For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in two volumes in progressive order. The third volume is in preparation.The two volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras.Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required.Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. / Piano

Arrangement for Viola and Piano. Par DVORAK ANTONIN. “Sooner or later the “Romantic Pieces” will pave their way through all the salons”: thus the periodical Dalibor predicted when the “Romantic Pieces” op. 75 were first issued by the publisher Simrock in 1887. Since then they have become some of Dvorák’s most popular works for violin and piano. Now they are being made available for violists also. Bella and Semjon Kalinowsky have arranged the four pieces on the basis of the “Complete Edition of the Works of Antonín Dvorák”. The piano part of the original version remains, while the violin part has been adapted for viola; it has been transcribed into the alto clef and includes fingering and bowing marks. With theirentrancing melodies and poetry, these pieces pose few technical challenges and are thus easy to play./ Répertoire / Alto et Piano

Offering insightful interpretive suggestions, pertinent fingering and historical and stylistic commentary, the Schirmer Performance Editions series is designed for Piano students and teachers, as well as professional pianists.This volume contains 22 pieces by 14 composers, including Berens, Beyer, Burgmüller, Duvernoy, Ellmenreich, Gurlitt, Heller, Kullak, Kunz, Oesten, Reinecke, Schumann, Streabbog and Tchaikovsky.Complete with online access to recorded performances, this book provides the early intermediate level pianist with a newly-engraved collection of pieces from the Romantic Era, accompanied by historical notes and performance suggestions. / Piano

The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano

Référence unique par son ISBN 73999628401 cette partition musique de Dvorak Antonin n'est autre que Dvorak Four Romantic Pieces For Violin And Piano qui a été composée pour Violon Et Piano. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50262840. / Violon Et Piano / 16 pages / Partition

Edward MacDowell (1860-1908) was America's most prominent nineteenth-century composer. Championed by Franz Liszt, he was one of the first U.S. composers to gain international recognition. A leading exponent of the Romantic tradition, he was a prolific composer for the Piano. This outstanding collection presents his best, most characteristic works, reprinted from original editions. They include: Woodland Sketches, Op. 51 Sea Pieces, Op. 55 Fireside Tales, Op. 61 New England Idyls, Op. 62 These beautiful and affecting compositions reflect not only MacDowell 's poetic Romanticism but also his virtuosic skills as a pianist, which won him an international reputation as a concert artist. Intermediate- and advanced-level pianists will appreciate the lyric intensity and ebullient spirit of these pieces. / Piano

A sumptuous selection of the very best Keyboard music of the late Romantic era by composers ranging from Tchaikovsky to Faure and beyond, all presented in one superb volume for the solo Piano. The music of the Romantic era is characterised by progressive innovations in both tonal and formal expression, both in the compositions of the salons and concert halls, and of the church. The works of Debussy, Tchaikovsky and Faure have become essential repertoire for any serious Piano student, forever pushing the boundaries of diatonic harmony, timing and texture into evermore complex worlds of emotion. Elsewhere you'll even find the very first hints of Jazz in the African/American sounds of Joplin's Ragtime classics. Every piece in this anthology is rich in heritage, and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilst retaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters. / Classique / Partition /

Romantic Pieces for 4 Violoncelli. Par GRIEG EDVARD / RIBKE. / Recueil / 4 Violoncelles

Par FORBES WATSON. A collection of pieces of about grades 3 to 4. / Niveau : Facile / Recueil / Violon

Par FORBES WATSON. A collection of pieces of about grades 2 to 3 / Niveau : Très Facile à Facile / Recueil / Violon

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The first book of the Six Character Pieces opens with a Prelude. Here the voices are often led in thirds, sixths and octaves. This work is ideally suited to practising parallel intervals, but with its expressive qualities it can also be successfully played in a recital by a mature pianist. The second piece, entitled Promenade, displays a distinct ABA form. The composer gradually builds up to a climax, beginning with an initially innocent motif and an intricate right-hand part. The Dance is the most complex of all the three pieces. Here the composer juxtaposes two different characters: a waltz in A flat major in the outer sections with a playful scherzando in the middle, led in E major. The virtuosic triplet progressions in a Chopinesque brillant style lend this miniature a light feel. The closing coda recapitulates the principal motifs. In the first book of Six Character Pieces, besides the Chopinesque subtleties, one also notes inspirations from the German Romantic tradition, while Zelenski himself comes across as an extremely interesting figure in Polish neoromanticism and a composer who elaborated his own original, distinctive style. Anna Miernik/ Répertoire / Piano

50 Essential Masterworks Compiled and Edited by Jennifer Linn. Journey Through the Classics - Romantic Collection is a piano repertoire collection of 50 original masterworks by Romantic era composers including Brahms, Burgmüller, Chopin, Grieg, Heller, Liszt, Mendelssohn, Schumann, Tchaikovsky, and many more. The graded pieces 1-50 are presented in a progressive order from early intermediate through late intermediate level. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, and challenge elements listed for each piece.Journey Through the Classics - Romantic Collection is a piano repertoire collection of 50 original masterworks by Romantic era composers including Brahms, Burgmüller, Chopin, Grieg, Heller, Liszt, Mendelssohn, Schumann, Tchaikovsky, and many more. The graded pieces 1-50 are presented in a progressive order from early intermediate through late intermediate level. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, and challenge elements listed for each piece. / Etudes et exercices / Recueil / Piano

12 Short Piano Solos. Par MIER MARTHA. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to early intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: The Balance Beam - The Challenge - Gentle Ocean Waves - Gospel Sing - A Moment in Time - My Heart Sings - The Organ Grinder - Reflection - Sea Treasures - The Secret - Song of the Matador - Wind Chimes. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to early intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: The Balance Beam * The Challenge * Gentle Ocean Waves * Gospel Sing * A Moment in Time * My Heart Sings * The Organ Grinder * Reflection * Sea Treasures * The Secret * Song of the Matador * Wind Chimes/ Recueil / Piano

These pieces selected and arranged by the excellent first flautist of the Hungarian National Philharmonic Orchestra offer an opportunity at an early stage for those learning to play the flute to discover Romanticism and the music of this great composer. The pieces in this collection are equally suitable for study purposes and for concert performance. / Quatuor De Flûtes