| Wilco Moerman: Theme Park
Fun!: Fanfare Band: Score
& Parts Marching band [Score and Parts] Gobelin Music Publications
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your...(+)
In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.
124.99 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn: Missa
brevis: Mixed Choir:
Parts 2 Sopranos, Choeur Mixte (SATB) Et
Orchestre Barenreiter
“Missa brevis in F in score. This was the first Mass which Mr. Haydn compo...(+)
“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”. Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.” In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself. - Urtext from Joseph Haydn Werke - Full score parts (BA4644) and vocal score (BA4644-90) available for sale - Early string version and later version with wind instruments and timpani
16.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn: Missa
Brevis In F Major
Hob.XXII: Mixed Choir:
Part 2 Sopranos, Choeur Mixte (SATB) Et
Orchestre Barenreiter
“Missa brevis in F in score. This was the first Mass which Mr. Haydn compo...(+)
“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”.Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.”In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself.- Urtext from Joseph Haydn Werke- Full score parts (BA4644) and vocal score (BA4644-90) available for sale- Early string version and later version with wind instruments and timpani
5.00 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn: Missa
brevis: Mixed Choir: Part 2 Sopranos, Choeur Mixte (SATB) Et
Orchestre Barenreiter
“Missa brevis in F in score. This was the first Mass which Mr. Haydn compo...(+)
“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”. Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.” In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself. - Urtext from Joseph Haydn Werke - Full score parts (BA4644) and vocal score (BA4644-90) available for sale - Early string version and later version with wind instruments and timpani
8.00 GBP - Sold by Musicroom UK |
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| Johann Sebastian Bach:
Harpsichord Concerto No.2
in E major: Chamber
Ensemble: Harpsichord and Strings Barenreiter
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottis...(+)
E major BWV 1053-In early 1729 Bach became director of the so-called »Scottish Collegium Musician« a music organization of students and local citizens. The remarkable results of this undertaking are the concertos for harpsichord. Today it is almost certain that practically all of these concertos were transcribed from concertos for melody instruments (mostly violin or oboe).BWV 1053 is the second piece in the autograph score of harpsichord concertos that Bach prepared in or around 1738 (Berlin Staatsbibliothek Mus. ms. Bach P 234). It was probably transcribed from a concerto for a solo woodwind instrument although opinions differ on the original key and instrument. Bach had alreadyreworked the original concerto in two church cantatas in the autumn of 1726 (BWV 49 and BWV 169) at which time he assigned the solo part to the organ. Perhaps the original concerto is not much older than these cantatas for the siciliano slow movement is closely related in expression to many numbers from his great Passion settings.Urtext of the New Bach EditionFull score & parts (BA5225) two-keyboard reduction (BA5225-90) and study score (TP410) format 22.5 x 16.5cm (all 6 concertos) available for sale
20.00 GBP - Sold by Musicroom UK |
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| HENRIK WIESE - THE
PICCOLO AUDITION Flûte traversière UNIVERSAL EDITION
Henrik Wiese once again draws on his wealth of experience as a flutist and pedag...(+)
