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Egon Sassmannshaus: Early Start on the Violin 2: Violin: Instrumental Tutor
Violin
[Score]
Barenreiter
A violin method for children age four and older-The second volume already presen...
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A violin method for children age four and older-The second volume already presents classical Violin duets. The child’s knowledge and technique is expanded by dotted rhythms sixteenths notes and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position often within the first year of playing!With this skill songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique notavailable in any other method.The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned Violin pedagogues in Germany.For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father’s successful method for English-speaking children.The combined knowledge and experience of father and son make the four volumes of the Sassmannshaus Tradition the most thoroughly researched and thought-through beginner Violin method in the world.The second volume already presents classical Violin duets. The child’s knowledge and technique is expanded by dotted rhythms sixteenths notes and first double stops. And here is the most revolutionary aspect of the method: different finger patterns can be connected and combined to create any major and minor scale without the use of open strings. This creates the ability to practice scales in any position often within the first year of playing!With this skill songs learned in first position are easily transposed to other keys and higher position. Coupled with beginning shifting exercises this sets a foundation for an early virtuoso technique not available in any other method.The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany.For the new English edition his son Kurt Sassmannshaus worked as co-author and
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Renate Bruce-Weber: Frohliche Viola 1: Viola: Instrumental Tutor
Viola
-
Beginner
Schott
'Die fröhliche Viola' is a viola method for children which is aimed primarily a...
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'Die fröhliche Viola' is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a 'way to change instruments' may skip some pieces or even start with Vol.2.Like 'Die fröhliche Violine', this book intends to make the children have fun while learning to play the viola. For this purpose, a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making, and small texts provide interesting information on the viola, the music and its composers.The viola is used both as a solo and as an accompanying instrument, and the 'hearing' and 'counting' of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing, this book especially encourages ensemble playing with friends or within the family.
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A Comprehensive String Method - Book 2: Strings: Instrumental Tutor
FJH
Teachers Manual-The Book 2 Teacher's Manual from New Directions for Strings is d...
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Teachers Manual-The Book 2 Teacher's Manual from New Directions for Strings is designed to complement the separate instrumental books. In it all the exercises and pieces are presented in full score with most having piano accompaniment. Throughout the Teacher's Manual are pieces designated as ensemble pieces that foster independant ensemble skills and are also suitable for concert sitiations. The text is presented in 18 units where new skills concepts and music fundamentals are: prepared in advance; introduced in the student books for focused classroom instruction; applied to already known elements in a review section. The Teacher's Manual comes complete withtwo play-along CDs.New Directions for Strings represents the first method ever written by a team of pedagogues representing each of the four stringed instruments. With more than 100 years of combined teaching experience the authors of New Directions® for Strings explore many new directions including equal integration of all the instruments a tetrachord-based approach to support proper development of the left hand and ensemble opportunities that occur throughout the book.Based on more than 100 years of combined teaching experienceWritten by a team of pedagogues representing each of the four stringed instrumentsSupplemental music by Soon Hee Newbold and Elliot Del BorgoIncludes 2 Play-Along CDs with each student book and the Teacher's Manual
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Henryk Mikolaj Górecki: Already It Is Dusk op. 62: String Quartet
String Quartet: 2 violins, viola, cello
Boosey and Hawkes
Hawkes Pocket Scores HPS 1192-Study Score - Hawkes Pocket Score 1192. Gorecki H...
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Hawkes Pocket Scores HPS 1192-Study Score - Hawkes Pocket Score 1192. Gorecki Hm
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New Real Book Vol.3 C
C Instruments
Advance Music
The long-awaited third volume of the much-loved and often used fake book series....
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The long-awaited third volume of the much-loved and often used fake book series. Includes choice standards, motown and pop classics, Blue Note and jazz classics, and even contemporary tunes with no duplication of tunes from Volumes 1 or 2. / Instruments En Do
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Dan Levenson: Clawhammer Banjo From Scratch A 2-Dvd Set: Banjo: Instrumental
Banjo
[Sheet music + CD]
Mel Bay
An instructional video that starts from the beginning! Clawhammer From Scratch b...
