Arranged by Roger Ames for the James Jordan Choral Series this lovely carol has a pronunciation guide for the polish text as well as a very nice English translation.

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Dramatique

In this selection of well-known James Bond melodies, arranger Johan de Meij has availed himself of the following themes successively: All Time High (from Octopussy, Roger Moore?s last role as secret agent 007),James Bond Theme (from the film Dr. No), For your eyes only and Goldfinger (from the same movie, starring Sean Connery). The most important musical contributor to the James Bond movies has been composerJohn Barry (1933 2011). Apart from the above-mentioned themes of Goldfinger and Octopussy, he has also added to his name the themes of Thunderball, From Russia with Love, Moonraker and Diamonds areForever. He also wrote the music for other famous films such as The Deep, Midnight Cowboy, Born Free and Out of Africa.

selection for fanfare band. Par BARRY JOHN / DE MEIJ JOHAN (Arr.). Dans cette sélection de mélodies célèbres James Bond, l?arrangeur Johan de Meij a repris les thèmes suivants, dans l?ordre de leur apparition : All Time High (de Octopussy, le dernier rôle de Roger Moore comme agent secret 007), James Bond Theme (du film Dr. No), For your eyes only et Goldfinger (du film du même avec Sean Connery dans le rôle principale). C?est sans doute John Barry (1933 ? 2011) qui a été le principal compositeur de musique pour les films Bond. Il a á son actif, outre la musique de Goldfinger, de Octopussy et de bien d?autres encore, les thèmes de Thunderball, From Russia with Love, Moonraker et Diamonds are Forever. Il a écrit de plus, la musique d?autres films célèbres tels que The Deep, Midnight Cowboy, Born Free et Out of Africa./ Répertoire / Fanfare Band

Three delicate soft and sweetly somnambular pieces that evoke imagery of the sea and its hypnotic movement. These are all arranged for Voice and Piano by Roger Vignoles. With a poem by Robert Burns a sea Shanty and a traditional piece making up this set of fabulous water songs this is an entertaining and evocative set.

Patterned in the style of Roger's skillfully-crafted arrangement of “Dust in the Wind” this famous James Taylor pop hit is ideal for beginning choirs. Offering easy call-and-response phrases on the verse followed bysolid harmonies on the chorus this setting will be a strong addition to your next concert. Available: 3-Part Mixed. Performance Time: Approx. 3:00.

Composed for the Eucharist of Christmas Night 2004 at the Cathedral Church of Christ and the Blessed Virgin Mary Rochester in the year of the 1400th anniversary of the cathedral's foundation.Missa Carolae wascommissioned for Rochester Cathedral and first performed there on 24 December 2004 by the Rochester Cathedral Choirs directed by Roger Sayer.Missa Carolæ was written for the 1400th anniversary of Rochester Cathedral thesecond oldest cathedral in England. Performances there begin with a ceremonial procession that follows the movement of a boy chorister accompanied by pipe and drum from the High Altar to a large crib placed in the Nave gathering the choirs (singing from different parts of the cathedral) and principal clergy in the course of the procession. The work though not literally for dancing is intended to invoke a dance-like spirit which is true to theorigin of the carol as a simple dance form. The choir parts should be very well known so that the singers can sing with the whole of their bodies and not just their voices. It is suitable for liturgical or concert use.

POD-James Whitbourn's Agnus Dei From Missa Carolae. Missa Carolae was commissioned by Rochester Cathedral the second oldest cathedral in England to mark the 1400th anniversary ofits foundation. It was first performed there on 24 December 2004 by the Rochester Cathedral Choirs Andy Findon (Fife) the Locke Brass Consort Edmund Aldhouse (Organ) Joby Burgess and Catherine Ring (Percussion) directed byRoger Sayer. The work is intended to invoke a dance-like spirit which is true to the origin of the carol as a simple dance form. The choir parts should be very well-known so that the singers can sing with the whole oftheir bodies and not just their voices. This version is a reduced scoring for SATB (unchanged) with Organ and optional Piccolo and also acts as the vocal score to the full version. In this scoring the Piccolo adds to theeffectiveness of the piece. In either scoring the Piccolo may be replaced with a Flute Fife or even a more rustic Pipe as was used at the first performance. The original scoring for SATB with Piccolo Brass (3 Trumpetsand 3 Trombones) Percussion (2 players) and Organ accompaniment is the preferred version. Full score and parts are available on hire from the publisher or full score on sale (CH71621). The Piccolo part (CH79893-01) is common toboth scorings and is available on sale or hire with the full version. The Organ accompaniment in this score is for performance of the version for SATB Piccolo and Organ only. An A4 spiral-bound version of this score may bepreferable for the organist (CH79893-02). The separate Organ part - available on hire - must be used for the version with instruments.An ad lib. part for the congregation (CH70961 pack of 50) is incorporated into the fullscoring of Missa Carolae. Reference to the entries of the congregation is made in the vocal score for occasions when it is used in conjunction with the full instrumentation.

There are many uses for this secular inspirational work scored for mixed voices a cappella. It would make a marvelous graduation anthem or concert closer at the end of an academic year.