Henrik Wiese once again draws on his wealth of experience as a flutist and pedagogue: with his book “The Piccolo & Alto Flute Audition“, he has compiled a total of 207 audition excerpts in a carefully edited and clearly arranged compendium. In alphabetical order, it contains standard passages from orchestral works of various genres throughout music history, both common and less frequently requested. This up-to-date collection is a reliable companion and indispensable for optimal preparation for international auditions of all kinds at the opera, with symphony or chamber orchestras. Easy-to-read, uniform and modern layout make the edition convenient to use. The critical report and chronological list of audition excerpts for quicker stylistic classification make the editor a comprehensive coach for flutists. Numerous other tips and remarks gained by Wiese from his practical experience and exchange with colleagues and students complete the book. International demand is fulfilled by the texts being in three languages (German, French, English), thus making “The Piccolo & Alto Flute Audition“ the equivalent of the already established edition “The Flute Audition“. Bartók Béla: III. Pe loc aus Rumünische Volkstänze Bartók Béla: III. Elegia aus Concerto for Orchestra Bartók Béla: V. Finale aus Concerto for Orchestra Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 5 Beethoven Ludwig van: 4. Satz aus Symphonie Nr. 9 Berg Alban: 1. Akt, 4. Szene aus Wozzeck Berg Alban: 2. Akt, 2. Szene aus Wozzeck Berlioz Hector: 3. Teil, Szene XII. Meuet des Follets aus La damnation de Faust Berlioz Hector: V. Songe d'une nuit du Sabbat aus Symphonie fantastique Bizet Georges: 1. Akt, Nr. 2 Marche et choeur des gamins aus Carmen Bizet Georges: 3. Akt, Nr. 18 Introduction aus Carmen Borodin Alexander: Allegro vivo und Presto aus Polowetzer Tänze Brahms Johannes: Variation V aus Variationen über ein Thema von Haydn Brahms Johannes: Variation VIII aus Variationen über ein Thema von Haydn Brahms Johannes: 4. Satz aus Klavierkonzert Nr. 2 Brahms Johannes: 3. Satz aus Symphonie Nr. 4 Britten Benjamin: II. Sunday Morning aus Four Sea Interludes Britten Benjamin: IV. Storm aus Four Sea Interludes Britten Benjamin: Variation A aus The Young Person's Guide to the Orchestra Britten Benjamin: Fugue aus The Young Person's Guide to the Orchestra Delibes Léo: 2. Akt, Nr. 11 Musique des automates aus Coppélia Donizetti Gaetano: Sinfonia aus Don Pasquale Donizetti Gaetano: Nr. 7 Scena e Quartetto aus Don Pasquale Dukas Paul: Scherzo, Poco animando und Vif aus L'Apprenti sorcier Dvorák Antonín: 3. Satz aus Symphonie Nr. 6 Dvorák Antonín: 1. Satz aus Symphonie Nr. 9 Händel Georg Friedrich: 1. Akt, Nr. 11 Aria Augelletti, che cantate (Almirena) aus Rinaldo Hindemith Paul: II. Marsch und Pastorale aus Nobilissima Visione Holst Gustav: III. Merkur aus Die Planeten Holst Gustav: Dance of the spirits of water aus der Ballettmusik The Perfect Fool Ippolitov-Ivanov Michail: Nr. 4 Procession of the Sardar aus Suite Nr. 1 Caucasian Sketches Janácek Leoš: 3. Satz The Queen's Monastery, Brno aus Sinfonietta Kodály Zoltán: Marosszéker Tänze Kodály Zoltán: Tänze aus Galánta Ljadow Anatoli: VII. Dancing Song aus Acht russische Volkslieder Mahler Gustav: III. Von der Jugend aus Das Lied von der Erde Mahler Gustav: IV. Urlicht aus Symphonie Nr. 2 Auferstehung Mahler Gustav: V. Der große Appell aus Symphonie Nr. 2 Auferstehung Mozart Wolfgang Amadeus: 2. Akt, Nr. 13 Aria Alles fühlt der Liebe Freuden (Monostatos) aus Die Zauberflöte Ponchielli Amilcare: 3. Akt Danza delle Ore, Finale aus La Gioconda Prokofieff Sergei: I. The Birth of Kijé aus der Suite Leutnant Kishe Prokofieff Sergei: IV. Troika aus der Suite Leutnant Kishe Puccini Giacomo: Suor Angelica Puccini Giacomo: 3. Akt, 1. Szene aus Turandot Ravel Maurice: II. Malagueña aus Rapsodie espagnole Ravel Maurice: IV.Feria aus Rapsodie espagnole Ravel Maurice: II. Petit Poucet aus My mère l'Oye Ravel Maurice: III. Laideromette, Imperatrice des Pagodes aus My mère l'Oye