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An instructional video that starts from the beginning! Clawhammer From Scratch begins as though you really have NO knowledge of how to play the five string Banjo clawhammer style. Beginning at the beginning Dan presents abrief history of the 5-string Banjo then goes over the parts of the Banjo holding the Banjo right and left hand styles and his basic clawhammer strum. Even the strum is broken down into the steps of the finger andthumb.Based on Dan's innovative Meet the Banjo(TM) program where Dan brings 15 banjos and teaches players who may have never held a Banjo this video assumes no prior experience. Using one tune Spotted Pony youare guided through the chords the scale and then the individual notes of the tune. This video ends with a few tips and frequently asked questions and even a chance for YOU to play with the Fiddle and Guitar just like in a privatejam session. If you have been looking for that one instructional recording to get you started this is the one for you. If you already have many books or videos but still can't seem to get the basics this is the one for you too!A 2-page pamphlet is included.Picking up where Volume 1 left off in Volume 2 you will learn to capo up to D tuning review the basics of the Double Thumb Pony then head off into the Banjo world by learning to drop thumb hammer-on pull-off and slide your way into the Full Blown Pony. Just as in Volume 1 you are guided through the chords the scale and then the individual notes of the tune as well as each of the techniques that make Old TimeSouthern Appalachian clawhammer banjo music as exciting as you have heard. Each technique is taught then applied to the tune and repeated in easily learnable segments. This video even gives you a chance to play Banjo with theFiddle and Guitar just like in a real jam session. Booklet included.
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Bass Recorder 3 Ensemble: Recorder Ensemble: Score and Parts
Recorder
[Sheet music + CD]
Universal Edition
The bass recorder brings a deep rich timbre to the recorder ensemble. Neverthel...
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The bass recorder brings a deep rich timbre to the recorder ensemble. Nevertheless when beginning with the bass recorder even players who have already mastered one or more instruments of the recorder family face the problem of learning a new clef and feeling at home with an instrument which is different from the other recorders in its shape and handling. The Bass Recorder Workshop is a 'hands-on' tutor which helps players acquire the bass recorder skills necessary for refined ensemble playing step by step. The bass recorder is incorporated into the ensemble from the beginning. The degree of difficulty in the bass line gradually increases in terms of tone quality rhythm andtechnical demands. The Bass Recorder Workshop consists of consecutive volumes with music for three to five voice recorder ensembles as well as exercises and information on the following subjects: o the bass recorder - construction instrument types historical background o technical foundations of bass recorder playing posture fingering sound and articulation o practise and rehearsal techniques intonation in ensemble playing o stylistically diverse ensemble repertoire ranging from medieval to contemporary music The Bass Recorder Workshop offers the possibility of playing the bass line of the ensemble pieces along with the CD included. The audio examples come in two versions: the full versions are complemented by versions without the bass line which can be used to play along with. Beginners who would like to start with the bass as their first recorder instrument should supplement the Bass Recorder Workshop with lessons from a teacher. Learning the bass recorder whilst playing in an ensemble continues in this 3rd volume of Workshop Bassblockflöte. Greater emphasis is placed on the techniques of refining sound quality 2 and 3 part arrangements and playing not only the bass voice but also the middle or even the melodic line. The enclosed CD recorded by the editors Irmhild Beutler
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Chris Tomlin Keith Getty Kristyn Getty Stuart Townend: O Church Arise (Arise
Daybreak Music
Exploding from the page with a clarion call to service this epic song is someth...
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Exploding from the page with a clarion call to service this epic song is something to be experienced. Written in a timeless poetic style the significant text covers the spiritual journey of the church with respect and lofty aspirations. The resolute hymn-like theme is tastefully harmonized interspersed with unison and two-part writing for power and clarity. A new bridge recently added by the songwriters and artist Chris Tomlin proclaims a glorious call to the church to Arise shine for your light has come. A luxurious orchestration is also available bringing a cinematic scope to a song that has already become a modern-day sacred classic. Highly recommended! Score and Parts(fl 1-2 ob cl 1-2 bn hn 1-2 tpt 1-3 tbn 1-2 tbn3/tba perc 1-3 timp pno hp vn 1-2 va vc db) available as a digital download.
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3 SONATINAS OP. 67 (SIBELIUS JEAN)
Piano solo
[Sheet music]
Breitkopf & Härtel
Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in sp...
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Par SIBELIUS JEAN. After preparing his Scenes historiques op. 66 for print in spring 1912, Sibelius had many grand plans but had to turn towards more profitable piano works first, due to his financial situation. Within only one month, he wrote the Three Sonatinas op. 67 in June 1912, which were published by Breitkopf already in November the same year. Although by his own accounts he did not like writing for piano and only doing it for income, he told in 1948 Erik Tawaststjerna that he regarded the Sonatinas among his best chamber music and considered them equal to his string quartet ?Voces intimae?. / Date parution : 2022-11-04/ Recueil / Piano
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Ben Fielding Reuben Morgan: Mighty to Save: SATB: Vocal Score
Choral SATB
[Vocal Score]
Integrity Music
Mighty to Save has already become a favorite of many congregations and could be...
