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Dvd Learn Southern Rock W/ 6 Greats Masters (Francais)
Français
Guitar
[DVD]
-
Intermediate
Hotlicks Videos
Invitez chez vous des guitaristes modialement reconnus pour un cours particulier...
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Invitez chez vous des guitaristes modialement reconnus pour un cours particuliers! 6 leçons de guitare rock. James Burton, Lonnie Mack, Greg Martin, David Grissom, Lee Roy Parnell et Warren Haynes vous enseignent leurs techniques. 38 minutes, sous titres : français, espagnol, italien et allemand, langue anglaise. Livret de partitions inclus. / Guitare / Dvd
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Trial by Jury (GILBERT W) (GILBERT W)
Libretto
Faber Music Limited
Par GILBERT W.S.. Libretto of the popular comic opera, Trial By Jury, composed b...
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Par GILBERT W.S.. Libretto of the popular comic opera, Trial By Jury, composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. / Date parution : 2023-03-11/ Livre / Chant
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Symetrie ROSS W. DUFFIN - COMMENT LE TEMPERAMENT EGAL A DETRUIT L\'HARMONIE
Musical course - Solfege
Symétrie
Comment le tempérament égal a détruit l?harmonie
(et pourquoi vous...
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Comment le tempérament égal a détruit l?harmonie
(et pourquoi vous devriez vous en préoccuper)
Ross W. Duffin
traduction de
Ziad Kreidy et Bernard Bessone
Saviez-vous que Bach et Mozart entendaient une harmonie plus riche que celle que l?on perçoit dans nos concerts aujourd?hui ? Comment peut-on réellement comprendre et ressentir ce qui permettait à ces mêmes compositeurs de dire que telle ou telle tonalité était plus sombre ou plus lumineuse ? Qu?avons-nous perdu en jouant la musique en tempe?rament égal ? la division de l?octave en 12 demi-tons égaux qui est devenue notre méthode d?accord universelle ?
Bien qu?il cache sa science sous un ton humoristique et qu?il illustre son implacable démonstration historique de quelques anecdotes, Ross W. Duffin aborde en profondeur le problème de l?accordage des claviers et les implications sur la justesse et la conception même de la musique d?ensemble que peuvent avoir les interprètes. Il s?adresse d?ailleurs plus aux cordes et aux chanteurs, qui peuvent moduler leurs hauteurs, qu?aux seuls claviéristes. L?auteur présente le contexte historique et met aussi en valeur des figures emblématiques de musiciens, de Pythagore a? Casals, sous forme d?encadrés avec portrait.
Ce livre, accessible à tout musicien et mélomane, saura vous donner des éléments pour remettre en question la croyance que le tempérament égal serait un aboutissement naturel du progrès, une simplification bienvenue et utile, idéale pour toutes les musiques.
/ Librairie, papeterie, dvd... / Livres sur la musique / / Symetrie
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Eulenburg Audio+Scores - Boxed Set
All Instruments
Eulenburg
The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument
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A.W. Benoy: Scales and Arpeggios For Cello: Cello: Theory
Cello
[Sheet music]
Novello & Co Ltd.
A fantastic book of useful scales and arpeggios for the Cello. It is suitable fo...
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A fantastic book of useful scales and arpeggios for the Cello. It is suitable for students preparing for all examinations of the Royal Aacadamy of Music and Royal College of Music. A.W. Benoy has supplied a large number of practical and technical scales here carefully split into three progressive section.
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Musique classique pour les enfants
Guitar
[Sheet music + Audio access]
-
Beginner
Schott
58 Pièces faciles pour guitare. Par . This volume contains everything needed fo...
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58 Pièces faciles pour guitare. Par . This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces have been recorded and are available for download to make it easier for the pupils to study and master the works. / Date parution : 2023-03-20/ Recueil / Guitare Classique
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W Denis Browne: 6 Songs High: High Voice: Vocal Album
High voice, Piano
Thames Publishing
Gems in their own right these songs offer tantalizing glimpses of what might ha...
