SKU: CA.4038400
ISBN 9790007218294. Language: all languages.
Color print of an oil on canvas original, 1827.
SKU: BT.PWM6035030
SKU: BA.BA05657-79
ISBN 9790006566396. 32.5 x 25.5 cm inches. Key: C major.
Praktische Ausgabe zum Band Kleinere kirchenmusikalische Werke II (Neue Ausgabe samtlicher Werke I/9) BA 5569-01.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.4029605
ISBN 9790007066505. Key: F major. Language: German/English.
Setting for female choir. Score available separately - see item CA.4029600.
SKU: BO.B.0986
SKU: BT.EMBZ13165
English-German-Hungarian.
Each book in series presents a composer trough a selection of brief pieces. The first volumes help the young pianist to become acquainted with the music of Händel, Haydn, Mozart, Beethoven, Schubert, J. S. Bach and Weber. Most of the works are dance movements, although some sonatinas or sonatas have also been included. All the books contain a variety of compositions easy to play but of undoubted musical value. The selection is the work of four well-known music pedagogues, Magda Csurka, Gábor Kováts, András Héra and József Sármai.
SKU: FL.FX072911
Instruments:Oboe Trio: 3 Oboes; Difficuly Level: Grade 4.
SKU: HL.49006246
ISBN 9783795717070. UPC: 073999360103. German.
SKU: BA.BA06417
ISBN 9790006504534. 30 x 23 cm inches.
This volume contains arrangements of popular themes by the great composers, thereby filling a gap in the recorder literature between the Baroque and modern periods. Drawing on the large body of 19'â?? century arrangements (mainly for flute), the volume is more than entertaining in its own right. For the first time it enables the expressivity, phrasing and modulatory richness of Classic and Romantic music to be transferred to the recorder.
SKU: HL.49041054
ISBN 9790001123525. 9.0x12.0x0.156 inches.
Throughout his career the Austrian composer and musicologist Hans Gal (1890–1987) wrote a number of operas, orchestral works, concertos and vocal pieces, and during the latter part of his life he concentrated particularly on chamber music. In addition he published books and essays on composers such as Brahms, Schubert and Verdi. Forced to emigrate from Germany in 1933, Gal finally settled in Edinburgh, where he taught at the University, and continued to compose for the rest of his long life.His Oboe Sonata is a valuable addition to the repertoire. The three movements, like all Gal’s works, are rooted in the late Romantic period.
SKU: HL.49004481
ISBN 9790001046589. 7.5x11.0x0.083 inches. German.
Ein Tonbeispiel des Heilig aus der Deutschen Messe finden Sie unten in einem Live-Mitschnitt der ev. Jugendkantorei der Pfalz, Dir.: Jochen Steuerwald.
SKU: JK.02006
UPC: 093285020061.
Premiering the second volume in the series The Master's Touch. Contained in this volume are 11 engaging arrangements of beloved Latter-day Saint hymns, set masterfully in the style of the Greats including Bach, Saint-Saens, Debussy, Chopin, and more. Like the original classical repertoire, these arrangements are advanced and satisfying to play!Titles included in this volume:BACH: Come, Ye DisconsolateCHOPIN: As the Dew from Heaven DistillingHANDEL: Our Mountain Home So DearLISZT: I Have Work Enough to DoMOZART: Rejoice, the Lord Is King!PACHELBEL: Lead, Kindly LightRACHMANINOFF: Press Forward, SaintsSAINT-SAENS: All Creatures of Our God and KingSATIE: If You Could Hie to KolobSCHUBERT: True to the Faith/ Hope of IsraelTCHAIKOVSKY: The Morning BreaksComposer: VariousEditor: David Glen HatchArranger: Marden PondDifficulty: Very difficultReference: Doctrine and Covenants 20:77, 79, Isaiah 53:2-5.
SKU: BO.B.1147
SKU: BR.EB-9253
World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017
Have a look into EB 9283.
ISBN 9790004185537. 9 x 12 inches.
Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.
SKU: HL.49001098
ISBN 9790001008624. UPC: 073999635898. 8.25x11.75x0.026 inches. German.
SKU: HG.GH-10358
ISBN 9790202803226.
Nur in Chorstarke, ab 20 Stuck.
SKU: HL.49009456
ISBN 9783795764418. UPC: 841886008564. 5.25x7.5x0.163 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
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