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Prelude
INSTRUMENTS
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Romance, Elegy And Prelude
String Quartet : 4 violas
Boosey and Hawkes
Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928),...
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Arrangements for string quartet of 'Romance for string orchestra, op 11' (1928), 'Elegy for violin and piano, op 22' (1940), and 'Prelude for string orchestra, op 25' (1940s). 'Romance' (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. 'Elegy' (9 mins) and 'Prelude' (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes
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Chaix: Choralprelude O World I E'En Must Leave Thee: Organ: Instrumental Album
Organ
Uitgeverij Willemsen
Chorale Prelude in G major. Full organ.
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Our Lady's Minstrel
Clarinette Et Orgue
Schott
The edition is the first part of the commissioned work Our Lady's Minstrel. Whil...
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The edition is the first part of the commissioned work Our Lady's Minstrel. While Prelude paraphrases the famous chorale Salve Regina in a slow waltz, the gipsy-like cheerful waltz of Dance forms a stark contrast to it. The whole work is completed by Three Poems for soprano and organ (ED 22299). / Clarinette Et Orgue
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Baroque to Modern: Intermediate Level: Piano: Instrumental Album
Piano solo
Schirmer
28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music...
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28 Pieces by 22 Composers in Progressive Order. Baroque to Modern presents music from the 1700s through the 1900s, with composer biographies and practice and performance tips. Organized by difficulty level, the music is presented in newly researched editions. Each volume is in progressive order. ANTHEIL: Little Shimmy C.P.E. BACH: Solfeggietto in C minor, H. 220 J. S. BACH: Prelude in D minor, BWV 926 · Prelude in C minor, BWV 999 BARBER: Petite Berceuse · To My Steinway from Three Sketches for Piano BEACH: Gavotte in D minor from Children's Album, Op. 36, No. 2 BEETHOVEN: German Dance in C Major, WoO 8, No. 7 BONIS: Frère Jacques from Scènes enfantines, Op. 92, No. 6 BURGMÜLLER: Restlessness (Inquiétude) from 25 Easy and Progressive Studies, Op. 100, No. 18 CHOPIN: Prelude in A Major, Op. 28, No. 7 CRESTON: Rustic Dance from Five Little Dances, Op. 24, No. 1 HANDEL: Prelude in G Major from Suites de pièces, Volume 2, HWV 442, No. 9 HELLER: Study in A minor (The Avalanche) from 25 Melodious Etudes, Op. 45, No. 2 KABALEVSKY: Lyric Piece from 30 Pieces for Children, Op. 27, No. 16 · The Chase from 30 Pieces for Children, Op. 27, No. 21 · Rondo-Toccata from Four Rondos, Op. 60, No. 4 KHACHATURIAN: Ivan Sings from Adventures of Ivan MACDOWELL: To a Wild Rose from Woodland Sketches, Op. 51, No. 1 MOZART: Funeral March for Signor Maestro Contrapunto, K. 453a · Adagio for Glass Harmonica, K. 356 (617a) MUCZYNSKI: Fable No. 9 from Fables, Op. 21, No. 9 PROKOFIEV: Morning from Music for Children, Op. 65, No. 1 · Promenade from Music for Children, Op. 65, No. 2 RAVEL: Prélude D. SCARLATTI: Sonata in D minor, L. 423 (K. 32, P. 14) SCHUMANN: Of Strange Lands and People (Von fremden Ländern und Menschen) from Scenes from Childhood (Kinderszenen), Op. 15, No. 1 SHOSTAKOVICH: Birthday from Children's Notebook for Piano, Op. 69, No. 7
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Bach J.s. - Complete Organ Works Vol.1 - Preludes And Fugues I + Cd-rom
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by ...
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Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
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Per Nørgård: Prelude And Ant Fugue With A Crab Canon: Chamber Ensemble: Score
Wilhelm Hansen
Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørg...