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Gems in their own right these songs offer tantalizing glimpses of what might have been had Browne been granted time.The life of gifted composer Organist musician and teacher W Denis Browne was cut cruelly short when at age 26 he was mortally wounded at the battle for Gallipoli just a few weeks after he buried his friend the poet Rupert Brooke on Skyros. In his brief years he had a particularly active musical life showing brilliance in his music criticism and composing a few works most of which were destroyed at his request after his death. These six songs and in particular To Gratiana Dancing and Singing demonstrate great gifts proceeding from bud to bloom andanticipating some of the impressionistic later works of Debussy.
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David Grant W. Baird Ross: Crimond: SATB: Vocal Score
Choral SATB
SATB, Flute
[Vocal Score]
Paterson's Publications
Psalm 23-Hymn for SATB Choir with Descant as sung at the Silver and Royal Weddi...
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Psalm 23-Hymn for SATB Choir with Descant as sung at the Silver and Royal Weddings by W. Baird Ross. Tonic Sol-Fa version provided.
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Essential Keyboard Duets 8 (Book)
1 Piano, 4 hands
Alfred Publishing
This collection of 45 piano duets (for one piano, four hands) consists of select...
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This collection of 45 piano duets (for one piano, four hands) consists of selections for teachers and students at the elementary to late elementary levels. Duet repertoire from the 18th, 19th, and early 20th centuries are included by such composers as Cui, Diabelli, Enke, Foote, Godowsky, Gurlitt, Löw, Reinecke, Sartorio, and more. Students will improve in musicianship, ensemble performance, fingering, and rhythmic control while enjoying this delightful duet literature. To facilitate reading, the primo and secondo parts are on separate pages. The comb binding creates a lay-flat book that is perfect for study and performance. Essential ornamentation is realized in footnotes, both parts contain measure numbers for convenient reference, and brief composer biographies are included. / Piano 4 Mains
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Easy Concert Pieces Vol. 1
Violin and Piano
[Sheet music + Audio access]
Schott
Conçus pour l'enseignement ou les tous premiers concerts, les albums 'Easy Conc...
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Conçus pour l'enseignement ou les tous premiers concerts, les albums 'Easy Concert Pieces' pour violon et piano contiennent des pièces faciles et connues, allant de la Renaissance à l'époque moderne, soigneusement choisies en accord avec leurs exigences techniques et musicales : volume 1 facile, volume 2 intermédiaire. Toutes les pièces sont jouables dans la première position. À côté de pièces originales de Milán, Purcell, Corelli, Duval ou Telemann, figurent des arrangements faciles de classiques célèbres, comme 'Les Quatre saisons' de Vivaldi, 'Fireworks Music' (Musique pour les feux d'artifice royaux) de Haendel ou encore 'La Flûte enchantée' de Mozart, ainsi que des compositions modernes de pop, jazz, spiritual, bossa nova et tango. Toutes les pièces sur le CD existent en version complète et en play-back./ Recueil / Violon et Piano
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Utopia Limited (Libretto)
Livret
I.M.P.
Avoir une vue idéaliste de l'Angleterre et les Anglais, le roi suprême de l'î...
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Avoir une vue idéaliste de l'Angleterre et les Anglais, le roi suprême de l'île du sud de la mer d'Utopia décide que son peuple devrait adopter toutes les coutumes anglaises et des modes, et que le royaume devrait devenir une société anonyme. / Livret
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Sullivan And Gilbert For Singers Mezzo-Soprano Cd (SULLIVAN BERT / GILBERT)
Mezzo-Soprano voice
[Sheet music + CD]
Hal Leonard
Arrangeur: Richard Walters. Par SULLIVAN BERT / GILBERT. W.S. Gilbert a écrit l...
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Arrangeur: Richard Walters. Par SULLIVAN BERT / GILBERT. W.S. Gilbert a écrit les paroles, Arthur Sullivan a composé la musique, et ensemble ils ont révolutionnent la musique pour le théâtre en anglais. Cette nouvelle série présente des chansons et des airs de leurs opérettes intemporels, recueillis par type de voix. Il y a 15-17 chansons par volume, avec les extraits plus célèbres étant regorgeait par choix belles, moins connus. L'édition comprend également des notes sur le contexte de l'intrigue de chaque sélection. Les accompagnements piano sur les CD compagnon ont été enregistrées par Laura Ward. / Niveau : Elémentaire / Rép International / Recueil / Voix
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Elizabeth W. Greenleaf: Sounds Around Me Book 2: Piano: Instrumental Album
Piano solo
[Sheet music]
-
Beginner
FJH
In this book she takes us from the world of the Cuckoo Bird to the land of the ...
