SKU: BT.1844-11-140-MS
9x12 inches. English-German-French-Dutch.
Since 2007, British pop-singer sensation Adele has been winning one prize after another and has enjoyed unprecedented UK chart success. In December 2010, Rolling in the Deep finally propelled her into the charts of many European countries and the USA. Thanks to Stefan Schwalgin’s fantastic arrangement, you can surprise your audiences with a hit that is still riding high in the charts! Sinds 2007 sleept de jonge Britse zangeres Adele de ene na de andere prijs in de wacht. Ook stond ze al meerdere keren in de Britse hitlijsten. Met Rolling in the Deep lukte het haar ook om eind 2010, begin 2011 in verschillende andereEuropese landen en de VS de top tien te bereiken. Dankzij de bewerking voor blaasorkest van Stefan Schwalgin kunt u nu ook uw publiek verrassen met deze publiekslieveling!Seit 2007 gewinnt die junge britische Sängerin Adele einen Preis nach dem anderen und hatte in den britischen Charts schon etliche Hits. Mit Rolling in the Deep gelang es ihr Ende 2010/Anfang 2011, sich in mehren europäischen Ländern und den USA an die Spitze der Charts zu setzen. Dank Stefan Schwalgins Blasorchesterbearbeitung können Sie Ihr Publikum schon jetzt mit diesem aktuellen Hit überraschen! Depuis 2007, la chanteuse britannique Adele enchaîne les titres succès. Rolling in the Deep est une chanson d’un style bluesy, classée n°1 dans de nombreux pays d’Europe ainsi qu’aux États-Unis. Stefan Schwalgin a réalisé un superbe arrangement pour orchestre d’harmonie de ce single toujours classé, afin que vous puissiez charmer votre orchestre et votre public. Dal 2007 a oggi Adele, giovane cantante inglese, ha vinto numerosi premi e le sue canzoni sono tra le più vendute. Il suo Rolling in the Deep è arrivato in vetta alle classifiche in molti paesi europei e negli Stati Uniti. L’arrangiamento di Stefan Schwalgin vi consente di sorprendere il vostro pubblico con questo successo!
SKU: HL.48180300
UPC: 888680795436. 9.0x12.0x0.036 inches.
The first of the Two Pieces for flute and harp or piano accompaniment, ââ¬Å1. The swansââ¬Â? is a lovely short piece composed by Henri Busser. Really melodious, this piece is perfect to work on the flexibility of the tone and a good training to be able execute pieces more difficult. Written mainly in A key, not often used by flutists, and starting Andantino moderato, the piece symbolizes the swans, riding on a lake. It features an intro, a main theme in [A] which comes back A tempo in [C] and a final Piú moderato, finishing with a really high trill. Some difficulties, such as the A key and the range used on this piece will require an intermediate technique: difficulty is rated at 5. This first piece is followed by the second one: ââ¬Å?The squirrels.ââ¬Â Henri Busser (1872-1913) is a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet, numerous operas and chamber music.
SKU: PR.114418250
UPC: 680160640959. 9 x 12 inches.
In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.
SKU: HH.HH442-FSP
ISBN 9790708146476.
Sonata 1 opens with a movement marked Sostenuto expressing to perfection the melancholy gracefulness associated with B minor. This is followed by a vivacious Allegro, kaleidoscopic in its ever-changing rhythmic patterns. The sonata concludes with a charming homage to the French style in the form of a gavotte en rondeau. The opening movement of Sonata 2, which has some exquisite harmonic turns, displays what Quantz called the prächtig (magnificent) style, with a pompously striding bass and heavily dotted rhythms for the flute. The following Allegro moderato features jaunty syncopations interspersed with rapid flurries of demisemiquavers. Balicourt concludes with a sparkling ‘applause finale’, frothy but never trivial.
SKU: HL.49033212
ISBN 9790001135894. UPC: 073999282085. 9.0x12.0x0.132 inches.
This Piano Trio Passacaglia is the 'junior' companion piece to my Cello Concerto Dunkle Saiten [Dark Strings], or more precisely to the concerto's large-dimensional introductory section with the indication 'Feierlich, schreitend' [solemnly, striding]. What in the Cello concerto then inescapably culminates in a catastrophe remains in this composition ostensibly largely conflict-free. This is in fact perhaps one of my most peaceful and conflict-free compositions; it consists of half an hour of almost exclusively tonal progressions. Here, passacaglia (stepping dance!) is taken literally: the step progressions themselves become the subject of the work. This also includes pausing, not being able to progress, feeling one's way, stumbling and taking compulsive steps forward.As familiar as the harmonic surface of the structure appears, for me the natural adaptation of the musical flow was new to a similar degree. This is my attempt to produce a linear tonal band (a horizontal) exclusively with the aid of harmonic - i.e. vertical - progressions.- Jorg Widmann.
