| Michele McLaughlin - Piano Sheet Music Collection Piano solo Hal Leonard
By Michele McLaughlin. Piano Solo Personality. New Age, Contemporary. Softcove...(+)
By Michele McLaughlin. Piano
Solo Personality. New Age,
Contemporary. Softcover.
Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Phillip Rawle : Four Pieces for Alto Flute Flute and Piano [Score and Parts] - Intermediate/advanced Forton Music
By Phillip Rawle. For alto flute and piano. Intermediate-Advanced. Score and par...(+)
By Phillip Rawle. For alto flute and piano. Intermediate-Advanced. Score and parts. Published by Forton Music
$12.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| This Little Light of Mine
Choral Unison Unison/2-part, Piano [Octavo] Choristers Guild
By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred...(+)
By Mark Patterson. For Unison/2-part choir and piano. General, Spiritual, Sacred. Octavo. Published by Choristers Guild.
(6)$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| OperAria Bass Volume 1: lyrisch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass) Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 144 pages. Breitkopf and Haertel #EB 8882. Published by Breitkopf and Haertel (BR.EB-8882). ISBN 9790004184721. 9 x 12 inches. German / English. The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass). $43.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| OperAria Bass Volume 2: lyrisch-dramatisch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass) Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 120 pages. Breitkopf and Haertel #EB 8881. Published by Breitkopf and Haertel (BR.EB-8881). ISBN 9790004184714. 9 x 12 inches. German / English. The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass). $43.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| OperAria Bass Volume 1: lyrisch Piano, Voice Breitkopf & Härtel
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by Peter Anton Ling. Edited by Peter Anton Ling. Voice; Softbound. Edition Breitkopf. If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts.(Franz Mazura, Patron Bass) Aria; Opera; Classical; Late-romantic. Piano/Vocal Score. 156 pages. Breitkopf and Haertel #EB 8880. Published by Breitkopf and Haertel (BR.EB-8880). ISBN 9790004184707. 9 x 12 inches. German / English. The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.(Peter Anton Ling)OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria - repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance)with comments on the ariasinformation on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera's plot an evaluation from the singer's point of viewwith phonetic assistant and text assistantaria texts in the original language spoken by native speakers as an audio file (mp3)aria texts in German and English translations as a text file (pdf)available for download
If only we'd had something like that ... an album for practice, a guide for professional singers as well as for opera enthusiasts. (Franz Mazura, Patron Bass). $43.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| La Valse Piano solo Schott
For Piano Solo. Composed by Maurice Ravel (1875-1937). Arranged by Alexander...(+)
For Piano Solo. Composed by
Maurice Ravel (1875-1937).
Arranged by Alexander
Korsantia. Piano. Classical.
Softcover. 40 pages. Sikorski
#SIK1762. Published by
Sikorski
$26.99 - See more - Buy online | | |
| There are angels hov'ring round Choral SATB SATB, Piano Oxford University Press
SATB choir and piano/orchestra SKU: OU.9780193555471 Composed by Ryan Mur...(+)
SATB choir and piano/orchestra SKU: OU.9780193555471 Composed by Ryan Murphy. Vocal score. 12 pages. Duration 5'. Oxford University Press #9780193555471. Published by Oxford University Press (OU.9780193555471). ISBN 9780193555471. 10 x 7 inches. For SATB and piano or orchestra This arrangement of a traditional American spiritual conjures a deep fervency, belying its simple appearance. The opening instruction is 'With hushed awe', and that encapsulates perfectly the gentle radiance of the tender lyrics and the music's highly singable lines. $3.65 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Huit Chansons de Fleurs High voice, Piano [Score] Theodore Presser Co.