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Mighty to Save has already become a favorite of many congregations and could be a great song of celebration for any Sunday but especially on Easter morning. Available separately: SATB Orchestration (fl 1 2 ob [=ssx] cl 1 2 tpt 1 2 3 hn 1 2 [=asx] tbn 1 2 [=tsx/bar] tbn 3/tba [=barsx] perc 1 2 timp hp rhythm vn 1 vn 2 va [=cl 3] vc/bn [=bcl] b keyboard string reduction) CD Accompaniment Trax. Duration: ca. 4:55.
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Rev. Gary Davis: At Home and Church: Recorded Performance
Grossman's Guitar Workshop
This set of three CDs captures Rev. Davis at home and church - teaching talking...
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This set of three CDs captures Rev. Davis at home and church - teaching talking and philosophizing. The first two CDs are material recorded at his Bronx home. Religious songs folk tunes blues rags and memories are included. The music ranges from the heavenly to the bawdy and the third CD features a recorded service where Rev. Davis plays and delivers sermons.Disc One (At Home):1. Twelve Sticks 3:472. Sally Where’d You Get Your Liquor From 1:523. Babylon Is Falling 6:364. What Could I Do 3:235. Children of Zion 7:056. Hesitation Blues 4:057. Candyman (on 5 String Banjo) 1:238.Steal Away And Pray 5:369. Goin’ To Chattanooga 5:0210. Packing Up Get Ready To Go 3:3711. Untitled 0:3912. You Cry Because I’m Leaving 4:1613. Don’t Let My Baby Catch You Here 5:1414. Lord Let Me Live Longer 2:2115. I Want To be Saved 2:4716. Waltz Time Candyman 3:1717. Little Boy Who Made Your Britches 4:3818. Talks about Verses Not Sung 2:2119. C Rag 5:4120. Two Step Candyman 2:51Disc Two (At Home):1. Piece Without Words 3:512. Lord Search My Heart 4:053. Slippin’ To My Gal Comes In Partner 2:564. Sun is Going Down 2:445. Raise A Ruckus Tonight 2:146. Save Up Your Money John D. Rockefeller Put the Panic On 5:597. Soon My Work Will All Be Done 3:578. You’re Gonna Need King Jesus 2:449. I’m Going Back To Jesus 2:0210. Blues in C 5:1211. Saddle It Around 3:0012. People Who Use To See 4:5213. Italian Rag 3:1614. Candyman 4:2415. Nobody Don’t Care For Me 3:1216. Fox Chase 4:5117. Talk on Blind Boy Fuller 9:39Disc Three (In Church):1. Amazing Grace 3:262. Sermon 3:113. I’m a Soldier In The Army Of The Lord
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Alexis Ffrench: Alexis Ffrench - Truth: Piano Vocal and Guitar: Mixed Songbook
Piano solo
Hal Leonard
Alexis Ffrench isn?t afraid of fusing his music with weighty issues. For years, ...
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Alexis Ffrench isn?t afraid of fusing his music with weighty issues. For years, the pioneering pianist has used his music to highlight mental health, discuss diversity and challenge the classical world to be more inclusive. Truth is his most powerful and political to date, and also his most optimistic. ?I imagined what the world would look like if everybody had the opportunity to ask themselves the questions ?who am I?? and ?what is my purpose in the world?? and what we, as a human race, could create and change together.? Featuring Alexis? signature piano
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SOLO PIECES (HAUSCHKA)
Piano solo
[Sheet music]
Bosworth
Par HAUSCHKA. Featuring songs by the renowned composer and master of the prepare...
