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Priceless Wealth Is In Thee (HE XUNTIAN)
Piano solo
-
Intermediate/advanced
Schott
Par HE XUNTIAN. In seinen Kompositionen möchte sich Xuntian He von keiner kultu...
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Par HE XUNTIAN. In seinen Kompositionen möchte sich Xuntian He von keiner kulturellen oder akademischen Tradition Fesseln anlegen lassen. Nur seinem Individualstil verpflichtet, lotet er in Priceless Wealth Is in Thee aus, welche überraschenden melodischen und rhythmischen Strukturen auf dem Klavier möglich sind, wenn sich das Spiel allein auf die Benutzung der weißen Tasten reduziert. / Niveau : 4 / Répertoire / Piano
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Sueno En La Floresta, Un (BARRIOS MANGORE AGUSTIN)
Guitar
[Sheet music]
Warner Bros.Publications
Par BARRIOS MANGORE AGUSTIN. In the music of Agustin Barrios Mangore we find tru...
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Par BARRIOS MANGORE AGUSTIN. In the music of Agustin Barrios Mangore we find truly inspired creativity combined with a total technical dominio of the guitar's harmonic capabilities. His knowledge of harmonic science enabled hi to compose in several styles: baroque, classic, romantic and descriptive. He composed preludes, studies, suites, waltzes, mazurkas, taratellas and romanzas, as well as many onomatopoetic works describing physical objects or historical/cultural themes. One can appreciate in Barrios Mangore a logical expansion of techniques defined by masters such as Sor and Tarrega, carried to an even higher level of expressiveness and technical expertise. The legacy of his genius is a priceless onefor all lovers of the guitar. Richard Stover/ Répertoire / Guitare
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Salve Regina (PART ARVO)
Choral SATB
SATB, Organ
[Sheet music]
Universal Edition
Par PART ARVO. Like the Littlemore Tractus, Pärt's setting of the Salve Regina ...
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Par PART ARVO. Like the Littlemore Tractus, Pärt's setting of the Salve Regina has an extended hymn-like feel to it. Typically, it builds very gradually to a late, majestic climax - unison vocal lines at the outset, broader harmonies later, some intriguing eccentricities in the organ part along the way. It was the wish of Hubert Luthe, Bishup of Essen Cathedral, that this particular text be set in honour of the building's priceless golden Madonna. The premiere was in May 2002, to mark both the Bishop's seventy-fifth birthday and Essen's own 1150th anniversary./ Répertoire / Choeur SATB et Orgue
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Mozart W.a. - La Clemence De Titus Kv 621 - Fac-simile
Orchestra
[Score]
Barenreiter
Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's auto...
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Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.
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Complete Book Of Bach Chorales (SILVERMAN JERRY)
Piano, Voice
Mel Bay
Par SILVERMAN JERRY. This book presents 375 of J.S. Bach's surviving chorale har...
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Par SILVERMAN JERRY. This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. The chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings. / Niveau : Débutant à Intermédiaire / Classic - Songbooks / Recueil / Chant et Piano
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America S All-Time Favorite Songs For God And Country
Piano solo
[Sheet music]
Amsco Wise Publications
Nowhere else will you find gathered together into one priceless treasury so many...
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Nowhere else will you find gathered together into one priceless treasury so many of your favourite American folk songs, patriotic anthems and marches, heart songs, sea chanteys, colonial songs, civil war songs, hymns, gospel songs, spirituals, Christmas carols, memorial songs, and sacred classics. This comprehensive volume includes over 175 full Piano arrangements with complete lyrics and chord symbols, and is illustrated with woodcuts, engravings and drawings throughout. / Rép International / Recueil / Piano
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Favorite 19Th Century American Songs For Fingerstyle Guitar (WEISER GLENN)
Guitar
[Sheet music + Audio access]
Hal Leonard
for Fingerstyle Guitar. Par WEISER GLENN. This is a colleciton of 47 favorite 19...
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for Fingerstyle Guitar. Par WEISER GLENN. This is a colleciton of 47 favorite 19th century American songs arranged for fingerstyle guitar from Glenn Weiser's recent CD, My Old Kentucky Home. Here you'll find Stephen Foster's famous compositions and other parlor songs, African-American spirituals, Civil War anthems, familiar hymns and 1890s hits. These priceless legacies of our national heritage form much of the soundtrack of American history: 'Oh! Susanna” was on the lips of every Forty-Niner during the California Gold Rush, Harriet Tubman sang 'Swing Low, Sweet Chariot,” on her deathbed, and Abraham Lincoln wept the first time he heard 'The Battle Hymn of the Replublic.” Now guitarists can play these and many more in new, beautiful solo arrangements./ Recueil / Guitare
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O Ewigkeit, Du Donnerwort Bwv 20 Facsimile In A Slipcase
Barenreiter
Johann Sebastian Bach opened the second year of his Leipzig church compositions ...
