What could be more festive than holiday music with a ragtime flair? This collection features 18 holiday tunes in piano solo arrangements reminiscent of the ragtime era.

Description In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar.

Classic Ragtime Arranged for Fingerstyle Guitar Volume 1 presents staples of the ragtime repertoire as interpreted by David Laibman. The 'rags' are presented in standard music notation as well astablature. The book includes three CDs worth of instructional audio covering each of the six pieces broken down section-by-section. These are complex and challenging arrangements but ones that will certainly tickle yourfingers!

The combination of Flute and Guitar is becoming increasingly popular among music school pupils and concert performers. This publication From Renaissance To Ragtime expands the fairly narrow repertoire for this combination of instruments to include arrangements of famous compositions such as variations on the famous English Renaissance song Greensleeves famous melodies by Johann Sebastian Bach (Air Siciliana Badinerie) the popular Minuet by Luigi Boccherini Chopin's virtuoso Variations on a Theme of Rossini and Scott Joplin's popular ragtime tune The Entertainer(familiar from the film The Sting). In order that these relatively demanding arrangements can be enjoyed by a broad spectrum of performers editor Pavel Kloub selected compositions which can easily be played not only on the Flute but also on the Oboe or Violin.Contents:Green Sleeves (variations on the english renaissance song) [Fleury Louis]Le Basque [Marais Marin]Air [Bach Johann Sebastian]Siciliano [Bach Johann Sebastian]Menuet [Bach Johann Sebastian]Badinerie [Bach Johann Sebastian]Menuet [Boccherini Luigi]Variations on a theme of Rossini [Chopin Frederic]The Entertainer [Joplin Scott]

Classic Ragtime Guitar features four ever-popular rags. To help with the challenge of classic ragtime Guitar you will have the advantage of learning from three different teachers each with his own individualapproach. For intermediate to advanced students. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons but as an added bonus the three accompanying CDs alsocontain three full hours of instruction featuring note-by-note phrase-by-phrase instruction. The 32-page booklet is written in both standard notation and tablature.

Ragtime music and DADGAD tuning seem to be made for each other or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer Weeping Willow etc.) James Scott (Grace and Beauty) Charles L. Johnson (Dill Pickles Rag) Fred VanEps (Rag Pickings) to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller there is quite a variety of styles to explore. Additionally recordingsby Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.

Music Minus One Cello-The Zinn String Quartet accompany you in this great collection of Joplin Ragtime Quartets. Don't miss it! Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Accompaniment: Zinn's Ragtime String Quartet

The guitar styles and techniques of Blind Blake Big Bill Broonzy and Rev. Gary Davis combine blues and ragtime techniques into a style that can be best described as raggin' the blues. This exciting and challenging approach tofingerstyle playing combines complex right hand picking with intricate left hand fingerings single string runs and rhythmic licks. In this lesson Stefan Grossman illustrates and explains seven famous ragtime blues instrumentals.A detailed 44-page tab/music PDF booklet is included.

Les styles de la guitare et les techniques de Blind Blake, Big Bill Broonzy et le Révérend Gary Davis combinent les techniques de blues et de ragtime dans un style qui peut être décrit comme raggine le blues. Cette approche passionnante et stimulante pour jouer fingerstyle combine complexe main droite cueillette avec doigtés complexe main gauche, seule chaîne s'exécute et rythmiques licks. Dans cette leçon, Stefan Grossman illustre et explique les instrus de blues de ragtime célèbre sept. Une brochure de 44 pages détaillées onglet musique est incluse. / Guitare

Rev. Gary Davis was an incredible ragtime guitar player. His arrangements illustrate what has become known as the Piedmont guitar style. As a young man Rev. Davis played in a string band with the legendary Willie Walker. Several of the tunes featured on this double DVD lesson come from Walker???s repertoire i.e. Make Believe Stunt. Rev. Davis used to talk about Blind Blake???s sportin??? right hand and you can hear this influence in all of Rev.Davis???s ragtime playing. These are challenging and difficult multipart arrangements. Ernie Hawkins teaches each section phrase by phrase and carefully shows you the right hand picking as well as the left hand fingerings that wereunique to Rev. Davis???s approach. You will be able to easily follow the instruction with the tab/music booklet. Also featured are split screen segments where each section is played slowly and you can study the movementsof each hand. As a bonus we have included various audio performances of Rev. Davis playing each song.

In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave a discography 6 tunes in notation and tablature and 3CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSONTWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good OldWagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It isan excellent example of contemporary ragtime guitar.

Enjoy a little ragtime razzmatazz with this creative pairing of Scott Joplin's The Entertainer and Irving Berlin's Alexander's Ragtime Band. A great concert showcase for choirs of all ages! Available separately: SATB SAB 2-Part ShowTrax CD. Duration: ca. 3:05.

Les grands morceaux de ragtime de début du 20ème siècle ont été écrits pour la plupart pour piano, mais beaucoup de traduire superbement pour la guitare, et David Laibman va vous montrer comment. / Guitare