Ravel Maurice: Lever du jour aus der Suite Daphnis et Chloé Ravel Maurice: Pantomime aus der Suite Daphnis et Chloé Ravel Maurice: Danse générale aus der Suite Daphnis et Chloé Ravel Maurice: Boléro Ravel Maurice: 1. Satz aus Klavierkonzert G-Dur Ravel Maurice: 3. Satz aus Klavierkonzert G-Dur Rimski-Korsakow Nikolaj: 3. Satz The Young Prince and The Young Princess aus Sheherazade Rimski-Korsakow Nikolaj: 4. Satz Festiva at Baghdad aus Sheherazade Rossini Gioachino: Sinfonia aus der Ouverture zu La scala di seta Rossini Gioachino: Sinfonia aus der Ouverture zu L'Italiana in Algeri Rossini Gioachino: 1. Akt, Nr. 2 Cavatina Largo al Factotum (Figaro) aus Il barbiere di Siviglia Rossini Gioachino: 1. Akt, Nr. 8 Finale 1, Stretta aus Il barbiere di Siviglia Rossini Gioachino: Sinfonia aus der Ouverture zu La gazza ladra Rossini Gioachino: Sinfonia aus der Ouverture zu Semiramide Rossini Gioachino: Sinfonia aus der Ouverture zu Wilhelm Tell Schönberg Arnold: Nr. 18 Der Mondfleck aus Pierrot lunaire Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 5 Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 5 Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 6 Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 6 Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 7 Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 8 Schostakowitsch Dmitri: 4. Satz aus Symphonie Nr. 8 Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 9 Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 9 Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 9 Schostakowitsch Dmitri: 5. Satz aus Symphonie Nr. 9 Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 10 Schostakowitsch Dmitri: 2. Satz aus Symphonie Nr. 10 Schostakowitsch Dmitri: 3. Satz aus Symphonie Nr. 10 Schostakowitsch Dmitri: 1. Satz aus Symphonie Nr. 15 Sibelius Jean: III. Alla marcia aus der Suite Karelia Smetana Bedrich: Vivacissimo aus Die verkaufte Braut Sousa Filipe de: March aus The Stars and Stripes Forever Strauß Johann (Sohn): Ouverutre aus Die Fledermaus Strawinsky Igor: Variation de l'oiseau de feu aus der Suite L'Oiseau de Feu Strawinsky Igor: Ronde des princesses (Khorovode) aus der Suite L'Oiseau de Feu Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 4 Tschaikowsky Peter Iljitsch: 4. Satz aus Symphonie Nr. 4 Tschaikowsky Peter Iljitsch: 2. Akt, Nr. 12 Divertissement, c) Le thé (Danse chinoise) aus Der Nussknacker Tschaikowsky Peter Iljitsch: 3. Satz aus Symphonie Nr. 6 Verdi Giuseppe: 2. Akt Ballabile aus der Oper Aida Verdi Giuseppe: 1. Akt Coro Fuoco di goia aus der Oper Otello Verdi Giuseppe: 3. Akt Ballettmusik aus der Oper Otello Verdi Giuseppe: 1. Akt, 2. Teil aus der Oper Falstaff Verdi Giuseppe: 1. Akt, Nr. 2 Introduzione aus der Oper La traviata Verdi Giuseppe: 1. Teil, 1. Szene, Nr. 4 Coro di Zingari e Canzone aus der Oper Il trovatore Verdi Giuseppe: 3. Akt, Nr. 13 Scena, Terzetto e Tempesta aus der Oper Rigoletto Wagner Richard: 3. Szene aus der Oper Das Rheingold Wagner Richard: 3. Akt, 2. Szene Feuerzauber aus der Oper Die Walküre Holst Gustav: V. Saturn, the Bringer of Old Age aus Die Planeten Holst Gustav: VII. Neptun, the Mystic aus Die Planeten Ravel Maurice: 1. Teil Danse religieuse aus Daphnis et Chloé Ravel Maurice: 1. Teil Danse générale aus Daphnis et Chloé Ravel Maurice: 2. Teil Danse guerrière aus Daphnis et Chloé Ravel Maurice: 3. Teil Lever du jour aus Daphnis et Chloé Ravel Maurice: 3. Teil Pantomime aus Daphnis et Chloé Ravel Maurice: 3. Teil Danse générale aus Daphnis et Chloé Strawinsky Igor: 1. Teil L'Adoration de la terre aus Le sacre du printemps Strawinsky Igor: 1. Teil Danses des adolescentes aus Le sacre du printemps Strawinsky Igor: 1. Teil Rondes printanières aus Le sacre du printemps Strawinsky Igor: 2. Teil Le sacrifice, Introduction aus Le sacre du printemps Strawinsky Igor: 2. Teil Le sacrifice, Cercle mystérieux des adolescentes aus Le sacre du printemps Strawinsky Igor: 2. Teil Le sacrifice, Action rituelle des ancêtres aus Le sacre du printemps / Partitions classique / Bois / Flûte traversière / UNIVERSAL EDITION
