Clarinet

SKU: HL.48189456

Composed by Michel Trudelle. Leduc. Softcover. Alphonse Leduc #NT13361Y. Published by Alphonse Leduc (HL.48189456).

UPC: 888680881511. 8.25x12.0x0.46 inches.

Trudelle San Carles Blues 4 Clarinets Score/Parts.

Clarinet and Orchestra

SKU: HL.14027975

Composed by Poul Ruders. Music Sales America. Classical. Score. Music Sales #KP00077. Published by Music Sales (HL.14027975).

ISBN 9788759864371.

Solo Clarinet part available: KP00083.

Clarinet and Twin Orchestra

SKU: HL.14027974

Composed by Poul Ruders. Music Sales America. 20th Century. Part. Edition Wilhelm Hansen #KP00083. Published by Edition Wilhelm Hansen (HL.14027974).

English.

The B flat Solo Clarinet Part for Danish composer, Poul Ruders' fabulous concerto. Written between 1984 and 1985, this mysterious, majestic and expressive work for Clarinet and Twin Orchestra is quite a challenge but certainly an impressive and rewarding one! The full score is also available(KP00077).

Clarinet and Twin Orchestra

SKU: BT.WHKP00083

Composed by Poul Ruders. Part. 20 pages. Edition Wilhelm Hansen #WHKP00083. Published by Edition Wilhelm Hansen (BT.WHKP00083).

English.

The B flat Solo Clarinet Part for Danish composer, Poul Ruders' fabulous concerto. Written between 1984 and 1985, this mysterious, majestic and expressive work for Clarinet and Twin Orchestra is quite a challenge but certainly an impressive and rewarding one! The full score is also available(KP00077).

Kindermusical mit Sprech-, Sing- und Spielrollen, und mit Instrumenten. By Gerd-Peter Munden. Text: Antes, Brigitte. For Children's Choir, Flute, Clarinet (b flat), Violin, Violoncello, Piano (Keyboard). Kindermusical (Children's Musical). Score; Piano Reduction/Vocal Score. Published by Baerenreiter-Ausgaben (German import).

Brass Ensemble, Trumpet, Trombone and Piano

SKU: HL.14027970

Composed by Poul Ruders. Music Sales America. Classical. Score. 16 pages. Edition Wilhelm Hansen #KP00263. Published by Edition Wilhelm Hansen (HL.14027970).

ISBN 9788759859353. 16.75x11.75x0.425 inches. English.

Break-Dance is an obvious next of kin to the two Clarinet trios Vox In Rama and Tattoo For Three. This piece, however, combines the roaring despair of the first trio with the twisted rhythmical display of the latter. The title, of course, is a reference to the modern street-dance electric boogie, but the very music itself takes the naming most literally indeed: formally and rhythmically, after a straightforward head-on opening, it breaks into isolated, jagged fragments, winding up in a bouncing piano cadenza. Albeit not an obvious piano concerto, the piano part hovers in the front line, the same way the horizontal guy, ringing himself on the pavement, is doubtless an eye-catcher to passers-by. The springy 'body-language' that kicks off the piece suddenly stiffens and freezes into hard-edged blocks and the real 'dance of breaks' emerges into focus. Break-dance is commissioned by and dedicated to Yvar Mikhashoff and Spectrum. Arranged for 2 Trumpets, 3 Trombones, and Piano.

Clarinet. Music Sales America. 20th Century. Music Sales #WH30344. Published by Music Sales

Concert band (I/II Kornett in B, Tenorhorn in B oder Alt-kornett in Es, posaune in C oder Tenorhorn in BA)

SKU: M7.OERT-7355-05

23 Vortragsstücke für alle Gelegenheiten in leichter und mittlerer Schwierigkeit. Arranged by Hans Hofmann. This edition: Saddle-wire stitching. Sheet music. Individual part, Clarinet/piston in Eb. 16 pages. Oertel Musikverlag #OERT 7355-05. Published by Oertel Musikverlag (M7.OERT-7355-05).

ISBN 9790501801466.

Flute, Clarinet, Violin, Cello, Guitar, Vibraphone, Piano Chamber

SKU: HL.14008995

Composed by Poul Ruders. Music Sales America. Classical. Score. 36 pages. Music Sales #KP00055. Published by Music Sales (HL.14008995).

ISBN 9788759878217. Danish.

Poul Ruders DIFERENCIASDIFERENCIAS was an old Spanish naming of musical compositions dealing with various techniques involving theme and variation. In modern Spanish it simply means differences. It's a nice title, however, and as to the present piece, a very fitting one indeed, because I wrote it especially to The Elsinore Players for their South America-tour in 1981.Actually nothing happens to the clipping of wellknown Bach (the first four bars of the chorale: jesu, Joy of Man's Desiring, cantata No. 147), apart from the continuous changing of the succession-pattern of the 11 triplets and one duplet, the latter of which creates the recognizable 8/8 pattern amidst the flow of 9/8 spinnrad-rolling. To put it popularly, I haven't included anything that Bach does not have in the book himself.In addition to that, the unpredictable accents and various instrumental colours are the only means of differences. There are no modulations, no tricky polyphony, nothing but a long, thoughtful tasting the beautiful piece of tune. Well, of course, the chorale itself enters the picture in the very last section, but that is merely for me to have the pleasure of tossing it away again before it comes to a proper end.Finally, I really do think, that the Cage/Morgan poem quoted below, is the most suitable prologue to DIFERENCIAS:14 variations on 14 wordsI have nothing to say and I am saying it and that is poetry. John CageI have to say poetry and is that nothing and I am saying itI am and I have poetry to say and is that nothing saying itI am nothing and I have poetry to say and that is saying itI that am saying poetry have nothing and it is I and to sayAnd I say that I am to have poetry and saying it is nothingI am poetry and nothing and saying it is to say that I haveTo have nothing is poetry and I am saying that and I say itPoetry is saying I have nothing and I am to say that and itSaying nothing I am poetry and I have to say that and it isIt is and I am and I have poetry saying say that to nothingIt is saying poetry to nothing and I say I have and am that Poetry is saying I have it and I am nothing and to say that And that nothing is poetry I am saying and I have to say itSaying poetry is nothing and to that I say I am and have itEdwin MorganPoul Ruders.

Composed by Tom Cipullo. One Act/Chamber. 21st Century. Score. Published by E.C. Schirmer Publishing