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Par HAUSCHKA. Featuring songs by the renowned composer and master of the prepared Piano Volker Bertelmann, AKA Hauschka, Solo Pieces is a wonderful compilation of some of his most beautifully engrossing and hypnoticcompositions, as well as some fantastic illustrations and writings. A unique figure in the contemporary classical world, Hauschka\'s works defy categorisation while remaining uniquely effective. Knownfor his prepared Piano pieces, Hauschka writes that he considers the Piano a keyboard, string and percussion instrument, thereby opening its sonic possibilities to include diverse timbres, tones and textures.Somesongs in Solo Pieces are for natural Piano, but others include instructions on how to prepare your own Piano, using everyday materials like foil, greaseproof paper, rubber wedges orerasers. The spirit of Solo Pieces is experimentation, something that Hauschka has always embraced. You don\'t need to prepare your Piano, or you could use differentmaterials to create a unique performance of the work. Some of the pieces like One Wish feature wonderfully metallic buzzing sounds that complement the changing dynamics of the piece, while others like Early InThe Park have unique tinkling percussive effects, adding completely new facets to the already evocative melodies. Far from being simply a collection of Hauschka sheet music,this book is a wonderfully inviting publication, featuring introductory words from Hauschka on his inspirations and processes, as well as notes on his favourite materials throughout. Also included are interestingpieces like short stories, letters and fantastic sketches that are fitting for a personality and artist like Hauschka. This book of Hauschka sheet music is ideal for fans of the inventive composer, but alsopianists who looking for some new and unique music to play. Solo Pieces by Hauschka is both a collection of excellent Piano pieces and an aesthetically pleasing / Date parution : 2022-09-15/ Recueil / Piano
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Ludwig van Beethoven: Violin Concerto In D Op. 61 - Kremer Edition: Violin:
Violin and Piano
G. Henle
2 volumes in a slipcase with marked and unmarked string part with orchestra part...
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2 volumes in a slipcase with marked and unmarked string part with orchestra parts-On the occasion of the 70th birthday of Gidon Kremer violinist extraordinaire G. Henle Publishers is issuing a special edition of Beethoven?s Violin Concerto in collaboration with the Kronberg Academy. It comprises two editions gathered together in an attractive slipcase: the piano score and violin part without annotations (also available as HN 326) and the ?Kremer part?. The latter includes fingerings and bowings by Gidon Kremer. The musical text isfollowed by an essay by Kremer about recordings of the Beethoven Concerto bearing the attractive title: ?Searching for Ludwig?. And this is not all: the first-movement cadenza by the composer Victor Kissine which Kremer hasalready played numerous times is published here for the very first time. The solo violin is here accompanied by wind and percussion. The edition also includes the corresponding performance materials for the cadenza including thescore and a piano reduction for study purposes. This extraordinary Urtext edition is rounded off with a foreword by Friedemann Eichhorn. Congratulations Maestro Kremer!
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Georg Friedrich Händel: Lotario HWV 26: Opera: Vocal Score
Opera
Barenreiter
Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario wa...
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Opera in three acts-Lotario HWV 26Opera in three actsHandel???s opera Lotario was first heard at the King???s Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer???s lifetime Handel reused many of its arias in his later operas sometimes altering the words.The historical background of the plot is the conflict between Otto I (912 973) and Berengar of Ivrea for the Italian crown and Otto???s marriage to the Italian queen Adelaide in 951. In the course of composition the name of the hero (???Ottone??? in Salvi???s libretto) was altered to ???Lotario??? since Handel had already written an opera entitled Ottone on thelife of Otto II (955 983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition.- Urtext of the Halle Handel Edition.- Full score (BA4074) and vocal score (BA4074-90) available for sale.- Performance material (BA4074-72) available for hire
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Georg Friedrich Händel: Lotario HWV 26: Ensemble: Score
Soli and Orchestra
Barenreiter
Opera in three acts-Lotario HWV 26Opera in three actsHandel?s opera Lotario was ...
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Opera in three acts-Lotario HWV 26Opera in three actsHandel?s opera Lotario was first heard at the King?s Theater in the Haymarket on 2 December 1729 and had a run of nine performances. Though never revived in the composer?s lifetime Handel reused many of its arias in his later operas sometimes altering the words.The historical background of the plot is the conflict between Otto I (912 973) and Berengar of Ivrea for the Italian crown and Otto?s marriage to the Italian queen Adelaide in 951. In the course of composition the name of the hero (?Ottone? in Salvi?s libretto) was altered to ?Lotario? since Handel had already written an opera entitled Ottone on thelife of Otto II (955 983) in 1722.The vocal score contains the version composed for the performances of December 1729 and January 1730. It is based on the Urtext of the Halle Handel Edition.- Urtext of the Halle Handel Edition.- Full score (BA4074) & vocal score (BA4074-90) available for sale.- Performance material (BA4074-72) available for hire
269.00 GBP - Sold by Musicroom UK
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Beyond Singing: Mixed Choir
Hal Leonard
Blueprint for the Exceptional Choral Program-Excellence is not something stumble...