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In this book she takes us from the world of the Cuckoo Bird to the land of the kings and queens in Royal Fanfare. Contents include: The Woodpecker's Tap; Rhyming Time; Cuckoo Bird; Distant Waltz; Popcorn Starts to Pop; Royal Fanfare; A Quiet Autumn Day; Splash Boogie.
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A First Book of Blues: Piano: Instrumental Album
Piano solo
-
Easy
Dover Publications
For the Beginning Pianist-With these easy-to-play renditions beginning pianists...
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For the Beginning Pianist-With these easy-to-play renditions beginning pianists of all ages can enjoy one of America's most celebrated art forms. Sixteen popular blues melodies include traditional songs such as St. James Infirmary and Careless Love as well as several numbers by blues giants Jelly Roll Morton and W. C. Handy including St. Louis Blues Joe Turner Blues and The Hesitating Blues.Students teachers and other pianists will find these arrangements much simpler and more melodic than other versions. The selections include suggestions for fingering and are arranged in order of increasing difficulty. Introductory material by editor DavidDutkanicz offers helpful explanations of the melodic and rhythmic theory behind the blues.
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Diane Bish Classical Organ Collection Organ: Organ: Instrumental Album
Organ
Gentry Publications
Diane Bish has carefully selected some of her most loved organ selections and ma...
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Diane Bish has carefully selected some of her most loved organ selections and made them available in one wonderful collection. Songs include: Adagio in G minor (Thomaso Albinoni) ? Canon in D (Pachelbel) ? Overture (fromHandel's Royal Firework Music) ? Sicilienne (Theresia V. Paradis) ? and Apres Un Reve (Faure).
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William Henry Squire: W. H. Squire: Slumber Song For Cello And Piano: Cello:
Bosworth
William Henry Squire (1871-1963) was a British musician famed as a virtuoso cel...
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William Henry Squire (1871-1963) was a British musician famed as a virtuoso cellist composer and educator. He studied Cello and composition at the Royal College of Music later becoming Professor of Cello there and was also an early examiner for the ABRSM writing several works as examination pieces. His compositions have since become staples of the instrument’s repertoire.Slumber Song (Schlummerlied) was written for solo Cello and orchestra and first performed by the composer at the Henry Wood Promenade Concerts in 1899. It has been arranged here for Cello and Piano by the composer.
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Edmund Wächter: A Child's Prayer at Christmas: Unison Voices: Vocal Score
Choral Unison
[Vocal Score]
Boosey and Hawkes
A Carol-A Child's Prayer At Christmas by Edmund Walters is a wonderful carol fo...
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A Carol-A Child's Prayer At Christmas by Edmund Walters is a wonderful carol for Unison Treble Voices or Soloist and Piano Accompaniment. This thought-provoking and expressive piece is perfect for festive celebrations and Christmas concerts. Written in 1982 for the Royal Liverpool Philharmonic Society Carol Concert.
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Classical Music For Children
Deutsch
Guitar
Classical guitar
[Sheet music + CD]
-
Easy
Schott
Ce volume contient tout le nécessaire pour des leçons de guitare: 58 pièces f...
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Ce volume contient tout le nécessaire pour des leçons de guitare: 58 pièces faciles pour guitare originales de Aguado, Mertz, Diabelli, Carulli, Carcassi Sor ou, mais aussi facile à jouer des arrangements de musique classique dans les domaines de la musique d'orchestre, musique de chambre ou à l'opéra. Parmi eux se trouvent des thèmes de Quatre Saisons de Vivaldi, de Haendel Musique pour les feux d'artifice Royal, Flûte enchantée de Mozart, de Beethoven, Symphonie n o 9 ou Chorus Verdi des esclaves hébreux. Il est à craindre de ce volume pour faire chefs-d'oeuvre classiques de la littérature concert accessible aux enfants par le biais de ces arrangements plutôt faciles et les faire profiter de la musique classique. Tous les morceaux sont enregistrés sur le CD d'accompagnement pour le rendre plus facile pour les élèves d'étudier et de maîtriser les oeuvres. / Guitare
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Edmund Wächter: Little Camel Boy: Treble Voices: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
A Carol-A carol for treble voices complete with audience (or choral) participat...