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Johann Sebastian Bach opened the second year of his Leipzig church compositions on 11 June 1724 with a performance of the cantata 'O Ewigkeit, du Donnerwort'. The work is based on a church hymn by Johann Rist that depicts, in riveting language, the terrors of the Last Judgment and the torments of Hell, followed by an admonition to live a life pleasing to God. The poem inspired Bach to write one of his most impressive church compositions altogether. This remarkably extensive score with twelve sheets sheds particularly instructive and detailed light on Bach's creative process. The Bach Archive Leipzig acquired this priceless manuscript at the end of 2016, making it possible for the first time to reunite the original performance material and the handwritten score of a Bach chorale cantata. Our facsimile edition complements the edition of BWV 20 presented by James Webster almost 50 years ago in volume I/15 of the New Bach Edition.
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Vespro Della Beata Vergine / Marienvesper (PERGOLESI GIOVANNI BATTISTA)
Choral SATB
[Sheet music]
Barenreiter
Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a ...
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Par PERGOLESI GIOVANNI BATTISTA. In 1732 Giovanni Battista Pergolesi composed a setting of the Vespers in honor of St. Emidius, Naples’s patron saint and protector against earthquakes. All that has survived are the introit Domine ad adjuvandum and three psalm settings: Dixit Dominus, Laudate and Confitebor. Malcolm Bruno’s reconstruction consists of Pergolesi’s Hymnus, Magnificat, several short instrumental interpolations, and the contrafactum of a secular cantata for the Salve Regina, thereby presenting a full cross-section of Pergolesi’s artistic evolution. The reconstructed Vespers ranges from the early Confitebor, with its allusions to Vivaldi, to the late Salve Regina with its reminiscences of thefamous Stabat Mater; from contrapuntal choral writing to operatic arias; and from the magnificently scored Dixit to the almost intimate Laudate. The present edition follows the original sources as closely as possible and contains an appendix with detailed notes on performance practice. Performance material available for hire Effective reconstruction of a full-length work Cross-section of Pergolesi’s sacred music Clear and easy-to-play piano reduction/ Répertoire / Solistes, Choeur Mixte (SATB) et Orchestre
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MeSSA In Re Maggiore (PERGOLESI GIOVANNI BATTISTA)
Voix et Piano Réduction
-
Intermediate
Ricordi
Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLES...
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Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, Pergolesi limited his composition to the “Kyrie” and “Gloria”. The festive character of the work is emphasized by the rich scoring for vocal soloists, five-part choir and a full orchestra of strings and winds. This edition, made with strict philological criteria, is based as its main source on a set of parts preserved partly in Naples, partly in Montecassino. These parts were made for aperformance conducted by the composer, who added various autograph annotations. Among the secondary sources are two period Neapolitan scores, today in Bologna and Dresden. The book includes a historical introduction (which traces the history of the genre in Naples and the relationship between the two Masses by Pergolesi) and the critical notes. / Niveau : Intermédiaire / Messe / Répertoire / Voix et Piano Réduction
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Il Prigionier Superbo (PERGOLESI GIOVANNI BATTISTA)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Ricordi
Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDI...