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Blueprint for the Exceptional Choral Program-Excellence is not something stumbled upon by accident. You won't achieve great things while flailing about in paperwork nor partake of true musical artistry by folly. Success requires a concrete plan of action: a big-picture planfollowed by all the little details that together create a complex mosaic that forms a beautiful and intricate picture of choral excellence. This practical text offers a wealth of information for running a choral program. The twosuccessful veteran teachers offer advice for dozens of solutions to issues facing the choral director. Includes a CD-ROM of bonus material an introduction by Paul Salamunovich and these chapters:1. GET READY...The Calendar for the Year The Choir Handbook.2. GET SET... Preparing for Class Herhearsal Structure and Techniques Selecting Literature Blueprint for Teaching Choral Literature Effective ClassroomManagement.3. GO! Conducting Concert Dos and Don'ts Memorization Contests and Festivals Programming Themes and Variations Enrichment Opportunities for Students The Blessing of Added Extras IdentifyingProspective Audiences.4. AFTER ALL THEY DO CALL YOU A TEACHER! Grading Policies Paperwork Teaching Sight-Reading and Music Literacy.5. TAKING CARE OF BUSINESS Copyright Law for the Choral Director The Art of the Interview Teacher Observations and Evaluations Professional Resources.6. HOW TO GET ALONG AND PLAY WELL WITH OTHERS Building Your Support System The Recruitment and Retention of Choir Students Effective Publicity and Public Relations.HOW TO DO STUFF Fund-Raising Uniforms Music Library Organization and Maintentance.8. HOW TO KEEP THE TAIL FROM WAGGING THE DOG Show Pop Jazz and SwingChoirs Chamber Singers and Madrigal Groups.9. WHO SAYS CHOIR IS BORING? Choir Traditions Fun and Games Trips Tours Parties and Banquets.10. ALL THE REST THAT'S FIT TO PRINT... Topics Overlookedin MusEd 101 The Great Miscellany of It All.11. VAULTING INTO THE BIG LEAGUES VIPs of the Profession “You Are Cordially Invited...” International TravelEpilogue Table of Contents for CD
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Let's Take The Stage!
Flute and Piano
EMB (Editio Musica Budapest)
Its an unforgettable experience to go on stage for the first time and win applau...
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Its an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Esterházy, Purcell, Händel, Haydn, Mozart, Beethoven, Weber, Schubert, Mendelssohn, Schumann, Tchaikovsky and Grieg. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young flutists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, several charming illustrations by Edit Szalma are included. / Flûte Et Piano
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Johann Sebastian Bach: Das Wohltemperierte Klavier Teil I BWV 846-869: Piano:
Piano solo
[Sheet music]
G. Henle
The Well-Tempered Clavier Part I-The Well-Tempered Clavier was the title given t...
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The Well-Tempered Clavier Part I-The Well-Tempered Clavier was the title given to the book of twenty-four preludes and fugues in all the major and minor keys which was composed and compiled during Bachâ??s appointment in Kothen in 1722. Bach later wrote afurther twenty-four preludes and fugues and so the forty-eight preludes and fugues eventually became collectively known as the Well-Tempered Clavier Parts 1 And 2.Bach composed the Well-Tempered Clavier Part1 â??for the profit and use of musical youth desirous of learning and especially for the pastime of those already skilled in this study.â?? Even today these forty-eight preludes and fugues remain a necessity to all advancingpianists wishing to develop secure and perfect technique and technical control.The Well-Tempered Clavier is a major work of great breadth and depth and musical aesthetic and psychological diversity andcomplexity. This Urtext edition edited by Ernst-Gunter Heinemann and fingered by Andras Schiff provides you with an accurate realisation of the composerâ??s original intentions with thorough and detailed editorial markings andsuggestions.
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GREAT ACOUSTIC SONGS - LITTLE BLACK SONGBOOK
Wise Publications
The Little Black Songbook of Great Acoustic Songs boasts over 80 crowd-pleasing ...