27.40 EUR - Sold by Woodbrass Pre-shipment lead time: On order |
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| Renate Bruce-Weber:
Frohliche Viola 2: Viola:
Instrumental Tutor Viola Schott
'Die fröhliche Viola' is a viola method for children which is aimed primarily a...(+)
'Die fröhliche Viola' is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a 'way to change instruments' may skip some pieces or even start with Vol.2.Like 'Die fröhliche Violine' this book intends to make the children have fun while learning to play the viola. For this purpose a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making and small texts provide interesting information on the viola the music and its composers.The viola is used both as a solo and as anaccompanying instrument and the 'hearing' and 'counting' of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing this book especially encourages ensemble playing with friends or within the family.
22.50 GBP - Sold by Musicroom UK |
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| Wynton Marsalis Sharon
Burch: A Teacher's Guide
to Jazz for Young People
Vol. 2: Divers Hal Leonard
Louis Armstrong-Jazz for Young People brings the language of jazz to you and you...(+)
Louis Armstrong-Jazz for Young People brings the language of jazz to you and your students through great literature combined with learning by doing! This second volume includes step-by-step lessons that combine content and audio video recordings of Wynton Marsalis and Jazz at Lincoln Center artists with interactive student learning including classroom instruments that every music teacher already owns or can easily afford. Perfect for the general music classroom (grades 2 and up) community jazz education courses and beginning jazz ensembles. Directors can adapt for band instruments providing a hands-on approach to historical content that makes jazz relevant to your students. This easy-to-presentresource is designed for a teacher who may or may not be trained in America's art form bringing jazz to the next generation. Digital downloads include: Step-by-step lesson slides to project audio recordings of each song and Wynton Marsalis sharing background information as well as reproducible activity assessment worksheets. Plus you will have FREE access to corresponding video clips for each lesson. Suggested for grades 2 and up.
44.99 GBP - Sold by Musicroom UK |
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| Carl Nielsen: Fantasy
Pieces Op. 2 For Oboe And
Piano: Oboe: Score Oboe, Piano (duet) G. Henle
paperbound-Carl Nielsen?s Fantasy Pieces for Oboe and Piano were composed in 188...(+)
paperbound-Carl Nielsen?s Fantasy Pieces for Oboe and Piano were composed in 1889/90. Having just gained a position as a violinist in the Royal Danish Orchestra Nielsen had already experienced successwith his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for Oboe which were to appear in 1890 as his Opus 2.The twomovements Romance and Humoreske are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the?young talented composer? took the public and critics by storm at their first performance in March 1891.
12.99 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| From Folk To Classical 2
(COLES PAUL) Guitar Classical guitar Universal Edition
24 Favourite Pieces Arranged For The Moderately Advanced Guitarist. Par COLES PA...(+)
24 Favourite Pieces Arranged For The Moderately Advanced Guitarist. Par COLES PAUL. 'From Folk to Classical 2” is a mouth-watering collection of 24 arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Habanera” from 'Carmen” and Saint-Saën's famous 'Swan” but they really work!