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A Carol-A carol for treble voices complete with audience (or choral) participation with words by Peter Kennerley. Written for the Royal Liverpool Philharmonic Society Carol Concerts of 1973.
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Grade 8 Piano Anthology Examination Pieces: Piano: Instrumental Work
Piano solo
-
Advanced
Peters
for 2019-2020-The Grade 8 Piano Anthology 2019/2020 contains 24 examination piec...
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for 2019-2020-The Grade 8 Piano Anthology 2019/2020 contains 24 examination pieces from lists A B and C of the piano syllabus of the Associated Board of the Royal Schools of Music. The anthology is enhanced with performance and aural notes on each piece from leading educational experts.
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Classical Music For Children
Guitare
Schott
This volume contains everything needed for guitar lessons: 58 easy original guit...
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This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony #9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. / Guitare
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Hms Pinafore (Libretto)
Livret
I.M.P.
Probablement le premier grand succès de Gilbert and Sullivan, même si c'était...
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Probablement le premier grand succès de Gilbert and Sullivan, même si c'était leur collaboration quatrième. L'opéra moque de bonne à la Royal Navy, vie politique et la montée des gens sans réserve à des postes d'autorité. / Livret
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Mozart W.a. - Wunderkind Sonatas Vol. Ii K. 10-15 - Piano And Violin
G. Henle
Wunderkind Sonatas Volume II for Piano and Violin K. 10-15 Editor: Wolf-Dieter ...
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Wunderkind Sonatas Volume II for Piano and Violin K. 10-15 Editor: Wolf-Dieter Seiffert Fingering and bowing for Violin: Benjamin Schmid Fingering Piano: Ariane Haering Leopold Mozart was only able to understand his son's musical genius in terms of it being a God-given wonder: That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it. In 1764 Wolfgang composed six sonatas in London - possibly after the model of Johann Christian Bach's Opus 2 - that can either be played as piano trios, as violin sonatas or simply on the piano. Royal sources were consulted for the edition: the copy in the British Library bears the handwritten note: This Volume belongs to the Queen 1788. Violin Sonata (Wunderkind) B flat major KV 10 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) G major KV 11 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) A major KV 12 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) F major KV 13 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) C major KV 14 Level of difficulty (Violin): easy (Level 3) Violin Sonata (Wunderkind) B flat major KV 15
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Edmund Wächter: Little one sleep: SATB: Vocal Score
Choral SATB
[Vocal Score]
Boosey and Hawkes
A beautiful and evocative Christmas Carol for Treble Voices with full mixed chor...
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A beautiful and evocative Christmas Carol for Treble Voices with full mixed chorus and Piano accompaniment. This 20th Century treat was written for the Royal Liverpool Philharmonic Society Carol Concerts by Edmund Walters in 1981.
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Ars Musica Vol. 3 - Voix Egales
Moseler Verlag
Edition de Gottfried Wolters Feier/Musik: Wohlauf, wir heben mit Singen an (Pau...