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The Little Black Songbook of Great Acoustic Songs boasts over 80 crowd-pleasing hits from the past and present masters of the unplugged tune. Presented in chord songbook format, this collection features Guitar chords and complete lyrics, as well as useful chord boxes for each song. Despite its size, The Little Black Songbook contains enough Great Acoustic Songs to feature something for everyone, such as classic rock from the '60s to the latest and best pop tunes hot off the charts. Whether the songs were originally intended to be acoustic tunes or their singalong choruses make them perfect for the unplugged treatment, every one of these songs is ideal for strumming andsinging. This songbook features a diverse range of songs from Simon & Garfunkel's America, Johnny Cash's Folsom Prison Blues and Elton John's Tiny Dancer , through to Elliott Smith's Ballad Of Big Nothing, James Bay's Hold Back The River and Ho Hey by The Lumineers. Drawn from the finest pop, rock and folk singer-songwriters, these tunes are ideal for a group singalong, a spot of busking or simply enjoying the pleasure of playing Great Acoustic Songs . With The Little Black Songbook , you can learn to play over 80 of the greatest Acoustic Songs by some of the biggest names in pop and rock. You'll also be able to practise strumming, singing, all while learning to play a huge number of chords using the Guitar chord boxes. Perfect for any aspiring guitarist, this acoustic sheet music songbook may be small, but it's packed with some massive songs. 1. 20/20 2. About A Girl 3. Against The Wind 4. America 5. And I love You so 6. Baby can I hold you 7. Ballad Of Big Nothing 8. Blud 9. Breaking The Law 10. Broken 11. Broken Strings 12. Budapest 13. Cornerstone 14. Cosmic Dancer 15. Courage 16. Cracklin' Rosie 17. Cucurucu 18. Dancing Barefoot 19. Everlong 20. Everything Has Changed 21. Far From Any Road 22. Folsom Prison Blues 23. Fourfiveseconds 24. Free Fallin' 25. Grandma's Hands 26. Guitar Man 27. Have You Ever Seen The Rain? 28. Heart Is A Drum 29. Ho Hey 30. Hold Back the River 31. Home 32. I Never Learn 33. I Say A Little Prayer 34. I'm Looking Through You 35. In Between Days 36. Into My Arms 37. Ivy & Gold 38. Jack And Diane 39. Jenny Don't Be Hasty 40. Lean 41. Let Her Go 42. Little Lion Man 43. Little Talks 44. Lola 45. Love Ain't for Keeping 46. Love Is Like A Butterfly 47. Matilda 48. Moonshadow 49. My Winding Wheel 50. No One's Gonna Love You 51. Oblivious 52. Oh Daddy 53. One Love (People Get Ready) 54. Our House 55. Paint The Moon 56. Please, Please, Please, Let Me Get What I Want 57. Quicksand 58. Re: Stacks 59. Red Eyes 60. Ripple 61. Running Scared 62. Ship To Wreck 63. Shiver 64. Silent Movies 65. Sisters Of Mercy 66. Solsbury Hill 67. Someone Like You 68. Stay With Me 69. Strawberry Letter 23 70. Stuck On You 71. Sugar Man 72. Take me Home, Country Roads 73. Take Me To Church 74. Tangled Up In Blue 75. Tears in heaven 76. The Drugs Don't Work 77. The First Time Ever I Saw Your Face 78. The Girl From Ipanema (Garôta De Ipanema) 79. Thinking Out Loud 80. Tiny Dancer 81. Trouble 82. Wagon Wheel 83. Walk On The Wild Side 84. Weather With You 85. Wild West End 86. With A Gun 87. You Turn Me On I'm A Radio 88. You'Re The Best Thing / Paroles&accords / Wise Publications
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Franz Joseph Haydn: Cello Concerto In C Hob.VIIb: Cello: Instrumental Work
Cello, Piano
G. Henle
Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) w...
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Haydn’s Concerto for Violoncello and Orchestra in C major (Hob. VIIb:1) was probably composed between 1762 and 1765 when he was already director of music to Prince Esterh zy. It may have been writtenfor the cellist in the court Orchestra Joseph Weigl (1740-1820) for whom Haydn most likely also wrote the solo Cello parts in his early symphonies. Weigl was a member of the Esterh zy ensemble from 1761 to 1769 andthereafter served as a principle cellist in various Viennese ensembles.The concerto was rediscovered by Oldrich Pulkert who in 1961 found an eighteenth-century manuscript copy (Prag National Museum Fonds Radenin) andpublished the concerto in 1962. Previously the existence of this piece was known only through Haydn’s entry in his private list of works (the so-called ‘Entwurf’ [‘draft’] catalogue).The Orchestral setting ismodest: besides the Strings (with a non-obligato Bassoon doubling the Bass part) there are two Oboes and two Horns which are reserved almost exclusively for the tutti passages.This Piano reduction is based on the text givenin the complete edition of Haydn’s works as edited by the Joseph Haydn Institute Cologne (Joseph Haydn Werke Series III Vol.2 with Preface and Critical Report published by G. Henle Verlag Munich 1981). The Cello partin the Piano reduction is identical to that of the complete edition and thus follows the Prague source as closely as possible even in the expression marks and in certain peculiarities of notation.
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