Traditional folk numbers are not neglected, with 'Michael Row the Boat” and 'Londonderry Air” among the best known. The arrangements are for moderately advanced players (UK grade 5-6) and Paul has offered fingering help for both left and right hands. It follows Book 1 (UE 21673) which was published in 2017 (Grades 3-4). Try it, perhaps as a warm up for Book 2 if you don't already know it and then try Paul's '26 Melodic Studies” (UE 21670) or his 'Momentos Españoles” (UE 21671)./ Recueil / Guitare
18.81 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Longest Cocktail Party,
The Divers Alfred Publishing
Apple Records was a noble experiment created in the spirit of the 1960s by four ...(+)
Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
26.59 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Ludwig van Beethoven:
Klaviersonate Nr. 14
cis-moll op. 27 Nr. 2:
Piano: Piano solo G. Henle
?Sonata quasi una fantasia? was the title given to it by Beethoven and yet the ...(+)
?Sonata quasi una fantasia? was the title given to it by Beethoven and yet the world of music knows it as the ?Moonlight Sonata? an epithet that was already around during the composer?s lifetime. ?The lake rests quiet under thelight of the moon at twilight; the wave thuds against the dark bank? wrote Ludwig Rellstab on the 1st movement in 1823. ?It is as if we catch sight of a colossal grave in the middle of a lonely plain palely lit by the sicklemoon? was what Wilhelm von Lenz wrote. Beethoven might have been influenced by the sound of the Aeolian harp as Murray Perahia and Norbert Gertsch explain in the introductory texts to this edition referring to the latestresearch. Perahia also provided the fingerings.
7.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Giuseppe Sammartini:
Sonata B flat major:
Recorder Ensemble: Score
and Parts 2 Recorders, Basso continuo (trio) [Score and Parts] Barenreiter
Score with lightly realised (and figured) Basso Continuo and 3 parts (Treble Rec...(+)
Score with lightly realised (and figured) Basso Continuo and 3 parts (Treble Recorder I II Basso Continuo)Giuseppe Sammartini (1695-1750) was already famous as an oboist in Italy before distinguishing himself in England as a composer and virtuoso.In this edition we have transposed his Trio Sonatas for two Flutes or Violins to a range ideally suited to the Treble Recorder.The work was popular during Sammartini's lifetime and stands out because of its melodic richness and imaginative treatment of counterpoint and harmony.
11.50 GBP - Sold by Musicroom UK |
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| Tio Für Zwei (STRECKE
KERSTIN) 1 Piano, 4 hands [Sheet music] Breitkopf & Härtel
28 Klavierduos Miet Sehr Leichter Primopartie. Par STRECKE KERSTIN. Dear piano-p...(+)
28 Klavierduos Miet Sehr Leichter Primopartie. Par STRECKE KERSTIN. Dear piano-playing children and Tio fans. Sweet little Tio is sitting all alone at the piano! But he's a bit confused, since the new book in front of him is called 'Tio for Two.' Who will play with him and be accompanied by Tio? 'Tio for Two' is particularly easy for Player One and is lots of fun to play. You place both thumbs on C as usual and now you're ready for take-off! The pieces newly written by Kerstin Strecke are short and the time you spend with Tio goes by in a flash. Playing piano four-hands for the first time is a wonderful experience - thanks to Tio!/ Recueil / Piano 4 Mains
19.87 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Egon Sassmannshaus: Early
Start on the Violin 2:
Violin: Instrumental
Tutor Violin [Score] Barenreiter
A violin method for children age four and older-The second volume already presen...(+)
A violin method for children age four and older-The second volume already presents classical Violin duets. The child’s knowledge and technique is expanded by dotted rhythms sixteenths notes and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position often within the first year of playing!With this skill songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique notavailable in any other method.The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned Violin pedagogues in Germany.For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father’s successful method for English-speaking children.The combined knowledge and experience of father and son make the four volumes of the Sassmannshaus Tradition the most thoroughly researched and thought-through beginner Violin method in the world.The second volume already presents classical Violin duets. The child’s knowledge and technique is expanded by dotted rhythms sixteenths notes and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position often within the first year of playing!With this skill songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany.For the new English edition his son Kurt Sassmannshaus worked as co-author and
14.50 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Béla Bartók: Piano
Concerto No.3: Piano:
Instrumental Work 2 Pianos, 4 hands Boosey and Hawkes
Bartok wrote his Piano Concerto No.3 during the summer of 1945 intending it as ...(+)
Bartok wrote his Piano Concerto No.3 during the summer of 1945 intending it as a birthday present to his wife Ditta on 31st October. By this time he was already gravely ill; however he was able to finish the score with the exception of the last seventeen bars which he notated in a kind of musical shorthand. These last bars were later deciphered and scored by his pupil and friend Tibor Serly. This is a reduction for 2 Pianos four hands by Matyas Seiber.