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Prelude And Ant Fugue With A Crab Canon for Ensemble was composed by Per Nørgård in 1982. Programme Note: The work was commissioned by Nieuve Ensemble (New Ensemble) in Holland and was premiered in December 82 in Amsterdam. As the title suggests the work refers to the baroque genre prelude and fugue but seen through the 20.th century consciousness: The prelude is based - bar for bar - on the famous Bach-prelude in C major from the Well Temperated Piano I which is reflected as in a prism where the 5 inherent parts are magnified or transposed to other octaves or its basic rhytm of 8:5:3 is widered to bigger stretches (orreduced to smaller) keeping its golden section - proportion. The Crab Canon as well as the fugue is inspired by Escher the Dutch aartist creating the Illusionary Realism (with wrong but convincing perspectives etc.) in the way that a real fugue never is undertaken but a rush of parts is always interlocking - and in a big hurry. After a slower cadenza-like section the work closes with a combinatioin of the Bach-prelude-ending and the Fugue theme.Per Nørgård
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Paul Jeanjean: Prelude Et Scherzo: Bassoon: Instrumental Work
Bassoon, Piano (duet)
Leduc, Alphonse
French composer Paul Jeanjean (1874-1928) was known primarily for his Clarinet ...
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French composer Paul Jeanjean (1874-1928) was known primarily for his Clarinet compositions however he also composed significantly for other wind instruments. His Prelude Et Scherzo for Bassoon and Piano remains prominent in the repertoire. As a noted teacher and composer the Paris Conservatoire often called upon Jeanjean to provide music for their own use. Prelude Et Scherzo was composed to be used as a competition and audition piece at the institution. The Prelude is in 6/8 meter and lyrical contrasted bythe fast staccato Scherzo. For all advanced bassoonists Jeanjean's Prelude Et Scherzo is a challenging yet exciting addition to the repertoire.
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Toon Hagen: Jubilant Prelude: Brass Band: Score
Brass ensemble
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
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‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
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Preludes For Piano 1/Pno (ROLLIN CATHERINE)
Piano solo
[Sheet music]
Alfred Publishing
Par ROLLIN CATHERINE. Preludes for Piano, Book One, contains 7 intermediate pian...
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Par ROLLIN CATHERINE. Preludes for Piano, Book One, contains 7 intermediate piano pieces in lyrical style. Each piece is expressive and develops the art of lyrical playing. The use of rubato and other musical indications in the music helps the performer capture the emotional character of each prelude. / Instrumental Music, Miscellaneous, Piano Music / Répertoire / Piano
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Organ Works Book.6
Organ
Novello & Co Ltd.
Toccata and Fugue in D minor (565), Prelude and Fugue in D major (532), Prelude ...
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Toccata and Fugue in D minor (565), Prelude and Fugue in D major (532), Prelude and Fugue in F minor (534), Prelude and 'St Anne' Fugue in E flat (552). Edited by Sir Frederick Bridge and James Higgs. / Orgue
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Toon Hagen: Jubilant Prelude: Brass Band: Score & Parts
Brass ensemble
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
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‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
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Toon Hagen: Jubilant Prelude: Concert Band: Score
Concert band
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
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‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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Toon Hagen: Jubilant Prelude: Concert Band: Score & Parts
Concert band
[Score and Parts]
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
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‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for concert band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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Toon Hagen: Jubilant Prelude: Fanfare Band: Score & Parts
Marching band
[Score and Parts]
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
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‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for fanfare band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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Poul Ruders: Star Prelude And Love Fugue: Saxophone Ensemble: Score
Wilhelm Hansen
Poul Ruders' two Piano pieces Star Prelude And Love Fugue from 1990 expertly ar...