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Edition de Gottfried Wolters Feier/Musik: Wohlauf, wir heben mit Singen an (Paul Ernst Ruppel) Grünet die Hoffnung (Gottfried Wolters) An die Freude: Freude, schöner Götterfunken (Ludwig van Beethoven) Freisinn: Lasst mich nur auf meinem Sattel gelten (Gottfried Wolters) Wer sich die Musik erkiest (Heinz Lau) Musica est Dei donum optimi / Dass dich Gott behüte (Kanon / Orlando di Lasso) Lob der Musik: Was mag doch diese Welt (Johann Rudolf Ahle) Stimmt an, stimmt an den Lobgesang (Kanon / Andrea Antico) Tageskreis: All Morgen ist ganz frisch und neu / Vom Himmel hoch, da komm ich her (Caspar Othmayer) Steht auf, ihr lieben Kinderlein (Max Reger) Am Morgen: Strahlend steigt am Himmelsbogen (Orlando di Lasso) Heil dem Tag / Lobet all Gottes Güt (Kanon / Wolfgang Amadeus Mozart) Die güldene Sonne (Arthur Sädler) Die helle Sonn leucht‘ jetzt herfür (Wolfgang Stockmeier) Fliegt der erste Morgenstrahl (Willi Träder) Im Wald ist schon der helle Tag (Gottfried Wolters) Morgenlied: Es tagt, der Sonne Morgenstrahl (Werner Gneist) Jeden Morgen geht die Sonne auf (Gottfried Wolters) Dämmerung bricht jetzt herein (Ernst Häublein) In the twilight stillness / In der Dämmerstille (Kanon / England) Gute Nacht: Hält einer über uns die Wacht (Kanon / England) Lasst uns all nach Hause gehen (Kurt Müller) Zeit zu gehn ists (Kanon / Gottfried Wolters) Nun wollen wir singen das Abendlied (Otto Kaufmann) Ich liege und schlafe ganz in Frieden (Kanon / Otto Kaufmann) Nun wollen wir singen das Abendlied (Felicitas Kukuck) All praise to thee, my God / Dank sei dir Gott (Kanon / Thomas Tallis) Der Mond ist aufgegangen (Herbert Langhans) Der Mond ist aufgegangen (Otto Kaufmann) Es dunkelt schon die Heide (Felicitas Kukuck) Dunkelt das Land nun (Jens Rohwer) O du stille Zeit (Gottfried Wolters) Wiegen-Reim: Ozewiezewoze (Gottfried Wolters) Frau Holle tut das Wasser tragen (Gottfried Wolters) Kindlein mein, schlaf doch ein / Kindla mei, schloff ock ei (Otto Kaufmann) Sommeil, vite, vite (Gottfried Wolters) Dobrú noc, má milá / Gute Nacht: Schlafe, Liebchen gute Nacht (Heinz Lau) Jahreskreis: Ach bittrer Winter (Armin Knab) Limu limu lima / Limu limu leimen (Gottfried Wolters) Der Feber ist vergangen (Heinrich Spitta) Im Walde blüht der Seidelbast (Heinz Lau) Wollt im Winter ein Brieflein schreiben (Gottfried Wolters) Ei wohl ein schöne Zeit (Volkssatz) Trariro, der Sommer der ist do (Gottfried Wolters) Trariro, der Sommer der ist do (Felicitas Kukuck) Singt ein Vogel (Heinz Lau) Der Maien bringt uns der Blümlein viel (Michael Praetorius) Grüss Gott, du schöner Maie / Eija, der Maie (Jens Rohwer) Grüss Gott, du schöner Maie / Durch Feld und Buchenhallen (Andreas Rauch) Der kühle Maien (Johann Hermann Schein) Mailied: Grüner wird die Au (Franz Schubert) Willkommen, lieber schöner Mai (Kanon / Franz Schubert) Der Mai beginnt: Der Schnee zerrinnt, der Mai beginnt (Kanon / Franz Schubert) Nun will der Lenz uns grüssen (Helmut Bornefeld) Zu Maien die Vögelein singen (Wilhelm Keller) Die liebe Maienzeit (Melchior Franck) Der Kuckuck bleibt nicht still: L‘inverno è passato / Der Winter ist vorüber (Hermann Wunsch) Hört ihr ihn rufen (Kanon / England) Der Kuckuck: Hört ihr den Vogel schrein (Kanon / Felicitas Kukuck) Dieser Kuckuck, der mich neckt (Herbert Beuerle) The nightingale, the merry nightingale (Kanon / England) In the merry month of may (Henry Youll) Come