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian Gordon. Full score. 44 pages. Duration 20 minutes. Theodore Presser Company #111-40289. Published by Theodore Presser Company (PR.111402890). ISBN 9781491134672. UPC: 680160685264. Whatâ??s in a name? While the title is French for â??Eight Flower Songs,â? the texts are all in English. The poemsâ?? flowers metaphorically evoke fragrance, love and loss, life and death, rebirth and regrowth. Perhaps the texture and beauty of Gordonâ??s music are themselves French. The 20-minute song cycle draws on poems from Wordsworth to Dorothy Parker, as well as from contemporary poets including the composer himself. When So-Chung Shinn came to me with the idea of commissioning a song cycle with her spectacular husband Tony Lee, she had in mind something having to do with flowers. Tony had asked her what she wanted for her birthday, and she said she wanted to be behind the creating of a new work. Lucky me, I was the recipient of the commission. So-Chung sent me a little description of all the flowers she loves, but I had to take the idea and create a narrative in my head.It is always a matter of pleasing the commissioner, yet coming up with something you can get behind and hear music for as well. I already knew I wanted to use my â??Tulipsâ? poem which is really about the arc of a relationship as represented through the life span of the Tulips, and, in many ways, disappointment; and Dorothy Parkerâ??s â??One Perfect Rose,â? which is wry, bitter, cynical, and funny, in a way only Dorothy Parker can so pithily express.I thought of Jane Kenyonâ??s exquisite â??Peonies at Dusk,â? because knowing she died so young (46) of leukemia, the poem has such a particular resonance, almost humanizing the Peonies, casting the moon as a sentient being, illustrating so beautifully how connected everything is, alive here, and revolving around these exquisite blossoms. Then, I remembered her husband Donald Hallâ??s poem â??Her Garden,â? which he wrote after Jane died, his grief intermingled with his inability to care for what she had created, to keep alive what so represented her aliveness, broken as he was, and I felt I already had a story.I found the Wordsworth, because it felt like pure joy to me, but also, if each of the songs has a color in my head, â??The Daffodilsâ? is pure yellow and a good place to start. My partner Kevin and I live on a lake, and every year, the first Daffodils, the shock of yellows, the oranges, the blinding whites, after the long snowy winters, sing of the newness that is about to enfold us in its green miraculousness.At first, the cycle ended with the Langston Hughes poem â??Cycle,â? or â??New Flowers,â? because it was lovely, and about rebirth, which is obviously optimistic, and apt, but then, my friend Telmo Dos Santos, a wonderful Canadian poet whom I met at Banff, sent me his poem â??Afterlife With Lilacs,â? having no idea what I was working on. I felt I had to add it because it is so dazzling, and it immediately felt like the missing link. Finally, there were unfortunately rights issues, namely, we could not, no how, get in touch with the Langston Hughes Estate, after so many happy collaborations.After almost a yearâ??s frustration, I wrote my own text, â??Play, Orpheus,â? which ended up being fortuitous, because the first time I met So-Chung, she entered the room and the most exquisite scent of Lillies of the Valley, Muguet de Bois, filled the room. I went right over to her and rudely put my nose to her neck, for the intoxication of the scent. So â??Play, Orpheusâ? is for So-Chung, to remind us of the precious treasures of this world flowers remind us of. Everything and everyone lives and dies, lives and dies. Death and resurrection.And of course, this is music, this is song, so the inclusion of the God of music, Orpheus, seems apt. Huit Chansons de Fleurs is really about what flowers represent, their radiance, their flickering impermanence, the way they are used to celebrate, as well as to mourn...... and of course, their fragrance. Their fragrance.Ricky Ian GordonJuly 28, 2021. $21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To God on high alone be praised Low voice, Piano Carus Verlag
(Christmas cantata). Composed by Georg Philipp Telemann (1681-1767). Edited by K...(+)
(Christmas cantata). Composed by Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For solo bass voice (baritone voice), SATB choir, 2 violins, viola, basso continuo, [trumpet]. B-Dur (B-flat major). Stuttgart Urtext Edition. German title: Allein Gott in der Hoh sei Ehr. Cantatas, Christmas. Level 3. Choral score. Language: German/English. TVWV 1:58. Duration 18 minutes. Published by Carus Verlag
$5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eyesight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070). ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons. To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless.. This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Radiance, In Memory of Christina Tarsell [Score and Parts] Leshnoff Publishing