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Poul Ruders' two Piano pieces Star Prelude And Love Fugue from 1990 expertly arranged for Saxophone Quartet by Jesper Nordin. Programme note Star Prelude and Love Fugue is the fruit of “a wonderful stay in Tokyo in March 1988” (the composer’s words). The two pieces were composed in February 1990 and they are dedicated to Japanese pianist Aki Takahashi who gave the premiere performance at the Lerchenborg Musikdage on 3 August 1990. The prelude is a fantasia on the prelude of Act Two of Poul Ruders’ opera Tycho (1986) about Danish astronomer Tycho Brahe (which should explain thetitle). The theme of the Love Fugueis taken from the opening bars of another earlier Ruders’ work namely the a cappella motet Charitas Nunquam Excidit (which is Latin for “love never ceases”). The following fugue is purged of the genre’s traditional gravitas as is already signalled by the expression mark 'Swinging'. Its initial eleven bars quote the motet but there after everything is newly composed. Per Erland Rasmussen 2001
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Poul Ruders: Star Prelude And Love Fugue: Piano: Instrumental Work
Piano solo
[Sheet music]
-
Intermediate/advanced
Wilhelm Hansen
Poul Ruders' Star Prelude And Love Fugue is a work for Piano solo dating from 19...
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Poul Ruders' Star Prelude And Love Fugue is a work for Piano solo dating from 1990. Programme note Star Prelude and Love Fugue is the fruit of “a wonderful stay in Tokyo in March 1988” (the composer’s words). The two pieces were composed in February 1990 and they are dedicated to Japanese pianist Aki Takahashi who gave the premiere performance at the Lerchenborg Musikdage on 3 August 1990. The prelude is a fantasia on the prelude of Act Two of Poul Ruders’ opera Tycho (1986) about Danish astronomer Tycho Brahe (which should explain the title). The theme of the Love Fugueistaken from the opening bars of another earlier Ruders’ work namely the a cappella motet Charitas Nunquam Excidit (which is Latin for “love never ceases”). The following fugue is purged of the genre’s traditional gravitas as is already signalled by the expression mark 'Swinging'. Its initial eleven bars quote the motet but there after everything is newly composed. Per Erland Rasmussen 2001
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Jubilant Prelude: Fanfare Band: Score
Marching band
Gobelin Music Publications
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over...
(+)
‘Jubilant Prelude’ is an orchestration of the ‘Preludium over Psalm 150’ originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the ‘Grote or Sint Michaëlskerk’ in Zwolle (the Netherlands). He has written several ‘contemporary’ compositions for organ.‘Jubilant Prelude’ has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax which is both dynamic and harmonic the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register with motifs in ornamentation for saxophones bugles and trumpets. The finale like the prelude is capricious and vehement.The instrumentation for fanfare band was made by Wim Rouw. It is particularly colourful and has a surprising role for the percussion section.
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Romance, Elegy And Prelude
String Quartet : 4 violas
Boosey and Hawkes
Arrangements for string quartet of Romance for string orchestra, op 11 (1928), E...
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Arrangements for string quartet of Romance for string orchestra, op 11 (1928), Elegy for violin and piano, op 22 (1940), and Prelude for string orchestra, op 25 (1940s). Romance (8 mins) was first performed in 2009 by the Finzi Quartet at London's Wigmore Hall, and has been recorded by them on Resonus Classics RES 10109. Elegy (9 mins) and Prelude (5 mins) were first performed in 2014 by the Marilla Quartet at Downe House School, Berkshire, UK. The arrangements are presented as three separate works and form an attractive addition to the string quartet repertory.Difficulty:Prelude: intermediateRomance and Elegy:intermediate/advanced. / Quatuor De Cordes
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César Franck: Prelude Fugue & Variation: Organ: Instrumental Work
Organ
[Sheet music]
Novello & Co Ltd.
The Prelude is a flowing 9/8 song; the four-Voice Fugue follows as the slow move...