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Edizione Critica A Cura Di Claudio Toscani. Par PERGOLESI GIOVANNI BATTISTA. EDIZIONE NAZIONALE DELLE OPERE DI GIOVANNI BATTISTA PERGOLESI (Casa Ricordi in collaborazione con la Fondazione Pergolesi Spontini di Jesi) Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705), Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeo in Naples. With this opera – his second dramma serio for San Bartolomeo in less than two years – the young composer (who had already acquired considerable professional stature in the city’s theatres, churches, and aristocratic circles) reprised a perennially popular subject centered aroundthe dramatic conflict between filial piety and devotion to one’s betrothed. Inserted between the opera’s three acts were the intermezzi of La serva padrona, which would soon go on to take all of Europe by storm. The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica “San Pietro a Majella” in Naples and prepared by Giuseppe Sigismondo, who was quite probably working from the now-lost autograph. Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted, along with a number of manuscript copies of individual arias. The edition is furnished with a historical introduction, which traces the libretto’s complicated literary lineage and illustrates the circumstances of the opera’s commission, genesis, premiere, and subsequent history: and a critical apparatus containing detailed source descriptions and critical notes for both the text and the music. An earlier version of the last movement of the Sinfonia, and an aria for the third act whose text does not appear in the original printed libretto, are provided as appendices. / Date parution : 1905-07-09/ Répertoire / Solistes, Choeur et Orchestre
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Mass In F Major Missa Romana
Organ
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
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The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Orgue
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
Solistes SA, 2 Violons, Alto et Basse Continue, (C
[Sheet music]
Carus Verlag
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
Solistes SA, 2 Violons, Alto et Basse Continue, (C
[Sheet music]
Carus Verlag
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
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Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
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Mass In F Major Missa Romana
Choral, Orchestra
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Orgue
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Mass In F Major Missa Romana
Choral SATB
SATB, Piano
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Chant Et Piano
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Mass In F Major Missa Romana
Violon 1
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 1
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Stabat Mater (PERGOLESI GIOVANNI BATTISTA)
Choeur de Femmes (SS) et Piano
Boosey and Hawkes
Pergolesi Suite. Par PERGOLESI GIOVANNI BATTISTA. La Suite de Pergolèse est for...
(+)
Pergolesi Suite. Par PERGOLESI GIOVANNI BATTISTA. La Suite de Pergolèse est formée par les deux derniers mouvements de populaire Stabat Mater de Pergolesi, composé en 1736, juste avant la mort du compositeur. L'écriture vocale expressive est lyrique en style et nécessite un spectaculaire and ldquo-opéra and rdquo - interprétation./ Répertoire / Choeur de Femmes (SS) et Piano
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Mass In F Major Missa Romana
Choral, Orchestra
[Study Score / Miniature]
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Conducteur
76.90 EUR - Sold by LMI-partitions
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Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 2
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Stabat Mater Full Score (PERGOLESI GIOVANNI BATTISTA)
Choral
[Sheet music]
Dover Publications
Par PERGOLESI GIOVANNI BATTISTA. Shortly before his death, Giovanni Pergolesi mo...
(+)
Par PERGOLESI GIOVANNI BATTISTA. Shortly before his death, Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli, where he composed his last works. Among these is his Stabat mater - based on the medieval Latin poem. The piece reveals the infusion into church composition of the operatic style. Pergolesi's Stabat mater features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. This is is the full score of the original version, which was written for Soprano and Alto Solos and small String Ensemble. / Musique religieuse / Répertoire / Choeur
20.20 EUR - Sold by LMI-partitions
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Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Basse
12.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
Solistes SA, 2 Violons, Alto et Basse Continue, (C
[Sheet music]
Carus Verlag
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
(+)
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi (1710–1736), BWV 1083 / Musique religieuse / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
8.50 EUR - Sold by LMI-partitions
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Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Violon 1
12.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Tilge, Höchster, Meine Sünden (PERGOLESI GIOVANNI BATTISTA)
Solistes SA, 2 Violons, Alto et Basse Continue, (C
[Sheet music]
Carus Verlag
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI G...
(+)
Psalm 51. Nach dem Stabat Mater von Giovanni Battista Pergolesi. Par PERGOLESI GIOVANNI BATTISTA. After the Stabat Mater by Giovanni Battista Pergolesi [1710–1736], BWV 1083 / Psaumes / Répertoire / Solistes SA, 2 Violons, Alto et Basse Continue, (C
14.50 EUR - Sold by LMI-partitions
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Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Alto
12.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
Similar items
Details
Details
Mass In F Major Missa Romana
Gemischter Chor (SSATB/SSATB/SATB/SATB) und Orchester
Barenreiter
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most imp...
(+)
The 'Missa in F? of 1734 for two or four choirs is probably Pergolesi's most important work for choir and orchestra.The nickname 'Missa Romana? was added later in reference to a performance given in Rome during Pergolesi's lifetime.This Urtext edition presents the work for the first time in the four-choir version that Pergolesi wrote for the above mentioned performance in Rome.Choirs III and IV are reproduced in smaller type and are added to the version for double choir in order to intensify the overall sound.This allows the work to be performed not only with two choirs but also in the delightful enlarged version for four choirs.Rounding off the edition are an informative Foreword (Eng/Ger) and a Critical Commentary (Eng).- First publication with choirs III and IV- Can be performed with both two or four choirs- Idiomatic, well-presented piano reduction / Alto
12.30 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
3-10 days - In Stock Supplier
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