Chamber Music Cello, Piano, Viola, Violin 1, Violin 2 SKU: PR.494029940 C...(+)
Chamber Music Cello, Piano, Viola, Violin 1, Violin 2 SKU: PR.494029940 Composed by Jonathan Leshnoff. Sws. Score and parts. Duration 14 minutes. Leshnoff Publishing #494-02994. Published by Leshnoff Publishing (PR.494029940). ISBN 9781491121306. UPC: 680160627417. $59.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Silver Moon [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS192F Composed by Yukiko Nishimura. Sws. Carl Fischer Young String Orchestra Series. Full score. 12 pages. Duration 3 minutes, 2 seconds. Carl Fischer Music #YAS192F. Published by Carl Fischer Music (CF.YAS192F). ISBN 9781491154922. UPC: 680160913473. 9 x 12 inches. Key: G major. At night you see the moon up in the sky shining in silver color. The radiance is both beautiful and tranquil. Although in triple time, Silver Moon sort of feels like it is in duple time with the combination of a half note and a quarter note. The third beat should be lighter, like Baroque dance music. It is more about a feeling so that the music sounds more natural and smooth. The work consists of three sections. The first and the third have a main theme with a repeated pattern of harmonic progressions. During the second part each melody sings more like a dialogue. The optional piano part adds to the special quality of the song. At night you see the moon up in the sky shining in silver color. The radiance is both beautiful and tranquil. Although in triple time, Silver Moon sort of feels like it is in duple time with the combination of a half note and a quarter note. The third beat should be lighter, like Baroque dance music. It is more about a feeling so that the music sounds more natural and smooth. The work consists of three sections. The first and the third have a main theme with a repeated pattern of harmonic progressions. During the second part each melody sings more like a dialogue. The optional piano part adds to the special quality of the song. $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Henze Hw Richard Wagnersche Klav-lieder Choral 2-part Schott
By Hans Werner Henze (1926-). Schott. 172 pages. Schott Music #ED9430. Published...(+)
By Hans Werner Henze (1926-). Schott. 172 pages. Schott Music #ED9430. Published by Schott Music
$74.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christmas Oratorio Cantatas (Weihnachtsoratorium Kantaten I-VI) Carus Choir Coach Carus Verlag
SKU: CA.3124885 Composed by Johann Sebastian Bach. Carus Choir Coach. Wei...(+)
SKU: CA.3124885 Composed by Johann Sebastian Bach. Carus Choir Coach. Weihnachtsoratorium 1-4.Ccc. Oratorios. Compact Disc. Carus Verlag #CV 31.248/85. Published by Carus Verlag (CA.3124885). The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a separate CD containing each choir part is available. The CD is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions: - Original recording - Coach: each part is accompanied by the piano, with the original recording sounding in the background - Coach in slow mode: the tempo of the coach slows down to 70% of the original version - through this reduction passages can be learned more effectively. Bach's Christmas Oratorio is undeniably the number ONE in the Christmas repertoire of choirs as well as in popularity with audiences. The Christmas story, according to the Gospels of St. Luke and St. Matthew, combined with free poetry and individual chorale stanzas attains, together with the clearly structured, festive Baroque music, an eloquent radiance of timeless beauty. To confidently keep up with the frequent, sometimes very rapid sixteenth-coloraturas - for example in the herrliche Chore (no. 1), the Wohlgefallen (no. 21, Vivace!), and the Schnauben der stolzen Feinde (no. 54) - practicing with the Slow Mode of the app is particularly recommended. Score available separately - see item CA.3124800. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Shadows of the Moon Carl Fischer
Choral TBB choir, piano SKU: CF.CM8403 Composed by Kirke Mechem. Performa...(+)
Choral TBB choir, piano SKU: CF.CM8403 Composed by Kirke Mechem. Performance Score. With Standard notation. 12 pages. Carl Fischer Music #CM8403. Published by Carl Fischer Music (CF.CM8403). ISBN 9780825811647. UPC: 798408011642. 6.875 X 10.5 inches. Commissioned by the Kansas State University Men's Glee Club in memory of its former president Dennis Clark, this somber work by Kirke Mechem uses text from a poem by the composer. Evoking the searching and yearning to that the living sometimes feel for those who are gone, the music features the shadows of the moon being overcome by the radiance from the stars. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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