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The Prelude is a flowing 9/8 song; the four-Voice Fugue follows as the slow movement; the Variations return to the original prelude theme.It is difficult to overstate the importance of Franck’s Prelude Fugue and Variation for Organ both in his own compositional life and in the development of the French Organ school. The piece is widely believed to have been one of the elemental founding works of the school appearing at a time when French Organ music was at an ebb. Originally one of Six Pieces appearing in 1862 when Franck was forty years old the work established him in the minds of other young composers as a talent of serious proportions and marked the beginning of afulfilling adult life spent as a highly-regarded composer
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George Gershwin: Preludes: Piano Duet: Instrumental Album
1 Piano, 4 hands
Alfred Publishing
Gregory Stone has transcribed these three selected preludes for one piano-four h...
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Gregory Stone has transcribed these three selected preludes for one piano-four hands. For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve a sort of jazz Wohltemperierte Clavier but his unexpected death from a brain tumour at the age of 38 prevented this. At least seven survive (others may have ended up as songs) and this set of three as published form a satisfying unit. The first opens with a blue-note riff which forms the basis of the first theme.Contrasting material follows making use of a distinctive repeated note figure then the first idea reappears in a quasi-orchestral climax. The second prelude shows a curious kinship with Chopin???s A minor Prelude with its eerie accompaniment and hypnotic melody. The third exploits a similar major/minor ambivalence but dextrous syncopation gives it driving rhythmic energy.
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Beruhmte Klaviermusik I: Piano: Instrumental Album
Piano solo
Barenreiter
World Piano Music Book 1: 14 pieces of medium difficulty for Piano solo.The albu...
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World Piano Music Book 1: 14 pieces of medium difficulty for Piano solo.The album World Piano Music I includes representative samples of Piano literature from various style periods. The selection of recital compositions by important world composers (Bach Mozart Beethoven Schubert Schumann Brahms Mendelssohn-Bartholdy Chopin Liszt Cajkovskij Rachmaninov Grieg and Debussy) chronologically dated by year of origin offers a wide spectrum of forms and genres.Contents:Prelude in C major [Bach Johann Sebastian]Fantasia in D minor [Mozart Wolfgang Amadeus]For Elise [Beethoven Ludwig van]Moment musical[Schubert Franz]Draming [Schumann Robert]Waltz No.2 [Brahms Johannes]Waltz No.15 [Brahms Johannes]Spring Song [Mendelssohn-Bartholdy Felix]Waltz op. 34 No.2 [Chopin Fryderyk]Consolation No.2. [Liszt Ferenc]Romance [Cajkovskij Petr Iljic]Prelude in C sharp minor [Rachmaninov Sergej Vasiljevic]To the Spring [Grieg Edvard]Clair de lune [Debussy Claude]
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Frédéric Chopin: My First Book Of Chopin: Piano: Instrumental Album
Piano solo
Dover Publications
Twenty-Three favourite Pieces in Piano arrangements. Fun-to-play pedagogically ...
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Twenty-Three favourite Pieces in Piano arrangements. Fun-to-play pedagogically sound arrangements include the theme from the 'Raindrop' Prelude 'Minute' Waltz the charming 'Lullaby' and melodic highlights from the most familiar Preludes Mazurkas Waltzes Impromptus and Etudes.
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Carol Klose: The Best of Carol Klose: Piano: Instrumental Album
Piano solo
Hal Leonard
Hal Leonard Student Piano Library Composer Showcase Intermediate/Late Intermedia...
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Hal Leonard Student Piano Library Composer Showcase Intermediate/Late Intermediate Level-15 original solos are featured in this collection from the pen of accomplished performer teacher clinician composer and arranger Carol Klose. Includes: Ancient Towers · Candlelight Prelude · Castilian Dreamer · Gathering Storm Clouds · Gecko Games · Gypsy Fire · The Healing Garden · Jasmine in the Mist · Maestro There's a Fly in My Waltz · Mother Earth Sister Moon · Northwoods Toccata · Prelude No. 1 · A River's Tale · Rondo Capriccioso · Salsa Picante.
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