32.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn: Missa
Brevis In F Major
Hob.XXII: Mixed Choir:
Vocal Score 2 Sopranos, Choeur Mixte (SATB) Et
Orchestre Barenreiter
F major-“Missa brevis in F in score. This was the first Mass which Mr. Hay...(+)
F major-“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”.Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.”In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself.- Urtext from Joseph Haydn Werke- Full score parts (BA4644) and vocal score (BA4644-90) available for sale- Early string version and later version with wind instruments and timpani
9.50 GBP - Sold by Musicroom UK |
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| Franz Joseph Haydn: Missa
brevis: Mixed Choir: Part 2 Sopranos, Choeur Mixte (SATB) Et
Orchestre Barenreiter
“Missa brevis in F in score. This was the first Mass which Mr. Haydn compo...(+)
“Missa brevis in F in score. This was the first Mass which Mr. Haydn composed whilst still a student” says an entry in the catalogue of Haydn’s musical estate. Circa 1798/99 Haydn entered the work without an incipit in his working catalogue as “Missa brevis in F. / a due Soprani”. Around 1805/06 he added in shaky decrepit handwriting to the title “Missa.” on the front page of the organ part of one of the set of parts prepared by his copyist Johann Elßler: “Brevis / di me Giuseppe Haydn mpria / 1749”. This date the earliest yet found on a work by Haydn corresponds to the title of the Haydn catalogue whichindicates the eighteenth year of Haydn’s life i. e. 1749/50 as the starting point of his work: “Catalogue of all those compositions which I happen to remember writing from my 18th to my 73rd year of life.” In 1805 Haydn set about adding further instruments to the original scoring for two violins and figured organ bass and by 15th February 1806 the larger instrumentation was ready as is evidenced by a letter written on this very day by the Haydn biographer Georg August Griesinger. It is however by no means certain whether the seventy-three-year-old undertook this adaptation himself. - Urtext from Joseph Haydn Werke - Full score parts (BA4644) and vocal score (BA4644-90) available for sale - Early string version and later version with wind instruments and timpani
5.00 GBP - Sold by Musicroom UK |
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| Gaetano Donizetti: String
Quartets No. 1-6: String
Quartet: Miniature Score String Quartet: 2 violins, viola,
cello Eulenburg
Mainly famous as an opera composer Donizetti is also the most important Italian...(+)
Mainly famous as an opera composer Donizetti is also the most important Italian representative of the string quartet genre. If the first quartets can be regarded as experiments of the young composer with a strictly classical form the intermediate and later pieces are unmistakable expressions of a mature musical mind.The String Quartets Nos. 1-6 complete the two volumes already published (Nos. 7–12 13–18); for the first time the editions present a complete critically edited musical text.