SKU: OU.9780193356658
ISBN 9780193356658. 12 x 8 inches.
For chamber ensemble (2 clarinets in B flat, percussion (marimba, bodhran), piano, viola, and cello) On Claudy Banks is a quiet response to the musical and lyrical content of a traditional folk song of the same name about a woman mourning the supposed loss of her lover at war with the Spanish. Hymn-like outer sections are balanced by a somewhat sinister, brooding central section but the overriding mood of the piece is one of peaceful melancholy.
SKU: HL.49013017
ISBN 9790001128094. UPC: 884088083052. 9.0x12.0x0.129 inches.
This volume shows the wide stylistic range inherent in the Blues with particular emphasis on specifically pianistic varieties, especially Boogie, Stride Piano and New Orleans Piano. While some pieces are tributes to famous masters of the Blues such as Muddy Waters und Professor Long-hair, others are inspired by Rock, Soul, Jazz and Gospel.
SKU: PE.EP14547
ISBN 9790014137090. German.
Hard Boiled Variations by Arnulf Herrmann is a 41-minute work for ensemble and dance. Two aspects are at the centre of it: on the one hand, the piece addresses different facets of acceleration or the different ways of creating the impression of acceleration, and on the other hand, the play of proximity and distance or sharpness and blurriness. The reference to visual perception and the visual arts is quite intentional---comparable to the gradual receding from a canvas, the details fade with increasing distance (or acceleration) and the overriding contours come to the fore until finally only the overall impression of the picture remains recognisable.
The piece was premiered on 6 May 2022 at the Wittener Tage für Neue Kammermusik by Ensemble Modern and CocoonDance under the direction of Elena Schwarz.
The full score (EP 14547) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. This product is printed on demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: OU.9780193954007
ISBN 9780193954007. 10 x 7 inches.
For SSATB and organ This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding bass line of the opening sets the mood for an impressive piece for a special occasion. The organ part supports the voices throughout, and adds a ten-bar 'coda'.
SKU: HL.14030426
6.75x10.0x0.062 inches.
Sleep Canticle was writtenin 1974 for the Conference of the National Federation of Gramophone Societies in Norwich. The texts are drawn from the two famous Norwich writers, the lady Julian (1343-1443) and Sir Thomas Browne (1605-82). Browne's two verses - from the poem in Religio Medici beginning: 'The night is come, like to the day' - are set for all the voices, the prose that frames them set as a tenor solo, sung by Gordon Pullin. Julian's words, overriding the verse ends, are given to a solo soprano, Alison Furniss.
SKU: BA.BA11415
ISBN 9790006569601. 30 x 21 cm inches. Text Language: Latin.
Psalm 128 praises a life devoted to God, but also praises the family. The work strives to depict the bright striding along this path. The images of the text are set to music by various modal reinterpretations of the diatonic scale. The gentle vision of peace, which this psalm suggests, also transforms the musical sounds into lighter nuances.
SKU: OU.9780193954052
ISBN 9780193954052. 12 x 8 inches.
For SSAATTBB and organ This fine double choir setting, published to celebrate the 200th anniversary of the composer's birth, uses the two choirs to great effect, with the Gloria starting with striding imitation between the soprano and tenor (later alto and bass) over a pedal point in the organ.
SKU: HL.49030480
ISBN 9790220122415.
SKU: HL.50606906
ISBN 9798350122183. UPC: 196288202097.
For his saxophone quartet Grid, Austrian composer Gerald Resch has explored grids and the overlapping, shifting and overriding of clear regularities. In the work, which consists of six movements, Resch deliberately favours a “light†tone that may be remotely reminiscent of Shostakovich and, in its agile dynamics, repeatedly allows jazzy moments to shine through.
SKU: HL.290094
ISBN 9788759840054. UPC: 888680922122.
The name or title alone says it all: a piece of music where courtly elegance embraces soulful melancholy, a world where velvety symphonic twilight and the majestically striding dance of the Baroque, the Sarabande, sweep along, hand in hand.
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