let us all amaying go / Das ist der Mai (Kanon / John Hilton) Lachend kommt der Sommer (Zoltán Kodály) Wacht auf, der helle Tag ist längst erwacht (Felicitas Kukuck) Schön ist die Welt (Gottfried Wolters) Mich brennts in meinen Reiseschuhn (Gottfried Wolters) Lied der Räuber: Ein freies Leben führen wir (Gottfried Wolters) Festlied: Von dem Berge zu den Hügeln (Heinz Lau) Sonne leuchte mir ins Herz hinein (Heinz Lau) Im Wald, im hellen Sonnenschein (Ernst-Lothar von Knorr) O Täler weit, o Höhen (Melchior Franck) Abschied vom Walde: Wer hat dich, du schöner Wald (Walter Rein) Ihr kleinen Vögelein (Werner Gneist) Ihr kleinen Vögelein (Gottfried Wolters) Geh aus, mein Herz, und suche Freud (Jakob Regnart) Lobt Gott, den Herrn: Ihr Leut, steht auf (Kanon / Gottfried Wolters) Lobt Gott in allen Landen (Konrad Hagius) Von Gott kommt alles her: Was nah ist und was ferne (Wilhelm Keller) Gott hat alles recht gemacht (Volkssatz) Ridijo (Jodler) Europäische Lieder und Chorsätze: No, though I shrink still (Thomas Weelkes) Sweet Nymph (Thomas Morley) Though Philomela lost her love (Thomas Morley) Adieu, sweet Amaryllis (Kanon / Richard Brown) Ik zeg adieu / Ich sag ade (Jacobus Clemens non papa) Adieu soulas / Ich sag ade (Antoine de Févin) La Perronnelle:Av‘ vous point vu / Habt ihr gesehen die Perronnellle (Jacobus Clemens non papa) La pastorella mia (Jakob Arcadelt) La mia dolce pastorella (Domenici Maria Melli) Parapiglia: Madona nui sapimo bon giocare / Ihr Schönen, kommt, wir wissen lust‘ge Spiele (Giovanni Domenico da Nola) No desmayes, coraçón (Alfonso de Mondéjar) Sola me dejastes (16. Jahrhundert) Mit Lieb bin ich umfangen / Es ist ein Schnee gefallen (Caspar Othmayr) Es weht ein Windlein kühl von Osten (Jacobus Clemens non papa) Wann ich gedenk der Stund (Jacobus Clemens non papa) Kein grösser Freud (Jakob Regnart) Ohn dich muss ich mich aller Freuden massen (Leonhard Lechner) Der Winter ist ein strenger Gast (Michael Praetorius) All mein Gedanken, die ich hab (Kaspar Roeseling) Minnelied: Ich freue mich auf die Blumen rot (Ernst-Lothar von Knorr) Wach auf, meins Herzens Schöne (Otto Kaufmann) Fein sein, beinander bleibn (Volkssatz) Verstohlen geht der Mond auf (Ernst Häublein) O du schöner Rosengarten (Gottfried Wolters) Ich hört ein Sichelein rauschen (Heinz Lau) Es war ein König in Thule (Carl Friedrich Zelter) Es sass ein klein wild Vögelein (Helmut Bräutigam) Zogen einst fünf wilde Schwäne (Heinz Lau) Ich fahr dahin, wann es muss sein (Johannes Brahms) Feinsliebchen, du sollst mir nicht barfuss geh‘n (Johannes Brahms) Da unten im Tale (Johannes Brahms) Wenn ich ein Vöglein wär (Kanon / Clara Schumann) Rossignolets du bois joli / Nachtigall, sing dein schönstes Lied (Gottfried Wolters) Rossinyol, que vas a França / Rossinyol, flieg hin nach Frankreich (Gottfried Wolters) Tulu, kommst du den nicht (Jens Rohwer) Uti vår hage / Draussen da wachsen blau Beeren (Felicitas Kukuck) Per Spelemann / Hans Spielmann (Daniel Helldén) Per Spelemann / Hans Spielmann (Otto Kaufmann) Mä olen paimenpoikamen / Ich bin ein junger Hirtenknab (Gottfried Wolters) Boerinnetje van buiten (Leontinus) Wel Anne-Marieke (Kamiel Cooremans) Das Carillon von Ekelsbeeke: Über Ekelsbeeke klingt (Gottfried Wolters) J‘ai descendu dans mon jardin / In meinen Garten trat ich ein (Willi Träder) Carillon d‘Orléans: Orléans, Beaugency (Kanon / Frankreich) Si le Roy m‘avait donné Paris / Wenn der König mir Paris (Gottfried Wolters) La Violette: J‘ai un long voyage à faire / Eine weite Reise hätt ich (Carl Orff) Fior di viola / O Veilchenblüte (Carl Orff) Kuckuck ist ein braver Mann (Carl Orff) Gesang der Wolga-Schlepper: Ej uchnjem! Jesco rasik / Ej uchnjem! Ruft noch einmal (Otto Kaufmann) Spielt ein Flötlein auf der Gassen (Ernst Häublein) Sag mir doch, wo ist den mein Liebster hin (Gottfried Wolters) - Spinn, nur meine Spinnerin (Gottfried Wolters) Abschied: Blumen haben lang geblüht (Gottfried Wolters) Flieg her, kleiner bunter Vogel: Vöglein, flieg doch her zu mir (Lajos Bárdos) Nem láttam én molnárcsókot / Sah nie einen Müller küssen (Lajos Bárdos) Slowakischer Dudelsackpfeifer: Eine alte Hex (Lajos Bárdos) Pandur andanduri (Ungaresca) Sej, filipa táncom (Zoltán Kodály) Hej, tulipán, teljes szëgfü / Hej, tulipán, schaut euch meinen Garten an (Zoltán Kodály) Volt nekëm ëgy kecském / Hatte eine Ziege (Zoltán Kodály) Her über d‘Alm (Volkssatz) Auf der Alma, da gibt‘s Kalma (Volkssatz) Hore, hollarore (Jodler) Springt der Hirsch übern Bach (Volkssatz) Und der Gugu im Wald Volkssatz) Böhmische Musikanten: Heit gihts nôch Sachsen `naus (Volkssatz) Böhmische Musici (Volkssatz) Der Steirer Dreier: Hoi rieho (Jodler) Papagenos Glockenspiel: Das klinget so herrlich (Wolfgang Amadeus Mozart) Gesseligkeit: Herr von Gänsewitz zu seinem Kammerdiener: Befehlt doch draussen still zu schweigen (Kanon / Joseph Hayden) Er ist da (Kanon / Friedrich Kuhlau) O du eselhafter Martin (Kanon / Wolfgang Amadeus Mozart) Warnung: Mädchen, ach, meide Männerschmeichelein (Kanon / Carl Maria von Weber) Kommt und lasst uns tanzen (Kanon / Frankreich) Kommt, ihr Gspielen (Melchior Franck) Die Brücke über den Main: Es führt über den Main (Felicitas Kukuck) Mädel, lass zum Tanz dich führen (Siegfried Rath) Jetzt wird getanzt (Kanon / Amerika) Hör ich von fern Musik (Heinz Lau) Tanzlied: Ich hab die Ros‘ an meinem Fuss (Carl Orff) Sur le pont d‘Avignon / Kommt zum Tanz herbei (Heinz Lau) Heissa Kathreinerle (Gerd Watkinson) Tanz-Quodlibet: Heissa, Kathreinerle / Immerzu,ja tanzen immerzu / Zum Tanze da geht Je höher der Kirchturm (Franz Biebl) Quodlibet: Übers Bacherl bin i gesprunge / Auf der Mauer, auf der Lauer / Drunten im Unterland (Arthur Sädler) Horch, was kommt von draussen rein (Otto Kaufmann) Martin, lieber Herre (Ernst Häublein) Maciek: Trägt der Maciek (Felicitas Kukuck) Mir san ja, die lustigen Hammaschmiedsgsölln (Fritz Büchtger) Jagd-Quodlibet: Auf, auf, zum fröhlichen Jagen / Ein Jäger aus Kurpfalz / Der Jäger in dem grünen Wald (Hans Poser) Begrüssung: Hört ihr den jubelnden Ton (Volkssatz) Blaset die Hörner zum fröhlichen Jagen (Gottfried Wolters) Das grosse Halali: Rufen die Hörner halali (Volkssatz) Seefahrt/Shanty/Negro-Songs: What shall we do (Otto Kaufmann) Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Carl Borenlius) - Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Jens Rohwer) Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Otto Kaufmann) Farewell and adieu / Fareewell und adieu (Gottfried Wolters) This ol‘ hammer (Kanon / Amerika) Go down, Moses (Gottfried Wolters) Blin‘ man stood on de way an‘ cried (Gottfried Wolters) I never felt such love (Gottfried Wolters) Crucifixion: They crucified my Lord (Gottfried Wolters) Singin‘ wid sword in ma han‘ (Paul Ernst Ruppel) Lit‘le David (Gottfried Wolters) Geistliche Chormusik: Conditor alme siderum / Gott, heiliger Schöpfer (Jacobus Clemens non papa) Jesu, rex admirabilis / Jesu, dulcis memoria (Giovanni Pierluigi da Palestrina) Ad te, perenne gaudium / Christe, der du bist Tag und Licht (Orlando di Lasso) Vater unser im Himmelreich (Leonhard Paminger) Vater unser im Himmelreich / Leit uns mit deiner rechten Hand (Kanon / Samuel Scheidt) Herr, höre meine Worte (Hans Leo Hassler) Ein Lied in Fröhlichkeit des Geistes zu singen: Ich freue mich und bin fröhlich (Caspar Othmayr) Lasst uns den Herren loben (Heinrich Schütz) Das Deo gratias: Danket dem Herren, denn er ist sehr freundlich (Johann Hermann Schein) Ein feste Burg ist unser Gott (Caspar Othmayr) Benedictus (Orlando di Lasso) Herr Gott, dich loben wir (Johann Joseph Fux) Tisch-Gebet: Aller Augen warten auf dich, Herre (Heinrich Schütz) Danket dem Herren, denn er ist sehr freundlich (Heinrich Schütz) Danket dem Herren, denn er ist sehr freundlich (Johann Staden) Danket Gott, dem Herren (Johann Kugelmann) Laudate Dominum (Gregor Aichinger) Alleluia (Kanon / William Boyce) Cantate Domino (Daniel Friderici) Pleni sunt coeli et terra (Francesco Durante) Es ist ein köstlich Ding (Johann Staden) Nun danket alle Gott (Johann Sebastian Bach) Wer nur den lieben Gott lässt walten (Johann Sebastian Bach) Du Friedefürst, Herr Jesu Christ (Johann Sebastian Bach) Laudate Deum (Kanon / Henry Purcell) Singt dem Herrn ein neues Lied / Canticorum jubilo (Georg Friedrich Händel) Heilig, heilig, heilig, heilig ist der Herr (Franz Schubert) Soli Deo gloria: Gloria, soli Deo gloria (Kanon / Paul Kickstat) Lobe den Herren, den mächtigen König (Gottfried Wolters) Sancta Trinitas: Dominum patrem nostrum benedicimus (Kanon / Jens Rohwer) Wie schön leuchtet der Morgenstern (Fritz Dietrich) Advent/Weihnachten: O Heiland, reiss die Himmel auf (Heinz Lau) Es kommt ein Schiff, geladen (Otto Kaufmann) - Es war ein Jungfrau auserkorn / Die ganze Welt, Herr Jesu Christ (Jacobus Clemens non papa) Maria durch ein Dornwald ging (Cesar Bresgen) Es ist ein Ros entsprungen (Johannes Petzold) Es ist ein Ros entsprungen (Michael Praetorius) Vom Himmel hoch, da komm ich her (Otto Kaufmann) Uns ist ein Kindlein heut geborn (Johann Sebastian Bach) Freut euch, ihr lieben Christen (Leonhart Schröter) O Jesulein zart (Samuel Scheidt) Lobt Gott, ihr Christen (Max Reger) Gloria in exelsis Deo (Gottfried Wolters) Hört, ihr Hirten, lasst euch sagen (Gottfried Wolters) Jodler-Andacht: Tjo tjoiri (Jodler) Die Hirten freuten sich (Gottfried Wolters) Es wird scho glei dumpa (Volkssatz) Der Heiland ist geboren (Walther Hensel) Still, still, still, wer Gott erkennen will (Gottfried Wolters) Ein Kind ist geboren zu Bethlem im Stall (Gottfried Wolters) Kommet, ihr Hirten (Heinz Lau) O du fröhliche / O sanctissima (Gottfried Wolters) Haben Engel wir vernommen (Willi Träder) Am weyhnachtabend in der still (Carl Orff) Melchior et Balthazar / Melchior und Balthazar (Gottfried Wolters) Marsch der Könige: Hoch zu Ross (Gottfried Wolters) Täglich zu singen: Ich danke Gott (Wilhelm Keller)
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Orchestra
Peters
Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edi...
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Original Version. Schumann?s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.'
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
(+)
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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