Par TERRANI FLORINDO. PRIMAMUSICA est une série destinée aux enfants de 5 à 11 ans. Apprendre la musique dans cette méthode, est favorisée par l'étonnante graphiques et simplicité de l'exposition. Le collier est 4 instruments : guitare classique, guitare acoustique-électrique, piano et batterie. L'enseignement de chaque instrument est divisé en 3 volumes de difficulté progressive. Les chansons complètes et MINUS ONE peuvent être téléchargé en format MP3 du portail Lacertopolis. Le téléchargement de la base et l'exclusion conséquente des cd de coût de volumes individuels./ Méthode / Piano

Par DAMIANI GIOVANNI. La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l?apprendimento grazie alla grafica accattivante e alla semplicità dell?esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte e batteria. L?insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile / Méthode / Date parution : 1905-07-05/ Méthode / Batterie

Par UNTERBERGER GIOVANNI. La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l?apprendimento grazie alla grafica accattivante e alla semplicità dell?esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte e batteria. L?insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile / Méthode / Date parution : 1905-07-02/ Méthode / Guitare

La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l’apprendimento grazie alla grafica accattivante e alla semplicità dell’esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte ebatteria. L’insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile / Méthode / Date parution : 1905-07-07/ Méthode / Piano

A Plettro. La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l’apprendimento grazie alla grafica accattivante e alla semplicità dell’esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte ebatteria. L’insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile à Intermédiaire / Méthode / Date parution : 1905-07-07/ Méthode / Guitare

Par TERRANI FLORINDO. La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l?apprendimento grazie alla grafica accattivante e alla semplicità dell?esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte e batteria. L?insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile / Méthode / Date parution : 1905-07-05/ Méthode / Piano

Par DAMIANI GIOVANNI. La collana Primamusica, rivolta ai bambini dai 5 agli 11 anni favorisce l?apprendimento grazie alla grafica accattivante e alla semplicità dell?esposizione. La collana tratta 4 strumenti: chitarra classica, chitarra acustica-elettrica, pianoforte e batteria. L?insegnamento di ciascuno strumento è articolato in 3 volumi di difficoltà progressiva. I brani completi e le basi Minus One possono essere scaricati in formato MP3 dal portale www. lacertopolis. it. / Niveau : Facile / Méthode / Date parution : 1905-07-03/ Méthode / Batterie

Fairy story ballet in two scenes, composed after the Russian national fairy story by Michel Fokine Instrument : orchestra Type : study score Series : Eulenburg Miniature Scores Nombre de Pages : 220 Kritische Ausgabe Content : Preface - Vorwort - Préface - Kostümentwürfe - Feuervogel: - Introduction - I. Tableau: Le jardin enchanté de Kastchei - Apparition de l'oiseau de feu poursuivi par Ivan Tsarévitch - Danse de l'oiseau de feu - Capture de l'oiseau de feu par Ivan Tsarévitch - Supplication de l'oiseau de feu - Apparition fes treize princesses enchantées - Jeu des princesses avec les pommes d'or. Scherzo - Brusque apparition d'Ivan Tsarévitch - Corovod (Ronde) des princesses - Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kastchei - Carillon féérique, apparition des monstres-gardiens de Kastchei et capture d'Ivan Tsarévitch - Arrivée de Kastchei l'immortel - Dialog de Kastchei avec Ivan Tsarévitch - Intercession des princesses - Apparition de l'oiseau de feu - Danse de la suite de Kastchei enchantée par l'oiseau de feu - Danse infernale de tous les sujets de Kastchei - Berceuse (L'oiseau de feu) - Réveil de Kastchei - Mort de Kastchei - Profondes ténèbres - II. Tableau: Disparation du palais et des sortilèges de Kastchei, animation des chevaliers pétrifiés. Allégresse générale

There is something for everyone in this collection of Isabelle Aboulker?s most beautiful melodies: the passionate vocalises of Je t?aime, composed for the fiery Patricia Petitbon, sit alongside limpid fables by La Fontaine (The Crow and the Fox, The Lion in Old Age and more), while the unnerving eeriness of the merchant of souls in Au Marché de Saint-Paul contrasts with the light humour of the Savoir-vivre cycle, and the melancholy accents of Lettre d?amour make way for the irresistible charm of L?Inconstante. Isabelle?s prosodic clarity and voluptuous focus on the evocative power of words speak of a deep attachment to the legacy of French song composers. In turn impetuous or melancholy, this thrilling music knows how to aim straight for the heart. Au marché Saint-Paul, j?irai ? I Am Off to the Market Day Chanson de la côte ? Song of the Coast Cheeky Little Tunes from Flaubert?s Dictionary of Received Ideas Cher Pierre que je ne reverrai plus ici? ? Dear Pierre, Whom I Shall not See Here Again? Escale à Rio ? Stopover in Rio Je t?aime ? I love you L?Archet ? The Bow L?Inconstante ? The Inconstant One La Cigale et la fourmi ? The Grasshopper and the Ant La Femme noyée ? The Drowned Wife La Jeune Veuve ? The Young Widow La Princesse au petit pois ? The Princess and the Pea Le Corbeau et le renard ? The Crow and the Fox Le Lièvre et les grenouilles ? The Hare and the Frogs Le Lion devenu vieux ? The Lion in Old Age Le Loup et l?agneau ? The Wolf and the Lamb Le Loup et le chien ? The Wolf and the Dog Les Animaux malades de la peste ? The Plague-Stricken Animals Lettre d?amour ? Love-Letter Petites mélodies impertinentes, extraits du ?Dictionnaire des idées reçues? de Flaubert ? Savoir vivre et usages mondains ? Guide to Fine Etiquette and Wordly Manners Tenir ? Holding

