Section 3 - qui est amusant à la puissance de trois, pour trois joueurs qui s'asseoir ensemble dans une section d'ensemble et qui aimeraient laisser leur son d'instruments comme un groupe distinct. Les pièces stylistiquement variées sont toutes écrites dans les rythmes de la danse moderne - à partir de transe ou RandB, congas et Samba. Le CD - qui contient les versions démo ainsi que les accompagnements rythmiques de toutes les pièces - rend votre jeu amusant complète. Mais avec un batteur réel, qui peut utiliser la partie tambour fermés, les pièces sonore encore meilleures. / 3 Flûtes / Partition

Section 3 - qui est amusant à la puissance de trois, pour trois joueurs qui s'asseoir ensemble dans une section d'ensemble et qui aimeraient laisser leur son d'instruments comme un groupe distinct. Les pièces stylistiquement variées sont toutes écrites dans les rythmes de la danse moderne - à partir de transe ou RandB, congas et Samba. Le CD - qui contient les versions démo ainsi que les accompagnements rythmiques de toutes les pièces - rend votre jeu amusant complète. Mais avec un batteur réel, qui peut utiliser la partie tambour fermés, les pièces sonore encore meilleures. / 3 Saxophones / Partition

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques

Le Génie de la Guitare Brésilienne - Méthode Bossa & Samba. Par ROUX DENIS / GHUZEL MICHEL. La Génie de la guitare brésilienne. Le génie de la guitare brésilienne est le complément indispensable aux 'Astuces”. Cet ouvrage présente en 10 morceaux, divers styles brésiliens. Ces pièces relevées sur disques ont été fidèlement retranscrites en solfège et en tablatures. / Musique latine / Tablatures / Guitare Tablatures

Par HAMMOND HEATHER / MARSHALL KAREN. This piano course has been specifically written to help students progress through the tricky intermediate stages of learning the piano. Through carefully chosen repertoire, quick studies, key technical information and musicianship activities, students will develop the skills that they require. Note-reading will be improved, technique developed and a greater understanding of style and music theory will be gained. The Intermediate Pianist Book 3 is suitable for Grade 5 level pianists and forms part of the Piano Trainer series./ Méthode / Piano

Le premier des quatre paquets 3-CD et propose des titres adossés des sélections du Volume 1 de la sixième édition de The Real Book Play-Along, édition européenne. / Instruments En Sib, Instruments En Mib, Instruments En Do Et Instruments À Basse

Par EVERS HARM. In dieser Komposition entführt Sie Harm Evers auf eine Reise in das exotische Mexiko. Die fröhlichen Klänge bringen Sie mühelos in dieses sonnengetränkte Land der Siesta und - wie es diese Komposition ebenso deutlich ausdrückt - der Fiesta. Wie der Titel schon sagt, spielen die Trompeten in diesem werk eine große Rolle. Diese können in einem dreistimmigen Zusammenspiel ihr Fähigkeiten zur Schau stellen. Charakteristisch für diese Komposition ist ihr komplizierter Sambaryhthmus, der dem WErk seinen südamerikanischen 'Touch' gibt. Dieser wird durch den Gebrauch von vorgeschriebenen exotischen Percussioninstrumenten noch gesteigert. / Niveau : 3 / Musique légère originale / Répertoire / 3 Trompettes et Concert Band/Harmonie/Fanfare

The ten pieces of this edition, written varyingly using 2/4, 3/4 or 4/4 time signatures, are entertaining, rhythmically lively and, above all, easy to learn. The pieces, originating in Brazil, Columbia, Peru and Argentina, are all either based on traditional music or are popular works written more recently.

From the contents
?Baila Negra? (Colombia), ?Sambalelê? (Brazil), ?Senora Chichera? (Bolivia), ?Goza mi mambo? (Cuba; A. Arcano)

The author
Jean Kleeb was born in Brazil and lives in Germany, where he is a freelance musician, teacher, pianist and choir director. He completed his music studies in 1988 in São Paulo and began teaching at the University of Gießen in 1992. Since 2005 he has been the conductor of the Brazilian choir ?Vozes do Brasiles?. / Jazz / Partition / Agrafé /

Arr. John Blanken. Par JOHANSSON JAN. The popular Swedish children's series Pippi Långstrump (Pippi Longstocking) is about an exceedingly strong and strong-willed little girl with red braids - who is the brainchild of Astrid Lindgren. This series has been broadcasted in many countries. I arranged its cheerful theme tune in samba style. Even with the new rhythm, the original song is still very recognizable. In the exuberant samba style, the percussion plays an important role. Within the Långstrump Samba, this is especially clear in the ad libitum percussion solo halfway through the arrangement. The solo can go on as long as desired, and offers plenty of freedom because of the free choice of the instruments used. / Niveau : 3 / Musique légère originale / Répertoire / Fanfare