27.50 GBP - Sold by Musicroom UK |
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| A Comprehensive String
Method - Book 2: Strings:
Instrumental Tutor FJH
Teachers Manual-The Book 2 Teacher's Manual from New Directions for Strings is d...(+)
Teachers Manual-The Book 2 Teacher's Manual from New Directions for Strings is designed to complement the separate instrumental books. In it all the exercises and pieces are presented in full score with most having piano accompaniment. Throughout the Teacher's Manual are pieces designated as ensemble pieces that foster independant ensemble skills and are also suitable for concert sitiations. The text is presented in 18 units where new skills concepts and music fundamentals are: prepared in advance; introduced in the student books for focused classroom instruction; applied to already known elements in a review section. The Teacher's Manual comes complete withtwo play-along CDs.New Directions for Strings represents the first method ever written by a team of pedagogues representing each of the four stringed instruments. With more than 100 years of combined teaching experience the authors of New Directions® for Strings explore many new directions including equal integration of all the instruments a tetrachord-based approach to support proper development of the left hand and ensemble opportunities that occur throughout the book.Based on more than 100 years of combined teaching experienceWritten by a team of pedagogues representing each of the four stringed instrumentsSupplemental music by Soon Hee Newbold and Elliot Del BorgoIncludes 2 Play-Along CDs with each student book and the Teacher's Manual
37.95 GBP - Sold by Musicroom UK Pre-shipment lead time: In Stock |
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| Henryk Mikolaj Górecki:
Already It Is Dusk op.
62: String Quartet String Quartet: 2 violins, viola,
cello Boosey and Hawkes
Hawkes Pocket Scores HPS 1192-Study Score - Hawkes Pocket Score 1192. Gorecki H...(+)
Hawkes Pocket Scores HPS 1192-Study Score - Hawkes Pocket Score 1192. Gorecki Hm
16.99 GBP - Sold by Musicroom UK |
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| Clawhammer Banjo From
Scratch, A 2-Dvd Set Banjo Old Time Music and Dance
An instructional video that starts from the beginning! Clawhammer From Scratch b...(+)
An instructional video that starts from the beginning! Clawhammer From Scratch begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand styles and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. Based on Dan's innovative Meet the Banjo(TM) program where Dan brings 15 banjos and teaches players who may have never held a banjo, this video assumes no prior experience. Using one tune, Spotted Pony, you are guided through the chords, the scale and then the individual notes of the tune. This video ends with a few tips and frequently asked questions and even a chance for YOU to play with the fiddle and guitar just like in a private jam session. If you have been looking for that one instructional recording to get you started, this is the one for you. If you already have many books or videos but still can't seem to get the basics, this is the one for you, too! A 2-page pamphlet is included. Picking up where Volume 1 left off, in Volume 2 you will learn to capo up to D tuning, review the basics of the Double Thumb Pony, then head off into the banjo world by learning to drop thumb, hammer-on, pull-off, and slide your way into the Full Blown Pony. Just as in Volume 1, you are guided through the chords, the scale, and then the individual notes of the tune as well as each of the techniques that make Old Time Southern Appalachian clawhammer banjo music as exciting as you have heard. Each technique is taught, then applied to the tune and repeated in easily learnable segments. This video even gives you a chance to play banjo with the fiddle and guitar just like in a real jam session. Booklet included. / Banjo (5 Cordes) / niveau : Débutant/Intermédiaire / 2-Dvd Set - Format: 7,5 X 5,25
54.61 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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| Bass Recorder 3 Ensemble:
Recorder Ensemble: Score
and Parts Recorder [Sheet music + CD] Universal Edition
The bass recorder brings a deep rich timbre to the recorder ensemble. Neverthel...(+)
The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler
28.50 GBP - Sold by Musicroom UK |
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| Teach Yourself Rock
Keyboard - With Dvd Keyboard [Sheet music + DVD] Alfred Publishing
Upon completion of this book, you will be able to play from popular piano sheet ...(+)
Upon completion of this book, you will be able to play from popular piano sheet music and lead sheets, and be ready to play in a band! Alfred Music's exclusive TNT 2 software lets you customize the audio tracks for practice. Use it to slow down tracks, isolate and loop parts, and change tempos and keys. Features: *The easiest way to learn to play rock keyboard *Step-by-step explanation on how to read music *Learn basics like how to sit at the keyboard and proper hand position *Easy-to-understand approach to scales and chords *Music examples in the style of Billy Joel, The Kingsmen, Coldplay, Ben Folds Five, and more.*Essential chord chart with all the major and minor chords for the right hand / Clavier
33.24 EUR - Sold by LMI-partitions (Seller in french langage) Pre-shipment lead time: 3-10 days - In Stock Supplier |
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