After decades of anticipation, Alfred is proud to release the officially licensed, collectible sheet music companion folios to The Legend of ZeldaT video game series. The 33 arrangements in this Easy Piano edition contain the instantly recognizable melodies beloved by generations of gamers around the globe. From Koji Kondo's iconic The Legend of ZeldaT Main Theme to The Legend of ZeldaT: Spirit Tracks themes, the dozens of pieces in this book represent two and a half decades of Nintendo? ? video game favorites. Adding to the fun, graphics from the corresponding games grace each page of the sheet music. Impress friends, family, and audiences of all ages by playing from this magnificent collection, which makes a great gift for every pianist. The Legend of Zelda: A Link to the Past Hyrule Castle Music The Legend of Zelda: A Link to the Past Main Theme The Legend of Zelda: A Link to the Past the Dark World The Legend of Zelda: A Link to the Past Title Screen The Legend of Zelda: Correct Solution The Legend of Zelda: Four Swords Adventures Field Theme The Legend of Zelda: Four Swords Adventures Village of the Blue Maiden Restored The Legend of Zelda: Link's Awakening Main Theme The Legend of Zelda: Main Theme The Legend of Zelda: Majora's Mask Prelude of Majora's Mask The Legend of Zelda: Majora's Mask Termina Field The Legend of Zelda: Ocarina of Time Gerudo Valley The Legend of Zelda: Ocarina of Time Hyrule Field The Legend of Zelda: Ocarina of Time Lost Woods (Saria's Song) The Legend of Zelda: Ocarina of Time Princess Zelda's Theme The Legend of Zelda: Ocarina of Time Song of Storms The Legend of Zelda: Ocarina of Time Title Theme The Legend of Zelda: Phantom Hourglass Ciela's Parting Words The Legend of Zelda: Spirit Tracks Field Theme The Legend of Zelda: Spirit Tracks Title Theme The Legend of Zelda: Spirit Tracks Train Travel (Main Theme) The Legend of Zelda: The Wind Waker Dragon Roost Island The Legend of Zelda: The Wind Waker Main Theme The Legend of Zelda: The Wind Waker Molgera The Legend of Zelda: The Wind Waker Ocean Theme The Legend of Zelda: Title Theme The Legend of Zelda: Tri-Force Fanfare The Legend of Zelda: Twilight Princess Hidden Village The Legend of Zelda: Twilight Princess Hyrule Field Main Theme The Legend of Zelda: Twilight Princess Midna's Lament The Legend of Zelda: Whistle of Warp Zelda II: The Adventure of Link Palace Music Zelda II: The Adventure of Link Title Theme

Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts – The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition – To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of “Wie stark ist nicht dein Zauberton!”Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible Flutist“The Flutist,” Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1“Spring,” Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]“Appearance of the Thirteen Enchanted Princesses,” 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for Orchestra“Hagrid’s Friendly Bird,” bars 127-151Star WarsSuite for OrchestraPrincess Leia’s themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company

Par SZYMANOWSKI KAROL. The composition of the Princess Songs marked the beginning of a particularly productive phase for Karol Szymanowski. Based on a series of poems by his sister Zofia, Szymanowski composed this colorful and glittering music in 1915; its exotic, lyrical and fantastical world is expressed in the coloratura soprano’s many passages, featuring trills and rapid runs. The princess herself remains mysteriously undefined. Love is her only recurrent theme. By withdrawing into internal fantasy during a time of war, Szymanowski found an opportunity to retreat into a dream world, and composing songs remained an important part of his lifelong work; in 1933 he arranged three of the six Princess Songs for voice and orchestra. (Sakari Oramo orchestrated the other three and conducted their first performance in 2012). (Translation on UE website by Grant Chorley.)/ Répertoire / Voix Haute et Piano

Ed. Critica Di Alessandro Borin - Ril. Brochure. Par VIVALDI ANTONIO. La Gloria e Imeneo, RV 687, belongs to a group of so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of importantrecurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This critical edition is based on the autographscore held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes anapparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred – since no libretto has come down to us – by the words underlaid to the notesin the manuscript of the serenata. La Gloria E Imeneo, RV 687, belongs to a group of so-called ‘ French serenatas' by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid-1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on the occasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place inthe ambassador's garden on the evening of 12 September 1725. This critical edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It also includes an Introduction that describes the genesis and the first performance of the Serenata, the state of the sources and its musical content. The critical edition includes an apparatus that records all the variants between the autograph score and the secondary collate sources, and a diplomatic- interpretative edition of the poetic text, inferred & since no libretto has come down to us & by the words underlaid to the notes in the manuscript of the serenata. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-08/ Répertoire / SATB, Violon, Alto et Basse Continue

These instrumental editions are completely compatible with each other and can be played together or as solos. Melodic ranges and rhythms are carefully considered for each instrument so every tune is easily accessible to all players. Titles are: Ben's Death/Tie Fighter Attack * Cantina Band * The Emperor Arrives * Han Solo and the Princess * The Imperial March * Jedi Rocks * Luke and Leia * May the Force Be with You * Parade of the Ewoks * Princess Leia's Theme * Star Wars (Main Theme) * The Throne Room * Victory Celebration * Yoda's Theme.