher. In the last bars the music melts away once again, befitting the gentleness of the gift and the moment. This is a delightful contrast piece for the holiday concert that allows the musicians to be truly expressive. / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota). Contenu - El sueno de la muneca - Estudio No. 2 und 3 - Minueto en La - Arabescos - Medallón antiguo - Vals Estudio No. 1 - Oración - Escala y Preludio - Confesión - London carapé - Tú y yo - Madrigal - Vals No. 3 - Canción de la Hilandera - Choro da saudade - Jha, che valle - Preludio en Do menor - Estudio de Concierto No. 2 - Caazapá - Danza paraguaya No. 1 (1. u. 2. versión) - La Catedral

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota).
Contenu
- El sueno de la muneca
- Estudio No. 2 und 3
- Minueto en La
- Arabescos
- Medallón antiguo
- Vals Estudio No. 1
- Oración
- Escala y Preludio
- Confesión
- London carapé
- Tú y yo
- Madrigal
- Vals No. 3
- Canción de la Hilandera
- Choro da saudade
- Jha, che valle
- Preludio en Do menor
- Estudio de Concierto No. 2
- Caazapá
- Danza paraguaya No. 1 (1. u. 2. versión)
- La Catedral / Partitions classique / Guitare - luth / Guitare / ZEN-ON

Metodo per baritono / eufonio. Par KASTELEIN / TIJMEN BOTMA. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI & SUONA, un’opera educativa e ludica con accompagnamento su CD. Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare l’insegnamento musicale: attraverso l’ascolto, la lettura e l’interpretazione dei singoli esercizi, dei giochi e dei quiz potrete imparare divertendovi. Ogni singolo esercizio prevede l’esecuzione con accompagnamento di una vera band sul CD! In più troverete tante notizie sulla storia del vostro strumento, sugli interpreti, e sulla tecnica giusta per suonare. Sonodisponibli in italiano i volumi per tromba, clarinetto, saxofono contralto e flauto. Per tutti gli altri strumenti, il metodo è disponible in inglese./ Méthode / Baryton ou Tuba Basse Continue

Metodo per clarinetto. Par OLDENKAMP / JAAP KASTELEIN. A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI & SUONA, un’opera educativa e ludica con accompagnamento su CD. Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare l’insegnamento musicale: attraverso l’ascolto, la lettura e l’interpretazione dei singoli esercizi, dei giochi e dei quiz potrete imparare divertendovi. Ogni singolo esercizio prevede l’esecuzione con accompagnamento di una vera band sul CD! In più troverete tante notizie sulla storia del vostro strumento, sugli interpreti, e sulla tecnica giusta per suonare. Sonodisponibli in italiano i volumi per tromba, clarinetto, saxofono contralto e flauto. Per tutti gli altri strumenti, il metodo è disponible in inglese./ Méthode / Clarinette en Sib