Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'

Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism though there is a darker more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino played by the Viola but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into thesecond Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind.

Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'

Six Trio (sic) dont la 1r est à Violon, Hautbois et Basse chiffrée / Le 2. à Violon, Flûte à bec et Basse chiffrée / Le 3. à Violon, Flûte traverse et Basse chiffrée / Le 4. à deux Violons et Basse chiffrée / Le 5. à Violon, Basse de Viola et Basse chiffrée / Le 6. à Violon, Basson ou Violoncello et Basse chiffrée. Edition : Francfort, l'Auteur, 1718Présentation par Michel Giboureau : terminologie - altérations - articulations - agrémentation - basse continue - restauration de la partition.Oeuvres de musique de chambre de difficulté moyenne. - Chacune des sonates en trio adopte une formation différente :Violon, Hautbois et Basse chiffréeViolon, Flûte à bec et Basse chiffréeViolon, Flûte traverse et Basse chiffréeDeux Violons et Basse chiffréeViolon, Basse de Viole et Basse chiffréeViolon, Basson ou Violoncelle et Basse chiffrée / Musique De Chambre / 72 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Contents are: Adagio (from Quartet No. 10 ) * Allegretto (from Quartet No. 7 ) * Allegretto (from Quartet No. 13 ) * Allegro (from Quartet No. 2 ) * Allegro (from Quartet No. 6 ) * Allegro (from Quartet No. 8 ) * Andante (from Quartet No. 1 ) * Andante (from Quartet No. 4 ) * Andante (from Quartet No. 6 ) * Andante (from Quartet No. 13 ) * Menuetto (from Quartet No. 1 ) * Menuetto (from Quartet No. 3 ) * Menuetto (from Quartet No. 4 ) * Menuetto (from Quartet No. 9 ) * Presto (from Quartet No. 7 ) * Scherzo (from Quartet No. 15 ).